1652:
1291:
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58:
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273:
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1997:
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42:
2131:
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20:
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The proportions of the orders were by the ancients formed on those of the human body, and consequently, it could not be their intention to make a
Corinthian column, which, as Vitruvius observes, is to represent the delicacy of a young girl, as thick and much taller than a Doric one, which is designed
263:
leaves at the bottom of the capital, with a row of "tall, narrow leaves" behind. These cling tightly to the swelling shaft, and are sometimes described as "lotus" leaves, as well as the vague "water-leaves" and palm leaves; their similarity to leaf forms on many ancient
Egyptian capitals has been
738:
The temple was erected in the 4th century BC. These capitals, in one of the most-visited sacred sites of Greece, influenced later
Hellenistic and Roman designs for the Corinthian order. The concave sides of the abacus meet at a sharp keel edge, easily damaged, which in later and post-Renaissance
783:
incorporated a vignette epitomizing the
Callimachus tale in his illustration of the Corinthian order for his translation of Vitruvius, published in Paris, 1684. Perrault demonstrates in his engraving how the proportions of the carved capital could be adjusted according to demands of the design,
2146:
1310:
2256:
1733:
1968:
2099:
1796:
1678:
2209:
1863:
1996:
617:
and sometimes terminate in carved wisps of flame, or with bellflowers. Alternatively, beading or chains of husks may take the place of the fillets in the fluting, Corinthian being the most flexible of the orders, with more opportunities for variation.
761:, a Greek architect and sculptor who was inspired by the sight of a votive basket that had been left on the grave of a young girl. A few of her toys were in it, and a square tile had been placed over the basket, to protect them from the weather. An
1454:
621:
Elaborating upon an offhand remark when
Vitruvius accounted for the origin of its acanthus capital, it became a commonplace to identify the Corinthian column with the slender figure of a young girl; in this mode the classifying French painter
509:
The classical design was often adapted, usually taking a more elongated form, and sometimes being combined with scrolls, generally within the context of
Buddhist stupas and temples. Indo-Corinthian capitals also incorporated figures of the
2434:
1609:
1517:
608:
The
Corinthian column is almost always fluted, and the flutes of a Corinthian column may be enriched. They may be filleted, with rods nestled within the hollow flutes, or stop-fluted, with the rods rising a third of the way, to where the
768:
1772:
1577:
143:), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or they may be extravagantly drilled and undercut, naturalistic and spiky. The flat
1824:
589:
expressed the human analogies that writers who followed
Vitruvius often associated with the human form, in squared drawings he made of the Corinthian capital overlaid with human heads, to show the proportions common to both.
2130:
2283:
799:, the natural progression is from sturdiest and plainest (Doric) at the bottom, to slenderest and richest (Corinthian) at the top. The Colosseum's topmost tier has an unusual order that came to be known as the
546:. There was considerable freedom in the details and the relationship between column (generally not fluted) and capital. Many types of plant were represented, sometimes realistically, as in the capitals in the
402:" are noted by Mark Wilson Jones, who finds that the ratio of total column height to column-shaft height is in a 6:5 ratio, so that, secondarily, the full height of column with capital is often a multiple of 6
787:
In Late
Antique and Byzantine practice, the leaves may be blown sideways, as if by the wind of Faith. Unlike the Doric and Ionic column capitals, a Corinthian capital has no neck beneath it, just a ring-like
601:, which may be richly carved with a continuous design or left plain, as at the U.S. Capitol extension. At the Capitol the proportions of architrave to frieze are exactly 1:1. Above that, the profiles of the
417:
upon the capital has concave sides to conform to the outscrolling corners of the capital, and it may have a rosette at the center of each side. Corinthian columns were erected on the top level of the Roman
826:, where the Classical system had been replaced by a new aesthetic composed of arched vaults springing from columns, the Corinthian capital was still retained. It might be severely plain, as in the typical
2020:
57:
1899:
1364:
1533:
244:
in 1811–12; they are dated around 420 BC, and are in a temple of Apollo otherwise using the Ionic. There were three of them, carrying the frieze across the far end of the cella, which was open to the
1962:
Rococo reinterpretations of the
Corinthian order in an altar design, with asymmetric capitals and more sinuous S-shaped acanthuses, by Franz Xaver Habermann, 1740–1745, etching on paper, Rijksmuseum
723:
was recovered during modern archaeological campaigns. Its enigmatic presence and preservation have been explained as a sculptor's model for stonemasons to follow in erecting the temple dedicated to
704:
enclosure. A single Corinthian column stands free, centered within the cella. This is a mysterious feature, and archaeologists debate what this shows: some state that it is simply an example of a
248:. The Corinthian was probably devised to solve the awkwardness the Ionic capital created at corners by having clear and distinct front or back and side-on faces, a problem only finally solved by
830:, which encouraged no distraction from liturgy and ascetic contemplation, or in other contexts it could be treated to numerous fanciful variations, even on the capitals of a series of columns or
815:
version of the orders, thought they detected a "Composite order", combining the volutes of the Ionic with the foliage of the Corinthian, but in Roman practice volutes were almost always present.
712:
temples. A more famous example, and the first documented use of the Corinthian order on the exterior of a structure, is the circular Choragic Monument of Lysicrates in Athens, erected c. 334 BC.
526:
Though the term "Corinthian" is reserved for columns and capitals that adhere fairly closely to one of the classical versions, vegetal decoration to capitals continued to be extremely common in
2375:
1847:
272:
1098:
605:
mouldings are like those of the Ionic order. If the cornice is very deep, it may be supported by brackets or modillions, which are ornamental brackets used in a series under a cornice.
425:
One variant is the Tivoli order, found at the Temple of Vesta, Tivoli. The Tivoli order's Corinthian capital has two rows of acanthus leaves and its abacus is decorated with oversize
128:. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture.
1342:
597:
is divided in two or three sections, which may be equal, or may bear interesting proportional relationships, to one with another. Above the plain, unadorned architrave lies the
1553:
3065:
3040:
1412:
1482:
1244:
837:
During the 16th century, a sequence of engravings of the orders in architectural treatises helped standardize their details within rigid limits: Sebastiano Serlio; the
2708:, Liverpool, 1969, p. 65) suggests instead that it was spoilt in the carving, one volute being incorrectly detached from its field; Hugh Plommer, reviewing it for
240:
Its earliest use can be traced back to the Late Classical Period (430–323 BC). The earliest Corinthian capitals, already in fragments and now lost, were found in
3455:
147:
at the top of the capital has a concave curve on each face, and usually a single flower ("rosette") projecting from the leaves below overlaps it on each face.
131:
A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic
638:
will not, I am sure, have delighted your spirit any less than the beautiful columns of Maison Carrée for the one is no more than an old copy of the other.
3223:
398:
Proportion is a defining characteristic of the Corinthian order: the "coherent integration of dimensions and ratios in accordance with the principles of
885:
213:
739:
practice has generally been replaced by a canted corner. Behind the scrolls the spreading cylindrical form of the central shaft is plainly visible.
