1663:
1302:
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780:
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69:
1714:
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284:
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1968:
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1938:
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1980:
225:
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322:
2008:
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881:
1911:
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673:
53:
2142:
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307:
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31:
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1967:
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660:
The proportions of the orders were by the ancients formed on those of the human body, and consequently, it could not be their intention to make a
Corinthian column, which, as Vitruvius observes, is to represent the delicacy of a young girl, as thick and much taller than a Doric one, which is designed
274:
leaves at the bottom of the capital, with a row of "tall, narrow leaves" behind. These cling tightly to the swelling shaft, and are sometimes described as "lotus" leaves, as well as the vague "water-leaves" and palm leaves; their similarity to leaf forms on many ancient
Egyptian capitals has been
749:
The temple was erected in the 4th century BC. These capitals, in one of the most-visited sacred sites of Greece, influenced later
Hellenistic and Roman designs for the Corinthian order. The concave sides of the abacus meet at a sharp keel edge, easily damaged, which in later and post-Renaissance
794:
incorporated a vignette epitomizing the
Callimachus tale in his illustration of the Corinthian order for his translation of Vitruvius, published in Paris, 1684. Perrault demonstrates in his engraving how the proportions of the carved capital could be adjusted according to demands of the design,
2157:
1321:
2267:
1744:
1979:
2110:
1807:
1689:
2220:
1874:
2007:
628:
and sometimes terminate in carved wisps of flame, or with bellflowers. Alternatively, beading or chains of husks may take the place of the fillets in the fluting, Corinthian being the most flexible of the orders, with more opportunities for variation.
772:, a Greek architect and sculptor who was inspired by the sight of a votive basket that had been left on the grave of a young girl. A few of her toys were in it, and a square tile had been placed over the basket, to protect them from the weather. An
1465:
632:
Elaborating upon an offhand remark when
Vitruvius accounted for the origin of its acanthus capital, it became a commonplace to identify the Corinthian column with the slender figure of a young girl; in this mode the classifying French painter
520:
The classical design was often adapted, usually taking a more elongated form, and sometimes being combined with scrolls, generally within the context of
Buddhist stupas and temples. Indo-Corinthian capitals also incorporated figures of the
2445:
1620:
1528:
619:
The
Corinthian column is almost always fluted, and the flutes of a Corinthian column may be enriched. They may be filleted, with rods nestled within the hollow flutes, or stop-fluted, with the rods rising a third of the way, to where the
779:
1783:
1588:
154:), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or they may be extravagantly drilled and undercut, naturalistic and spiky. The flat
1835:
600:
expressed the human analogies that writers who followed
Vitruvius often associated with the human form, in squared drawings he made of the Corinthian capital overlaid with human heads, to show the proportions common to both.
2141:
2294:
810:, the natural progression is from sturdiest and plainest (Doric) at the bottom, to slenderest and richest (Corinthian) at the top. The Colosseum's topmost tier has an unusual order that came to be known as the
557:. There was considerable freedom in the details and the relationship between column (generally not fluted) and capital. Many types of plant were represented, sometimes realistically, as in the capitals in the
413:" are noted by Mark Wilson Jones, who finds that the ratio of total column height to column-shaft height is in a 6:5 ratio, so that, secondarily, the full height of column with capital is often a multiple of 6
798:
In Late
Antique and Byzantine practice, the leaves may be blown sideways, as if by the wind of Faith. Unlike the Doric and Ionic column capitals, a Corinthian capital has no neck beneath it, just a ring-like
612:, which may be richly carved with a continuous design or left plain, as at the U.S. Capitol extension. At the Capitol the proportions of architrave to frieze are exactly 1:1. Above that, the profiles of the
428:
upon the capital has concave sides to conform to the outscrolling corners of the capital, and it may have a rosette at the center of each side. Corinthian columns were erected on the top level of the Roman
837:, where the Classical system had been replaced by a new aesthetic composed of arched vaults springing from columns, the Corinthian capital was still retained. It might be severely plain, as in the typical
2031:
68:
1910:
1375:
1544:
255:
in 1811–12; they are dated around 420 BC, and are in a temple of Apollo otherwise using the Ionic. There were three of them, carrying the frieze across the far end of the cella, which was open to the
1973:
Rococo reinterpretations of the
Corinthian order in an altar design, with asymmetric capitals and more sinuous S-shaped acanthuses, by Franz Xaver Habermann, 1740–1745, etching on paper, Rijksmuseum
734:
was recovered during modern archaeological campaigns. Its enigmatic presence and preservation have been explained as a sculptor's model for stonemasons to follow in erecting the temple dedicated to
715:
enclosure. A single Corinthian column stands free, centered within the cella. This is a mysterious feature, and archaeologists debate what this shows: some state that it is simply an example of a
259:. The Corinthian was probably devised to solve the awkwardness the Ionic capital created at corners by having clear and distinct front or back and side-on faces, a problem only finally solved by
841:, which encouraged no distraction from liturgy and ascetic contemplation, or in other contexts it could be treated to numerous fanciful variations, even on the capitals of a series of columns or
826:
version of the orders, thought they detected a "Composite order", combining the volutes of the Ionic with the foliage of the Corinthian, but in Roman practice volutes were almost always present.
723:
temples. A more famous example, and the first documented use of the Corinthian order on the exterior of a structure, is the circular Choragic Monument of Lysicrates in Athens, erected c. 334 BC.
537:
Though the term "Corinthian" is reserved for columns and capitals that adhere fairly closely to one of the classical versions, vegetal decoration to capitals continued to be extremely common in
2386:
1858:
283:
1109:
616:
mouldings are like those of the Ionic order. If the cornice is very deep, it may be supported by brackets or modillions, which are ornamental brackets used in a series under a cornice.
436:
One variant is the Tivoli order, found at the Temple of Vesta, Tivoli. The Tivoli order's Corinthian capital has two rows of acanthus leaves and its abacus is decorated with oversize
139:. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture.
1353:
608:
is divided in two or three sections, which may be equal, or may bear interesting proportional relationships, to one with another. Above the plain, unadorned architrave lies the
1564:
3076:
3051:
1423:
1493:
1255:
848:
During the 16th century, a sequence of engravings of the orders in architectural treatises helped standardize their details within rigid limits: Sebastiano Serlio; the
2719:, Liverpool, 1969, p. 65) suggests instead that it was spoilt in the carving, one volute being incorrectly detached from its field; Hugh Plommer, reviewing it for
251:
Its earliest use can be traced back to the Late Classical Period (430–323 BC). The earliest Corinthian capitals, already in fragments and now lost, were found in
3466:
158:
at the top of the capital has a concave curve on each face, and usually a single flower ("rosette") projecting from the leaves below overlaps it on each face.
142:
A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic
649:
will not, I am sure, have delighted your spirit any less than the beautiful columns of Maison Carrée for the one is no more than an old copy of the other.
3234:
409:
Proportion is a defining characteristic of the Corinthian order: the "coherent integration of dimensions and ratios in accordance with the principles of
896:
224:
750:
practice has generally been replaced by a canted corner. Behind the scrolls the spreading cylindrical form of the central shaft is plainly visible.
