Knowledge (XXG)

Cornucopia (concert tour)

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understand" at times and often feared, "this is a disaster," but, she concluded, "when I see everything together, it is incredible." While Björk did the musical arrangements, Martel added "materiality and physicality" and devised the special projection concept which throws up digital artist Tobias Gremmler's creations against a curtain of ropes placed in front of the stage in addition to the large screen behind the performers. "The whole show," Björk said, "is a lot about females supporting each other" and she described her flute arrangements as "folk music for the future." She sees her acoustic and electronic fusions as "ways to express the spiritual in the digital... there is an enormous need to the find a place for the soul in our global landscape." Supporting this grassroots, female-led vision is a direct appeal for global climate reform by young Swedish activist
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luxuries of a few. In the year 2078, I will celebrate my 75th birthday. If I have children, maybe they will spend the day with me. … Maybe they will ask why you didn’t do anything while there still was time to act. You say you love your children above all else, and yet you’re stealing their future in front of their very eyes. Until you start focusing on what needs to be done rather than what is politically possible, there is no hope. We cannot solve a crisis without treating it as a crisis … And if the solutions within this system are so impossible to find, then maybe we should change the system itself. They have ignored us in the past and they will ignore us again. They have run out of excuses and we are running out of time. But I’m here to tell you that change is coming, whether they like it or not. The real power belongs to the people.
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collection a few months ago and witness such an obvious overlap between both of our headspaces. We had been looking for plantlike uniforms for habitants of this sci-fi concert, and we were thrilled when we found it." "It’s often hard to describe music without words," Björk later said, "but Balmain really understands my esoteric descriptions." Rousteing had to alter each piece to fit the physical needs of Björk and the other musicians, of which he dressed 15 including Viibra, the flute septet and percussionist Manu Delago with particular attention paid to harpist Katie Buckly's outfit. In all, Balmain contributed 3 different outfits for Bjork herself to wear during Cornucopia's run at The Shed, including a new dress in
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forms are at the heart... whether the intricate beauty of fungi or the grand wonder of the cosmos, there was no part of reality too big or small to consider. In the same way, Björk’s music is so personally and emotionally raw, it takes you deep into your own life experience, but is also about the human condition in general." Stephenson went on to say that she sees no separation between high and low culture and sees Björk as a "brilliant example" of someone who can "confidently" move between both worlds. She also detailed how the stage would use a
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between high and low arts." Björk also described her new show as "an optimistic proposal" on how the world can deal with climate change. She envisioned a possible "postapocalyptic" future where "plants, birds and humans will merge into a new mutant species," an idea she created sonically on Cornucopia's 2017 parent album,
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four players to come together into a quartet where each player's relationship to the instrument becomes inseparable from their relationship to the others. It was designed by an Icelandic /German artist duo called Studio Brynjar & Veronika and built by flute maker Jean Yves Roosen. The show features a set of two
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journalist Craig Jenkins billed the show as "the Wildest Visual Display in a Concert That I’ve Ever Seen". He went on to commend the show as "a dream of a future where technology and nature can commune as one. For 100 minutes, Cornucopia helps the audience to imagine that world. It is one of the most
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praised the show and its visual presentation, with journalist Leah Greenblatt describing it as "the meticulous product of her own supremely Björkian making, from the heralding trumpets and imported Icelandic choir that open the evening to the gleaming Barbarella tea-cup platforms and the mind-bending
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instruments, created or modified to suit the needs of the show and the singer. The performance of "Body Memory" utilizes a unique instrument consisting of four conjoined flutes that are curved to form a circle called The Circle Flute. The instrument cannot be played by a single performer and requires
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concept is a proposal to deal with nature in "a more compassionate way... Hopefully (starting) from a female point of view will help" And, Björk concluded, after nature is brought to the brink, "we would all go to an island and become mutants between plants and birds, break off branches and make them
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track "Body Memory". Airfare for the 50-person choir was provided by the Icelandic government, with Minister of Education Lilja Alfreðsdóttir saying, "the state often strengthens cultural events" and "this will be very good for all parties". This news broke as part of an update to The Shed's digital
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journalist John Rockwell observed how "Björk’s remarkable ear for musical timbres can get lost in a bass-heavy sonic sludge. Her fascinating lyrics are pretty much impossible to discern, and the costumes often verge on the downright weird. The whole affair verges on emotion overcome by pretension",
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commended the show for its promotion of climate change awareness, noting that "that's not to suggest this performance was simply a vehicle for Björk’s political views, or to say the musicians relied on the room's exceedingly advanced tech as some sort of crutch. No, the most dazzling moments came