315:
255:
A simplified late version of the Greek Corinthian capital is often known as the "Tower of the Winds Corinthian" after its use on the porches of the
784:
without offending. The texture and outline of Perrault's leaves is dry and tight compared to their 19th-century naturalism at the U.S. Capitol.
237:, probably an Athenian, who drew acanthus leaves growing around a votive basket of toys, with a slab on top, on the grave of a Corinthian girl.
3168:
959:
3124:
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2744:
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1509:
1068:
1219:
1209:
1619:
849:
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that is just under the capital, and two extra smaller volutes and a handle-like element on the canonic volutes of the capital corner, by
3450:
1214:
795:
Most buildings (and most clients) are satisfied with just two orders. When orders are superposed one above another, as they are at the
422:, holding up the least weight, and also having the slenderest ratio of thickness to height. Their height to width ratio is about 10:1.
2496:
1886:
1712:
1325:
1642:
2385:
2152:
1779:
1685:
1598:
1504:
seated between two monks, with two quasi-Corinthian pilasters that are here because of the influence of Greek culture during the
1406:, compressed acanthus rows, and flutes squared at the top, rather than rounded as on a standard Corinthian column, 1st century BC
3066:"Greek Classicism: A Design Resource for Historic and Contemporary Architecture, Part II, with Calder Loth (28:36 in the video)"
3041:"Greek Classicism: A Design Resource for Historic and Contemporary Architecture, Part II, with Calder Loth (29:46 in the video)"
3367:
1351:
1297:
1118:
949:
943:
839:
218:
3216:
3184:
2302:
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1019:
429:
in the form of hibiscus flowers with pronounced spiral pistils. The column flutes have flat tops. The frieze exhibits fruit
310:
3342:
2366:
1052:
1014:
3332:
2441:
2266:
345:
2716:.2 , pp 269–272), remarks that the error involved an excess of work and remains convinced that the capital was a model.
3440:
3196:
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1141:
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2354:
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2105:
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681:
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elements. These capitals are typically dated to the 1st centuries of our era, and constitute important elements of
117:
113:
869:
861:, were followed in the 17th century by French treatises with further refined engraved models, such as Perrault's.
3209:
2417:
2393:
2196:
2026:
1987:
1870:
1560:
1371:
1194:
1057:
808:
518:, usually as central figures surrounded, and often in the shade, of the luxurious foliage of Corinthian designs.
300:
3445:
3419:
2472:
2305:, New York City, a mix of those of the Tower of the Winds and those of the Choragic Monument of Lysicrates, by
2243:
2090:
1739:
1708:
1544:
1277:
535:
406:
while the column height itself is a multiple of 5. In its proportions, the Corinthian column is similar to the
2528:
2425:
2381:
2215:
2192:
1638:
1387:
1228:
980:
927:
827:
819:
765:
plant had grown through the woven basket, mixing its spiny, deeply cut leaves with the weave of the basket.
728:
661:
539:
475:
454:
361:
284:
1936:
2239:
2011:
1909:
1807:
1615:
1395:
1329:
1223:
758:
602:
527:
426:
295:
234:
178:
171:
151:
135:("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of
2160:
2164:
2137:
1854:
1720:
1399:
1317:
1204:
1165:
716:
414:
170:, known in Roman times, but regarded as a grand imperial variant of the Corinthian. The Corinthian has
144:
1905:
2156:
2121:
2074:
2034:
1983:
1830:
1803:
1657:
975:
792:
molding or a banding that forms the base of the capital, recalling the base of the legendary basket.
642:
586:
326:
1751:
41:
3377:
2322:
2274:
1838:
1763:
823:
582:
543:
487:
260:
182:
136:
2413:
1505:
1441:
1038:
932:
666:
499:
256:
2306:
1185:
562:
288:
696:
in Arcadia, c. 450–420 BC. It is not part of the order of the temple itself, which has a Doric
19:
3357:
3180:
3173:
3148:
3120:
3095:
3020:
2995:
2945:
2905:
2840:
2815:
2790:
2765:
2740:
2634:
2630:
What are the Seven Wonders of the World?: And 100 Other Great Cultural Lists--Fully Explicated
2628:
2590:
1009:
995:
804:
574:
566:
551:
381:
353:
330:
249:
30:
229:, to which it was connected in the period. However, according to the architectural historian
3409:
3306:
2658:
2491:
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2184:
2180:
2003:
1811:
906:
762:
689:
438:
373:
349:
341:
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2247:
2109:
1787:
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1029:
854:
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773:
623:
193:
167:
109:
74:
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459:
3372:
3362:
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3163:
3153:
3147:, 2002 digital edn. (1st edn 1906), Digital Scanning Incorporated, ISBN 9781582187334,
2653:
Francesco di Giorgio's sheet with the drawings, from the Turin codex Saluzziano of his
2219:
2113:
1189:
1073:
970:
570:
511:
377:
357:
101:
89:
46:
715:
A Corinthian capital carefully buried in antiquity in the foundations of the circular
708:. A few examples of Corinthian columns in Greece during the next century are all used
3434:
3382:
3201:
2675:
2409:
2326:
2086:
2030:
1391:
1083:
895:
727:. The architectural design of the building was credited in antiquity to the sculptor
705:
547:
325:
The style developed its own model in Roman practice, following precedents set by the
304:
264:
remarked on. The form is usually found in smaller columns, both ancient and modern.
3286:
3265:
2358:
2330:
1588:
468:
319:
163:
66:
2054:
2289:
Greek Revival pilaster capitals on the facade of the Austrian Parliament Building
410:, though it is more slender, and stands apart by its distinctive carved capital.
53:
114–124 AD, which provided a prominent model for Renaissance and later architects
3404:
3301:
3296:
3255:
3250:
2486:
2445:
2389:
1948:
1940:
916:
732:
531:
515:
491:
407:
155:
125:
121:
70:
62:
2078:
2007:
1979:
1975:
1461:
1419:
1251:
594:
442:
403:
78:
25:
3327:
2468:
2353:
Neoclassical polychrome Corinthian columns, entablature and pediment of the
1944:
1913:
1661:
1321:
1122:
831:
796:
743:
724:
720:
697:
677:
419:
230:
221:, Athens, unknown architect, 330s BC, one of the earliest surviving examples
1935:
reinterpretations of the Corinthian order in an design for an interior, by
1645:, Paris, 8th century, restored in the 19th century with original polychromy
2321:
Beaux-Arts reinterpretation of the Corinthian order at the Rotunda of the
2002:
Rococo reinterpretations of the Corinthian order at the high altar in the
3389:
3352:
3322:
2334:
1759:
1584:
1540:
1150:
1137:
1033:
874:
789:
670:
635:
503:
483:
464:
434:
280:
276:
2246:, Paris, heavily inspired by those of the Temple of Vesta in Tivoli, by
2179:
Neoclassical reinterpretation of the Corinthian capital at the Grave of
3399:
2117:
1917:
1882:
1874:
1689:
1623:
1473:
1155:
1146:
610:
430:
385:
226:
34:
812:
159:
3394:
3236:
2270:
1932:
1878:
1783:
1716:
1593:
1568:
1564:
1501:
1469:
1403:
1273:
1042:
990:
693:
673:
598:
479:
369:
365:
245:
241:
197:
174:
132:
688:
The oldest known example of a Corinthian column is in the Temple of
2085:, inspired by those of the Temple of Castor and Pollux in Rome, by
2049:
Neoclassical Corinthian pilaster in the Salon des dames d'honneur,
803:
during the 16th century. The mid-16th-century Italians, especially
2992:
The History of Art - From Prehistory to Presentday - A Global View
2471:, UK, inspired by the one from the Temple of Apollo at Bassaem by
1743:
1665:
1465:
1132:
999:
910:
868:
767:
701:
660:
561:
495:
458:
309:
294:
271:
212:
56:
40:
18:
3414:
2188:
1747:
1425:
3205:
2273:, inspired by those of the Choragic Monument of Lysicrates, by
569:
offers his version of the Corinthian capital, in a portrait by
108:) is the last developed and most ornate of the three principal
1742:
reinterpretation of the Corinthian order, with a capital with
650:
to represent the bulk and vigour of a muscular full grown man.