326:
266:
A simplified late version of the Greek Corinthian capital is often known as the "Tower of the Winds Corinthian" after its use on the porches of the
795:
without offending. The texture and outline of Perrault's leaves is dry and tight compared to their 19th-century naturalism at the U.S. Capitol.
248:, probably an Athenian, who drew acanthus leaves growing around a votive basket of toys, with a slab on top, on the grave of a Corinthian girl.
3179:
970:
3135:
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1520:
1079:
1230:
1220:
1630:
860:
2348:
that is just under the capital, and two extra smaller volutes and a handle-like element on the canonic volutes of the capital corner, by
3461:
1225:
806:
Most buildings (and most clients) are satisfied with just two orders. When orders are superposed one above another, as they are at the
433:, holding up the least weight, and also having the slenderest ratio of thickness to height. Their height to width ratio is about 10:1.
2507:
1897:
1723:
1336:
1653:
2396:
2163:
1790:
1696:
1609:
1515:
seated between two monks, with two quasi-Corinthian pilasters that are here because of the influence of Greek culture during the
1417:, compressed acanthus rows, and flutes squared at the top, rather than rounded as on a standard Corinthian column, 1st century BC
3077:"Greek Classicism: A Design Resource for Historic and Contemporary Architecture, Part II, with Calder Loth (28:36 in the video)"
3052:"Greek Classicism: A Design Resource for Historic and Contemporary Architecture, Part II, with Calder Loth (29:46 in the video)"
3378:
1362:
1308:
1129:
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954:
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229:
3227:
3195:
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1030:
440:
in the form of hibiscus flowers with pronounced spiral pistils. The column flutes have flat tops. The frieze exhibits fruit
321:
3353:
2377:
1063:
1025:
3343:
2452:
2277:
356:
2727:.2 , pp 269–272), remarks that the error involved an excess of work and remains convinced that the capital was a model.
3451:
3207:
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elements. These capitals are typically dated to the 1st centuries of our era, and constitute important elements of
128:
124:
880:
872:, were followed in the 17th century by French treatises with further refined engraved models, such as Perrault's.
3220:
2428:
2404:
2207:
2037:
1998:
1881:
1571:
1382:
1205:
1068:
819:
529:, usually as central figures surrounded, and often in the shade, of the luxurious foliage of Corinthian designs.
311:
3456:
3430:
2483:
2316:, New York City, a mix of those of the Tower of the Winds and those of the Choragic Monument of Lysicrates, by
2254:
2101:
1750:
1719:
1555:
1288:
546:
417:
while the column height itself is a multiple of 5. In its proportions, the Corinthian column is similar to the
2539:
2436:
2392:
2226:
2203:
1649:
1398:
1239:
991:
938:
838:
830:
776:
plant had grown through the woven basket, mixing its spiny, deeply cut leaves with the weave of the basket.
739:
672:
550:
486:
465:
372:
295:
1947:
2250:
2022:
1920:
1818:
1626:
1406:
1340:
1234:
769:
613:
538:
437:
306:
245:
189:
182:
162:
146:("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of
2171:
2175:
2148:
1865:
1731:
1410:
1328:
1215:
1176:
727:
425:
181:, known in Roman times, but regarded as a grand imperial variant of the Corinthian. The Corinthian has
155:
1916:
2167:
2132:
2085:
2045:
1994:
1841:
1814:
1668:
986:
803:
molding or a banding that forms the base of the capital, recalling the base of the legendary basket.
653:
597:
337:
1762:
52:
3388:
2333:
2285:
1849:
1774:
834:
593:
554:
498:
271:
193:
147:
2424:
1516:
1452:
1049:
943:
677:
510:
267:
2317:
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573:
299:
707:
in Arcadia, c. 450–420 BC. It is not part of the order of the temple itself, which has a Doric
30:
3368:
3191:
3184:
3159:
3131:
3106:
3031:
3006:
2956:
2916:
2851:
2826:
2801:
2776:
2751:
2645:
2641:
What are the Seven Wonders of the World?: And 100 Other Great Cultural Lists--Fully Explicated
2639:
2601:
1020:
1006:
815:
585:
577:
562:
392:
364:
341:
260:
41:
240:, to which it was connected in the period. However, according to the architectural historian
3420:
3317:
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2502:
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2195:
2191:
2014:
1822:
917:
773:
700:
449:
384:
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634:
204:
178:
120:
85:
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470:
3383:
3373:
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3348:
3302:
3174:
3164:
3158:, 2002 digital edn. (1st edn 1906), Digital Scanning Incorporated, ISBN 9781582187334,
2664:
Francesco di Giorgio's sheet with the drawings, from the Turin codex Saluzziano of his
2230:
2124:
1200:
1084:
981:
581:
522:
388:
368:
112:
100:
57:
726:
A Corinthian capital carefully buried in antiquity in the foundations of the circular
719:. A few examples of Corinthian columns in Greece during the next century are all used
3445:
3393:
3212:
2686:
2420:
2337:
2097:
2041:
1402:
1094:
906:
738:. The architectural design of the building was credited in antiquity to the sculptor
716:
558:
336:
The style developed its own model in Roman practice, following precedents set by the
315:
275:
remarked on. The form is usually found in smaller columns, both ancient and modern.
3297:
3276:
2369:
2341:
1599:
479:
330:
174:
77:
2065:
2300:
Greek Revival pilaster capitals on the facade of the Austrian Parliament Building
421:, though it is more slender, and stands apart by its distinctive carved capital.
64:
114–124 AD, which provided a prominent model for Renaissance and later architects
3415:
3312:
3307:
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2497:
2456:
2400:
1959:
1951:
927:
743:
542:
526:
502:
418:
166:
136:
132:
81:
73:
17:
2089:
2018:
1990:
1986:
1472:
1430:
1262:
605:
453:
414:
89:
36:
3338:
2479:
2364:
Neoclassical polychrome Corinthian columns, entablature and pediment of the
1955:
1924:
1672:
1332:
1133:
842:
807:
754:
735:
731:
708:
688:
430:
241:
232:, Athens, unknown architect, 330s BC, one of the earliest surviving examples
1946:
reinterpretations of the Corinthian order in an design for an interior, by
1656:, Paris, 8th century, restored in the 19th century with original polychromy
2332:
Beaux-Arts reinterpretation of the Corinthian order at the Rotunda of the
2013:
Rococo reinterpretations of the Corinthian order at the high altar in the
3400:
3363:
3333:
2345:
1770:
1595:
1551:
1161:
1148:
1044:
885:
800:
681:
646:
514:
494:
475:
445:
291:
287:
2257:, Paris, heavily inspired by those of the Temple of Vesta in Tivoli, by
2190:
Neoclassical reinterpretation of the Corinthian capital at the Grave of
3410:
2128:
1928:
1893:
1885:
1700:
1634:
1484:
1166:
1157:
621:
441:
396:
237:
45:
823:
170:
3405:
3247:
2281:
1943:
1889:
1794:
1727:
1604:
1579:
1575:
1512:
1480:
1414:
1284:
1053:
1001:
704:
684:
609:
490:
380:
376:
256:
252:
208:
185:
143:
699:
The oldest known example of a Corinthian column is in the Temple of
2096:, inspired by those of the Temple of Castor and Pollux in Rome, by
2060:
Neoclassical Corinthian pilaster in the Salon des dames d'honneur,
814:
during the 16th century. The mid-16th-century Italians, especially
3003:
The History of Art - From Prehistory to Presentday - A Global View
2482:, UK, inspired by the one from the Temple of Apollo at Bassaem by
1754:
1676:
1476:
1143:
1010:
921:
879:
778:
712:
671:
572:
506:
469:
320:
305:
282:
223:
67:
51:
29:
3425:
2199:
1758:
1436:
3216:
2284:, inspired by those of the Choragic Monument of Lysicrates, by
580:
offers his version of the Corinthian capital, in a portrait by
119:) is the last developed and most ornate of the three principal
1753:
reinterpretation of the Corinthian order, with a capital with
661:
to represent the bulk and vigour of a muscular full grown man.