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The Hamrahlid Choir opened the evening with a 20-minute set of traditional Icelandic songs and choral arrangements of Björk's "Sonnets/Unrealities XI" and "Cosmogony". Björk emerged from "swirly helixes of color" to perform "The Gate", which segues into "Utopia" and "Arisen My Senses". The singer
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green/blue color scheme. "I think the fact that she has no boundaries with her music," Rousteing said, "that’s where we connected, and that’s what she loved about the last couture show. Is it fashion? Is it art? Is it furniture? What is that? There’s no name. You can’t put it in a box. You cannot
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neighborhood in the Spring of 2019. She described it as her "most elaborate stage concert yet, where the acoustic and digital will shake hands, encouraged by a bespoke team of collaborators". On the musical side, these collaborators include the seven member female Icelandic flute ensemble Viibra,
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We are about to sacrifice our civilization for the opportunity of a very small number of people to continue making unimaginable amounts of money. The biosphere is being sacrificed so that rich people in countries like mine can live in luxury. But it’s the suffering of the many which pays for the
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set designer Chiara Stephenson revealed that "Björk wanted Cornucopia to be both intensely intimate, as though the audience could feel her whispering in their ear, and vast, voyeuristic and distant,". The designer was inspired by natural shapes to create the setting for the show, saying "Natural
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fame. Björk described Martel as "instinctive, vibrant and fun" and Cornucopia is Martel's first theatrical production in New York after a celebrated and ongoing career as a filmmaker in Argentina. Martel admitted to finding Björk's unique working methods and turns of phrase "a little bit hard to
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explained that "Björk wanted the sound for Cornucopia to create an otherworldly sensory experience that draws the visual, aural and virtual elements together and utilizing Soundscape, from the studio composition scenario all the way through to the show performance scenario has delivered of that
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on electronics, all of whom performed on Björk's 2018 Utopia tour. The show will be directed by Lucrecia Martel with stage design by Chiara Stephenson and digital visual design by Tobias Gremmler. The creative team for Cornucopia is rounded out by Margrét Bjarnadóttir (choreography), Bruno Poet
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to, is his favorite film. The Icelandic singer reached out to Rousteing after she saw Balmain's Spring 2019 couture line: "It was a curious feeling after me and (frequent collaborator) James Merry had been swirling around in our utopian hemisphere for a while to see Olivier Rousteing’s Balmain
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residencies. Poots admires Björk's ability to "(keep her) eyes wide open all over," her "prodigal approach to creativity" and her "yearning to reinvent." Björk spoke equally well of Poots, complimenting his positive attitude towards "idiosyncratic ideas" and his disinterest in "differentiating
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said the show's billing as Björk's most elaborate staged concert to date "would be a tough claim to refute". They described the digital projections against the stage's forefront curtain of threads as "jaw-dropping" and "lushly layered" and heralded the environmental message behind the show as
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was best suited to "a theatrical set design and staging for the songs to be semi-believable." The Shed's artistic director, Alex Poots, commissioned the work and said he "would’ve been really upset if (The Shed) hadn’t seemed relevant" to Björk. They first worked together at the
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whose video message appears towards the end of the show unencumbered by digital effects or music. Thunberg and Björk's daughter are roughly the same age, and Björk notes that their generation "is extremely aware of the power of activism, and I'm very proud of them." The
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analysed the theme of the show, noting that "In Cornucopia, coherence, linearity, and familiarity are indulgences rather than givens, underscoring the overarching imperative to reject comfort and precedent in search of a better future". In a mixed review for the show,
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After seeing everything come together during the opening night dress rehearsal, costume designer Rousteing was moved to "tears. It was really emotional for me and sometimes I think we forget that fashion is about emotion. This was pure, beautiful emotions."
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gave the preview dress rehearsal an "A" grade and called it "stunning" and "the best show in town...like reality overlaid on to virtual reality" and "a world of sound like no other." Writer Imam Lababedi called Serpentwithfeet's surprise duet with Björk on
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Björk then returns onstage after changing into a dress by Iris van Herpen to perform "Future Forever" with the choir. She then proceeds to introduce the musicians that played with her, before closing the show with "Notget", taken from her 2015 album
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describes the stage by saying that " gives the appearance of an outgrowth of oyster mushrooms, one for the singer and her harp player, Katie Buckley; another for drummer and percussionist, Manu Delago; a third for the storied Icelandic producer
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in London after performing two dress rehearsals in her hometown of Reykjavik. The tour lasted throughout the summer and hit many European music festivals, ending in Rome on 30 July 2018.
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During the 1 September 2023 show in Lisbon, "Body Memory", "Hidden Place" and "Mouth's Cradle" were performed with the choir instead of "Venus as a Boy", "Claimstaker" and "Mycelia".
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called it "a poignant passing of the torch from artist to activist" and said "it put the datastorm complexity of what came earlier into stark, simple, fittingly scary perspective."