645:
expressed the conventional comparison with the Doric order:
2601:
Mark Wilson Jones, "Designing the Roman Corinthian order",
2136:
The Neoclassical Corinthian order as used in extending the
2082:
2627:
Peter D'Epiro; Mary Desmond Pinkowish (22 December 2010).
2622:
2620:
225:
The Corinthian order is named for the Greek city-state of
757:) related that the Corinthian order had been invented by
1974:
Rococo reinterpretations of the Corinthian order in the
1778:
Renaissance Corinthian pilasters of the entrance of the
1099:
House of the National Assembly of the Republic of Serbia
2693:
A Treatise on the Decorative Part of Civil Architecture
463:
Figure of the Buddha, within a Corinthian capital from
2120:, US, inspired by those of the Tower of the Winds, by
700:
surrounding the temple and an Ionic order within the
2523:
2521:
1527:, Rome, with intertwining central stems, 1st century
3315:
3279:
3243:
2655:
Trattati di architettura ingegneria e arte militare
2440:Reinterpreted Postmodern Corinthian columns of the
1488:
Roman Corinthian pilaster in a corner of Al-Khazneh
1402:, probably a stylized hibiscus blossom with spiral
772:The origin of the Corinthian order, illustrated in
259:in Athens (about 50 BC). There is a single row of
776:'s translation of the ten books of Vitruvius, 1684
2633:. Knopf Doubleday Publishing Group. p. 133.
3092:A World History of Art - Revised Seventh Edition
2787:A World History of Art - Revised Seventh Edition
2762:A World History of Art - Revised Seventh Edition
2550:
2548:
1250:Reconstructed Corinthian capital, with original
2663:Architectural Principles in the Age of Humanism
634:The beautiful girls whom you will have seen in
185:leaves and scrolls. There are many variations.
1802:Renaissance Corinthian columns of the Tomb of
3217:
8:
2140:in 1854: the column's shaft has been omitted
2155:polychrome ceramic Corinthian pilasters of
1869:Stylized Baroque Corinthian columns in the
877:, France, unknown architect, 1st century AD
471:, Paris, unknown architect, 3rd–4th century
441:over its center. The cornice does not have
340:). It was employed in southern Gaul at the
3224:
3210:
3202:
1316:Ancient Greek Corinthian capital from the
192:is derived from the ancient Greek city of
124:, which was the earliest, followed by the
3094:. Laurence King Publishing. p. 867.
2789:. Laurence King Publishing. p. 177.
2764:. Laurence King Publishing. p. 147.
2329:, US, with a full figure on the capital,
886:Palace of the Argentine National Congress
486:, which can be found in the northwestern
233:, the column was created by the sculptor
2861:"West wall portal of the Sala dei Gigli"
2587:The Illustrated Handbook of Architecture
2301:Greek Revival Corinthian columns of the
2218:Corinthian columns on the facade of the
2073:Neoclassical Corinthian capitals of the
1328:, Greece, said to have been designed by
585:, the Florentine architectural theorist
3160:, 1957, Penguin, Pelican history of art
2508:
2463:Greek Revival Corinthian column in the
2238:Neoclassical Corinthian capital of the
2159:no. 11 (lower story), Paris, architect
1240:
1069:Central University Library of Bucharest
530:and the various styles of the European
196:, although it was probably invented in
3169:The Classical Language of Architecture
2706:The Greek Temple Builders at Epidauros
1440:Ancient Greek Corinthian order of the
1296:Ancient Greek Corinthian order of the
960:Seat of the Universal House of Justice
731:, son of the Classical Greek sculptor
1684:Romanesque quasi-Corinthian capital,
1510:State Museum of History of Uzbekistan
37:, Lebanon, unknown architect, 150–250
7:
3456:Ancient Roman architectural elements
3119:. Thames & Hudson. p. 121.
2994:. Thames & Hudson. p. 989.
2889:(in French). Flammarion. p. 39.
2589:, Vol 2, p. 273, 1855, John Murray,
1210:United States Supreme Court Building
1053:New Saint George Church of Bucharest
613:begins. In French, these are called
522:Byzantine Empire and Medieval Europe
380:but 2nd century in origin), and the
158:, two more orders were added to the
1215:City Hall-County Building (Chicago)
859:L'idea dell'architettura universale
3090:Hugh Honour, John Fleming (2009).
2785:Hugh Honour, John Fleming (2009).
2760:Hugh Honour, John Fleming (2009).
2695:(Joseph Gwilt ed, 1825:pp 159–61).
2657:, c. 1480–1500, is illustrated by
2497:Chapelle Sainte Radegonde (Chinon)
1887:Johann Bernhard Fischer von Erlach
1855:Chapel of the Palace of Versailles
1853:Baroque Corinthian columns in the
1833:Corinthian column capitals in the
1559:Roman Corinthian columns from the
1326:Archaeological Museum of Epidaurus
14:
3017:A History of Western Architecture
2942:A History of Western Architecture
2902:A History of Western Architecture
2837:A History of Western Architecture
2812:A History of Western Architecture
2737:A History of Western Architecture
2515:Lawrence, 85; Summerson, 124, 176
1664:(Madīnat az-Zahrā’), present-day
1620:Basilica of Sant'Apollinare Nuovo
1370:Roman Corinthian capitals in the
850:I quattro libri dell'architettura
2453:
2433:
2401:
2374:
2346:
2314:
2294:
2282:
2255:
2231:
2208:
2172:
2145:
2129:
2098:
2066:
2042:
2019:
1995:
1967:
1955:
1925:
1898:
1862:
1846:
1823:
1795:
1771:
1732:
1701:
1677:
1650:
1631:
1608:
1576:
1552:
1532:
1523:Roman Corinthian capital of the
1516:
1493:
1481:
1472:, decorated with acanthuses and
1453:
1433:
1411:
1386:Roman Corinthian capital of the
1379:
1363:
1341:
1309:
1289:
1258:
1243:
676:, 4th–3rd centuries BC, made of
352:. Other prime examples noted by
2680:The Nude: A Study in Ideal Form
1939:, 1731–1775, etching on paper,
1298:Choragic Monument of Lysicrates
950:Temple of Olympian Zeus, Athens
944:Choragic Monument of Lysicrates
219:Choragic Monument of Lysicrates
16:Order of classical architecture
3019:. Laurence King. p. 490.