656:
expressed the conventional comparison with the Doric order:
2612:
Mark Wilson Jones, "Designing the Roman Corinthian order",
2147:
The Neoclassical Corinthian order as used in extending the
2093:
2638:
Peter D'Epiro; Mary Desmond Pinkowish (22 December 2010).
2633:
2631:
236:
The Corinthian order is named for the Greek city-state of
768:) related that the Corinthian order had been invented by
1985:
Rococo reinterpretations of the Corinthian order in the
1789:
Renaissance Corinthian pilasters of the entrance of the
1110:
House of the National Assembly of the Republic of Serbia
2704:
A Treatise on the Decorative Part of Civil Architecture
474:
Figure of the Buddha, within a Corinthian capital from
2131:, US, inspired by those of the Tower of the Winds, by
711:
surrounding the temple and an Ionic order within the
2534:
2532:
1538:, Rome, with intertwining central stems, 1st century
3326:
3290:
3254:
2666:
Trattati di architettura ingegneria e arte militare
2451:Reinterpreted Postmodern Corinthian columns of the
1499:
Roman Corinthian pilaster in a corner of Al-Khazneh
1413:, probably a stylized hibiscus blossom with spiral
783:The origin of the Corinthian order, illustrated in
270:in Athens (about 50 BC). There is a single row of
787:'s translation of the ten books of Vitruvius, 1684
2644:. Knopf Doubleday Publishing Group. p. 133.
3103:A World History of Art - Revised Seventh Edition
2798:A World History of Art - Revised Seventh Edition
2773:A World History of Art - Revised Seventh Edition
2561:
2559:
1261:Reconstructed Corinthian capital, with original
2674:Architectural Principles in the Age of Humanism
645:The beautiful girls whom you will have seen in
196:leaves and scrolls. There are many variations.
1813:Renaissance Corinthian columns of the Tomb of
3228:
8:
2151:in 1854: the column's shaft has been omitted
2166:polychrome ceramic Corinthian pilasters of
1880:Stylized Baroque Corinthian columns in the
888:, France, unknown architect, 1st century AD
482:, Paris, unknown architect, 3rd–4th century
452:over its center. The cornice does not have
351:). It was employed in southern Gaul at the
3235:
3221:
3213:
1327:Ancient Greek Corinthian capital from the
203:is derived from the ancient Greek city of
135:, which was the earliest, followed by the
3105:. Laurence King Publishing. p. 867.
2800:. Laurence King Publishing. p. 177.
2775:. Laurence King Publishing. p. 147.
2340:, US, with a full figure on the capital,
897:Palace of the Argentine National Congress
497:, which can be found in the northwestern
244:, the column was created by the sculptor
2872:"West wall portal of the Sala dei Gigli"
2598:The Illustrated Handbook of Architecture
2312:Greek Revival Corinthian columns of the
2229:Corinthian columns on the facade of the
2084:Neoclassical Corinthian capitals of the
1339:, Greece, said to have been designed by
596:, the Florentine architectural theorist
3171:, 1957, Penguin, Pelican history of art
2519:
2474:Greek Revival Corinthian column in the
2249:Neoclassical Corinthian capital of the
2170:no. 11 (lower story), Paris, architect
1251:
1080:Central University Library of Bucharest
541:and the various styles of the European
207:, although it was probably invented in
3180:The Classical Language of Architecture
2717:The Greek Temple Builders at Epidauros
1451:Ancient Greek Corinthian order of the
1307:Ancient Greek Corinthian order of the
971:Seat of the Universal House of Justice
742:, son of the Classical Greek sculptor
1695:Romanesque quasi-Corinthian capital,
1521:State Museum of History of Uzbekistan
48:, Lebanon, unknown architect, 150–250
7:
3467:Ancient Roman architectural elements
3130:. Thames & Hudson. p. 121.
3005:. Thames & Hudson. p. 989.
2900:(in French). Flammarion. p. 39.
2600:, Vol 2, p. 273, 1855, John Murray,
1221:United States Supreme Court Building
1064:New Saint George Church of Bucharest
624:begins. In French, these are called
533:Byzantine Empire and Medieval Europe
391:but 2nd century in origin), and the
169:, two more orders were added to the
1226:City Hall-County Building (Chicago)
870:L'idea dell'architettura universale
3101:Hugh Honour, John Fleming (2009).
2796:Hugh Honour, John Fleming (2009).
2771:Hugh Honour, John Fleming (2009).
2706:(Joseph Gwilt ed, 1825:pp 159–61).
2668:, c. 1480–1500, is illustrated by
2508:Chapelle Sainte Radegonde (Chinon)
1898:Johann Bernhard Fischer von Erlach
1866:Chapel of the Palace of Versailles
1864:Baroque Corinthian columns in the
1844:Corinthian column capitals in the
1570:Roman Corinthian columns from the
1337:Archaeological Museum of Epidaurus
25:
3028:A History of Western Architecture
2953:A History of Western Architecture
2913:A History of Western Architecture
2848:A History of Western Architecture
2823:A History of Western Architecture
2748:A History of Western Architecture
2526:Lawrence, 85; Summerson, 124, 176
1675:(Madīnat az-Zahrā’), present-day
1631:Basilica of Sant'Apollinare Nuovo
1381:Roman Corinthian capitals in the
861:I quattro libri dell'architettura
2464:
2444:
2412:
2385:
2357:
2325:
2305:
2293:
2266:
2242:
2219:
2183:
2156:
2140:
2109:
2077:
2053:
2030:
2006:
1978:
1966:
1936:
1909:
1873:
1857:
1834:
1806:
1782:
1743:
1712:
1688:
1661:
1642:
1619:
1587:
1563:
1543:
1534:Roman Corinthian capital of the
1527:
1504:
1492:
1483:, decorated with acanthuses and
1464:
1444:
1422:
1397:Roman Corinthian capital of the
1390:
1374:
1352:
1320:
1300:
1269:
1254:
687:, 4th–3rd centuries BC, made of
363:. Other prime examples noted by
2691:The Nude: A Study in Ideal Form
1950:, 1731–1775, etching on paper,
1309:Choragic Monument of Lysicrates
961:Temple of Olympian Zeus, Athens
955:Choragic Monument of Lysicrates
230:Choragic Monument of Lysicrates
27:Order of classical architecture
3030:. Laurence King. p. 490.
