437:"We wanted something that was solemn and sort of like… (he pauses) Not a rulebook per se but it had to suggest the idea of a pact, an allegiance if you will. Overall, we wanted something timeless and about commitment. We felt that this record being what it was, who we were and its subject matter, it was like our covenant to ourselves and to ourselves. And as a bonus, if you look closely enough, you'll find many little details that are references to a specific lyric of song from that album included in there."
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but the band were nonetheless also dropped from the label's roster. Further, the lack of new exciting, boundary-pushing death metal bands led to a relative stagnation in the death metal genre. There was also a growing tension within the community, as the "inviting mainstream" seemed willing to "give some Death Metal a try", which was in conflict with the "essentially anti-mainstream culture that gave birth to and nourished the genre." The growth and development of Norway's
391:"We wanted a different approach and Flemming proved to be a treat to work with. Besides, he was there from the beginning. He even came in earlier than scheduled so he could attend few of our rehearsals prior to us entering the studio. Ultimately, he turned out to be pretty meticulous, especially on how the drums should sound. Then we did both the vocals and guitars on our own and Trey and I flew to Copenhagen to mix the whole thing with him."
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278:'s release through Earache and Giant Records therefore represented one of the most significant releases of that time period, and 1993 is widely credited as one of death metal's highest peaks. Morbid Angel's success with their previous two albums gained them a one-album record deal (with the option of five more) with Giant Records (a subsidiary of
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movement, however, did not die, and more death metal bands continued to deliver their extreme tunes. The scene simply retreated into the underground." In
Michael Nelson's view, it was precisely in this retreat that the genre "regained its vitality. Today, the genre comfortably coexists (and regularly cross-pollinates) with black metal." In 2017,
451:. He was a very artistic guy that wasn't into metal at all but he was a pleasure to work with. The weirdest part is that soon after the God Of Emptiness shooting, he died in a fire on a set of another video soon afterwards so it means that was one of the last thing he ever did." These music videos received heavy rotation on
433:" on the left. It is their first album to feature a photograph as the album cover rather than an illustration. It was designed in collaboration with the band and shot by Martin Nesbitt, an Earache employee, and was designed to reflect the album's philosophy. In an interview with Metal Hammer, Vincent claimed that:
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as a vital record for the band in this respect: "We got support from MTV and to tour with Black
Sabbath and Motörhead in early '94 in places we had never played before while a new wave of aggressive music was coming out. I think that overall, it helped us reach a whole new audience. Without Covenant,
446:
Their record label Giant
Records (and its parent company Warner Bros. Records) devoted promotional resources to the album, commissioning two music videos of the tracks 'Rapture' and 'God of Emptiness'. They were both directed by Tony Kunewalder, and David Vincent explained in an interview that "Those
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explains that "Guitarist Trey
Azagthoth plays complicated, heavily detuned riffs, some with a lightning-fast picking style and others in a slower groove. Drummer Pete Sandoval is one of the genre's fastest, and his jackhammer style helps complete Morbid Angel's core sound." The album also serves as a
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did — worse still, none of them even outsold the previous respective albums by those bands." As a consequence, Columbia systematically dropped these bands from their rosters, cutting ties with all of them within three years. Morbid Angel's following album on Giant
Records sold roughly 70,000 copies,
410:
went unreleased until 1991. The first song written for the album was the opening song 'Rapture', which
Vincent claims "set the tone" for the rest of the album. The closing track 'God of Emptiness' was "almost like a vision. I had a dream that awoke me up in the middle of the night and I literally
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scene can be understood as a direct response to the temporary mainstream, commercial success that death metal enjoyed in these few years, "a violent negative reaction to death metal that could be traced directly back to Morbid Angel". By late 1995, the genre had entered a period of decline. "The
757:
The album is widely considered to be a milestone in the death metal genre, arriving at (and representing) the genre's peak. The album's sales were almost unprecedented "for a band, album, and genre so relentlessly extreme." Following the success of Morbid Angel and particularly
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also describes, "is never a catchy record. That's partly because the album is essentially devoid of anything resembling a traditional 'chorus,' but it's mostly due to the uppermost layers of sound — the things on which the ear and imagination immediately focus.
