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Cotton Comes to Harlem

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black community of Harlem. Captain Bryce—who has a portrait of Richard Nixon prominently displayed in his office—tells Jones and Johnson not to treat O'Malley as a suspect, orders that the duo ignore. Jones and Johnson go to the apartment of Iris Brown, O'Malley's mistress, believing he will come to see her at some point, but are called away. Iris is able to escape from the policeman sent to guard her. Iris is shocked to discover O'Malley seducing Mabel Hill, the widow of one of his subordinates killed in the robbery, leading to a fight between the two women and Iris being disillusioned with O'Malley.
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to a violent search as rival gangsters seek the money. Iris tells Jones and Johnson the truth—namely that the robbery was part of a plan to allow O'Malley to steal the money without discrediting himself, but that he was double-crossed by his partner Calhoun, a white career criminal whom he met in prison who decided to take the money for himself. Calhoun kidnaps Iris to torture her for information about where the bale is, but after a shoot-out, Jones and Johnson rescue her.
728: 349:, but instead he chose to be just a petty conman who exploited ordinary people. As O'Malley begs for support, the audience turn their backs on him and walks out. Detectives Jones and Johnson then blackmail Tom, a white mob leader, to give them $ 87,000 — to be restored to the original donors — after discovering that Uncle Budd has run off with the stolen money and emigrated to 609:. The detectives work throughout the movie to prove that the black community was being taken advantage of, and by the end of the film, they gain the respect of white officers and are able to demand $ 87,000 from the white mafioso who runs the Harlem rackets, which they use to replace the money stolen at the beginning of the film. 47: 507:) and the so-called Black Citizens Patrol volunteered to control the scenes with their experience in keeping out unwanted spectators and policing traffic. The Black Citizens Patrol's purpose was to protect the black community from itself, so they made themselves available at all times, even operating as an escort service. 340:
At a theater in Harlem, Iris's friend, the dancer Billie, uses the bale of cotton as part of her act, which attracts both Calhoun and O'Malley to the theater. Jones and Johnson arrest and humiliate Calhoun—who was dressed in blackface—at the theater. In the back of the theater, Johnson beats O'Malley
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Uncle Budd, a scavenger, finds the bale of cotton and sells it for $ 25 to a junk dealer, but later buys it back for $ 30. There is a reward out for the $ 87,000, and Gravedigger and Coffin deduce that the money was hidden inside the bale that fell out of the getaway vehicle during the chase, leading
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falls out of the vehicle, unremarked at the time. Though the authorities approve of O'Malley, regarding his "Back-to-Africa" movement as a way to solve American racial problems, both Jones and even more so Johnson are hostile towards him, viewing him as a charlatan who is exploiting the impoverished
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The film grossed $ 90,000 in its opening week, setting a house record at the Woods Theatre. After its third week it had grossed $ 506,000 from six cities, setting additional house records in New York and Detroit. Produced on a budget of $ 1.2 million, it earned $ 5.2 million in
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film, although others felt that it was merely an action comedy film. Detectives Gravedigger and Coffin Ed do not always follow the rules. They are not necessarily fighting to protect the rule of law, but they try to protect their people from racist attitudes.
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is one of the most commercially successful films Hollywood produced in the 1970s starring a predominantly black cast. The film was one of the many black films that appeared in the 1970s eventually becoming a
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Fun City (Pt. 2): Location Comedies / Two Sides of Sidney Lumet, You're a Big Boy Now, Cotton Comes to Harlem, Bye Bye Braverman, Serpico, by J. Hoberman posted August 6, 2013
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in a fight. Jones and Johnson expose the Reverend O’Malley to the audience of the theater as the fraud that he is, remarking that he could have been another
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is mostly about the ride, with chases and barbed banter urging the movie along, keeping the whole endeavor light on its toes," giving the film a B+.
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Seeing that the film would be shot in Harlem, and was featuring large crowd scenes, such as riots and rallies, John Shabazz (a former bodyguard for
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in Detroit before expanding a week later in New York City, Louisville, Milwaukee, Washington D.C., and a further theater in Detroit.