2944:. Laurence King. p. 333.
2904:. Laurence King. p. 325.
2839:. Laurence King. p. 217.
2814:. Laurence King. p. 123.
2367:Zantzinger, Borie & Medary
2303:Bowling Green Offices Building
1835:San Carlo alle Quattro Fontane
1660:quasi-Corinthian capital from
1418:Roman Corinthian capital with
1020:Enrique M. Razon Sports Center
581:During the first flush of the
344:, Nîmes and at the comparable
1:
3197:Classical orders and elements
2925:J. Philippe, Minguet (1973).
2739:. Laurence King. p. 40.
2200:
2058:
2057:, France, unknown architect,
1893:1716–1720, built in 1723–1726
1890:
1815:
1724:
1693:
1539:Roman Corinthian columns and
1445:
1355:
1333:
1301:
1281:
1015:Don Enrique T. Yuchengco Hall
747:
742:Much later, the Roman writer
389:
334:
50:
2603:Journal of Roman Archaeology
2442:Isle of Dogs Pumping Station
2267:Austrian Parliament Building
1711:Corinthian pilasters of the
1668:, mid-10th century, marble,
1641:quasi-Corinthian columns in
1618:quasi-Corinthian capital in
1597:Corinthian columns from the
1508:, 1st-3rd centuries, stone,
1460:Roman Corinthian capital of
1374:, Rome, later 2nd century BC
558:Renaissance Corinthian order
346:Temple of Augustus and Livia
45:Corinthian columns from the
1908:Corinthian capitals of the
1525:Temple of Castor and Pollux
1394:, Italy, with an oversized
665:Ancient Greek capital from
437:. Above each festoon has a
356:are the lower order of the
217:Frieze and capitals of the
139:and stalks ("cauliculi" or
3479:
3451:Ancient Greek architecture
3117:Postmodern Design Complete
2990:Robertson, Hutton (2022).
2465:Gonville and Caius College
2384:Corinthian columns of the
2355:Philadelphia Museum of Art
2265:Corinthian columns in the
2108:Corinthian columns of the
2029:Corinthian columns on the
1276:, Greece, illustration by
1270:Temple of Apollo at Bassae
1268:Corinthian columns in the
857:, and Vincenzo Scamozzi's
845:Giacomo Barozzi da Vignola
840:Regola delli cinque ordini
682:Metropolitan Museum of Art
452:
314:Corinthian columns of the
299:Corinthian columns of the
114:Ancient Greek architecture
2929:(in Romanian). Meridiane.
2418:Redondo Beach, California
1988:Johann Baptist Zimmermann
1976:Pilgrimage Church of Wies
1920:, unknown architect, 1724
1871:Austrian National Library
1372:Temple of Hercules Victor
1201:United States of America
1195:University College London
1058:Royal Palace of Bucharest
809:Jacopo Barozzi da Vignola
316:Arch of Septimius Severus
301:Arch of Septimius Severus
93:
2563:Lawrence, 179 (Plate 80)
2533:Architect of the Capitol
2244:Parc des Buttes Chaumont
1780:Santa Maria dei Miracoli
1696:1008 to mid-11th century
1278:Charles Robert Cockerell
834:within the same system.
536:Carolingian architecture
476:Indo-Corinthian capitals
137:stylized acanthus leaves
120:. The other two are the
2193:Antoine-Marie Chenavard
1713:Basilica of Sant'Andrea
1686:Church of St. Philibert
1547:, Athens, 131 or 132 AD
1352:Temple of Olympian Zeus
1229:New York Stock Exchange
1170:fourth tier – 8 columns
1089:Saint Isaac's Cathedral
981:Temple of Vesta, Tivoli
928:Palatine Chapel, Aachen
828:Cistercian architecture
729:Polykleitos the Younger
540:Romanesque architecture
455:Indo-Corinthian capital
154:was revived during the
3015:Watkin, David (2022).
2940:Watkin, David (2022).
2900:Watkin, David (2022).
2885:Martin, Henry (1927).
2835:Watkin, David (2022).
2810:Watkin, David (2022).
2735:Watkin, David (2022).
2426:Theo Kondos Associates
2412:Corinthian capital in
2191:, France, designed by
2012:Johann Michael Fischer
1910:Stavropoleos Monastery
1808:Santa Maria del Popolo
1643:Saint-Germain-des-Prés
1476:, early 1st century AD
1330:Polyclitus the Younger
1224:University of Virginia
878:
777:
685:
652:
640:
578:
528:Byzantine architecture
490:, and usually combine
478:are capitals crowning
472:
368:(both of the reign of
322:
307:
292:
268:Roman Corinthian order
222:
209:Greek Corinthian order
152:classical architecture
105:
81:
54:
38:
3115:Gura, Judith (2017).
2165:Pierre-Jules Jollivet
2138:United States Capitol
1937:Franz Xaver Habermann
1721:Leon Battista Alberti
1280:, unknown architect,
1205:United States Capitol
1176:Independence Monument
1166:Great Lavra Belltower
872:
771:
664:
647:
632:
565:
462:
313:
298:
275:
252:in the 16th century.
