Knowledge (XXG)

Cornelis van Cleve

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127: 100:. As the son of a master he did not need to register as a pupil with the Guild. He may have become a master in the Guild year 1540-1541 during which his father died. The records of the Guild for that year are lost. He seems to have been a struggling artist. There are reports that in 1546 and 1547 he had difficulties making payments on his house. This is likely the reason why he sold the house in 1555 and emigrated to England. An additional reason may have been that he harbored Protestant sympathies, as may be surmised from the name of his daughter Abigael. 87: 30: 381: 82:
of painting. Little is known about his training but it is believed he trained in his father's studio. Some details of his life have become mixed up with those of his father. It was believed previously it was his father who became mad and was given the nickname 'Sotte Cleve' ('Mad Cleve'). However,
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Cornelis van Cleve painted predominantly religious paintings and to a lesser extent mythological scenes and portraits. Walter Friedländer organised van Cleve's pictures in chronological order, based on the development in his style. He thus showed that the painter had distanced himself gradually from
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Cornelis van Cleve was only active during a fourteen-year period in Antwerp and London. Nevertheless, he was able to leave an extensive body of work as can be deduced from the frequent mention of his works in 16th and 17th-century inventories. Rubens owned two works by the artist. The English King
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and Anthonis Mor, Flemish painters who had studied in Italy or had become influenced by Italian art. He made efforts to keep up with the new style by eagerly looking around for Italian models. This paintings show influences from
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Pseudo-Lombard as works of Cornelis van Cleve. Of the works attributed to both Joos van Cleve and Cornelis van Cleve, the authorship of father or son remains often a matter of dispute.
115:. He had asked Mor to plead on his behalf with Philip II to give him commissions but Mor's intercession had been unsuccessful. This episode caused the artist to become insane. 426: 137:
Charles I also owned two works by 'Sotte Cleve', which are no longer in the Royal Collection including a 'Bacchus feast of children being some, one and twenty figures'.
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Cornelis was a proficient helper in the studio of his father, probably from 1535 to 1540. It is not clear when Cornelis van Cleve became a master in the local
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painter active in Antwerp who is known for his religious compositions and portraits. Starting his career in Antwerp in the workshop of his father
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G. Hulin de Loo, Conjecture touchant le Sotte Cleve, in Petite Rev. illustrĂ©e de l'Art et de l'ArchĂ©ol. en Flandre, 1903, pp. 87–91, 115–118.
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M. J. Friedländer, Nachtträgliches zu Cornelis van Cleve, in Oud Holland, LX, 1943, pp. 7–14; E.N.P., IXa, 1972, pp. 44, 49–50, 72–74.
59: 406: 224: 416: 411: 126: 66:, he later worked for a while in London. When he failed to achieve success in England, he became insane and stopped painting. 421: 385: 186: 86: 29: 150: 138: 111:. The madness was reportedly caused by a conflict between Cornelis and the prominent portrait painter 401: 118:
It is not clear when the artist died. Estimates place the time of his death between 1567 and 1614.
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his father's style. Initially he was a representative of the tradition in the period dominated by
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The Feminine Dynamic in English Art, 1485-1603: Women as Consumers, Patrons and Painters
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The Flemish drawings in the collection of His Majesty the King at Windsor Castle
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The Early Flemish Pictures in the Collection of Her Majesty the Queen Hardcover
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C. Justi, Der Fall Cleve, in Jb der preuss. Kunstsmlg., 16, 1895, p. 32.