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The performances were praised by critics, who lauded the singer's performance and the overall production of the show. Tickets for Cornucopia sold out quickly after going on sale.
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as opening act and support during the main show, as well as the stark, unprocessed video projection at the end of the concert by 16 year old Swedish climate activist
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reported the opening of The Shed as 5 April 2019, with Björk's Cornucopia opening a month later on 6 May and running for 8 performances, concluding on 1 June 2019.
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was announced as part of Cornucopia's lineup, conducted by Þorgerður Ingólfsdóttir. Björk herself was once a member of the famous choir and utilized them for the
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The show featured several digital visuals created by media artist Tobias Gremmler, while Chiara Stephenson provided the stage design, which was made to resemble
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but concluded by writing that "there is nothing out there like Björk, in Iceland or Brooklyn or the world. She epitomises Icelandic art while transcending it".
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to feature onstage, in which she could sing before technical equipments, to mimic the way she usually composes her music. Björk and the band wore dresses by
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culture center, it was one of the first shows being performed at the venue, which was inaugurated in April 2019. Concepted upon Björk's ninth studio album,
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from the humans involved in this mesmerizing production, which was at once bafflingly esoteric and immediately unforgettable". Gabriela Tully Claymore of
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where Björk could test the reverb room before the opening of the show. Björk admitted to being "scared" to be so raw in front of an audience.
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system that syncs with a surround lighting, to give the audience the feeling of being surrounded by the music and the stage. Steve Jones from
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During the last three shows in Perth, the encore performance was omitted, with "Future Forever" being performed only by the choir.
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This set list is from the 23 September 2023 concert in Bologna. It is not intended to represent all concerts for the tour.
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This set list is from the 6 May 2019 concert in New York. It is not intended to represent all concerts for the tour.
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her plans to tour Cornucopia around the globe. On May 24, 2019, it was announced that the show would continue as a
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call. At first, they were to have multiple rooms on stage, but at the end the team settled for only one, with an
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Björk views Cornucopia as "digital theater" and a "sci-fi pop concert." She instinctively knew the music of
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For the shows in Dublin, Oslo, Copenhagen and Stockholm, Björk wore new costumes designed respectively by
532: 308: 149: 636: 4347: 4193: 3362: 296: 4438: 4274: 3935: 3620:"Björk on Instagram: "thank you tokyo for a great evening and thank you Kasimyn for joining us !"" 3440: 2308: 768: 620: 328: 3017:"Björk and Harry Potter and the Cursed Child Director John Tiffany Team Up for New Concert Production" 4246: 3911: 3896: 3699: 3471: 2743: 2253: 924: 667: 3741: 3389:"Psychedelic flowers and singsong incantations — Björk's lavish Utopia opens at The Shed, New York" 2314: 1306: 929:
visuals, projected throughout like screensavers from a civilization much more advanced than ours".
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On 12 November 2018, Björk announced her new theatrical production / concert tour Cornucopia at
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During the shows in Tokyo, Kasimyn made a guest appearance during the performance of "Atopos".
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incredible displays of lights and sounds ever to grace a stage in the city". Eli Petzold from
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resembling snow start falling on stage. Björk and the choir then sing a reworked version of "
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was brought onto the production in January 2019, replacing original director John Tiffany of
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program for Björk's Cornucopia which also announced new versions of classic Björk tracks "
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in 2011 when Poots, working as artistic director, commissioned the first of seven
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tracks, "Sue Me" and "Tabula Rasa". Before the encore, a video message by
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and features "percussive intervention". Later on, Brooklyn-based artist
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Björk's Cornucopia opened to positive reviews from the music press.
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and first theatrical production by Icelandic singer and songwriter
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joined Björk on stage for a live rendition of his duet remix of "
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Official poster for Cornucopia, designed by Tobias Gremmler and
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Starting from the 3 March 2023 show in Perth, Björk performed "
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during the shows in New York, Los Angeles and San Francisco.
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In addition to this, the show also includes a cocoon-like
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Matt Robertson, rehearsal direction and score preparation
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John Gale, sound design and front of house sound engineer
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layout with a tall roof, inspired by the architecture of
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was projected onstage as an interlude before the encore.
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Björk Guðmundsdóttir & tríó Guðmundar Ingólfssonar
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The Inner or Deep Part of an Animal or Plant Structure
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James Merry, co-creative director, headpiece designer
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album track "Claimstaker" and the second single from
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on May 27, 2018, during the All Points East Festival.
