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Cornelis Dopper

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252: 66: 136: 25: 438:" (the name of the socialist leader who'd attempted to unleash a revolution days before), and therefore as a call to revolution. In the aftermath, Vermeulen was banned from attending the Concertgebouw for one week, but the subsequent scandal also caused the orchestra board to 'relegate' Dopper. 421:
Dopper's reputation as a composer has suffered from the accusation of being 'too German' for much of his career. Very popular with concert audiences, his works never received much critical acclaim in his home country (unlike abroad). His reputation among the musical avant-garde further suffered
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is a perversion of the sorrowless waltzes of Vienna before that war. The performance, obviously programmed before the German invasion and conducted by Mengelberg, erupted into a patriotic ovation. The recording of that event can be heard today in what is one of two performances of the Seventh
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Dopper composed well over a hundred works. Because of his great love for Dutch folk song, culture and landscape, he was sometimes referred to as the 'most Dutch composer of all Dutch composers'. The titles of his symphonies attest to that sentiment: the
310:), was premiered in Amsterdam in 1894 by the Nederlandsche Opera under the baton of Cornelis van der Linden, and in that same year he entered the service of that company; there he worked as a violinist, chorus master and conductor. 426:
stood up in the hall of the Concertgebouw and shouted: "Leve Sousa" ("Long live Sousa"); the implication being that Dopper was of little more value as a composer than the critically reviled American march-writer
331:(1906). He subsequently toured the country with that opera for two seasons ('06-'07 and '07-'08). Having grown tired of touring life, he returned to Amsterdam in 1908 to become second conductor of the Amsterdam 422:
because of the so-called 'Vermeulen incident' of November 1918. After a performance of Dopper's Seventh Symphony (which ends with a march) under the baton of the composer, his dissatisfied colleague
321:(The Life). A year later, Dopper joined the Savage Opera Company and began to tour the United States, Canada, and Mexico. In that capacity, he was responsible for the American premiere of 406:). His interest in musical education for the young caused him to write a great number of works for children's choir. In Amsterdam, Dopper introduced specific youth concerts. 95: 371:
is the most famous, and is often considered to be Dopper's masterpiece. Many of his works were performed in great concert halls by famous conductors (e.g.,
1021: 1016: 146: 431:(1854–1932). This caused uproar, not just because of Vermeulen's affront, but also because a great part of the audience understood it to be "Long live 971: 1011: 486:
label released two CDs with works by Dopper (the 2nd, 3rd, and 6th symphonies, and two symphonic poems). In February, 2005, Dopper's First Symphony
956: 981: 339:. He would remain there until his retirement in 1931. In recognition of his compositions, his name still adorns one of the balustrades in the 1006: 520:
took place at several venues in the north of the country, at which the revised version of Joop Stam's biography was presented and Dopper's
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against the Spanish in the 16th and early 17th century. The finale ends with an 'anti-march', composed by Dopper as a reflection of the
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Although most of Dopper's works slid into oblivion after his death, a revival has done much to rekindle interest in his music. A
38: 479: 768:(1917; recorded by Willem Mengelberg, Concertgebouworkest (recorded 1940), Audiophile Classica Concertgebouw Series (2013) and 498:. They are also available in vintage and (in the case of the Ciaconna) severely cut versions, conducted by Willem Mengelberg. 204: 996: 161: 176: 183: 78: 88: 82: 74: 494:. Dopper's two masterworks, the Seventh Symphony and the Ciaconna Gotica, were recorded in 1995 under the baton of 454: 190: 99: 442: 340: 433: 332: 172: 900: 505: 251: 367:' Symphony (No. 7). Beside seven symphonies, Dopper wrote many other works for orchestra. Of these, his 951: 946: 827: 813: 739: 674: 641: 410: 44: 590: 524:
from 1935 was premiered. In the decade afterwards, Dopper's works slipped into oblivion once more.
