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215:. One reason why van Dyck was given the commission was that he was himself a member of the Antwerp Fraternity of senior bachelors. He worked for a relatively low fee considering his fame at the time. Another reason why he was chosen was that he various earlier works of the saint. That van Dyck may have met Cascini and the other Palermo Jesuits in 1624–1625 is regarded as another possible reason for the commission.
40:
177:
during a plague in late 1624 and early 1625. The chapel in which it was to hang housed relics of the saint sent to
Antwerp by the Jesuits during an earlier plague there in 1626 in the hope of spreading her cult beyond Sicily via major trading cities in the
341:, which instead show the Venetian influence van Dyck had picked up during his time in Italy, a decisive influence on the formation of his style. The brightly-lit colours and the diagonal formed by the Madonna, Child and Saint Rosalia are very similar to
355:. The skull, lily and roses are all typical attributes of Saint Rosalia, with the last two not only shown woven into the crown but also carried in the basket of the figure at the extreme right of the painting (probably quoting
642:
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Lo "Sposalizio mistico di S. Rosalia" nella chiesa del S. Salvatore a
Vercana. Un problema risolto? Con alcune considerazioni sulla elaborazione dell’iconografia rosaliana di Anton van Dyck (2ª parte)
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and his 1624-1625 paintings of the saint, van Dyck drew heavily on prints after works by
Sicilian artists, though mainly for themes and details rather than style or composition. The
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245:. These drawings by van Dyck, the resulting engravings and the painting itself all show a strong influence from the prints illustrating Cascini's 1627 hagiography of the saint.
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Vitae
Sanctae Rosaliae, Virginis Panormitanae e tabulis, situ ac vetustate obsitis e saxis ex antris e rudieribus caeca olim oblivione consepultis et nuper in lucem
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The
Jesuits had been particularly active in promoting Saint Rosalia's cult in Sicily and beyond. The Jesuit Giordano Cascini had produced in 1627 the saint's first
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315:-type habit. This detail is probably also drawn from a print but may also show the influence of the earlier c. 1506 oil on panel painting by
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173:(also 1629) - represented a return to a subject of which he had painted five earlier versions whilst trapped in the saint's home city of
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in
Antwerp in 1629. The engravings in the publication, of which only one copy survives, were the work of Antwerp engraver
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483:, in the Oxford Dictionary of National Biography, ed. H.C.G. Matthew and Brian Harrison, Oxford, 2004, XVII, pp. 466–475
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182:. The saint was particularly invoked against the plague. They also tried to spread her cult from their church in
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mantle is unprecedented in earlier
Flemish art showing the saint, which had usually shown her alone in a poor
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Art and
Religion in Seventeenth-Century Antwerp: van Dyck's "Mystic Marriage of the Blessed Hermann-Joseph"
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292:. The Christ Child crowns Saint Rosalia, who is on her kneels, similarly as in the engraving in Cascini's
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Van Dyck had started making drawings of the saint for the engravings that were included in the
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Sicilian works are not believed to have influenced the composition or style of the
120:(1630) were both painted for the chapel of the Fraternity of the senior bachelors (
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Dipinti di
Antonio van Dijck e della sua scuola nel Museo Nazionale di Palermo
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128:'s Jesuit church, then named the Saint Ignatius Church but later renamed the
319:, showing Rosalia in royal clothing adoring the enthroned Virgin and Child.
511:
Anthony van Dyck, the Cult of Saint
Rosalie, and the 1624 Plague in Palermo
574:(exhibition catalogue; Milano, Palazzo Reale, 2004), Milano, 2004, p. 167.
76:
275 cm × 210 cm (108 in × 83 in)
308:
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Vita S.Rosaliae Virginis Panormitanae Pestis patronae iconibus expressa
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acquired them, taking them to Vienna, where they both now hang in the
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Hope and Healing: Painting in Italy in a Time of Plague 1500–1800
643:
Crucifixion with the Virgin, Saint John and Saint Mary Magdalene
583:
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Descrizione e desiderio: i quadri viventi di E. T. A. Hoffmann
469:
Quaderni della biblioteca del convento francescano di Dongo
412:
Van Dyck in Sicily 1624-1625 : Painting and the Plague
223:
The coronation of Saint Rosalia with Saints Peter and Paul
296:. That engraving is derived from a lost 1494 painting by
132:. Both paintings remained there until 1776, when empress
953:
Thetis Receiving the Weapons of Achilles from Hephaestus
365:) and held by the cherubs in the top right-hand corner.