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34 Scores for Piano, Organ, Harpsichord and Celeste
4391: 4330: 4291: 4210: 4178: 4118: 4072: 4026: 4001: 3920: 2589:"Inside Björk's romantic, otherworldly Utopia Tour" 136: 107: 92: 77: 52: 3599:"LIVE: BJÖRK CORNUCOPIA – Perth, WA, 6 March 2023" 371:The day after the show opened, Björk confirmed to 2775: 2773: 2771: 2769: 2767: 2765: 2807:"Björk visitará México con su show 'Cornucopia'" 1128:" instead of "Venus as a Boy" and "Claimstaker". 3040: 3038: 2985: 2983: 2981: 2979: 2977: 2975: 2973: 2971: 840: 16:Concert tour and theatrical production by Björk 3073: 3071: 3069: 3067: 880:labeled it "a masterclass in exploration" and 754:goes inside the reverb chamber to perform the 554:label it, and I think that’s what she loved." 3865: 3793:"Björk Cancels Cornucopia Shows in Reykjavík" 8: 3670:"Björk, A Radiância de Cornucópia em Lisboa" 19: 2944: 842:The future of live music is in safe hands. 658:made by MONAD Studio and the Segulharpa, a 250:instruments, which were implemented in the 3872: 3858: 3850: 2942: 2940: 2938: 2936: 2934: 2932: 2930: 2928: 2926: 2924: 2345:Southby Productions, soundscape technology 2134: 1712: 1619: 1257: 542:, which Björk starred in and composed the 18: 3231: 3229: 959:described the show as "a sensory feast". 530:revealed he's been a Björk fan since her 3439:Tully Claymore, Gabriela (23 May 2019). 2320:Þorgerður Ingólfsdóttir, choir conductor 290: 3742:"Björk Announces 2023 Cornucopia Shows" 3441:"Björk's Cornucopia Is A Sensory Feast" 3202: 3200: 2831:Alva Carranza, Patricia (23 May 2019). 2394: 2375:Peter Van Der Velde, production manager 2286:Sólveig Magnúsdóttir (for Mexico shows) 681:'s acoustic designer Shane Myrbeck via 143: 3707:from the original on 16 September 2019 3467:"Björk debuts "Cornucopia" stage show" 3260: 3258: 2511: 2509: 2507: 2372:Heimir Sverrisson, production designer 697:effect, before completing the work in 662:whose steel strings interact with the 800:" into "Losss", before singing other 772:, "Isobel", which was re-imagined by 307:On 27 May 2018, Björk kicked off her 7: 2480: 2478: 2476: 2378:Shane Myrbeck, reverb chamber design 2342:D&B Audiotechnik, audio provider 569:, Yuhan Wang and Noir Kei Ninomiya. 4081:The Best Mixes from the Album-Debut 3845:Bjork.com > Past > Gigography 2333:Margrét Bjarnadóttir, choreographer 2240:Dilara Findikoglu, costume designer 1113:Björk performed "Blissing Me" with 360:" and "Mouth’s Cradle" prepared by 198:on eight non consecutive nights at 4530:Enjoyed: A Tribute to Björk's Post 3740:Hussey, Alison (30 January 2023). 2781:"How Björk created her Cornucopia" 1141:1 September 2023 – 5 December 2023 14: 2876:Yates, Jonathan (5 August 2019). 2402:Barone, Joshua (8 January 2019). 1222:Video message from Greta Thunberg 808:is shown, in which she addresses 758:track "Show Me Forgiveness" and " 452:Harry Potter and the Cursed Child 432:Manchester International Festival 4559: 4558: 2215:Tobias Gremmler, digital visuals 722: 713: 492: 483: 466:into flutes and start playing." 254:stage design. Björk requested a 38: 3818:"Björk's Cornucopia - The Shed" 3479:from the original on 2019-05-08 2221:Chiara Stephenson, set designer 626:The show was backed by several 516:designed costumes for the show. 226:. Onstage, Björk was backed by 4095:Army of Me: Remixes and Covers 3695:"Current Boxscore | Billboard" 3413:Olivier, Bobby (17 May 2019). 