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The same piece, the Seventh Symphony, played a more positive role when it was played at the
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During the years 1904–1905 he worked as a music critic for the Amsterdam newspapers
856:(Recorded by Ernst Frimmel, Stockerau Symphony Orchestra, Aries Records LP-1609) 841: 769: 595: 513: 495: 287: 263: 135: 772:, Netherlands Radio Philharmonic Symphony Orchestra, NM Classics 92060 (1995)) 844:, Netherlands Radio Philharmonic Symphony Orchestra, NM Classics 92060 (1995)) 491: 243: 875:
Sextet (Prelude, Scherzo & Finale) for woodwinds, horn, and piano (1909)
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A review of the Chandos recording of Dopper's Third and Sixth Symphonies
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was published in 1998 by Joop Stam (revised in 2009), and the British
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works to keep the memory of Cornelis Dopper alive. In 2009-2010 a
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received its world premiere by the Noord Nederlands Orkest in
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A review of the Chandos recording of Dopper's Second Symphony
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in A minor (1905); orchestration of the Violin Sonata)
157: 840:, Audiophile Classica Concertgebouw Series (2001) and 802:
Concerto for trumpet, 3 timpani, and orchestra (1910)
302:, not far from his place of birth. His first opera, 390:In addition, Dopper wrote chamber music (e.g., a 16:Dutch composer, conductor and teacher (1870–1939) 87:but its sources remain unclear because it lacks 610:Symphony No. 1, "Diana", Ballet Symphony after 449:. The piece contains many songs from Valerius' 898:The website of the Cornelis Dopper Foundation 8: 647:1. Andante molto moderato - allegro con brio 162:introducing citations to additional sources 53:Learn how and when to remove these messages 828:Het Residentie Orkest (Hague Philharmonic) 814:Het Residentie Orkest (Hague Philharmonic) 740:Het Residentie Orkest (Hague Philharmonic) 675:Het Residentie Orkest (Hague Philharmonic) 642:Het Residentie Orkest (Hague Philharmonic) 555:, opera after Bueninck (1895, unperformed) 850:in F major for viola and orchestra (1937) 231:Learn how and when to remove this message 118:Learn how and when to remove this message 719:for large orchestra and choirs based on 618:1. Meeting of the Gods in Diana's temple 152:Relevant discussion may be found on the 445:in November 1940, six months after the 409:Dopper died in 1939 and was buried at 884:for woodwinds, horn, and piano (1915) 878:String Quartet 'Pallas Athene' (1914) 7: 624:3. The wandering knight in the woods 447:German occupation of the Netherlands 799:Cello Concerto (1910, revised 1923) 286:Born in the northern Dutch town of 298:. After his studies he settled in 14: 1022:19th-century Dutch male musicians 1017:20th-century Dutch male musicians 669:(1892, revised 1904; recorded by 656:4. Rondo: allegro molto, energico 335:, assisting the famous conductor 294:conservatory with, among others, 34:This article has multiple issues. 972:20th-century classical composers 621:2. The ball in the knight's lair 343:'s great hall, between those of 145:relies largely or entirely on a 134: 64: 23: 1012:20th-century conductors (music) 543:The Blind Girl of Castel-Cuillé 308:The Blind Girl of Castel Cuillé 42:or discuss these issues on the 957:Dutch male classical composers 528:Selected works and discography 470:Symphony available on record. 