2955:. Laurence King. p. 333.
2915:. Laurence King. p. 325.
2850:. Laurence King. p. 217.
2825:. Laurence King. p. 123.
2378:Zantzinger, Borie & Medary
2314:Bowling Green Offices Building
1846:San Carlo alle Quattro Fontane
1671:quasi-Corinthian capital from
1429:Roman Corinthian capital with
1031:Enrique M. Razon Sports Center
592:During the first flush of the
355:, Nîmes and at the comparable
1:
3208:Classical orders and elements
2936:J. Philippe, Minguet (1973).
2750:. Laurence King. p. 40.
2211:
2069:
2068:, France, unknown architect,
1904:1716–1720, built in 1723–1726
1901:
1826:
1735:
1704:
1550:Roman Corinthian columns and
1456:
1366:
1344:
1312:
1292:
1026:Don Enrique T. Yuchengco Hall
758:
753:Much later, the Roman writer
400:
345:
61:
2614:Journal of Roman Archaeology
2453:Isle of Dogs Pumping Station
2278:Austrian Parliament Building
1722:Corinthian pilasters of the
1679:, mid-10th century, marble,
1652:quasi-Corinthian columns in
1629:quasi-Corinthian capital in
1608:Corinthian columns from the
1519:, 1st-3rd centuries, stone,
1471:Roman Corinthian capital of
1385:, Rome, later 2nd century BC
569:Renaissance Corinthian order
357:Temple of Augustus and Livia
56:Corinthian columns from the
1919:Corinthian capitals of the
1536:Temple of Castor and Pollux
1405:, Italy, with an oversized
676:Ancient Greek capital from
448:. Above each festoon has a
367:are the lower order of the
228:Frieze and capitals of the
150:and stalks ("cauliculi" or
3488:
3462:Ancient Greek architecture
3128:Postmodern Design Complete
3001:Robertson, Hutton (2022).
2476:Gonville and Caius College
2395:Corinthian columns of the
2366:Philadelphia Museum of Art
2276:Corinthian columns in the
2119:Corinthian columns of the
2040:Corinthian columns on the
1287:, Greece, illustration by
1281:Temple of Apollo at Bassae
1279:Corinthian columns in the
868:, and Vincenzo Scamozzi's
856:Giacomo Barozzi da Vignola
851:Regola delli cinque ordini
693:Metropolitan Museum of Art
463:
325:Corinthian columns of the
310:Corinthian columns of the
125:Ancient Greek architecture
2940:(in Romanian). Meridiane.
2429:Redondo Beach, California
1999:Johann Baptist Zimmermann
1987:Pilgrimage Church of Wies
1931:, unknown architect, 1724
1882:Austrian National Library
1383:Temple of Hercules Victor
1212:United States of America
1206:University College London
1069:Royal Palace of Bucharest
820:Jacopo Barozzi da Vignola
327:Arch of Septimius Severus
312:Arch of Septimius Severus
104:
2574:Lawrence, 179 (Plate 80)
2544:Architect of the Capitol
2255:Parc des Buttes Chaumont
1791:Santa Maria dei Miracoli
1707:1008 to mid-11th century
1289:Charles Robert Cockerell
845:within the same system.
547:Carolingian architecture
487:Indo-Corinthian capitals
148:stylized acanthus leaves
131:. The other two are the
2204:Antoine-Marie Chenavard
1724:Basilica of Sant'Andrea
1697:Church of St. Philibert
1558:, Athens, 131 or 132 AD
1363:Temple of Olympian Zeus
1240:New York Stock Exchange
1181:fourth tier – 8 columns
1100:Saint Isaac's Cathedral
992:Temple of Vesta, Tivoli
939:Palatine Chapel, Aachen
839:Cistercian architecture
740:Polykleitos the Younger
551:Romanesque architecture
466:Indo-Corinthian capital
165:was revived during the
3026:Watkin, David (2022).
2951:Watkin, David (2022).
2911:Watkin, David (2022).
2896:Martin, Henry (1927).
2846:Watkin, David (2022).
2821:Watkin, David (2022).
2746:Watkin, David (2022).
2437:Theo Kondos Associates
2423:Corinthian capital in
2202:, France, designed by
2023:Johann Michael Fischer
1921:Stavropoleos Monastery
1819:Santa Maria del Popolo
1654:Saint-Germain-des-Prés
1487:, early 1st century AD
1341:Polyclitus the Younger
1235:University of Virginia
889:
788:
696:
663:
651:
589:
539:Byzantine architecture
501:, and usually combine
489:are capitals crowning
483:
379:(both of the reign of
333:
318:
303:
279:Roman Corinthian order
233:
220:Greek Corinthian order
163:classical architecture
116:
92:
65:
49:
3126:Gura, Judith (2017).
2176:Pierre-Jules Jollivet
2149:United States Capitol
1948:Franz Xaver Habermann
1732:Leon Battista Alberti
1291:, unknown architect,
1216:United States Capitol
1187:Independence Monument
1177:Great Lavra Belltower
883:
782:
675:
658:
643:
576:
473:
324:
309:
286:
263:in the 16th century.