31:
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were the times when labels were still living the high life and they thought nothing of spending too much money on good videos". Further, "They were connected to each other, although shot six months apart and we had the same director for both of them named
311:
on the album's 20th anniversary, described
Azagthoth's work: "His guitars seemed to mimic surreal horrors of nature — whirlpools or wildfires — more than they did any musicians of his era. At the time, the most celebrated guitarist in death metal was
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philosophy. Michael Nelson wrote that part of the success of the album is due to the band's success at reflecting these themes musically, particularly due to Trey
Azagthoth's guitarwork. Michael Nelson, writing for
269:
actually wrote a song called 'The Ballad'". In music journalist
Michael Nelson's interpretation, there was a growing feeling that "the scene was getting co-opted, going soft, cashing in." By the early to mid 90s,
469:
In celebration of the 20th anniversary of the album's original release in 1993, the album was remastered in a 'Full
Dynamic Range' edition and re-released on CD and vinyl by Earache Records in November 2013.
459:
in particular. The video for 'Rapture' premiered on Headbangers Ball and was followed by a video interview with David Vincent. The music video for 'God of Emptiness' was also featured on the television show
274:
had largely given way to death metal as it continued to push the limits of extreme metal, while its mainstream acceptability grew partly due to the collaboration between Earache and Columbia Records.
320:, a dazzlingly proficient hyper-shredder with few technical equals. Azagthoth, on the other hand, delivered queasy, nitrous leads that called to mind the most extreme work of
215:. It is frequently described as one of the greatest death metal albums of all time, and a landmark album in the genre, influencing countless future metal bands, including
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1349:"Hard Rock of Ages : Metal heroes Black Sabbath are still going strong after more than two decades and drawing a new generation of euphoric, stage-diving fans"
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282:) in the Spring of 1992. Later that same year, second guitarist Richard Brunelle was kicked out of the band due to alleged substance abuse, meaning that
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In 2013 and 2014 the band headlined North American and European tours to celebrate the 20th anniversary of the album's original release.
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Following the commercial success of the album and the significant coverage by MTV in particular, in early 1994 the band toured with
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was performed in its entirety on every date of the tour, followed by a selection of songs from the band's other albums.
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was the best selling death metal album as of 2003, with sales of over 150,000 in the United States alone. In 2017,
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The album's lyrics, written by David Vincent, draw heavily on occult, mythological, and Satanic themes, including
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squeals and reels wildly; the band's odd and ever-changing time signatures leave little room for grooves."
387:. In an interview with Metal Hammer, David Vincent explained that they chose him to mix the album because:
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was the band's breakthrough album due to their contract with Giant Records and its widespread exposure on
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in Copenhagen, Denmark. Rasmussen was responsible for producing three of Metallica's most famous albums:
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466:. According to Soundscan, the album went on to sell over 150,000 copies in the United States alone.
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we wouldn't be where we are now and we're proud that it has stood the test of time like it did."
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1412:"MORBID ANGEL To Embark On Covenant 20th Anniversary Tour, Play Album In Full – Metal Injection"
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490:, Connecticut and Morbid Angel toured in support with Motörhead through to March 13, 1994, at
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then on the spot wrote that song, humming my ideas into a small tape recorder."
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In the late 80s, a number of heavy metal and thrash metal bands such as
1322:"MORBID ANGEL's 'Covenant' To Be Reissued On Full Dynamic Range Vinyl"
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815:; all music is composed by Azagthoth, except "Lions Den" by Vincent
38:
486:. The tour featured over 20 dates, began on February 8, 1994, at
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The track 'Angel of Disease' was originally written in 1985 for '
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rejection of many mainstream musical conventions, and, Nelson of
209:, as well as the music video for 'God of Emptiness' appearing on
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1085:"Covenant – Morbid Angel | Songs, Reviews, Credits | AllMusic"
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Death Metal Music: The Passion and Politics of a Subculture
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in Tampa, Florida. It was mixed by Flemming Rasmussen at
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signed many of Earache Records' other bands including
361:; engineered by Tom Morris and Flemming Rasmussen at
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1168:"Cannibal Corpse Is Top-Selling Death Metal Band"
429:to the right, and a reproduction of "The Pact of
191:, and in North America on June 22, 1993, through
798:named it the 75th best metal album of all time.
237:named it the 75th best metal album of all time.
1036:. p. 14 – via worldradiohistory.com.
261:enjoyed significant mainstream success, while "
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538:
187:, released in Europe on June 1, 1993, through
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1016:
8:
1177:. Blog Critics. Retrieved December 20, 2011.
663:
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1300:"God Of Emptiness – Indepth analysis, 1996"
1191:"The 100 Greatest Metal Albums of All Time"
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1649:
1641:
1538:MusicHound Rock: The Essential Album Guide
513:
419:The album's cover image shows a page from
29:
20:
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1913:Albums recorded at Morrisound Recording
1541:. Visible Ink Press. pp. 319–320.
1488:Perry, Neil (May 29, 1993). "Rekordz".
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290:Musical style, writing, and composition
1535:Knopper, Steve (1999). "Death Metal".