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neighborhood where it was filmed. This helped to put a positive spotlight on Harlem, which at the time was ravaged with crime.
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SCREENING, Cotton Comes to Harlem, Part of Fun City: New York in the Movies 1967–75, Saturday, August 10, 2013, 5:00 p.m.
1715: 1468: 1455: 837: 1210: 1090: 1078: 1750: 986: 858: 356: 296: 1282:"Holiday Ups Chi; 'Harlem' Peak 90G, 'Apes' Socko $ 75,000, 'Garden' Lush 10G, 'Grasshopper' Nifty $ 38,000, 2d". 1615: 1578: 1422: 867: 651: 638:'Balloons, fans, feathers—they're all out of style,' says the racially aware exotic dancer preparing her act for 972: 46: 1254: 874:. It opened to mixed reviews, with critics feeling it was decent, but not riotous like the original 1970 film. 753: 1164: 1133: 666:. It's strictly for people who don't care much about movies—or who persist in regarding movies as sociology." 1406: 856:
due to strong artistic differences with Samuel Goldwyn, Jr. and his studio executives. The eventual sequel,
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Soul Searching: Black-Themed Cinema from the March on Washington to the Rise ..., By Christopher Sieving
977: 804: 537: 420: 1571: 704: 1670: 1639: 474: 387: 271: 116: 1338: 1321: 1304: 1284: 1215: 1114: 912: 630: 606: 163: 102: 928: 526:, already well known as a veteran nightclub comic, leading him to be considered for the TV Show 290:. The opening theme, "Ain't Now But It's Gonna Be", was written by Ossie Davis and performed by 1102: 1536: 1509: 1030: 934: 798: 567: 378: 267: 112: 17: 1426: 1363: 552: 391: 382: 325: 138: 1382: 1547: 1541: 1026: 672: 528: 511: 468: 462: 396: 120: 52: 1631: 796:
inspired more black films during the 1970s, including more action-packed numbers such as
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Cambridge also starred as a white man who turns black in the motion picture comedy
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Coming Back to a Theater Near You: A History of Hollywood Reissues, 1914–2014
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with much original material injected, ended up being directed by
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UA film 'cotton comes to harlem' in the ghetto. (1969, Nov 08).
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in Chicago on May 27, 1970. The following week it opened at the
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In contrast, in retrospective reviews, Ken Hanke of the
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employed many local residents as extras and crew in the
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Sidney Poitier: Man, Actor, Icon, By Aram Goudsouzian
278:. The film, later cited as an early example of the 237: 229: 221: 213: 203: 180: 170: 154: 144: 134: 126: 108: 98: 81: 69: 59: 39: 715:during its North American release, making it the 684:films," and Brian Orndorf of Blu-Ray.com wrote, " 1302:"This 'Cotton' Doesn't Shrink (advertisement)". 1127: 1125: 1123: 1165:"Classic Soul Cinema: 'Cotton Comes to Harlem'" 1134:"Classic Soul Cinema: 'Cotton Comes to Harlem'" 840:(under license from MGM) on September 9, 2014. 636: 579:-winners for their performances in the play). 1579: 8: 933:. Lanham, MD: Scarecrow Press. p. 427. 