227:
71:
60:, unknown architect,
55:
33:
2721:The Classical Review
2540:"Corinthian Columns"
2251:Temple de la Sibylle
2086:Birmingham Town Hall
2062:Château de Compiègne
2046:Ange-Jacques Gabriel
1815:Ascanio Maria Sforza
1637:, Italy, 6th century
1435:from the Colosseum,
1130:Houses of Parliament
1073:The Church from the
987:Temple of Mars Ultor
822:, who established a
654:Sir William Chambers
637:wrote to his friend
598:Francesco di Giorgio
338:Temple of Mars Ultor
109:Korinthiakós rythmós
3156:Study of the Orders
2981:pop.culture.gouv.fr
2938:Estetica Rococoului
2676:(1962) 1965, pl. ic
2334:Palace of Fine Arts
2318:W. & G. Audsley
2286:Theophil von Hansen
2172:Antoine Anatole Jal
2164:Renaissance Revival
1850:Francesco Borromini
1775:Benedetto da Maiano
884:The Maison Carrée,
835:Gothic architecture
639:Fréart de Chantelou
594:Italian Renaissance
555:Gothic architecture
499:Indian subcontinent
3452:Corinthian columns
3255:Greco-Roman orders
3169:Greek Architecture
2898:Le Style Louis XIV
2425:South Bay Galleria
1594:The Constantinian
1517:Hellenistic period
1453:Tower of the Winds
1050:Column of Pedro IV
890:
789:
697:
590:
511:Greco-Buddhist art
484:
460:Gandharan capitals
444:suspended between
383:, 98–117 AD), the
334:
319:
304:
268:Tower of the Winds
234:
129:Roman architecture
105:Κορινθιακὸς ῥυθμός
93:
66:
50:
3472:Orders of columns
3439:
3438:
3369:Intercolumniation
3185:Thames and Hudson
3154:Brown, Frank C.,
3137:978-0-500-51914-1
3112:978-1-85669-584-8
3037:978-1-52942-030-2
3012:978-0-500-02236-8
2962:978-1-52942-030-2
2922:978-1-52942-030-2
2857:978-1-52942-030-2
2832:978-1-52942-030-2
2807:978-1-85669-584-8
2782:978-1-85669-584-8
2757:978-1-52942-030-2
2687:Sir Kenneth Clark
2651:978-0-307-49107-7
2044:, Versailles, by
1572:Temple of Artemis
1365:, Athens, 174 BC–
1153:Temple of Jupiter
1021:St. La Salle Hall
816:Sebastiano Serlio
586:Denver Art Museum
578:Vincenzo Scamozzi
563:Southwell Minster
393:Temple of Bacchus
365:Mark Wilson Jones
342:Forum of Augustus
261:Vincenzo Scamozzi
84:, Corinthian and
42:Temple of Bacchus
16:(Redirected from
3479:
3421:Solomonic column
3327:Related articles
3244:Classical orders
3237:
3230:
3223:
3214:
3183:, 1980 edition,
3142:
3141:
3123:
3117:
3116:
3098:
3092:
3091:
3089:
3087:
3073:
3067:
3066:
3064:
3062:
3048:
3042:
3041:
3023:
3017:
3016:
2998:
2992:
2991:
2989:
2987:
2973:
2967:
2966:
2948:
2942:
2941:
2933:
2927:
2926:
2908:
2902:
2901:
2893:
2887:
2886:
2884:
2882:
2868:
2862:
2861:
2843:
2837:
2836:
2818:
2812:
2811:
2793:
2787:
2786:
2768:
2762:
2761:
2743:
2737:
2734:
2728:
2715:Alison Burford (
2713:
2707:
2700:
2694:
2683:
2677:
2670:Rudolf Wittkower
2662:
2656:
2655:
2635:
2626:
2623:
2617:
2610:
2604:
2594:Fergusson, James
2590:
2584:
2581:
2575:
2572:
2566:
2563:
2554:
2553:
2551:
2550:
2536:
2527:
2524:
2503:Superposed order
2468:
2448:
2416:
2389:
2374:Horace Trumbauer
2361:
2329:
2309:
2297:
2270:
2246:
2223:
2213:
2208:Guillaume Bonnet
2206:and sculpted by
2196:Loyasse Cemetery
2192:Claude Bonnefond
2187:
2168:Cité Malesherbes
2160:
2144:
2113:
2081:
2071:
2057:
2034:
2010:
1982:
1970:
1940:
1913:
1903:
1877:
1861:
1838:
1828:
1823:Andrea Sansovino
1810:
1786:
1747:
1737:
1716:
1706:
1692:
1665:
1646:
1623:
1591:
1567:
1547:
1531:
1508:
1496:
1468:
1458:
1448:
1426:
1409:(flower) on the
1394:
1378:
1368:
1356:
1346:
1324:
1314:
1304:
1294:
1273:
1258:
1120:Former City Hall
876:Notable examples
767:
763:
760:
701:Apollo Epicurius
405:
402:
385:Column of Phocas
350:
347:
121:classical orders
106:
97:Corinthian order
72:Compared of the
63:
21:
18:Corinthian style
3487:
3486:
3482:
3481:
3480:
3478:
3477:
3476:
3457:Ancient Corinth
3442:
3441:
3440:
3435:
3354:Egyptian column
3322:
3286:
3250:
3241:
3204:
3175:Summerson, John
3165:Lawrence, A. W.
3151:
3146:
3145:
3138:
3125:
3124:
3120:
3113:
3100:
3099:
3095:
3085:
3083:
3075:
3074:
3070:
3060:
3058:
3050:
3049:
3045:
3038:
3025:
3024:
3020:
3013:
3000:
2999:
2995:
2985:
2983:
2975:
2974:
2970:
2963:
2950:
2949:
2945:
2935:
2934:
2930:
2923:
2910:
2909:
2905:
2895:
2894:
2890:
2880:
2878:
2870:
2869:
2865:
2858:
2845:
2844:
2840:
2833:
2820:
2819:
2815:
2808:
2795:
2794:
2790:
2783:
2770:
2769:
2765:
2758:
2745:
2744:
2740:
2735:
2731:
2714:
2710:
2701:
2697:
2684:
2680:
2663:
2659:
2652:
2637:
2636:
2629:
2624:
2620:
2616:2:35-69 (1989).
2611:
2607:
2591:
2587:
2582:
2578:
2573:
2569:
2564:
2557:
2548:
2546:
2538:
2537:
2530:
2525:
2521:
2516:
2494:
2487:
2469:
2460:
2449:
2440:
2433:RTKL Associates
2417:
2408:
2397:Piazza d'Italia
2390:
2381:
2362:
2353:
2350:Bernard Maybeck
2330:
2321:
2310:
2301:
2298:
2289:
2271:
2262:
2259:Gabriel Davioud
2247:
2238:
2235:Charles Garnier
2224:
2215:
2188:
2179:
2161:
2152:
2145:
2136:
2133:Thomas Helm Lee
2121:Sturdivant Hall
2114:
2105:
2082:
2073:
2058:
2049:
2035:
2026:
2011:
2002:
1983:
1974:
1971:
1962:
1941:
1932:
1914:
1905:
1878:
1869:
1862:
1853:
1839:
1830:
1811:
1802:
1799:Pietro Lombardo
1787:
1778:
1767:Palazzo Vecchio
1748:
1739:
1717:
1708:
1693:
1684:
1681:Pergamon Museum
1666:
1657:
1647:
1638:
1624:
1615:
1610:Temple of Juno
1602:interior, with
1592:
1583:
1568:
1559:
1556:Arch of Hadrian
1548:
1539:
1532:
1523:
1509:
1500:
1497:
1488:
1469:
1460:
1449:
1440:
1427:
1418:
1399:Temple of Vesta
1395:
1386:
1379:
1370:
1357:
1348:
1325:
1316:
1305:
1296:
1274:
1265:
1259:
1250:
1197:Nelson's Column
1193:United Kingdom
1160:: Colonnade of
1075:Antim Monastery
1041:Templo de Diana
878:
866:Andrea Palladio
812:Composite order
792:Claude Perrault
785:Claude Perrault
765:
761:
695:, New York City
670:
635:Nicolas Poussin
604:The Corinthian
571:
535:
468:
462:
403:
387:(re-erected in
348:
300:Hadrian's Villa
296:Temple of Vesta
294:decorating the
281:
222:
217:
192:decorated with
179:Composite order
117:Ordo Corinthius
28:
23:
22:
15:
12:
11:
5:
3485:
3483:
3475:
3474:
3469:
3464:
3459:
3454:
3444:
3443:
3437:
3436:
3434:
3433:
3428:
3423:
3418:
3413:
3408:
3403:
3398:
3397:
3396:
3386:
3384:Persian column
3381:
3376:
3374:Knotted column
3371:
3366:
3361:
3359:Engaged column
3356:
3351:
3349:Coupled column
3346:
3341:
3336:
3330:
3328:
3324:
3323:
3321:
3320:
3315:
3310:
3305:
3300:
3294:
3292:
3288:
3287:
3285:
3284:
3279:
3274:
3269:
3264:
3258:
3256:
3252:
3251:
3242:
3240:
3239:
3232:
3225:
3217:
3211:
3210:
3203:
3202:External links
3200:
3199:
3198:
3172:
3162:
3150:
3147:
3144:
3143:
3136:
3118:
3111:
3093:
3081:classicist.org
3068:
3056:classicist.org
3043:
3036:
3018:
3011:
2993:
2968:
2961:
2943:
2928:
2921:
2903:
2888:
2863:
2856:
2838:
2831:
2813:
2806:
2788:
2781:
2763:
2756:
2738:
2736:Vitr. 4.1.9-10
2729:
2708:
2695:
2693:, 1956, p. 45.
