128:. It consists of a large free-form shape that nearly fills the canvas and is placed on a dark, textured background. This large shape contains smaller, neatly outlined, puzzle-like shapes, most of which are white and filled with parallel lines. The main colors in the work are limited to red, white, blue, and black. These features are all characteristic of Dubuffet's style at the time. Although the shapes are abstracted, a boat or ship and fishermen can be seen, and the title suggests they are fishing for
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ballpoint pen doodles he created while talking on the telephone. He believed this style reflected the way objects are seen in the mind. In the
Hourloupe series, Dubuffet also veered into three-dimensional sculptures and installations. The Hourloupe cycle, and this work, also reflect Dubuffet's affinity for
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was a part of his
Hourloupe cycle, which was the longest-running series, from July 1962 to 1974. Paintings in the Hourloupe are marked by flattened shapes, delineated with dark or black outlines, and a mostly limited color palette--red, white, blue and black. Dubuffet was initially inspired by
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that portray objects with little or no reference to their actual colors or dimensions, he intended to prove that the world within the painting might be just as real as the physical world. Dubuffet argued that individuals could create their own versions of reality.
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Throughout his career, Dubuffet created his works as parts of distinct, self-contained series or cycles.
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Dubuffet believed that art addressed itself to the mind and not the physical world. With works such as
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97.2 cm Ă— 140 cm (38.25 in Ă— 54 in)
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They Waz Nice White Folks While They Lasted (Sez One Gal to
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Madonna and Child with St. John the
Baptist and St. Mary Magdalene
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Galinthias
Outwits Eileithyia by Announcing the Birth of Heracles
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183:. Indianapolis Museum of Art. Retrieved 30 March 2013.
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The House of the Deaf Woman and the Belfry at Eragny
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445:Indianapolis
386:Outsider art
350:
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213:
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113:since 1992.
97:
96:
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89:Indianapolis
22:
1460:Funky Bones
1453:Free Basket
1329:Two Figures
1301:Numbers 1-0
1248:by location
1194:Textile and
1116:Oceanic art
1048:The Negress
864:Crucifixion
736:(sculpture)
608:The Rainbow
573:Reflections
545:Jimson Weed
531:Hotel Lobby
455:African art
441:Significant
331:(1968–1974)
117:Description
1632:Categories
1592:Leadership
948:Saint Luke
803:Side chair
615:Tidying Up
312:Sculptures
216:at the IMA
165:References
151:Surrealist
147:“art brut”
73:Dimensions
1430:100 Acres
1394:(Gordine)
1347:Oldfields
957:Rembrandt
822:Aristotle
639:Asian art
538:Hurricane
462:Face mask
269:Paintings
1552:artworks
1513:Mega-Gem
1374:Fountain
1308:Snowplow
1246:artworks
906:Ma Jolie
857:Crucifix
728:painting
580:Sunlight
126:abstract
124:appears
81:Location
1446:Eden II
1244:Outdoor
1007:Cranach
984:The Boy
524:Dorothy
379:Related
363:Museums
130:whiting
105:artist
53: (
622:U.S.A.
355:(1984)
347:(1978)
339:(1977)
323:(1972)
304:(1964)
296:(1961)
288:(1954)
280:(1943)
103:French
63:Medium
38:Artist
705:Acton
734:LOVE
726:LOVE
55:1964
51:1964
48:Year
1634::
188:^
173:^
87:,
425:e
418:t
411:v
254:e
247:t
240:v
57:)
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