1586: 1572: 1564: 1183:"Coffin Ed Johnson and Grave Digger Jones" 45: 36: 1297: 1295: 905: 903: 772:Learn how and when to remove this message 634:was unimpressed with the film, writing: 27:1970 American action film by Ossie Davis 1277: 1275: 1211:"Ossie Davis' 'Cotton Comes to Harlem'" 899: 1266: 411:as Uncle Budd / Booker Washington Sims 7: 1771:English-language action comedy films 1048:Vaughter, Michelle (19 April 1997). 1414:20th Century Fox Home Entertainment 822:20th Century Fox Home Entertainment 930:Historical Dictionary of Film Noir 717:22nd highest-grossing film of 1970 492:Filmed between May and June 1969, 25: 1255:"Cotton Comes to Harlem Blu-ray," 1154:(Big Weekend Edition) (1966–1973) 1132:McMillan, Stephen (11 May 2015). 1060:from the original on 2 April 2015 848:Ossie Davis declined to direct a 726: 262:film co-written and directed by 1319:"'Cotton' Is Rockin' At B.O.". 590:is hailed by many as the first 575:and Moore (both of whom became 541:, which opened the same day as 483:as Vendor In Crowd (uncredited) 1701:Films based on American novels 1691:American comedy thriller films 884:List of American films of 1970 680:"one of the earliest and best 32:Cotton Comes to Harlem (novel) 1: 1761:African-American comedy films 1756:African-American action films 1711:Films directed by Ossie Davis 916:. 6 January 1971. p. 11. 316:rally, for the purchase of a 51:Theatrical release poster by 18:Cotton Comes to Harlem (film) 1746:1970 directorial debut films 1681:American action comedy films 1676:1970s English-language films 1342:. June 10, 1970. p. 13. 1308:. June 17, 1970. p. 17. 910:"Big Rental Films of 1970". 870:and was released in 1972 by 308:Deke "Reverend" O'Malley, a 30:For the original novel, see 1726:Films shot in New York City 1706:Films based on crime novels 1353:Box Office Information for 1325:. June 17, 1970. p. 5. 1288:. June 3, 1970. p. 11. 1257:Blu-ray.com (Sep 27, 2014). 824:(acting as distributor for 752:the claims made and adding 605:by depicting tools such as 565:(based on Davis' 1961 play 399:as Deke "Reverend" O'Malley 1787: 1721:Films set in New York City 1187:www.thrillingdetective.com 1117:.Retrieved April 13, 2020. 1105:.Retrieved April 13, 2020. 1093:.Retrieved April 13, 2020. 1081:.Retrieved April 13, 2020. 987:Turner Broadcasting System 862:, loosely based on Himes' 859:Come Back, Charleston Blue 510:The film saw the debut of 297:Come Back, Charleston Blue 29: 1736:1970s action comedy films 1602: 1423:Century City, Los Angeles 1336:"50 Top-Grossing Films". 816:The film was released to 312:, is selling shares at a 44: 1686:American buddy cop films 1366:. Retrieved May 3, 2014. 973:"Cotton Comes to Harlem" 955:"Cotton Comes to Harlem" 444:Mabel Robinson as Billie 1741:American neo-noir films 1506:McFarland & Company 1394:Cotton Comes to Harlem. 927:Spicer, Andrew (2010). 854:Cotton Comes to Harlem, 522:. Another debut was by 318:Back-to-Africa movement 1608:Cotton Comes to Harlem 1554:Cotton Comes to Harlem 1543:Cotton Comes to Harlem 1532:Cotton Comes to Harlem 1494:Hannan, Brian (2016). 1450:Cotton Comes to Harlem 1408:Cotton Comes to Harlem 1355:Cotton Comes to Harlem 1152:Chicago Daily Defender 1018:Cotton comes to Harlem 830:Cotton Comes to Harlem 826:MGM Home Entertainment 794:Cotton Comes to Harlem 785:Cotton Comes to Harlem 697:Cotton Comes to Harlem 678:Cotton Comes to Harlem 668: 599:Cotton Comes to Harlem 588:Cotton Comes to Harlem 543:Cotton Comes to Harlem 494:Cotton Comes to Harlem 392:Ed "Coffin Ed" Johnson 369: 362:Cotton Comes to Harlem 288:novel of the same name 252:Cotton Comes to Harlem 189:May 27, 1970 87:Cotton Comes to Harlem 40:Cotton Comes to Harlem 978:Turner Classic Movies 654:' Gold Coast fables, 359: 1766:1970s American films 1731:United Artists films 1696:Blaxploitation films 961:. December 31, 1969. 