216:
60:
49:, unknown architect,
44:
22:
2710:The Classical Review
2529:"Corinthian Columns"
2240:Temple de la Sibylle
2075:Birmingham Town Hall
2051:Château de Compiègne
2035:Ange-Jacques Gabriel
1804:Ascanio Maria Sforza
1626:, Italy, 6th century
1424:from the Colosseum,
1119:Houses of Parliament
1062:The Church from the
976:Temple of Mars Ultor
811:, who established a
643:Sir William Chambers
626:wrote to his friend
587:Francesco di Giorgio
327:Temple of Mars Ultor
98:Korinthiakós rythmós
3145:Study of the Orders
2970:pop.culture.gouv.fr
2927:Estetica Rococoului
2665:(1962) 1965, pl. ic
2323:Palace of Fine Arts
2307:W. & G. Audsley
2275:Theophil von Hansen
2161:Antoine Anatole Jal
2153:Renaissance Revival
1839:Francesco Borromini
1764:Benedetto da Maiano
873:The Maison Carrée,
824:Gothic architecture
628:Fréart de Chantelou
583:Italian Renaissance
544:Gothic architecture
488:Indian subcontinent
3441:Corinthian columns
3244:Greco-Roman orders
3158:Greek Architecture
2887:Le Style Louis XIV
2414:South Bay Galleria
1583:The Constantinian
1506:Hellenistic period
1442:Tower of the Winds
1039:Column of Pedro IV
879:
778:
686:
579:
500:Greco-Buddhist art
473:
449:Gandharan capitals
433:suspended between
372:, 98–117 AD), the
323:
308:
293:
257:Tower of the Winds
223:
118:Roman architecture
94:Κορινθιακὸς ῥυθμός
82:
55:
39:
3461:Orders of columns
3428:
3427:
3358:Intercolumniation
3174:Thames and Hudson
3143:Brown, Frank C.,
3126:978-0-500-51914-1
3101:978-1-85669-584-8
3026:978-1-52942-030-2
3001:978-0-500-02236-8
2951:978-1-52942-030-2
2911:978-1-52942-030-2
2846:978-1-52942-030-2
2821:978-1-52942-030-2
2796:978-1-85669-584-8
2771:978-1-85669-584-8
2746:978-1-52942-030-2
2676:Sir Kenneth Clark
2640:978-0-307-49107-7
2033:, Versailles, by
1561:Temple of Artemis
1354:, Athens, 174 BC–
1142:Temple of Jupiter
1010:St. La Salle Hall
805:Sebastiano Serlio
575:Denver Art Museum
567:Vincenzo Scamozzi
552:Southwell Minster
382:Temple of Bacchus
354:Mark Wilson Jones
331:Forum of Augustus
250:Vincenzo Scamozzi
73:, Corinthian and
31:Temple of Bacchus
3468:
3410:Solomonic column
3316:Related articles
3233:Classical orders
3226:
3219:
3212:
3203:
3172:, 1980 edition,
3131:
3130:
3112:
3106:
3105:
3087:
3081:
3080:
3078:
3076:
3062:
3056:
3055:
3053:
3051:
3037:
3031:
3030:
3012:
3006:
3005:
2987:
2981:
2980:
2978:
2976:
2962:
2956:
2955:
2937:
2931:
2930:
2922:
2916:
2915:
2897:
2891:
2890:
2882:
2876:
2875:
2873:
2871:
2857:
2851:
2850:
2832:
2826:
2825:
2807:
2801:
2800:
2782:
2776:
2775:
2757:
2751:
2750:
2732:
2726:
2723:
2717:
2704:Alison Burford (
2702:
2696:
2689:
2683:
2672:
2666:
2659:Rudolf Wittkower
2651:
2645:
2644:
2624:
2615:
2612:
2606:
2599:
2593:
2583:Fergusson, James
2579:
2573:
2570:
2564:
2561:
2555:
2552:
2543:
2542:
2540:
2539:
2525:
2516:
2513:
2492:Superposed order
2457:
2437:
2405:
2378:
2363:Horace Trumbauer
2350:
2318:
2298:
2286:
2259:
2235:
2212:
2202:
2197:Guillaume Bonnet
2195:and sculpted by
2185:Loyasse Cemetery
2181:Claude Bonnefond
2176:
2157:Cité Malesherbes
2149:
2133:
2102:
2070:
2060:
2046:
2023:
1999:
1971:
1959:
1929:
1902:
1892:
1866:
1850:
1827:
1817:
1812:Andrea Sansovino
1799:
1775:
1736:
1726:
1705:
1695:
1681:
1654:
1635:
1612:
1580:
1556:
1536:
1520:
1497:
1485:
1457:
1447:
1437:
1415:
1398:(flower) on the
1383:
1367:
1357:
1345:
1335:
1313:
1303:
1293:
1283:
1262:
1247:
1109:Former City Hall
865:Notable examples
756:
752:
749:
690:Apollo Epicurius
394:
391:
374:Column of Phocas
339:
336:
110:classical orders
95:
86:Corinthian order
61:Compared of the
52:
3478:
3477:
3471:
3470:
3469:
3467:
3466:
3465:
3446:Ancient Corinth
3431:
3430:
3429:
3424:
3343:Egyptian column
3311:
3275:
3239:
3230:
3193:
3164:Summerson, John
3154:Lawrence, A. W.
3140:
3135:
3134:
3127:
3114:
3113:
3109:
3102:
3089:
3088:
3084:
3074:
3072:
3064:
3063:
3059:
3049:
3047:
3039:
3038:
3034:
3027:
3014:
3013:
3009:
3002:
2989:
2988:
2984:
2974:
2972:
2964:
2963:
2959:
2952:
2939:
2938:
2934:
2924:
2923:
2919:
2912:
2899:
2898:
2894:
2884:
2883:
2879:
2869:
2867:
2859:
2858:
2854:
2847:
2834:
2833:
2829:
2822:
2809:
2808:
2804:
2797:
2784:
2783:
2779:
2772:
2759:
2758:
2754:
2747:
2734:
2733:
2729:
2724:
2720:
2703:
2699:
2690:
2686:
2673:
2669:
2652:
2648:
2641:
2626:
2625:
2618:
2613:
2609:
2605:2:35-69 (1989).
2600:
2596:
2580:
2576:
2571:
2567:
2562:
2558:
2553:
2546:
2537:
2535:
2527:
2526:
2519:
2514:
2510:
2505:
2483:
2476:
2458:
2449:
2438:
2429:
2422:RTKL Associates
2406:
2397:
2386:Piazza d'Italia
2379:
2370:
2351:
2342:
2339:Bernard Maybeck
2319:
2310:
2299:
2290:
2287:
2278:
2260:
2251:
2248:Gabriel Davioud
2236:
2227:
2224:Charles Garnier
2213:
2204:
2177:
2168:
2150:
2141:
2134:
2125:
2122:Thomas Helm Lee
2110:Sturdivant Hall
2103:
2094:
2071:
2062:
2047:
2038:
2024:
2015:
2000:
1991:
1972:
1963:
1960:
1951:
1930:
1921:
1903:
1894:
1867:
1858:
1851:
1842:
1828:
1819:
1800:
1791:
1788:Pietro Lombardo
1776:
1767:
1756:Palazzo Vecchio
1737:
1728:
1706:
1697:
1682:
1673:
1670:Pergamon Museum
1655:
1646:
1636:
1627:
1613:
1604:
1599:Temple of Juno
1591:interior, with
1581:
1572:
1557:
1548:
1545:Arch of Hadrian
1537:
1528:
1521:
1512:
1498:
1489:
1486:
1477:
1458:
1449:
1438:
1429:
1416:
1407:
1388:Temple of Vesta
1384:
1375:
1368:
1359:
1346:
1337:
1314:
1305:
1294:
1285:
1263:
1254:
1248:
1239:
1186:Nelson's Column
1182:United Kingdom
1149:: Colonnade of
1064:Antim Monastery
1030:Templo de Diana
867:
855:Andrea Palladio
801:Composite order
781:Claude Perrault
774:Claude Perrault
754:
750:
684:, New York City
659:
624:Nicolas Poussin
593:The Corinthian
560:
524:
457:
451:
392:
376:(re-erected in
337:
289:Hadrian's Villa
285:Temple of Vesta
283:decorating the
270:
211:
206:
181:decorated with
168:Composite order
106:Ordo Corinthius
17:
12:
11:
5:
3476:
3475:
3472:
3464:
3463:
3458:
3453:
3448:
3443:
3433:
3432:
3426:
3425:
3423:
3422:
3417:
3412:
3407:
3402:
3397:
3392:
3387:
3386:
3385:
3375:
3373:Persian column
3370:
3365:
3363:Knotted column
3360:
3355:
3350:
3348:Engaged column
3345:
3340:
3338:Coupled column
3335:
3330:
3325:
3319:
3317:
3313:
3312:
3310:
3309:
3304:
3299:
3294:
3289:
3283:
3281:
3277:
3276:
3274:
3273:
3268:
3263:
3258:
3253:
3247:
3245:
3241:
3240:
3231:
3229:
3228:
3221:
3214:
3206:
3200:
3199:
3192:
3191:External links
3189:
3188:
3187:
3161:
3151:
3139:
3136:
3133:
3132:
3125:
3107:
3100:
3082:
3070:classicist.org
3057:
3045:classicist.org
3032:
3025:
3007:
3000:
2982:
2957:
2950:
2932:
2917:
2910:
2892:
2877:
2852:
2845:
2827:
2820:
2802:
2795:
2777:
2770:
2752:
2745:
2727:
2725:Vitr. 4.1.9-10
2718:
2697:
2684:
2682:, 1956, p. 45.