398:
Simiolus. Netherlands quarterly for the history of art
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Lord John Stuart and his Brother, Lord Bernard Stuart
706:
Saint Ambrose barring Theodosius from Milan Cathedral
438:, in Robert A. Maryks and Jonathan Wright (editors),
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Madonna and Child with Saints Rosalia, Peter and Paul
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961:Venus Asks Vulcan to Forge Arms for her Son Aeneas
436:The Jesuit Artistic Diaspora in Germany after 1773
440:Jesuit Survival and Restoration: A Global History
170:Saint Rosalia Interceding for the City of Palermo
414:. Milan: Silvana Editoriale Spa. p. 45-46.
163:It was the last painting the artist produced of
204:'s print of van Dyck's version of the subject.
200:, Ghent) in 1644, a work heavily influences by
595:
563:
561:
559:
553:, 1908, Anno II, Serie I, Fascicolo I, p. 14.
8:
1044:Equestrian Portrait of Francisco de Moncada
327:Saint Rosalia Adoring the Madonna and Child
602:
588:
580:
38:
29:
1327:Paintings in the Kunsthistorisches Museum
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763:The Vision of the Blessed Hermann Joseph
400:, Vol. 28, No. 1/2 (2000 - 2001), p. 56.
321:
276:depicts the Virgin and Child flanked by
217:
117:The Vision of the Blessed Hermann Joseph
1322:Religious paintings by Anthony van Dyck
1170:Mary Villiers, Lady Herbert of Shurland
385:
1217:Self-portrait with Sir Endymion Porter
1093:The Three Eldest Children of Charles I
1084:The Three Eldest Children of Charles I
937:Diana and a Nymph Surprised by a Satyr
1134:Queen Henrietta Maria as St Catherine
375:List of paintings by Anthony van Dyck
107:is an oil on canvas painting made by
7:
1250:Mucius Scaevola before Lars Porsenna
351:, clearly van Dyck's main model for
1060:Thomas Francis, Prince of Carignano
481:Jeremy Wood, 'Sir Anthony van Dyck’
284:, with their usual attributes of a
122:Sodaliteit van de Bejaerde Jongmans
114:It and the compositionally similar
1312:Paintings of the Madonna and Child
1110:Triple Portrait of Henrietta Maria
570:Maria Grazia Bernardini (editor),
348:Mystic Marriage of Saint Catherine
260:, 1629 drawing by van Dyck in the
25:
771:Madonna and Child with Two Donors
27:1629 painting by Anthony van Dyck
1102:Equestrian Portrait of Charles I
814:Lamentation over the Dead Christ
494:Van Dyck’s «Life of St. Rosalie»
300:once in Santa Rosalia church in
1036:Charles I with M. de St Antoine
755:The Coronation of Saint Rosalia
651:Saint Martin Dividing his Cloak
500:, CXXXI, n. 1039, 1989, p. 693.
98:The Coronation of Saint Rosalia
33:The Coronation of Saint Rosalia
1209:Self-Portrait with a Sunflower
635:Entry of Christ into Jerusalem
442:, Leiden-Boston, 2015, p. 133.
186:, for which they commissioned
1:
779:Rest on the Flight into Egypt
1268:Hendrick van Balen the Elder
1076:Charles I in Three Positions
904:Munich (autograph or studio)
572:Van Dyck. Riflessi italiani
471:, Dicembre 2013, pp. 54-63.
410:Salomon, Xavier F. (2012).
193:Coronation of Saint Rosalia
157:Coronation of Saint Rosalia
130:St. Charles Borromeo Church
18:Coronation of Saint Rosalia
1343:
1307:Paintings of Saint Rosalia
1012:Cardinal Guido Bentivoglio
1118:Mary Hill, Lady Killigrew
617:
509:Gauvin Alexander Bailey,
492:Zirca Zaremba Filipczak,
37:
675:The Crowning with Thorns
513:, G.A. Bailey (editor),
239:Cornelis Galle the Elder
138:Kunsthistorisches Museum
134:Maria Theresa of Austria
85:Kunsthistorisches Museum
1150:Magistrates of Brussels
1142:Luigia Cattaneo-Gentile
1028:Gaston, Duke of Orléans
803:Madonna with Partridges
517:, Chicago, 2005, p. 118
498:The Burlington Magazine
1242:A Soldier on Horseback
988:Cornelis van der Geest
731:Susanna and the Elders
682:The Betrayal of Christ
533:, Milano, 2006, p. 139
463:Fiorenza Rangoni Gàl,
434:Jeffery Chipps Smith,
392:Carolyn Diskant Muir,
334:
294:Vitae Sanctae Rosaliae
265:
230:
227:Vitae Sanctae Rosaliae
225:, print from the 1627
160:
1068:Charles I at the Hunt
913:Mythological subjects
899:Palermo (studio work)
865:Saint Rosalia series
747:The Mocking of Christ
325:
256:
221:
151:
1052:Francisco de Moncada
1020:The Lomellini Family
1023:(c. 1625–1627)
929:Jupiter and Antiope
709:(c. 1619–1620)
670:(c. 1618–1620)
667:The Apostle Matthew
331:Riccardo Quartararo
317:Riccardo Quartararo
304:in western Sicily.