699:was released at the 447:Dick Sabol as Jarema 1716:Films set in Harlem 1640:Countdown at Kusini 1471:. September 9, 2014 828:) January 9, 2001. 388:Raymond St. Jacques 383:"Gravedigger" Jones 282:genre, is based on 272:Raymond St. Jacques 255:is a 1970 American 164:Formosa Productions 117:Raymond St. Jacques 1594:Films directed by 1469:Kino International 1216:The New York Times 737:possibly contains 713:theatrical rentals 631:The New York Times 607:self-determination 601:also demonstrates 370: 320:ship to be called 103:Samuel Goldwyn Jr. 1751:1970 comedy films 1658: 1657: 1429:. January 9, 2001 1392:– via JET. 1209:(June 11, 1970). 940:978-0-8108-5960-9 782: 781: 774: 739:original research 618:Critical response 568:Purlie Victorious 379:Godfrey Cambridge 326:Harlem detectives 268:Godfrey Cambridge 248: 247: 244: 130:Gerald Hirschfeld 113:Godfrey Cambridge 16:(Redirected from 1778: 1588: 1581: 1574: 1565: 1519: 1481: 1480: 1478: 1476: 1445: 1439: 1438: 1436: 1434: 1427:21st Century Fox 1403: 1397: 1396: 1391: 1389: 1373: 1367: 1364:Internet Archive 1350: 1344: 1343: 1333: 1327: 1326: 1316: 1310: 1309: 1299: 1290: 1289: 1279: 1270: 1264: 1258: 1253:Orndorf, Brian. 1251: 1245: 1238: 1232: 1231: 1229: 1227: 1203: 1197: 1196: 1194: 1193: 1179: 1173: 1172: 1161: 1155: 1148: 1142: 1141: 1129: 1118: 1112: 1106: 1100: 1094: 1088: 1082: 1076: 1070: 1069: 1067: 1065: 1045: 1039: 1038: 1009: 1003: 1002: 1000: 998: 969: 963: 962: 951: 945: 944: 924: 918: 917: 907: 832:was released on 777: 770: 766: 763: 757: 754:inline citations 730: 729: 722: 475:Frederick O'Neal 453:as Church Sister 322:The Black Beauty 242: 196: 194: 139:Robert Q. Lovett 49: 37: 21: 1786: 1785: 1781: 1780: 1779: 1777: 1776: 1775: 1661: 1660: 1659: 1654: 1616:Kongi's Harvest 1598: 1592: 1548:Rotten Tomatoes 1527: 1522: 1516: 1508:. p. 412. 1493: 1489: 1484: 1474: 1472: 1447: 1446: 1442: 1432: 1430: 1405: 1404: 1400: 1387: 1385: 1375: 1374: 1370: 1351: 1347: 1335: 1334: 1330: 1318: 1317: 1313: 1301: 1300: 1293: 1281: 1280: 1273: 1265: 1261: 1252: 1248: 1244:(Nov. 5, 2002). 1242:Mountain Xpress 1239: 1235: 1225: 1223: 1205: 1204: 1200: 1191: 1189: 1181: 1180: 1176: 1163: 1162: 1158: 1149: 1145: 1131: 1130: 1121: 1113: 1109: 1101: 1097: 1089: 1085: 1077: 1073: 1063: 1061: 1047: 1046: 1042: 1027:Dell Publishing 1011: 1010: 1006: 996: 994: 971: 970: 966: 953: 952: 948: 941: 926: 925: 921: 909: 908: 901: 897: 892: 880: 846: 814: 778: 767: 761: 758: 743: 731: 727: 694: 673:Mountain Xpress 620: 615: 585: 529:Sanford and Son 512:Calvin Lockhart 490: 469:Leonardo Cimino 463:Theodore Wilson 397:Calvin Lockhart 375: 368:, Chicago, 1970 306: 206: 199: 192: 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Index

Cotton Comes to Harlem (film)
Cotton Comes to Harlem (novel)

Robert McGinnis
Ossie Davis
Arnold Perl
Cotton Comes to Harlem
Chester Himes
Samuel Goldwyn Jr.
Godfrey Cambridge
Raymond St. Jacques
Calvin Lockhart
Robert Q. Lovett
Galt MacDermot
Formosa Productions
United Artists
neo-noir
action comedy
Ossie Davis
Godfrey Cambridge
Raymond St. Jacques
Redd Foxx
blaxploitation
Chester Himes
novel of the same name
Melba Moore
Come Back, Charleston Blue
con man
Harlem
Back-to-Africa movement

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