3387:Rockwell, John (13 May 2019). 2516:Jenkins, Craig (21 May 2019). 2369:Irma Studio, production design 2328:Odilón Chávez, choir conductor 108: 1: 4226:Live at Shepherds Bush Empire 2718:"The Shed Sets April Opening" 2336:Bruno Poet, lighting designer 327:, harpist Katie Buckley, and 3335:Ledonne, Rob (10 May 2019). 3236:Petzold, Eli (19 May 2019). 3207:Wilson, Mark (15 May 2019). 2949:Ryzik, Melena (8 May 2019). 2259:Edda Guðmundsdóttir, stylist 2249:Yuhan Wang, costume designer 2045:Quarterback Immobilien Arena 4321:When Björk Met Attenborough 743:with the singer performing 4631: 3465:Young, Alex (7 May 2019). 3265:Young, Alex (7 May 2019). 2357:Spider Witch Company, hair 1862: 1184:"Arpeggio" flute interlude 1036:"Arpeggio" flute interlude 968:6 May 2019 – 31 March 2023 612:vision". Craig Jenkins of 211:(2017), it is directed by 96:December 5, 2023 4554: 4254:Live at Royal Opera House 4155:Songs from the Volta Tour 3887: 2172: 2167: 2162: 2157: 2149: 2146: 2143: 2140: 2137: 2115: 2095: 2092: 2084: 2023: 1990: 1987: 1920: 1917: 1805: 1802: 1799: 1796: 1791: 1786: 1763: 1760: 1757: 1754: 1749: 1744: 1736: 1733: 1730: 1727: 1724: 1721: 1718: 1701: 1698: 1693: 1688: 1670: 1667: 1664: 1659: 1656: 1651: 1643: 1640: 1637: 1634: 1631: 1628: 1625: 1421: 1378: 1375: 1369: 1366: 1361: 1356: 1313: 1310: 1305: 1299: 1294: 1289: 1281: 1278: 1275: 1272: 1269: 1266: 1263: 1226:"Mycelia" video interlude 977:Choir opening performance 868:" and new renditions of " 635:, which make the tone of 381:with additional shows in 144: 37: 24: 4610:2023 concert residencies 4600:2022 concert residencies 4590:2019 concert residencies 4268:Later with Jools Holland 2692:"Björk – "Utopia" Video" 2274:Steinunn Vala Pálsdóttir 2121:167,911 / 180,283 (93%) 1232: 1190: 1098: 666:created by the internal 3242:The Reykjavík Grapevine 2384:, reverb chamber design 2194:All credits taken from 1042: 937:The Reykjavík Grapevine 4490:One Little Independent 3892:Awards and nominations 3530:Los Angeles Daily News 2268:Áshildur Haraldsdóttir 1714:List of 2023 concerts 1621:List of 2022 concerts 1259:List of 2019 concerts 920: 844: 823: 593: 422: 304: 287:Background and concept 4348:Vespertine world tour 4282:Björk: Biophilia Live 4194:Mount Wittenberg Orca 4162:Björk: Biophilia Live 2348:Hungry, makeup artist 2262:Viibra, flute septet 2252:Noir Kei Ninomiya of 1797:Tokyo Garden Theatre 1167:"Show Me Forgiveness" 1007:"Show Me Forgiveness" 907: 818: 747:on November 13, 2019. 596:In an interview with 580: 573:Stage and instruments 417:Argentine film maker 416: 294: 246:and also a number of 81:May 6, 2019 4546:Guðmundur Gunnarsson 4247:MTV Unplugged / Live 4179:Collaboration albums 3576:Chrisfield, Bryget. 3472:Consequence of Sound 3367:Entertainment Weekly 3271:Consequence of Sound 3105:d&b audiotechnik 2271:Berglind Tómasdóttir 2265:Melkorka Ólafsdóttir 1834:The Hamrahlid Choir 1422:The Hamrahlid Choir 1367:Parque Bicentenario 1197:"Features Creatures" 1194:"Fossora" / "Atopos" 1150:"Family" video intro 925:Entertainment Weekly 732:Cornucopia stage at 609:d&b audiotechnik 295:Björk performing at 4585:Björk concert tours 4343:At the Union Chapel 4017:Drawing Restraint 9 3797:Reykjavik Grapevine 2315:The Hamrahlid Choir 2283:Dagný Marinósdóttir 1715: 1622: 1307:The Hamrahlid Choir 1260: 1089:Video message from 889:The Hamrahlid Choir 347:The Hamrahlid Choir 228:The Hamrahlid Choir 117:18 in North America 21: 4615:2023 concert tours 4605:2022 concert tours 4595:2019 concert tours 4400:Um Úrnat frá Björk 4353:Greatest Hits tour 4275:The Medúlla Videos 4027:Compilation albums 3498:Hatfield, Amanda. 