2667:
2646:
2639:
2616:
2607:
2594:
2574:
2565:
2556:
2554:Summerson, 124
2544:
2517:
2507:
2506:
2504:
2501:
2500:
2499:
2494:
2489:
2482:
2479:
2478:
2477:
2459:
2452:
2450:
2439:
2432:
2430:
2407:
2400:
2398:
2380:
2373:
2371:
2352:
2345:
2343:
2320:
2313:
2311:
2300:
2293:
2291:
2288:
2281:
2279:
2261:
2254:
2252:
2237:
2230:
2228:
2220:Palais Garnier
2214:
2207:
2205:
2178:
2171:
2169:
2151:
2144:
2142:
2135:
2128:
2126:
2104:
2097:
2095:
2072:
2065:
2063:
2048:
2041:
2039:
2025:
2018:
2016:
2010:, Germany, by
2001:
1994:
1992:
1982:, Germany, by
1973:
1966:
1964:
1961:
1954:
1952:
1931:
1924:
1922:
1904:
1897:
1895:
1885:, designed by
1868:
1861:
1859:
1852:
1845:
1843:
1829:
1822:
1820:
1801:
1794:
1792:
1777:
1770:
1768:
1752:Sala dei Gigli
1738:
1731:
1729:
1707:
1700:
1698:
1683:
1676:
1674:
1656:
1649:
1647:
1637:
1630:
1628:
1614:
1607:
1605:
1582:
1575:
1573:
1558:
1551:
1549:
1538:
1531:
1529:
1522:
1515:
1513:
1499:
1492:
1490:
1487:
1480:
1478:
1459:
1452:
1450:
1439:
1432:
1430:
1417:
1410:
1408:
1385:
1378:
1376:
1369:
1362:
1360:
1347:
1340:
1338:
1315:
1308:
1306:
1295:
1288:
1286:
1264:
1257:
1255:
1249:
1242:
1238:
1235:
1234:
1233:
1232:
1231:
1226:
1217:
1212:
1207:
1199:
1198:
1197:
1192:
1190:Central London
1180:
1179:
1178:
1173:
1160:
1159:
1158:
1153:
1144:
1135:
1127:
1126:
1125:
1113:
1112:
1111:
1103:
1102:
1101:
1093:
1092:
1091:
1086:
1078:
1077:
1076:
1074:Monteoru House
1071:
1066:
1060:
1055:
1047:
1046:
1045:
1036:
1024:
1023:
1022:
1017:
1012:
1004:
1003:
1002:
996:Jabal al-Qal'a
993:
985:
984:
983:
978:
973:
971:Pantheon, Rome
965:
964:
963:
954:
953:
952:
947:
938:
937:
936:
930:
922:
921:
920:
913:
901:
900:
899:
890:
889:
888:
866:
863:
658:
655:
559:
556:
523:
520:
453:Main article:
450:
447:
378:Late Antiquity
362:Arch of Trajan
358:Basilica Ulpia
269:
266:
210:
207:
205:
202:
177:and elaborate
47:Pantheon, Rome
15:
13:
10:
9:
6:
4:
3:
2:
3474:
3473:
3462:
3459:
3457:
3454:
3452:
3449:
3447:
3444:
3442:
3439:
3438:
3436:
3421:
3418:
3416:
3413:
3411:
3408:
3406:
3403:
3401:
3398:
3396:
3393:
3391:
3388:
3384:
3383:Compound pier
3381:
3380:
3379:
3376:
3374:
3371:
3369:
3368:Marian column
3366:
3364:
3361:
3359:
3356:
3354:
3351:
3349:
3346:
3344:
3341:
3339:
3336:
3334:
3333:Concatenation
3331:
3329:
3326:
3324:
3321:
3320:
3318:
3314:
3308:
3305:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3284:
3282:
3278:
3272:
3269:
3267:
3264:
3262:
3259:
3257:
3254:
3252:
3249:
3248:
3246:
3242:
3238:
3234:
3227:
3222:
3220:
3215:
3213:
3208:
3207:
3204:
3198:
3195:
3194:
3190:
3186:
3182:
3178:
3175:
3171:
3170:
3165:
3162:
3159:
3155:
3152:
3150:
3146:
3142:
3141:
3137:
3128:
3122:
3118:
3111:
3108:
3103:
3097:
3093:
3086:
3083:
3071:
3067:
3061:
3058:
3046:
3042:
3036:
3033:
3028:
3022:
3018:
3011:
3008:
3003:
2997:
2993:
2986:
2983:
2971:
2967:
2961:
2958:
2953:
2947:
2943:
2936:
2933:
2928:
2921:
2918:
2913:
2907:
2903:
2896:
2893:
2888:
2881:
2878:
2866:
2862:
2856:
2853:
2848:
2842:
2838:
2831:
2828:
2823:
2817:
2813:
2806:
2803:
2798:
2792:
2788:
2781:
2778:
2773:
2767:
2763:
2756:
2753:
2748:
2742:
2738:
2731:
2728:
2722:
2719:
2715:
2712:(New Series,
2711:
2707:
2701:
2698:
2694:
2688:
2685:
2681:
2677:
2671:
2668:
2664:
2660:
2656:
2650:
2647:
2642:
2636:
2632:
2631:
2623:
2621:
2617:
2611:
2608:
2604:
2598:
2595:
2592:
2588:
2584:
2578:
2575:
2572:Lawrence, 237
2569:
2566:
2560:
2557:
2551:
2549:
2545:
2534:
2530:
2524:
2522:
2518:
2512:
2509:
2502:
2498:
2495:
2493:
2490:
2488:
2485:
2484:
2480:
2474:
2470:
2466:
2462:
2461:New Classical
2456:
2451:
2447:
2443:
2436:
2431:
2427:
2423:
2419:
2415:
2411:
2404:
2399:
2395:
2394:Charles Moore
2391:
2387:
2383:
2377:
2372:
2368:
2364:
2360:
2356:
2349:
2344:
2340:
2336:
2332:
2328:
2327:San Francisco
2324:
2317:
2312:
2308:
2304:
2297:
2292:
2285:
2280:
2276:
2272:
2268:
2264:
2263:Greek Revival
2258:
2253:
2249:
2245:
2241:
2234:
2229:
2225:
2221:
2217:
2211:
2206:
2198:
2194:
2190:
2186:
2182:
2175:
2170:
2166:
2162:
2158:
2154:
2148:
2143:
2139:
2132:
2127:
2123:
2119:
2115:
2111:
2107:
2106:Greek Revival
2101:
2096:
2092:
2088:
2087:Joseph Hansom
2084:
2080:
2076:
2069:
2064:
2056:
2052:
2045:
2040:
2036:
2032:
2031:Petit Trianon
2028:
2022:
2017:
2013:
2009:
2005:
1998:
1993:
1989:
1985:
1981:
1977:
1970:
1965:
1958:
1953:
1950:
1946:
1942:
1938:
1934:
1928:
1923:
1919:
1915:
1911:
1907:
1901:
1896:
1888:
1884:
1880:
1876:
1872:
1865:
1860:
1856:
1849:
1844:
1840:
1836:
1832:
1826:
1821:
1813:
1809:
1805:
1798:
1793:
1789:
1785:
1781:
1774:
1769:
1765:
1761:
1757:
1753:
1749:
1745:
1741:
1735:
1730:
1722:
1718:
1714:
1710:
1704:
1699:
1691:
1687:
1680:
1675:
1671:
1667:
1663:
1659:
1653:
1648:
1644:
1640:
1634:
1629:
1625:
1621:
1617:
1611:
1606:
1603:
1602:
1596:
1595:
1590:
1586:
1579:
1574:
1570:
1566:
1562:
1555:
1550:
1546:
1542:
1535:
1530:
1526:
1519:
1514:
1511:
1507:
1503:
1496:
1491:
1484:
1479:
1475:
1471:
1467:
1463:
1456:
1451:
1443:
1436:
1431:
1427:
1423:
1422:
1414:
1409:
1405:
1401:
1397:
1393:
1389:
1382:
1377:
1373:
1366:
1361:
1353:
1350:
1344:
1339:
1331:
1327:
1323:
1319:
1312:
1307:
1299:
1292:
1287:
1279:
1275:
1271:
1267:
1266:Ancient Greek
1261:
1256:
1253:
1246:
1241:
1236:
1230:
1227:
1225:
1221:
1218:
1216:
1213:
1211:
1208:
1206:
1203:
1202:
1200:
1196:
1193:
1191:
1187:
1184:
1183:
1181:
1177:
1174:
1171:
1167:
1164:
1163:
1161:
1157:
1154:
1152:
1148:
1145:
1143:
1139:
1136:
1134:
1131:
1130:
1128:
1124:
1120:
1117:
1116:
1115:South Africa
1114:
1110:
1107:
1106:
1104:
1100:
1097:
1096:
1094:
1090:
1087:
1085:
1084:Winter Palace
1082:
1081:
1079:
1075:
1072:
1070:
1067:
1065:
1061:
1059:
1056:
1054:
1051:
1050:
1048:
1044:
1040:
1037:
1035:
1031:
1028:
1027:
1025:
1021:
1018:
1016:
1013:
1011:
1008:
1007:
1005:
1001:
997:
994:
992:
989:
988:
986:
982:
979:
977:
974:
972:
969:
968:
966:
961:
958:
957:
955:
951:
948:
945:
942:
941:
939:
934:
933:The Reichstag
931:
929:
926:
925:
923:
918:
914:
912:
908:
907:Maison Carrée
905:
904:
902:
897:
896:Tajhat Palace
894:
893:
891:
887:
884:
883:
881:
880:
876:
871:
864:
862:
860:
856:
852:
851:
847:(1507–1573);
846:
842:
841:
835:
833:
829:
825:
821:
816:
814:
810:
806:
802:
798:
793:
791:
785:
782:
775:
770:
766:
764:
760:
745:
740:
736:
734:
730:
726:
722:
718:
713:
711:
707:
706:votive column
703:
699:
695:
691:
683:
679:
675:
672:
668:
663:
656:
654:
651:
646:
644:
639:
637:
631:
629:
625:
619:
616:
612:
606:
604:
600:
596:
591:
588:
584:
576:
572:
568:
564:
557:
555:
553:
549:
548:chapter house
545:
541:
537:
533:
529:
521:
519:
517:
513:
507:
505:
501:
497:
493:
489:
485:
481:
477:
470:
466:
461:
456:
448:
446:
444:
440:
436:
432:
428:
423:
421:
416:
411:
409:
405:
401:
396:
393: 150 AD
387:
383:
379:
375:
371:
367:
363:
359:
355:
351:
347:
343:
342:Maison Carrée
332:
328:
321:
317:
312:
306:
305:Forum Romanum
302:
297:
290:
286:
282:
278:
274:
267:
265:
262:
258:
253:
251:
247:
243:
238:
236:
232:
228:
220:
215:
208:
203:
201:
199:
195:
191:
186:
184:
180:
176:
173:
169:
165:
161:
157:
153:
148:
146:
142:
138:
134:
129:
127:
123:
119:
115:
111:
107:
103:
99:
91:
87:
80:
77:orders; with
76:
72:
68:
64:
59:
48:
43:
36:
32:
28:
27:
21:
3280:Other orders
3260:
3177:World of Art
3176:
3167:
3157:
3149:google books
3144:
3116:
3110:
3091:
3085:
3073:. Retrieved
3069:
3060:
3048:. Retrieved
3044:
3035:
3016:
3010:
2991:
2985:
2973:. Retrieved
2969:
2960:
2941:
2935:
2926:
2920:
2901:
2895:
2886:
2880:
2868:. Retrieved
2864:
2855:
2836:
2830:
2811:
2805:
2786:
2780:
2761:
2755:
2736:
2730:
2721:
2713:
2709:
2705:
2700:
2692:
2687:
2679:
2670:
2662:
2654:
2649:
2629:
2610:
2602:
2597:
2591:google books
2586:
2581:Brown, 232;
2577:
2568:
2559:
2536:. Retrieved
2532:
2511:
2473:John Simpson
2359:Philadelphia
2331:egg-and-dart
2222:, Paris, by
2163:and painter
2091:Edward Welch
2027:Neoclassical
2004:abbey church
1906:Brâncovenesc
1766:, 1476–1481.
1762:, Italy, by
1600:
1592:
1589:Santa Sabina
1420:
1169:
1006:Philippines
858:
848:
838:
836:
817:
794:
786:
779:
755: 15 BC
751: 75 BC
741:
737:
714:
709:
687:
653:
648:
641:
633:
620:
614:
607:
592:
580:
554:in England.
525:
516:Bodhisattvas
508:
474:
469:Musee Guimet
424:
412:
408:Ionic column
399:
397:
324:
320:Leptis Magna
254:
239:
224:
189:
187:
164:Tuscan order
149:
140:
130:
97:
85:
83:
24:
3405:Robot order
2870:3 September
2614:Jones 1989.
2487:Giant order
2446:John Outram
2408:Postmodern
2396:, 1978–1979
2390:New Orleans
2341:, 1913–1915
2309:, 1895–1898
2277:, 1873–1883
2226:, 1861–1874
2124:, 1852–1856
2014:, 1748-1754
1990:, 1746-1754
1949:Netherlands
1941:Rijksmuseum
1857:, 1696–1710
1841:, 1638–1677
1837:, Rome, by
1810:, Rome, by
1790:, 1481–1489
1740:Renaissance
1723:, begun in
1709:Renaissance
1220:The Rotunda
917:July Column
892:Bangladesh
759:Callimachus
735:the Elder.