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identified a group of works originally attributed to an artist given the
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Henri Pauwels, in Dictionnaire des Peintres Belges, Kirk Irpa, 1994
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who had become the joint ruler of England after his marriage to
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The artist likely went to England to seek the patronage of
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A Madonna and Child with the Infant Saint John the Baptist
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the current view is that it was Cornelis who became mad.
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He was born in Antwerp as the son of Anna Vijdt and
276:The Grove Encyclopedia of Northern Renaissance Art 78:, a prominent representative of the 16th-century 187:Cleve, Cornelis van der Beke van (Sotte Cleef) 8: 240:Geschiedenis der Antwerpsche schilderschool 427:Pupils and followers of Leonardo da Vinci 179: 286: 284: 257: 255: 253: 251: 225:Netherlands Institute for Art History 216: 214: 212: 210: 7: 333:Joos van Cleve, Leonardo des Nordens 238:Frans Jozef Peter Van den Branden, 25: 379: 1: 407:Flemish Renaissance painters 263:Early Netherlandish painting 443: 242:, Antwerpen, 1883, p. 128 131:Virgin of the Annunciation 417:Flemish portrait painters 198:Leo van Puyvelde (1942), 412:Flemish history painters 335:, Aachen/Stuttgart 2011 278:, OUP USA, 2009, p. 377 189:at the Frick Collection 151:Pieter Coecke van Aelst 54:('Mad Cleve') (1520 in 133: 93: 36: 422:Painters from Antwerp 265:, A.W. Sijthoff, 1972 129: 89: 48:Cornelis van der Beke 34:Adoration of the Magi 32: 388:at Wikimedia Commons 304:Cornelis van Cleve, 261:Max J. Friedländer, 98:Guild of Saint Luke 60:Flemish Renaissance 58:– 1567/1614) was a 18:Cornelius van Cleve 386:Cornelis van Cleve 331:P. van den Brink, 221:Cornelis van Cleve 139:Max J. Friedländer 134: 105:Philip II of Spain 94: 44:Cornelis van Cleef 40:Cornelis van Cleve 37: 384:Media related to 274:Gordon Campbell, 164:Leonardo da Vinci 109:Mary I of England 16:(Redirected from 434: 383: 351: 350: 345: 339: 338: 329: 323: 318:Lorne Campbell, 316: 310: 301: 295: 290:Susan E. James, 288: 279: 272: 266: 259: 246: 245: 236: 230: 229: 218: 205: 196: 190: 184: 168:Andrea del Sarto 21: 442: 441: 437: 436: 435: 433: 432: 431: 392: 391: 376: 360: 358:Further reading 355: 354: 348: 346: 342: 336: 330: 326: 317: 313: 302: 298: 289: 282: 273: 269: 260: 249: 243: 237: 233: 227: 219: 208: 197: 193: 185: 181: 176: 124: 72: 23: 22: 15: 12: 11: 5: 440: 438: 430: 429: 424: 419: 414: 409: 404: 394: 393: 390: 389: 375: 374:External links 372: 371: 370: 367: 364: 359: 356: 353: 352: 340: 324: 311: 296: 280: 267: 247: 231: 206: 191: 178: 177: 175: 172: 123: 120: 80:Antwerp school 76:Joos van Cleve 71: 68: 64:Joos van Cleve 24: 14: 13: 10: 9: 6: 4: 3: 2: 439: 428: 425: 423: 420: 418: 415: 413: 410: 408: 405: 403: 400: 399: 397: 387: 382: 378: 377: 373: 368: 365: 362: 361: 357: 344: 341: 334: 328: 325: 322:, 1985, p. 21 321: 315: 312: 308: 307: 300: 297: 293: 287: 285: 281: 277: 271: 268: 264: 258: 256: 254: 252: 248: 241: 235: 232: 226: 222: 217: 215: 213: 211: 207: 203: 202: 195: 192: 188: 183: 180: 173: 171: 169: 165: 161: 156: 152: 146: 144: 140: 132: 128: 121: 119: 116: 114: 110: 106: 101: 99: 92: 88: 84: 81: 77: 69: 67: 65: 61: 57: 53: 49: 45: 41: 35: 31: 27: 19: 343: 332: 327: 319: 314: 309:at Dorotheum 305: 299: 291: 275: 270: 262: 239: 234: 200: 194: 182: 155:Frans Floris 147: 135: 130: 117: 113:Anthonis Mor 102: 95: 90: 73: 51: 47: 43: 39: 38: 33: 26: 402:1520 births 349:(in French) 337:(in German) 294:, Routledge 91:Holy Family 52:Sotte Cleve 50:, nickname 396:Categories 244:(in Dutch) 228:(in Dutch) 174:References 223:at the 204:, p. 13 160:Raphael 143:notname 56:Antwerp 122:Works 166:and 70:Life 46:or 398:: 283:^ 250:^ 209:^ 170:. 162:, 153:, 42:, 20:)

Index

Cornelius van Cleve

Antwerp
Flemish Renaissance
Joos van Cleve
Joos van Cleve
Antwerp school

Guild of Saint Luke
Philip II of Spain
Mary I of England
Anthonis Mor

Max J. Friedländer
notname
Pieter Coecke van Aelst
Frans Floris
Raphael
Leonardo da Vinci
Andrea del Sarto
Cleve, Cornelis van der Beke van (Sotte Cleef)
The Flemish drawings in the collection of His Majesty the King at Windsor Castle




Cornelis van Cleve
Netherlands Institute for Art History

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