3361:Greenblatt, Leah. 3023:. 12 November 2018 2955:The New York Times 2672:. 12 November 2018 2461:. 12 November 2018 2435:. 12 November 2018 2408:The New York Times 2297:Ruth Ellen Benneth 2280:Þuríður Jónsdóttir 2277:Björg Brjánsdóttir 2256:, costume designer 2246:, costume designer 2237:, costume designer 2231:, costume designer 2198:official website. 2173:Production issues 1713: 1620: 1258: 1161:"Arisen My Senses" 1058:Features Creatures 921: 814:sustainable energy 594: 539:Dancer In the Dark 502:Fashion designers 423: 421:directed the show. 345:On 29 April 2019, 340:The New York Times 305: 240:percussion section 184:Björk's Cornucopia 140:concert chronology 4572: 4571: 4480:The Elgar Sisters 4240:Live in Cambridge 4201:Country Creatures 4109:Vulnicura Strings 3902:Live performances 3729:. 7 October 2021. 2907:dailyrecord.co.uk 2698:. 8 December 2017 2646:. 21 October 2018 2254:Comme des Garçons 2225:Olivier Rousteing 2187: 2186: 2128: 2127: 1960:Wiener Stadthalle 1711: 1710: 1661:Shrine Auditorium 1618: 1617: 836:Critical response 563:Dilara Findikoglu 524:Olivier Rousteing 522:Costume designer 504:Olivier Rousteing 264:Olivier Rousteing 177: 176: 53:Associated albums 4622: 4562: 4561: 4509:Related articles 4458:Bands and labels 3874: 3867: 3860: 3851: 3833: 3832: 3830: 3828: 3814: 3808: 3807: 3805: 3803: 3789: 3783: 3782: 3780: 3778: 3763: 3757: 3756: 3754: 3752: 3737: 3731: 3730: 3723: 3717: 3716: 3714: 3712: 3691: 3685: 3684: 3682: 3680: 3666: 3660: 3659: 3657: 3655: 3641: 3635: 3634: 3632: 3630: 3616: 3610: 3609: 3607: 3605: 3595: 3589: 3588: 3586: 3584: 3573: 3567: 3566: 3564: 3562: 3547: 3541: 3540: 3538: 3536: 3521: 3515: 3514: 3512: 3510: 3495: 3489: 3488: 3486: 3484: 3462: 3456: 3455: 3453: 3451: 3436: 3430: 3429: 3427: 3425: 3410: 3404: 3403: 3401: 3399: 3384: 3378: 3377: 3375: 3373: 3358: 3352: 3351: 3349: 3347: 3332: 3326: 3325: 3323: 3321: 3310: 3304: 3303: 3301: 3299: 3288: 3282: 3281: 3279: 3277: 3262: 3253: 3252: 3250: 3248: 3233: 3224: 3223: 3221: 3219: 3204: 3195: 3194: 3192: 3190: 3175: 3169: 3168: 3166: 3164: 3149: 3143: 3142: 3140: 3138: 3122: 3116: 3115: 3113: 3111: 3097: 3091: 3090: 3088: 3086: 3075: 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1311:10,000 / 10,000 1261: 1233:"Future Forever" 1170:"Venus as a Boy" 1099:"Future Forever" 1053:"Mouth's Cradle" 1002:Arisen My Senses 855: 726: 717: 705:Concert synopsis 668:analog circuitry 496: 487: 275:climate activist 194:. Debuting as a 186:) was the tenth 110: 103: 101: 88: 86: 42: 33: 27: 22: 4630: 4629: 4625: 4624: 4623: 4621: 4620: 4619: 4575: 4574: 4573: 4568: 4550: 4504: 4470:Tappi Tíkarrass 4453: 4427: 4415:Björk: Archives 4387: 4383:Björk Orkestral 4326: 4287: 4206: 4174: 4148:Vespertine Live 4114: 4068: 4022: 3997: 3916: 3883: 3878: 3841: 3836: 3826: 3824: 3816: 3815: 3811: 3801: 3799: 3791: 3790: 3786: 3776: 3774: 3765: 3764: 3760: 3750: 3748: 3739: 3738: 3734: 3725: 3724: 3720: 3710: 3708: 3693: 3692: 3688: 3678: 3676: 3668: 3667: 3663: 3653: 3651: 3643: 3642: 3638: 3628: 3626: 3618: 3617: 3613: 3603: 3601: 3597: 3596: 3592: 3582: 3580: 3575: 3574: 3570: 3560: 3558: 3549: 3548: 3544: 3534: 3532: 3524:Larsen, Peter. 