1908:Albums produced by Flemming Rasmussen
1274:"20 Years Of Morbid Angel's Covenant"
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18:1993 studio album by Morbid Angel
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1625:(Vol. 74) (in German). June 24, 1993
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1061:Saulnier, Jason (January 13, 2013).
1595:Atkinson, Peter (August 20, 1993).
1225:Purcell, Natalie J. (May 5, 2003).
859:"World of Shit (The Promised Land)"
703:
540:
1568:"Review – Morbid Angel – Covenant"
1566:Bohnensack, André (October 2011).
1382:"1994 Tour – Black Sabbath Online"
1347:APPLEFORD, STEVE (March 4, 1994).
1166:Puzak, Chris (November 18, 2003).
179:is the third full-length album by
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999:– production, engineering, mixing
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571:The Encyclopedia of Popular Music
442:Release, promotion, and marketing
357:was produced by Morbid Angel and
1511:"Morbid Angel – Covenant review"
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510:Reception, legacy, and influence
811:, except "Angel of Disease" by
1463:. Vol. 5 (4th ed.).
1457:, ed. (2006). "Morbid Angel".
1444:. Retrieved December 20, 2011.
1063:"Flemming Rasmussen Interview"
821:
494:, Florida. David Vincent sees
1:
1460:Encyclopedia of Popular Music
1302:. Metalzin.com. July 26, 1996
286:was recorded as just a trio.
1509:Herzebeth (March 21, 2007).
1002:Luton Sinfield – photography
925:"Nar Mattaru" (instrumental)
422:The Book of Ceremonial Magic
408:'Abominations of Desolation'
1783:Formulas Fatal to the Flesh
265:went heavy on synths" and "
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1850:Abominations of Desolation
807:All lyrics are written by
398:Abominations of Desolation
142:Abominations of Desolation
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1438:"Covenant – Morbid Angel"
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1790:Gateways to Annihilation
1048:"Morbid Angel "Covenant"
993:Tom Morris – engineering
350:Recording and production
1597:"Music: Off the Record"
1173:April 30, 2010, at the
1903:Earache Records albums
1023:Anon. (May 29, 1993).
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393:
384:...And Justice for All
1804:Illud Divinum Insanus
1386:www.black-sabbath.com
782:even a third of what
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367:Sweet Silence Studios
108:Giant (North America)
1762:Blessed Are the Sick
1467:. pp. 886–887.
985:Additional personnel
974:– guitars, keyboards
914:"Sworn to the Black"
515:Professional ratings
463:Beavis and Butt-head
363:Morrisound Recording
280:Warner Bros. Records
212:Beavis and Butt-head
63:Morrisound Recording
1898:Morbid Angel albums
1392:on October 17, 2016
1139:"Covenant Turns 20"
892:"Blood on My Hands"
870:"Vengeance Is Mine"
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427:Arthur Edward Waite
181:Florida death metal
1828:Entangled in Chaos
1811:Kingdoms Disdained
1328:. October 14, 2013
1280:. October 22, 2014
997:Flemming Rasmussen
936:"God of Emptiness
903:"Angel of Disease"
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372:Ride the Lightning
359:Flemming Rasmussen
122:Flemming Rasmussen
1880:
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1755:Altars of Madness
1548:978-1-57859-061-2
1474:978-0-19-531373-4
1353:Los Angeles Times
1238:978-0-7864-8406-5
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296:theistic Satanism
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1418:. July 15, 2013
1416:Metal Injection
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1025:"New Releases"
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1751:
1749:
1747:Studio albums
1745:
1738:
1736:
1733:
1731:
1728:
1726:
1723:
1721:
1718:
1716:
1715:Mike Browning
1713:
1711:
1710:Pete Sandoval
1708:
1706:
1705:David Vincent
1703:
1702:
1699:
1698:Charlie Koryn
1696:
1694:
1693:Dan Vadim Von
1691:
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1498:. p. 50.
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1455:Larkin, Colin
1450:
1447:
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1439:
1436:Huey, Steve.
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1231:. McFarland.