733:Polykleitos
532:Middle Ages
492:Hellenistic
338: 2 AD
235:Callimachus
204:Description
156:Renaissance
126:Ionic order
122:Doric order
23:Corinthian
3435:Categories
3307:Superposed
3261:Corinthian
3235:and other
3185:0500201773
3138:References
2966:"Immeuble"
2691:Chambers,
2674:Quoted by
2538:2019-03-24
2444:, London,
2382:Postmodern
2216:Beaux Arts
2079:Birmingham
2008:Ottobeuren
1980:Steingaden
1692:, France,
1639:Romanesque
1462:Al-Khazneh
1444:, Athens,
1428:, 70–80 BC
1300:, Athens,
1284:429-400 BC
1105:Singapore
882:Argentina
832:colonettes
820:Romanesque
753: – c.
615:chandelles
595:architrave
443:modillions
404:Roman feet
190:Corinthian
141:caulicoles
26:peripteros
3420:Waterleaf
3328:Colonnade
3271:Composite
2975:26 August
2469:Cambridge
2420:, US, by
2392:, US, by
2361:, US, by
2055:Compiègne
1984:Dominikus
1945:Amsterdam
1914:Bucharest
1750:, in the
1719:, Italy,
1662:Andalusia
1616:Byzantine
1541:pilasters
1500:Group of
1421:gorgoneia
1322:Epidaurus
1123:Cape Town
1026:Portugal
898:, Rangpur
797:Colosseum
744:Vitruvius
725:Asclepius
721:Epidaurus
698:colonnade
680:, in the
678:limestone
630:in 1642:
484:pilasters
420:Colosseum
400:symmetria
303:, in the
231:Vitruvius
188:The name
79:staircase
75:Composite
3390:Pilaster
3353:Estipite
3323:Caryatid
3292:Ammonite
3179:series,
2481:See also
2335:astragal
1912:Church,
1760:Florence
1672:, Berlin
1585:basilica
1571:, 150 AD
1474:rinceaux
1162:Ukraine
1138:Damascus
1049:Romania
946:, Athens
935:, Berlin
924:Germany
790:astragal
763:acanthus
674:sphinxes
671:addorsed
667:Tarentum
571:Veronese
504:Gandhara
465:Gandhara
435:bucrania
431:festoons
427:fleurons
360:and the
291:, Tivoli
281:festoons
277:Bucrania
261:acanthus
183:acanthus
179:capitals
166:and the
3400:Pulvino
3237:columns
3075:14 June
3050:14 June
2333:on the
2118:Alabama
1918:Romania
1883:Austria
1875:Hofburg
1831:Baroque
1690:Tournus
1658:Islamic
1624:Ravenna
1543:of the
1396:fleuron
1252:colours
1237:Gallery
1156:Palmyra
1151:Bacchus
1147:Latakia
1095:Serbia
1080:Russia
987:Jordan
962:, Haifa
956:Israel
940:Greece
919:, Paris
903:France
813:canonic
657:History
611:entasis
603:cornice
534:, from
480:columns
439:rosette
386:Baalbek
329:in the
227:Corinth
194:Corinth
175:columns
133:volutes
35:Baalbek
29:of the
3395:Piloti
3287:Aeolic
3266:Tuscan
3183:
3123:
3098:
3023:
2998:
2948:
2908:
2865:wga.hu
2843:
2818:
2793:
2768:
2743:
2637:
2475:, 1998
2467:Hall,
2448:, 1988
2428:, 1985
2369:, 1933
2271:Vienna
2250:, 1866
2167:, 1858
2093:, 1834
2037:, 1764
1947:, the
1933:Rococo
1879:Vienna
1784:Venice
1717:Mantua
1601:Regina
1594:spolia
1569:Jordan
1565:Jerash
1502:Buddha
1470:Jordan
1404:pistil
1400:abacus
1392:Tivoli
1358:130 AD
1336:350 BC
1318:tholos
1304:335 BC
1274:Bassae
1129:Syria
1043:Lisbon
991:Jarash
967:Italy
717:tholos
710:inside
694:Bassae
599:frieze
512:Buddha
496:Indian
415:abacus
370:Trajan
366:Ancona
350:Vienne
246:adytum
242:Bassae
198:Athens
172:fluted
162:: the
145:abacus
67:Tuscan
3302:Nonce
3297:Giant
3256:Ionic
3251:Doric
2503:Notes
2114:Selma
1786:, by
1744:Venus
1666:Spain
1466:Petra
1448:50 BC
1349:Roman
1133:Bosra
1034:Évora
1000:Amman
911:Nimes
875:Nîmes
702:cella
669:with
636:Nîmes
287:from
279:with
160:canon
150:When
102:Latin
90:Greek
71:Ionic
63:Doric
3415:Stoa
3378:Pier
3181:ISBN
3121:ISBN
3096:ISBN
3077:2024
3052:2024
3021:ISBN
2996:ISBN
2977:2024
2946:ISBN
2906:ISBN
2872:2024
2841:ISBN
2816:ISBN
2791:ISBN
2766:ISBN
2741:ISBN
2635:ISBN
2424:and
2410:neon
2365:and
2203:1860
2189:Lyon
2089:and
2061:1810
1986:and
1818:1505
1748:Eros
1746:and
1727:1450
1426:Rome
915:The
822:and
807:and
542:and
494:and
413:The
116:and
84:The
2006:of
1889:in
1587:of
1320:at
1188:in
853:of
843:of
818:In
719:at
692:at
550:at
538:to
514:or
502:of
482:or
395:).
384:at
364:at
348:at
318:in
112:of
3437::
3166:,
3156:,
3068:.
3043:.
2968:.
2863:.
2714:21
2678:,
2661:,
2619:^
2585:,
2547:^
2531:.
2520:^
2416:,
2388:,
2357:,
2325:,
2269:,
2242:,
2201:c.
2199:,
2187:,
2183:,
2116:,
2112:,
2083:UK
2081:,
2077:,
2059:c.
2053:,
1978:,
1943:,
1916:,
1891:c.
1881:,
1877:,
1873:,
1816:c.
1814:,
1806:,
1782:,
1758:,
1754:,
1725:c.
1715:,
1694:c.
1688:,
1622:,
1567:,
1563:,
1468:,
1464:,
1446:c.
1390:,
1356:c.
1334:c.
1332:,
1324:,
1302:c.
1282:c.
1272:,
1222:,
1140::
1121:,
1041:,
1032:,
998:,
909:,
748:c.
506:.
467:,
445:.
390:c.
335:c.
200:.
104::
100:;
96:,
92::
69:,
65:,
51:c.
33:,
3225:e
3218:t
3211:v
3129:.
3104:.
3079:.
3054:.
3029:.
3004:.
2979:.
2954:.
2914:.
2874:.
2849:.
2824:.
2799:.
2774:.
2749:.
2643:.
2541:.
1172:)
1168:(
746:(
577:)
573:(
388:(
333:(
88:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