3523: 3522: 3518: 3508: 3506: 3497: 3496: 3492: 3482: 3480: 3464: 3463: 3459: 3449: 3447: 3438: 3437: 3433: 3423: 3421: 3412: 3411: 3407: 3397: 3395: 3393:Financial Times 3386: 3385: 3381: 3371: 3369: 3360: 3359: 3355: 3345: 3343: 3334: 3333: 3329: 3319: 3317: 3312: 3311: 3307: 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2412: 2410: 2401: 2400: 2396: 2392: 2387: 2354:Sojin Oh, Nails 2351:John Vial, hair 2309:Bergur Þórisson 2235:Iris van Herpen 2210:Lucrecia Martel 2192: 2133: 2131:Cancelled dates 1866:8,855 / 12,589 1476: 1418:Forest National 1373:Staccato Choir 1300:The McCourt at 1256: 1251: 1250: 1239: 1224: 1142: 1138: 1137: 1115:Serpentwithfeet 1105: 979: 969: 965: 944:Financial Times 919:on May 6, 2019. 857: 846: 838: 786:Paris Agreement 778:Serpentwithfeet 751: 750: 749: 748: 734:Forest National 729: 728: 727: 719: 718: 707: 664:magnetic fields 621:Bergur Þórisson 592:on May 9, 2019. 575: 536:album and that 520: 519: 518: 517: 511:Iris van Herpen 499: 498: 497: 489: 488: 477: 472: 447:Lucrecia Martel 419:Lucrecia Martel 411: 329:Bergur Þórisson 289: 268:Iris van Herpen 217:Lucrecia Martel 170: 168:Björk Orkestral 161: 152: 132: 99: 97: 84: 82: 73: 48: 29: 25: 17: 12: 11: 5: 4628: 4626: 4618: 4617: 4612: 4607: 4602: 4597: 4592: 4587: 4577: 4576: 4570: 4569: 4567: 4566: 4555: 4552: 4551: 4549: 4548: 4543: 4538: 4533: 4526: 4524:Matthew Barney 4521: 4512: 4510: 4506: 4505: 4503: 4502: 4497: 4495:The Sugarcubes 4492: 4487: 4482: 4477: 4472: 4467: 4461: 4459: 4455: 4454: 4452: 4451: 4444: 4435: 4433: 4429: 4428: 4426: 4425: 4418: 4411: 4403: 4395: 4393: 4389: 4388: 4386: 4385: 4380: 4375: 4370: 4368:Vulnicura tour 4365: 4363:Biophilia tour 4360: 4355: 4350: 4345: 4340: 4334: 4332: 4328: 4327: 4325: 4324: 4317: 4310: 4303: 4295: 4293: 4289: 4288: 4286: 4285: 4278: 4271: 4264: 4257: 4250: 4243: 4236: 4229: 4222: 4214: 4212: 4208: 4207: 4205: 4204: 4197: 4190: 4182: 4180: 4176: 4175: 4173: 4172: 4169:Vulnicura Live 4165: 4158: 4151: 4144: 4141:Homogenic Live 4137: 4130: 4122: 4120: 4116: 4115: 4113: 4112: 4105: 4098: 4091: 4084: 4076: 4074: 4070: 4069: 4067: 4066: 4059: 4052: 4045: 4038: 4030: 4028: 4024: 4023: 4021: 4020: 4013: 4005: 4003: 3999: 3998: 3996: 3995: 3988: 3981: 3974: 3967: 3960: 3953: 3946: 3939: 3932: 3924: 3922: 3918: 3917: 3915: 3914: 3909: 3907:Songs recorded 3904: 3899: 3894: 3888: 3885: 3884: 3879: 3877: 3876: 3869: 3862: 3854: 3848: 3847: 3840: 3839:External links 3837: 3835: 3834: 3809: 3784: 3758: 3732: 3718: 3686: 3661: 3636: 3611: 3590: 3568: 3550:Gentile, Dan. 3542: 3516: 3504:Brooklyn Vegan 3490: 3457: 3431: 3405: 3379: 3353: 3327: 3305: 3283: 3254: 3225: 3196: 3170: 3144: 3117: 3092: 3063: 3034: 3008: 2967: 2920: 2894: 2868: 2842: 2823: 2798: 2761: 2735: 2709: 2683: 2657: 2631: 2606: 2580: 2553: 2527: 2503: 2472: 2446: 2420: 2393: 2391: 2388: 2386: 2385: 2379: 2376: 2373: 2370: 2367: 2364: 2358: 2355: 2352: 2349: 2346: 2343: 2340: 2337: 2334: 2331: 2330: 2329: 2323: 2322: 2321: 2312: 2306: 2300: 2299: 2298: 2295: 2289: 2288: 2287: 2284: 2281: 2278: 2275: 2272: 2269: 2266: 2260: 2257: 2250: 2247: 2241: 2238: 2232: 2222: 2219: 2216: 2213: 2207: 2200: 2191: 2188: 2185: 2184: 2180: 2179: 2175: 2174: 2171: 2169:Laugardalshöll 2166: 2161: 2156: 2152: 2151: 2148: 2145: 2142: 2139: 2132: 2129: 2126: 2125: 2122: 2119: 2113: 2112: 2107: 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1594: 1590: 1589: 1586: 1585:6,376 / 7,031 1583: 1578: 1573: 1568: 1564: 1563: 1560: 1559:6,321 / 6,890 1557: 1552: 1547: 