243:Philips van Mallery
229:by Giordano Cascini
198:Museum of Fine Arts
180:Spanish Netherlands
1155:Preparatory sketch
1095:(Royal Collection)
945:The Shepherd Paris
713:Samson and Delilah
659:The Brazen Serpent
627:Religious subjects
335:
298:Tommaso De Vigilia
266:
231:
161:
1294:
1293:
1274:Peter Paul Rubens
1126:William Killigrew
739:Madonna and Child
620:List of paintings
551:Bollettino d'Arte
545:Cesare Matranga,
359:'s c. 1550 Prado
94:
93:
16:(Redirected from
1334:
969:Cupid and Psyche
795:The Resurrection
611:Anthony van Dyck
604:
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529:Michele Cometa,
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188:Gaspar de Crayer
155:after van Dyck,
109:Anthony van Dyck
51:Anthony van Dyck
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1234:Other paintings
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996:Theresa Shirley
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921:Drunken Silenus
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1286:Van Dyke beard
1283:
1282:(collaborator)
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343:Paolo Veronese
262:British Museum
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202:Paulus Pontius
153:Paulus Pontius
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1162:Olivia Porter
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1157:) (1634–1635)
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258:Saint Rosalia
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165:Saint Rosalia
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68:oil on canvas
67:
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36:
31:
19:
1248:
1240:
1215:
1207:
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737:
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684:(1618–1620)
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673:
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649:
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571:
568:(in Italian)
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1280:Paul de Vos
1212:(1632–1633)
1204:(1620–1621)
1198:(1613–1614)
1105:(1637–1638)
972:(1638–1640)
964:(1630–1632)
956:(1630–1632)
940:(1622–1627)
867:(1624–1625)
798:(1631–1632)
787:Crucifixion
766:(1629–1630)
750:(1628–1630)
742:(1621–1627)
698:Minneapolis
678:(1618–1620)
646:(1617–1619)
282:saint Peter
209:hagiography
167:and - with
159:, 1629-1658
1301:Categories
810:Deposition
381:References
353:Coronation
339:Coronation
313:Franciscan
278:saint Paul
274:Coronation
270:Coronation
73:Dimensions
1245:(c. 1616)
1181:(c. 1638)
1173:(c. 1636)
1145:(c. 1622)
1071:(c. 1635)
1015:(c. 1623)
980:Portraits
839:1629–1630
333:, c. 1506
211:entitled
111:in 1629.
1276:(master)
1270:(master)
1202:New York
889:New York
369:See also
345:'s 1575
309:brocaded
249:Analysis
81:Location
1261:Related
1165:(1630s)
1086:(Turin)
874:Houston
688:Bristol
175:Palermo
144:History
126:Antwerp
1226:(1640)
1224:London
1220:(1635)
1196:Vienna
1137:(1639)
1129:(1638)
1121:(1638)
1113:(1638)
1097:(1636)
1088:(1635)
1063:(1634)
1055:(1634)
1047:(1634)
1039:(1633)
1007:(1622)
999:(1622)
991:(1620)
948:(1628)
932:(1620)
924:(1620)
884:Madrid
879:London
806:(1632)
790:(1630)
782:(1630)
774:(1630)
758:(1629)
693:Madrid
654:(1618)
638:(1617)
418:
362:Salome
357:Titian
302:Bivona
89:Vienna
47:Artist
894:Ponce
549:, in
496:, in
467:, in
396:, in
286:sword
184:Ypres
854:1640
849:1635
844:1634
834:1629
829:1619
824:1618
819:1615
723:1630
718:1620
416:ISBN
290:keys
288:and
280:and
65:Type
60:1629
57:Year
329:by
190:'s
101:or
1303::
812:/
558:^
447:^
140:.
87:,
1153:(
603:e
596:t
589:v
424:.
264:.
196:(
20:)
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