461:, similar to the way in which 1: 982:Dutch male conductors (music) 754:4. Finale: allegro non troppo 650:2. Allegro vivace, alla burla 644:, Chandos CHAN 9884 (2001)) 451:Nederlandtsche Gedenck-Clanck 742:, Chandos CHAN 9923 (2002)) 677:, Chandos CHAN 9923 (2002)) 1007:Pupils of Salomon Jadassohn 539:De Blinde van Castel-Cuillé 304:De blinde van Castel Cuillé 266:– 19 September 1939, 1038: 987:Dutch classical violinists 830:, Chandos CHAN 9884 (2001) 816:, Chandos CHAN 9884 (2001) 290:, he came to study at the 992:Male classical violinists 962:Dutch classical composers 503:Stichting Cornelis Dopper 455:Revolt of the Netherlands 363:' Symphony (No. 6), the ' 359:' Symphony (No. 3), the ' 977:Dutch conductors (music) 967:Dutch Romantic composers 627:4. In the Venus mountain 561:, opera in 2 acts after 73:This article includes a 1002:People from Stadskanaal 680:1. Adagio ma non troppo 333:Concertgebouw Orchestra 102:more precise citations. 781:2. Humoreske: moderato 565:(1896-1901, premiered 260:Cornelis 'Kees' Dopper 256: 248: 247:Cornelis Dopper c.1900 997:Dutch music educators 854:Old Netherlands Suite 615:(1895, revised 1921) 255:Cornelis Dopper, 1911 254: 246: 933:(ClassicsToday.com). 920:(ClassicsToday.com). 872:for piano and violin 866:Violin Sonata (1904) 822:(1915); recorded by 577:The Cross of Honour) 158:improve this article 808:(1915; recorded by 751:3. Scherzo: allegro 734:(1912; recorded by 701:1. Allegro moderato 653:3. Adagio sostenuto 636:(1903; recorded by 591:Miguel de Cervantes 398:, and a sextet for 929:2012-02-06 at the 916:2012-02-06 at the 903:2020-10-24 at the 778:1. Allegro animato 508:2020-10-24 at the 424:Matthijs Vermeulen 411:Zorgvlied cemetery 262:(7 February 1870, 257: 249: 75:list of references 784:3. Andante rubato 717:"Symphonia epica" 589:, opera based on 429:John Philip Sousa 377:Willem Mengelberg 337:Willem Mengelberg 241: 240: 233: 223: 222: 208: 173:"Cornelis Dopper" 128: 127: 120: 57: 1029: 896: 760:Symphony No. 7, 730:Symphony No. 6, 715:Symphony No. 5, 694:Symphony No. 4, 661:Symphony No. 3, 632:Symphony No. 2, 559:William Ratcliff 328:Madama Butterfly 236: 229: 218: 215: 209: 207: 166: 138: 130: 123: 116: 112: 109: 103: 98:this article by 89:inline citations 68: 67: 60: 49: 27: 26: 19: 1037: 1036: 1032: 1031: 1030: 1028: 1027: 1026: 937: 936: 931:Wayback Machine 918:Wayback Machine 905:Wayback Machine 894: 891: 863: 838:Dutch Composers 834:Ciaconna Gotica 824:Matthias Bamert 810:Matthias Bamert 796: 736:Matthias Bamert 671:Matthias Bamert 638:Matthias Bamert 606: 535: 530: 518:Dopper festival 510:Wayback Machine 476: 459:First World War 419: 373:Richard Strauss 369:Ciaconna Gotica 349:Richard Strauss 317:(The Echo) and 284: 237: 226: 225: 224: 219: 213: 210: 167: 165: 151: 139: 124: 113: 107: 104: 93: 79:related reading 69: 65: 28: 24: 17: 12: 11: 5: 1035: 1033: 1025: 1024: 1019: 1014: 1009: 1004: 999: 994: 989: 984: 979: 974: 969: 964: 959: 954: 949: 939: 938: 935: 934: 921: 908: 890: 889:External links 887: 886: 885: 879: 876: 873: 867: 862: 859: 858: 857: 851: 845: 831: 817: 803: 800: 795: 792: 791: 790: 789: 788: 785: 782: 779: 758: 757: 756: 755: 752: 749: 746: 728: 713: 712: 711: 708: 705: 702: 692: 691: 690: 687: 684: 681: 659: 658: 657: 654: 651: 648: 630: 629: 628: 625: 622: 619: 612:Heinrich Heine 605: 602: 601: 600: 584: 570: 563:Heinrich Heine 556: 550: 534: 531: 529: 526: 475: 472: 418: 415: 392:string quartet 385:Otto Klemperer 381:Pierre Monteux 283: 280: 270:) was a Dutch 239: 238: 221: 220: 156:. 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Stadskanaal
Amsterdam
composer
conductor
Stadskanaal
Leipzig

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