1542: 1538: 1537: 1534: 1533:8,018 / 8,018 1531: 1526: 1521: 1516: 1512: 1511: 1508: 1507:5,797 / 7,111 1505: 1500: 1495: 1490: 1486: 1485: 1482: 1479: 1474: 1470: 1465: 1460: 1456: 1455: 1452: 1451:5,512 / 5,512 1449: 1444: 1439: 1434: 1430: 1429: 1426: 1425:4,336 / 5,073 1423: 1420: 1415: 1410: 1405: 1401: 1400: 1396: 1395: 1391: 1390: 1386: 1385: 1381: 1380: 1377: 1374: 1368: 1365: 1360: 1355: 1351: 1350: 1346: 1345: 1341: 1340: 1336: 1335: 1331: 1330: 1326: 1325: 1321: 1320: 1316: 1315: 1312: 1309: 1304: 1298: 1293: 1288: 1284: 1283: 1280: 1277: 1274: 1271: 1268: 1265: 1255: 1252: 1249: 1248: 1238: 1237: 1234: 1231: 1219: 1218: 1214: 1213: 1210: 1207: 1204: 1203:"Pagan Poetry" 1201: 1198: 1195: 1192: 1189: 1181: 1180: 1177: 1174: 1171: 1168: 1165: 1162: 1159: 1156: 1147: 1143: 1140: 1139: 1136: 1135: 1132: 1129: 1118: 1104: 1103: 1100: 1097: 1091:Greta Thunberg 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A speech by 256:reverb chamber 252:surround sound 215:film director 196:residency show 175: 174: 173: 172: 165: 163: 156: 154: 147: 142: 141: 134: 133: 131: 130: 127: 124: 121: 118: 114: 112: 105: 104: 94: 90: 89: 79: 75: 74: 72: 71: 64: 56: 54: 50: 49: 43: 35: 34: 15: 13: 10: 9: 6: 4: 3: 2: 4627: 4616: 4613: 4611: 4608: 4606: 4603: 4601: 4598: 4596: 4593: 4591: 4588: 4586: 4583: 4582: 4580: 4565: 4557: 4556: 4553: 4547: 4544: 4542: 4539: 4537: 4536:Ricardo López 4534: 4532: 4531: 4527: 4525: 4522: 4520: 4518: 4514: 4513: 4511: 4507: 4501: 4498: 4496: 4493: 4491: 4488: 4486: 4483: 4481: 4478: 4476: 4473: 4471: 4468: 4466: 4463: 4462: 4460: 4456: 4450: 4449: 4448:Björk Digital 4445: 4443: 4441: 4437: 4436: 4434: 4430: 4424: 4423: 4419: 4417: 4416: 4412: 4410: 4408: 4404: 4402: 4401: 4397: 4396: 4394: 4390: 4384: 4381: 4379: 4376: 4374: 4371: 4369: 4366: 4364: 4361: 4359: 4356: 4354: 4351: 4349: 4346: 4344: 4341: 4339: 4336: 4335: 4333: 4329: 4323: 4322: 4318: 4316: 4315: 4311: 4309: 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383:Mexico City 325:Manu Delago 309:Utopia tour 244:electronics 200:Manhattan's 150:Utopia tour 4579:Categories 4541:Swan dress 4378:Cornucopia 4358:Volta tour 4338:Debut tour 4127:Debut Live 4056:Surrounded 4010:Selmasongs 3950:Vespertine 3777:16 January 3751:9 February 3649:setlist.fm 2837:Publimetro 2811:La Jornada 2670:Uproxx.com 2390:References 2382:Arup Group 2212:, director 2072:$ 875,409 1967:$ 663,830 1869:$ 757,586 1614:$ 649,756 1588:$ 565,432 1571:Copenhagen 1562:$ 682,501 1536:$ 686,507 1510:$ 480,487 1454:$ 461,189 1442:Luxembourg 1428:$ 434,696 1399:30 August 1394:27 August 1389:23 August 1384:20 August 1354:17 August 1254:Tour dates 1155:"The Gate" 853:Cornucopia 756:a cappella 691:cathedrals 679:Arup Group 544:soundtrack 391:Luxembourg 180:Cornucopia 159:Cornucopia 100:2023-12-05 85:2019-05-06 78:Start date 20:Cornucopia 4485:Bad Taste 4307:Minuscule 4187:Gling-Gló 4134:Post Live 3978:Vulnicura 3971:Biophilia 3943:Homogenic 3802:22 August 3746:Pitchfork 3700:Billboard 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Index

Björk

M/M Paris
Utopia
Fossora
Björk
Utopia tour
Björk Orkestral
concert tour
Björk
residency show
Manhattan's
The Shed
Utopia
Argentine
Lucrecia Martel
fungi
The Hamrahlid Choir
flute
harpist
percussion section
electronics
bespoke
surround sound
reverb chamber
Balmain
Olivier Rousteing
Iris van Herpen
Swedish
climate activist

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