2678:
2657:
2650:
2627:
2618:
2605:
2585:
2576:
2567:
2565:Summerson, 124
2555:
2528:
2518:
2517:
2515:
2512:
2511:
2510:
2505:
2500:
2493:
2490:
2489:
2488:
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2441:
2418:
2411:
2409:
2391:
2384:
2382:
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2356:
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2331:
2324:
2322:
2311:
2304:
2302:
2299:
2292:
2290:
2272:
2265:
2263:
2248:
2241:
2239:
2231:Palais Garnier
2225:
2218:
2216:
2189:
2182:
2180:
2162:
2155:
2153:
2146:
2139:
2137:
2115:
2108:
2106:
2083:
2076:
2074:
2059:
2052:
2050:
2036:
2029:
2027:
2021:, Germany, by
2012:
2005:
2003:
1993:, Germany, by
1984:
1977:
1975:
1972:
1965:
1963:
1942:
1935:
1933:
1915:
1908:
1906:
1896:, designed by
1879:
1872:
1870:
1863:
1856:
1854:
1840:
1833:
1831:
1812:
1805:
1803:
1788:
1781:
1779:
1763:Sala dei Gigli
1749:
1742:
1740:
1718:
1711:
1709:
1694:
1687:
1685:
1667:
1660:
1658:
1648:
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1625:
1618:
1616:
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1526:
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1510:
1503:
1501:
1498:
1491:
1489:
1470:
1463:
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1450:
1443:
1441:
1428:
1421:
1419:
1396:
1389:
1387:
1380:
1373:
1371:
1358:
1351:
1349:
1326:
1319:
1317:
1306:
1299:
1297:
1275:
1268:
1266:
1260:
1253:
1249:
1246:
1245:
1244:
1243:
1242:
1237:
1228:
1223:
1218:
1210:
1209:
1208:
1203:
1201:Central London
1191:
1190:
1189:
1184:
1171:
1170:
1169:
1164:
1155:
1146:
1138:
1137:
1136:
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1123:
1122:
1114:
1113:
1112:
1104:
1103:
1102:
1097:
1089:
1088:
1087:
1085:Monteoru House
1082:
1077:
1071:
1066:
1058:
1057:
1056:
1047:
1035:
1034:
1033:
1028:
1023:
1015:
1014:
1013:
1007:Jabal al-Qal'a
1004:
996:
995:
994:
989:
984:
982:Pantheon, Rome
976:
975:
974:
965:
964:
963:
958:
949:
948:
947:
941:
933:
932:
931:
924:
912:
911:
910:
901:
900:
899:
877:
874:
669:
666:
570:
567:
534:
531:
464:Main article:
461:
458:
389:Late Antiquity
373:Arch of Trajan
369:Basilica Ulpia
280:
277:
221:
218:
216:
213:
188:and elaborate
58:Pantheon, Rome
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3484:
3473:
3470:
3468:
3465:
3463:
3460:
3458:
3455:
3453:
3450:
3449:
3447:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3412:
3409:
3407:
3404:
3402:
3399:
3395:
3394:Compound pier
3392:
3391:
3390:
3387:
3385:
3382:
3380:
3379:Marian column
3377:
3375:
3372:
3370:
3367:
3365:
3362:
3360:
3357:
3355:
3352:
3350:
3347:
3345:
3344:Concatenation
3342:
3340:
3337:
3335:
3332:
3331:
3329:
3325:
3319:
3316:
3314:
3311:
3309:
3306:
3304:
3301:
3299:
3296:
3295:
3293:
3289:
3283:
3280:
3278:
3275:
3273:
3270:
3268:
3265:
3263:
3260:
3259:
3257:
3253:
3249:
3245:
3238:
3233:
3231:
3226:
3224:
3219:
3218:
3215:
3209:
3206:
3205:
3201:
3197:
3193:
3189:
3186:
3182:
3181:
3176:
3173:
3170:
3166:
3163:
3161:
3157:
3153:
3152:
3148:
3139:
3133:
3129:
3122:
3119:
3114:
3108:
3104:
3097:
3094:
3082:
3078:
3072:
3069:
3057:
3053:
3047:
3044:
3039:
3033:
3029:
3022:
3019:
3014:
3008:
3004:
2997:
2994:
2982:
2978:
2972:
2969:
2964:
2958:
2954:
2947:
2944:
2939:
2932:
2929:
2924:
2918:
2914:
2907:
2904:
2899:
2892:
2889:
2877:
2873:
2867:
2864:
2859:
2853:
2849:
2842:
2839:
2834:
2828:
2824:
2817:
2814:
2809:
2803:
2799:
2792:
2789:
2784:
2778:
2774:
2767:
2764:
2759:
2753:
2749:
2742:
2739:
2733:
2730:
2726:
2723:(New Series,
2722:
2718:
2712:
2709:
2705:
2699:
2696:
2692:
2688:
2682:
2679:
2675:
2671:
2667:
2661:
2658:
2653:
2647:
2643:
2642:
2634:
2632:
2628:
2622:
2619:
2615:
2609:
2606:
2603:
2599:
2595:
2589:
2586:
2583:Lawrence, 237
2580:
2577:
2571:
2568:
2562:
2560:
2556:
2545:
2541:
2535:
2533:
2529:
2523:
2520:
2513:
2509:
2506:
2504:
2501:
2499:
2496:
2495:
2491:
2485:
2481:
2477:
2473:
2472:New Classical
2467:
2462:
2458:
2454:
2447:
2442:
2438:
2434:
2430:
2426:
2422:
2415:
2410:
2406:
2405:Charles Moore
2402:
2398:
2394:
2388:
2383:
2379:
2375:
2371:
2367:
2360:
2355:
2351:
2347:
2343:
2339:
2338:San Francisco
2335:
2328:
2323:
2319:
2315:
2308:
2303:
2296:
2291:
2287:
2283:
2279:
2275:
2274:Greek Revival
2269:
2264:
2260:
2256:
2252:
2245:
2240:
2236:
2232:
2228:
2222:
2217:
2209:
2205:
2201:
2197:
2193:
2186:
2181:
2177:
2173:
2169:
2165:
2159:
2154:
2150:
2143:
2138:
2134:
2130:
2126:
2122:
2118:
2117:Greek Revival
2112:
2107:
2103:
2099:
2098:Joseph Hansom
2095:
2091:
2087:
2080:
2075:
2067:
2063:
2056:
2051:
2047:
2043:
2042:Petit Trianon
2039:
2033:
2028:
2024:
2020:
2016:
2009:
2004:
2000:
1996:
1992:
1988:
1981:
1976:
1969:
1964:
1961:
1957:
1953:
1949:
1945:
1939:
1934:
1930:
1926:
1922:
1918:
1912:
1907:
1899:
1895:
1891:
1887:
1883:
1876:
1871:
1867:
1860:
1855:
1851:
1847:
1843:
1837:
1832:
1824:
1820:
1816:
1809:
1804:
1800:
1796:
1792:
1785:
1780:
1776:
1772:
1768:
1764:
1760:
1756:
1752:
1746:
1741:
1733:
1729:
1725:
1721:
1715:
1710:
1702:
1698:
1691:
1686:
1682:
1678:
1674:
1670:
1664:
1659:
1655:
1651:
1645:
1640:
1636:
1632:
1628:
1622:
1617:
1614:
1613:
1607:
1606:
1601:
1597:
1590:
1585:
1581:
1577:
1573:
1566:
1561:
1557:
1553:
1546:
1541:
1537:
1530:
1525:
1522:
1518:
1514:
1507:
1502:
1495:
1490:
1486:
1482:
1478:
1474:
1467:
1462:
1454:
1447:
1442:
1438:
1434:
1433:
1425:
1420:
1416:
1412:
1408:
1404:
1400:
1393:
1388:
1384:
1377:
1372:
1364:
1361:
1355:
1350:
1342:
1338:
1334:
1330:
1323:
1318:
1310:
1303:
1298:
1290:
1286:
1282:
1278:
1277:Ancient Greek
1272:
1267:
1264:
1257:
1252:
1247:
1241:
1238:
1236:
1232:
1229:
1227:
1224:
1222:
1219:
1217:
1214:
1213:
1211:
1207:
1204:
1202:
1198:
1195:
1194:
1192:
1188:
1185:
1182:
1178:
1175:
1174:
1172:
1168:
1165:
1163:
1159:
1156:
1154:
1150:
1147:
1145:
1142:
1141:
1139:
1135:
1131:
1128:
1127:
1126:South Africa
1125:
1121:
1118:
1117:
1115:
1111:
1108:
1107:
1105:
1101:
1098:
1096:
1095:Winter Palace
1093:
1092:
1090:
1086:
1083:
1081:
1078:
1076:
1072:
1070:
1067:
1065:
1062:
1061:
1059:
1055:
1051:
1048:
1046:
1042:
1039:
1038:
1036:
1032:
1029:
1027:
1024:
1022:
1019:
1018:
1016:
1012:
1008:
1005:
1003:
1000:
999:
997:
993:
990:
988:
985:
983:
980:
979:
977:
972:
969:
968:
966:
962:
959:
956:
953:
952:
950:
945:
944:The Reichstag
942:
940:
937:
936:
934:
929:
925:
923:
919:
918:Maison Carrée
916:
915:
913:
908:
907:Tajhat Palace
905:
904:
902:
898:
895:
894:
892:
891:
887:
882:
875:
873:
871:
867:
863:
862:
858:(1507–1573);
857:
853:
852:
846:
844:
840:
836:
832:
827:
825:
821:
817:
813:
809:
804:
802:
796:
793:
786:
781:
777:
775:
771:
756:
751:
747:
745:
741:
737:
733:
729:
724:
722:
718:
717:votive column
714:
710:
706:
702:
694:
690:
686:
683:
679:
674:
667:
665:
662:
657:
655:
650:
648:
642:
640:
636:
630:
627:
623:
617:
615:
611:
607:
602:
599:
595:
587:
583:
579:
575:
568:
566:
564:
560:
559:chapter house
556:
552:
548:
544:
540:
532:
530:
528:
524:
518:
516:
512:
508:
504:
500:
496:
492:
488:
481:
477:
472:
467:
459:
457:
455:
451:
447:
443:
439:
434:
432:
427:
422:
420:
416:
412:
407:
404: 150 AD
398:
394:
390:
386:
382:
378:
374:
370:
366:
362:
358:
354:
353:Maison Carrée
343:
339:
332:
328:
323:
317:
316:Forum Romanum
313:
308:
301:
297:
293:
289:
285:
278:
276:
273:
269:
264:
262:
258:
254:
249:
247:
243:
239:
231:
226:
219:
214:
212:
210:
206:
202:
197:
195:
191:
187:
184:
180:
176:
172:
168:
164:
159:
157:
153:
149:
145:
140:
138:
134:
130:
126:
122:
118:
114:
110:
102:
98:
91:
88:orders; with
87:
83:
79:
75:
70:
59:
54:
47:
43:
39:
38:
32:
19:
3291:Other orders
3271:
3188:World of Art
3187:
3178:
3168:
3160:google books
3155:
3127:
3121:
3102:
3096:
3084:. Retrieved
3080:
3071:
3059:. Retrieved
3055:
3046:
3027:
3021:
3002:
2996:
2984:. Retrieved
2980:
2971:
2952:
2946:
2937:
2931:
2912:
2906:
2897:
2891:
2879:. Retrieved
2875:
2866:
2847:
2841:
2822:
2816:
2797:
2791:
2772:
2766:
2747:
2741:
2732:
2724:
2720:
2716:
2711:
2703:
2698:
2690:
2681:
2673:
2665:
2660:
2640:
2621:
2613:
2608:
2602:google books
2597:
2592:Brown, 232;
2588:
2579:
2570:
2547:. Retrieved
2543:
2522:
2484:John Simpson
2370:Philadelphia
2342:egg-and-dart
2233:, Paris, by
2174:and painter
2102:Edward Welch
2038:Neoclassical
2015:abbey church
1917:Brâncovenesc
1777:, 1476–1481.
1773:, Italy, by
1611:
1603:
1600:Santa Sabina
1431:
1180:
1017:Philippines
869:
859:
849:
847:
828:
805:
797:
790:
766: 15 BC
762: 75 BC
752:
748:
725:
720:
698:
664:
659:
652:
644:
631:
625:
618:
603:
591:
565:in England.
536:
527:Bodhisattvas
519:
485:
480:Musee Guimet
435:
423:
419:Ionic column
410:
408:
335:
331:Leptis Magna
265:
250:
235:
200:
198:
175:Tuscan order
160:
151:
141:
108:
96:
94:
35:
3416:Robot order
2881:3 September
2625:Jones 1989.
2498:Giant order
2457:John Outram
2419:Postmodern
2407:, 1978–1979
2401:New Orleans
2352:, 1913–1915
2320:, 1895–1898
2288:, 1873–1883
2237:, 1861–1874
2135:, 1852–1856
2025:, 1748-1754
2001:, 1746-1754
1960:Netherlands
1952:Rijksmuseum
1868:, 1696–1710
1852:, 1638–1677
1848:, Rome, by
1821:, Rome, by
1801:, 1481–1489
1751:Renaissance
1734:, begun in
1720:Renaissance
1231:The Rotunda
928:July Column
903:Bangladesh
770:Callimachus
746:the Elder.
