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49:. As a boy he apprenticed with a modest local painter Saverio Porta, (c1667–1725), escaping the religious career his parents had intended for him. By October 1724, he left Molfetta, and along with his contemporaries
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214:. Giaquinto returned briefly to Rome in 1735, where his wife died soon after childbirth. He then returned for the next three years, to complete frescoes for the chapel of St Joseph in the church of
271:"was taken to the church of San Giovanni Calabita ... where he observed with much pleasure the restoration of that Church embellished with altarpieces from the Painter Signor Corrado Napolitano".
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for the
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Saggio sulla storia di
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In 1738 Giaquinto returned to Rome, and during the next year he executed in fresco an
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In 1731, he received a prestigious commission, to execute frescoes in the church of
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in Turin; they depict events in the life and death of Saint Joseph, including his
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Christ crucified with the
Madonna, Saint John Evangelist, and Magdalene
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Giaquinto followed a peripatetic career, with long sojourns in Naples,
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Vite dei
Pittori, Scultori, ed Architetti Napoletani, Tomo Quarto
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The Virgin presents Saint Helena and
Constantine to the Trinity
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Pelican
History of Art, Art and Architecture Italy, 1600–1750
309:. He returned to Naples in 1762 to decorate the sacristy in
1051:
Works of
Corrado Giaquinto at http://www.the-athenaeum.org
144:, three theologic and cardinal Virtues, and in the cupola
57:(1707–1789), he trained from 1719 to 1723 in the prolific
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Interior of the church with frescoes by
Corrado Giaquinto
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Works of
Corrado Giaquinto at www.Corrado-Giaquinto.org
985:"Giaquinto, Corrado - AlegorĂa de la Paz y la Justicia"
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Martyrdom of Saints Marius, Martha, Audifax and Abacus
33:(8 February 1703 – 18 April 1766) was an Italian
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In 1733, the architect and artistic director for the
286:. His influence there was felt by painters such as
98:In 1723, he moved to Rome to work in the studio of
830:The Spanish monarchy that pays homage to Religion
812:The Birth of the Sun and the Triumph of Bacchus
282:, and was ultimately appointed director of the
947:. Naples: Dalla Tipografia Trani. p. 625.
1029:La pintura italiana del siglo XVIII en España
910:Real Academia de Bellas Artes de San Fernando
8:
265:Immaculate Conception with Elias the prophet
973:; by Michele Romano, Naples 1842; page 12.
259:In 1740, Giaquinto became a member of the
832:, Giaquinto's fresco above the staircase
121:The first documented work by his hand is
1022:. 1980. Penguin Books Ltd. p. 465.
983:Real Academia de BBAA de San Fernando.
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888:Ulysses and Diomedes in the Resus tent
194:. He then decorated the ceiling of a
65:, either with Solimena or his pupil,
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187:, where he painted an altarpiece of
142:Saint Nicholas water gush from cliff
706:Allegory of fortress and vigilance
510:Fine Arts Museums of San Francisco
313:, the royal monastery. He died in
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1106:18th-century Italian male artists
961:was destroyed during World War II
320:Among his pupils in Molfetta was
237:, a commission for a relative of
1018:Wittkower, Rudolf (1993). "14".
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892:Pinacoteca metropolitana di Bari
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906:Allegories of Justice and Peace
626:Venus Presenting Arms to Aeneas
582:Allegories of Justice and Peace
349:National Art Gallery of Bologna
183:, invited Giaquinto to come to
41:Early training and move to Rome
746:Museum of Fine Arts (Budapest)
728:Museum of Fine Arts (Budapest)
1:
1081:18th-century Italian painters
1035:Italian Knowledge (XXG) entry
959:Triumph of the House of Savoy
688:Museu Nacional de Belas Artes
429:Rest on the Flight into Egypt
249:Allegory of Peace and Justice
200:Triumph of the House of Savoy
125:commissioned in 1730 by King
1031:. Universidad de Valladolid.
453:, 1750, Museo civico Bevagna
23:Self-portrait by Giaquinto,
666:Rest on the flight to Egypt
470:Museum of Fine Arts, Boston
263:and donated his sketch of
16:Italian painter (1703–1766)
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684:Apotheosis of St. Nicholas
389:Metropolitan Museum of Art
367:Metropolitan Museum of Art
288:Antonio González Velázquez
253:Indianapolis Museum of Art
112:Santa Croce in Gerusalemme
670:Detroit Institute of Arts
564:St. Michael and the devil
87:(between 1723 and 1753),
1096:Italian Baroque painters
488:Kunsthistorisches Museum
385:Medea Rejuvenating Aeson
231:Assumption of the Virgin
129:for the basilica of the
91:(1733 and 1735–39), and
908:,1754, version for the
852:San Nicola dei Lorenesi
710:Royal Palace of Caserta
411:National Gallery of Art
296:Mariano Salvador Maella
284:Academy of San Fernando
278:, he was patronized by
138:San Nicola dei Lorenesi
834:Royal Palace of Madrid
816:Royal Palace of Madrid
652:Saint Louis Art Museum
305:His paintings include
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251:, preparatory sketch,
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1086:Italian male painters
1027:Urrea, JesĂşs (1977).
936:De Dominici, Bernardo
814:, 1762–1763, fresco,
546:Satan before the Lord
484:Adoration of the Magi
466:Adoration of the Magi
451:Adoration of the Magi
363:The Penitent Magdalen
280:Ferdinand VI of Spain
261:Academy of Saint Luke
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110:, and the ceiling at
108:San Giovanni Calibita
104:San Lorenzo in Damaso
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1091:Painters from Naples
1076:People from Molfetta
989:Academia Colecciones
797:St. Nicholas of Bari
742:The Angel Annunciant
724:Allegory of Painting
506:Christ at the column
311:San Luigi di Palazzo
307:A Kneeling Male Nude
169:Milwaukee Art Museum
239:Pope Alexander VIII
208:Apollo & Daphne
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233:for the church of
196:Villa della Regina
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165:Triumph of Galatea
127:John V of Portugal
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67:Nicola Maria Rossi
63:Francesco Solimena
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760:Battle of Clavijo
526:, ca. 1750–1752,
292:José del Castillo
269:Pope Benedict XIV
51:Francesco de Mura
31:Corrado Giaquinto
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102:. He painted in
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53:(1696–1784) and
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347:, ca. 1753,
342:Portrait of
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1071:1765 deaths
1066:1703 births
779:Musée Fesch
668:, 1764–65,
650:, 1741–42,
486:, 1740–45,
365:, ca.1750,
241:Ottoboni.
156:Mature work
116:Ponte Sisto
79:, ca. 1750s
25:Musée Fesch
1060:Categories
944:(Volume 4)
922:References
220:Assumption
171:, ca. 1752
61:studio of
59:Neapolitan
344:Farinelli
317:in 1766.
37:painter.
993:Archived
938:(1846).
872:, 1746,
850:, 1731,
777:, 1750,
686:, 1733,
628:, 1750,
606:, 1760,
584:, 1754,
566:, 1735,
548:, 1750,
468:, 1725,
393:New York
387:, 1760,
371:New York
146:Paradise
47:Molfetta
1012:Sources
783:Ajaccio
328:Gallery
198:with a
999:May 2,
914:Madrid
762:, 1760
612:Madrid
590:Madrid
492:Vienna
407:Autumn
315:Naples
298:, and
276:Madrid
210:, and
189:Saint
93:Madrid
35:Rococo
524:Medea
437:Paris
185:Turin
89:Turin
1001:2021
957:The
856:Rome
222:and
206:and
85:Rome
274:In
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