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1196:
1195:Rolling Stone
1192:
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978:Pete Sandoval
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966:David Vincent
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850:
848:"Pain Divine"
847:
843:
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832:
819:
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809:David Vincent
802:Track listing
801:
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795:Rolling Stone
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520:Review scores
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480:Black Sabbath
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1872:Hate Eternal
1848:
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1827:
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1795:
1788:
1781:
1774:
1768:
1767:
1760:
1753:
1739:Scott Fuller
1697:
1692:
1688:Steve Tucker
1687:
1682:
1672:Morbid Angel
1629:December 27,
1627:. Retrieved
1620:
1611:
1600:
1590:
1578:. Retrieved
1571:
1561:
1551:– via
1537:
1530:
1518:. Retrieved
1514:
1504:
1489:
1483:
1459:
1449:
1432:
1420:. Retrieved
1415:
1406:
1394:. Retrieved
1390:the original
1385:
1376:
1364:. Retrieved
1352:
1342:
1330:. Retrieved
1325:
1316:
1304:. Retrieved
1294:
1282:. Retrieved
1277:
1227:
1199:. Retrieved
1194:
1147:. Retrieved
1142:
1092:. Retrieved
1088:
1079:
1067:. Retrieved
1056:
1042:
1031:
960:Morbid Angel
806:
793:
783:
780:Soundscanned
776:Napalm Death
759:
756:
744:
732:
694:
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338:
328:saxophonist
308:
293:
283:
275:
272:thrash metal
244:
232:
228:
210:
198:
197:
185:Morbid Angel
175:
174:
173:
158:
150:
149:
140:
129:Morbid Angel
119:Morbid Angel
54:June 1, 1993
44:Morbid Angel
39:Studio album
15:
1893:1993 albums
1842:Demo Albums
1821:Live albums
1735:Destructhor
1580:January 17,
1576:(in German)
1520:January 17,
1515:Metal Storm
1422:January 26,
1396:January 26,
1366:January 26,
1332:January 26,
1284:January 26,
1149:January 26,
1094:January 26,
881:"Lions Den"
789:black metal
646:Metal Storm
488:New Britain
304:Nietzschean
263:Iron Maiden
76:Death metal
1887:Categories
1867:Terrorizer
1776:Domination
1725:Erik Rutan
1617:"Covenant"
1573:Ox-Fanzine
1033:Music Week
1007:References
696:Ox-Fanzine
657:MusicHound
241:Background
160:Domination
131:chronology
1833:Juvenilia
1730:Tim Yeung
1622:Rock Hard
1361:0458-3035
1306:March 22,
1143:Stereogum
955:Personnel
837:"Rapture"
746:Rock Hard
484:Motörhead
339:Stereogum
330:John Zorn
326:grindcore
322:free-jazz
309:Stereogum
267:Testament
247:Metallica
65:, Florida
1769:Covenant
1491:Kerrang!
1442:Allmusic
1278:TeamRock
1201:June 22,
1171:Archived
1089:AllMusic
784:Covenant
772:Entombed
760:Covenant
609:Kerrang!
534:AllMusic
504:Covenant
496:Covenant
404:Covenant
355:Covenant
344:Covenant
334:AllMusic
284:Covenant
276:Covenant
259:Megadeth
229:Covenant
199:Covenant
176:Covenant
151:Covenant
115:Producer
51:Released
41: by
24:Covenant
1797:Heretic
980:– drums
768:Carcass
492:Sunrise
474:Touring
415:Artwork
255:Anthrax
164:(1995)
155:(1993)
146:(1991)
1545:
1471:
1359:
1235:
1069:May 2,
829:Length
774:, and
751:7.5/10
650:9.6/10
528:Rating
525:Source
302:, and
257:, and
251:Slayer
217:Portal
82:Length
59:Studio
1605:: 27.
1028:(PDF)
826:Title
318:Death
183:band
99:Label
71:Genre
1631:2023
1582:2024
1543:ISBN
1522:2024
1496:EMAP
1469:ISBN
1465:MUZE
1424:2017
1398:2017
1368:2017
1357:ISSN
1334:2017
1308:2020
1286:2017
1233:ISBN
1203:2017
1151:2017
1096:2017
1071:2013
947:5:27
928:2:06
917:4:01
906:6:15
895:3:43
884:4:45
873:3:15
862:3:20
851:3:58
840:4:17
659:Rock
482:and
455:and
381:and
219:and
933:10.
822:No.
453:MTV
425:by
406:'.
316:of
205:'s
203:MTV
195:.
1889::
1619:.
1599:.
1570:.
1513:.
1440:.
1414:.
1384:.
1355:.
1351:.
1324:.
1276:.
1247:^
1211:^
1193:.
1182:^
1159:^
1141:.
1104:^
1087:.
1030:.
1015:^
922:9.
911:8.
900:7.
889:6.
878:5.
867:4.
856:3.
845:2.
834:1.
770:,
762:,
400:',
298:,
253:,
249:,
227:,
106:,
91:12
87:41
1664:e
1657:t
1650:v
1633:.
1584:.
1555:.
1524:.
1477:.
1426:.
1400:.
1370:.
1336:.
1310:.
1288:.
1241:.
1205:.
1153:.
1098:.
1073:.
739:A
374:,
324:/
89::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