744:Polykleitos
543:Middle Ages
503:Hellenistic
349: 2 AD
246:Callimachus
215:Description
167:Renaissance
137:Ionic order
133:Doric order
34:Corinthian
3446:Categories
3318:Superposed
3272:Corinthian
3246:and other
3196:0500201773
3149:References
2977:"Immeuble"
2702:Chambers,
2685:Quoted by
2549:2019-03-24
2455:, London,
2393:Postmodern
2227:Beaux Arts
2090:Birmingham
2019:Ottobeuren
1991:Steingaden
1703:, France,
1650:Romanesque
1473:Al-Khazneh
1455:, Athens,
1439:, 70–80 BC
1311:, Athens,
1295:429-400 BC
1116:Singapore
893:Argentina
843:colonettes
831:Romanesque
764: – c.
626:chandelles
606:architrave
454:modillions
415:Roman feet
201:Corinthian
152:caulicoles
37:peripteros
3431:Waterleaf
3339:Colonnade
3282:Composite
2986:26 August
2480:Cambridge
2431:, US, by
2403:, US, by
2372:, US, by
2066:Compiègne
1995:Dominikus
1956:Amsterdam
1925:Bucharest
1761:, in the
1730:, Italy,
1673:Andalusia
1627:Byzantine
1552:pilasters
1511:Group of
1432:gorgoneia
1333:Epidaurus
1134:Cape Town
1037:Portugal
909:, Rangpur
808:Colosseum
755:Vitruvius
736:Asclepius
732:Epidaurus
709:colonnade
691:, in the
689:limestone
641:in 1642:
495:pilasters
431:Colosseum
411:symmetria
314:, in the
242:Vitruvius
199:The name
90:staircase
86:Composite
3401:Pilaster
3364:Estipite
3334:Caryatid
3303:Ammonite
3190:series,
2492:See also
2346:astragal
1923:Church,
1771:Florence
1683:, Berlin
1596:basilica
1582:, 150 AD
1485:rinceaux
1173:Ukraine
1149:Damascus
1060:Romania
957:, Athens
946:, Berlin
935:Germany
801:astragal
774:acanthus
685:sphinxes
682:addorsed
678:Tarentum
582:Veronese
515:Gandhara
476:Gandhara
446:bucrania
442:festoons
438:fleurons
371:and the
302:, Tivoli
292:festoons
288:Bucrania
272:acanthus
194:acanthus
190:capitals
177:and the
3411:Pulvino
3248:columns
3086:14 June
3061:14 June
2344:on the
2129:Alabama
1929:Romania
1894:Austria
1886:Hofburg
1842:Baroque
1701:Tournus
1669:Islamic
1635:Ravenna
1554:of the
1407:fleuron
1263:colours
1248:Gallery
1167:Palmyra
1162:Bacchus
1158:Latakia
1106:Serbia
1091:Russia
998:Jordan
973:, Haifa
967:Israel
951:Greece
930:, Paris
914:France
824:canonic
668:History
622:entasis
614:cornice
545:, from
491:columns
450:rosette
397:Baalbek
340:in the
238:Corinth
205:Corinth
186:columns
144:volutes
46:Baalbek
40:of the
3406:Piloti
3298:Aeolic
3277:Tuscan
3194:
3134:
3109:
3034:
3009:
2959:
2919:
2876:wga.hu
2854:
2829:
2804:
2779:
2754:
2648:
2486:, 1998
2478:Hall,
2459:, 1988
2439:, 1985
2380:, 1933
2282:Vienna
2261:, 1866
2178:, 1858
2104:, 1834
2048:, 1764
1958:, the
1944:Rococo
1890:Vienna
1795:Venice
1728:Mantua
1612:Regina
1605:spolia
1580:Jordan
1576:Jerash
1513:Buddha
1481:Jordan
1415:pistil
1411:abacus
1403:Tivoli
1369:130 AD
1347:350 BC
1329:tholos
1315:335 BC
1285:Bassae
1140:Syria
1054:Lisbon
1002:Jarash
978:Italy
728:tholos
721:inside
705:Bassae
610:frieze
523:Buddha
507:Indian
426:abacus
381:Trajan
377:Ancona
361:Vienne
257:adytum
253:Bassae
209:Athens
183:fluted
173:: the
156:abacus
78:Tuscan
3313:Nonce
3308:Giant
3267:Ionic
3262:Doric
2514:Notes
2125:Selma
1797:, by
1755:Venus
1677:Spain
1477:Petra
1459:50 BC
1360:Roman
1144:Bosra
1045:Évora
1011:Amman
922:Nimes
886:Nîmes
713:cella
680:with
647:Nîmes
298:from
290:with
171:canon
161:When
113:Latin
101:Greek
82:Ionic
74:Doric
3426:Stoa
3389:Pier
3192:ISBN
3132:ISBN
3107:ISBN
3088:2024
3063:2024
3032:ISBN
3007:ISBN
2988:2024
2957:ISBN
2917:ISBN
2883:2024
2852:ISBN
2827:ISBN
2802:ISBN
2777:ISBN
2752:ISBN
2646:ISBN
2435:and
2421:neon
2376:and
2214:1860
2200:Lyon
2100:and
2072:1810
1997:and
1829:1505
1759:Eros
1757:and
1738:1450
1437:Rome
926:The
833:and
818:and
553:and
505:and
424:The
127:and
95:The
2017:of
1900:in
1598:of
1331:at
1199:in
864:of
854:of
829:In
730:at
703:at
561:at
549:to
525:or
513:of
493:or
406:).
395:at
375:at
359:at
329:in
123:of
3448::
3177:,
3167:,
3079:.
3054:.
2979:.
2874:.
2725:21
2689:,
2672:,
2630:^
2596:,
2558:^
2542:.
2531:^
2427:,
2399:,
2368:,
2336:,
2280:,
2253:,
2212:c.
2210:,
2198:,
2194:,
2127:,
2123:,
2094:UK
2092:,
2088:,
2070:c.
2064:,
1989:,
1954:,
1927:,
1902:c.
1892:,
1888:,
1884:,
1827:c.
1825:,
1817:,
1793:,
1769:,
1765:,
1736:c.
1726:,
1705:c.
1699:,
1633:,
1578:,
1574:,
1479:,
1475:,
1457:c.
1401:,
1367:c.
1345:c.
1343:,
1335:,
1313:c.
1293:c.
1283:,
1233:,
1151::
1132:,
1052:,
1043:,
1009:,
920:,
759:c.
517:.
478:,
456:.
401:c.
346:c.
211:.
115::
111:;
107:,
103::
80:,
76:,
62:c.
44:,
3236:e
3229:t
3222:v
3140:.
3115:.
3090:.
3065:.
3040:.
3015:.
2990:.
2965:.
2925:.
2885:.
2860:.
2835:.
2810:.
2785:.
2760:.
2654:.
2552:.
1183:)
1179:(
757:(
588:)
584:(
399:(
344:(
99:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
