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of 17th-century Europe, where it forms the principal approach and ceremonial entrance to the building. Its open courtyard is presented like the classical permanent theatre set of a proscenium stage, such as the built Roman set of opposed
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Some 16th-century symmetrical
Western European country houses built on U-shaped groundplans resulted in a sheltered central door in a main range that was embraced between projecting wings, but the formalized
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may be no more than an architectural screen, balancing the wing of the hĂ´tel opposite it, which would often contain domestic offices and a stable. On a grander scale, the
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can be used of any large building whether public or residential, ancient or modern, which has a symmetrical courtyard laid out in this way.
473:; Friedrich, Reinhard; Schock-Werner, Barbara; Europäisches Burgeninstitut â Einrichtung Der Deutschen Burgenvereinigung e., V. (2004).
296:, which once was separated from the public street by a wrought iron grille, later by an open architectural screen, with its grand open
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33:
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172:(Vicenza, 1584). Like the theatre set, the built environment is defined and enclosed from the more public space by ornate
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of a large building. It is usually defined by two secondary wings projecting forward from the main central block (
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352:
351:'s is no longer extant, as it was remodeled to be enclosed on all four sides, thus becoming (and now known as) a
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272:. In these plans, the street front may be expressed as a range of buildings not unlike the ordinary houses (
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276:) that flank it, but with a grand, often arched, doorway, through which a carriage could pass into the
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railings. A later development replaced the railings with an open architectural columnar screen, as at
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in the Pitti's case by embracing three sides of an existing public space. Other 16th century urban
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design (1627), were the first that reached forward from a central block to create a
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On a condensed, urban scale the formula is expressed in
Parisian private houses,
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In densely built cities disposed on a rigorously democratic grid plan such as
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92:), sometimes with a fourth side, consisting of a low wing or a railing. The
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617:(2nd ed.). Oxford and New York: Oxford University Press. p. 207.
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156:
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secreted behind. In a cramped site, one of the flanking walls of the
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152:
525:
115:
40:
615:
Oxford
Dictionary of Architecture and Landscape Architecture
402:: without railings the entrance court is still public space
561:(in German). Vol. 9. Walter de Gruyter. p. 96.
288:
was laid out in just this manner, among the first Paris
481:(in German). Philipp Reclamc =Stuttgart. p. 115.
222:, one of the first 16th century residences to open a
477:; Reinhard Friedrich; Barbara Schock-Werner (eds.).
268:), between court and garden, as can be seen at the
218:and classicizing buildings of Europe including the
130:, while âBâ and âCâ are the secondary service wings
339:on the Plaza were the rare exceptions. In London,
672:Les Demeures parisiennes: l'ĂŠpoque de Louis XVI
126:containing the principal rooms. âAâ marks the
27:Architectural term for a three-sided courtyard
558:Städte| Stadtpläne, Plätze, Strassen, Brßcken
8:
555:Rudolf E. Huber; Renate Rieth, eds. (1987).
530:(in German). Vol. 4. pp. 868â874.
82:) is the principal and formal approach and
214:can be found in many of the most notable
640:"Barberini Palace (plan of first floor)"
300:behind, now a public space. Nearby, the
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56:, subsequently copied all over Europe.
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108:) both feature such entrance courts.
7:
48:opened up the interior court of the
230:remained resolutely enclosed, like
25:
375:'s Ionic screen fronts a shallow
335:on Madison Avenue and the former
316:behind the former palace's site.
52:to create the expansive entrance
445:
427:
407:
392:
365:
120:Blenheim Palace: âFâ marks the
34:Court of Honor (disambiguation)
234:, Rome. In Rome, the wings of
1:
675:(in French). Paris: Le Temps.
613:Curl, James Stevens (2006).
151:is first found in the great
337:William K. Vanderbilt House
265:[ÉĚtĘ(É)kuĘeĘaĘdÉĚ]
164:in a perspective street at
719:
487:10.11588/arthistoricum.535
31:
323:, private houses with a
669:Gallet, Michel (1964).
327:were rare, even in the
191:(Saint Petersburg), or
134:Technically, the term
131:
79:
71:
57:
698:Architectural history
524:Hager, Luisa (1956).
471:BĂśhme, Horst Wolfgang
119:
50:Château de Versailles
44:
475:Horst Wolfgang BĂśhme
383:'s Carlton House in
257:entre cour et jardin
94:Palace of Versailles
32:For other uses, see
312:remains, as do the
290:hĂ´tels particuliers
252:hĂ´tels particuliers
18:Cour d'Honneur
132:
58:
650:on March 11, 2005
458:, The Netherlands
453:Noordeinde Palace
440:, The Netherlands
400:Palazzo Barberini
349:Buckingham Palace
314:Tuileries Gardens
304:is gone: but the
270:HĂ´tel de Besenval
240:Palazzo Barberini
205:illustrated below
185:SchĂśnbrunn Palace
16:(Redirected from
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345:cour d'honneur
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294:cour d'honneur
282:cour d'honneur
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224:cour d'honneur
212:cour d'honneur
210:Examples of a
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128:cour d'honneur
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652:. Retrieved
648:the original
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343:retains its
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199:formerly at
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181:Palais Royal
174:wrought iron
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98:illustration
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46:Louis Le Vau
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585:|work=
544:|work=
513:|work=
246:floorplan.
703:Courtyards
692:Categories
600:References
422:, New York
353:quadrangle
347:, whereas
329:Gilded Age
292:to have a
261:pronounced
203:, London (
187:(Vienna),
112:Definition
587:ignored (
577:cite book
546:ignored (
536:cite book
515:ignored (
505:cite book
456:The Hague
438:Apeldoorn
385:Pall Mall
308:with its
183:(Paris),
84:forecourt
527:Ehrenhof
479:Ehrenhof
387:, London
321:New York
166:Palladio
157:mansions
80:Ehrenhof
644:usc.edu
418:facing
379:at the
359:Gallery
274:maisons
228:palazzi
216:Baroque
162:palazzi
153:palaces
142:History
621:
565:
493:
331:; the
298:jardin
255:built
177:gilded
100:) and
76:German
68:French
656:2005
619:ISBN
589:help
563:ISBN
548:help
517:help
491:ISBN
414:The
155:and
106:plan
483:doi
238:'s
207:).
195:'s
168:'s
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