Knowledge (XXG)

Craps (After Hours)

Source πŸ“

339:'s Steve Kurutz called the album a "perfect example" of how Pryor "honed his more raunchy material in black comedy clubs, road-testing the controversial act about sex, racism, and his own screwups that he would use to great effect later in his career", adding that "though his monologues and segues aren't as razor-sharp and seamless as they would become on records like 232: 227: 222: 217: 212: 353:
Listening to it now, he’s harder on himself than anyone he aims his jabs at." Joe Marchese of The Second Disc noted that the freedom Pryor felt in performing in front of a largely black audience at Redd Foxx's club allowed him to take "his art to the next level, freed of expectations and censorship."
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writer Tony Sokol said that despite Pryor's "casual and loose" delivery, his evolution is unmistakable: "The tone is more aggressive, the attacks are direct, the confessions are intimate and relentless. Pryor is unafraid to get naked, admitting to extreme paranoia and horrific bouts of jealousy.
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said that "Pryor's funky material not only tickles the laugh centers on taboos between black and white, sex and the city, cops and politics, but also brings humor to subjects that people find difficult to laugh at."
887: 1849: 1693: 1604: 1226: 285:, and had begun to consciously immerse himself in black culture and history, educating himself through conversations with writers and revolutionaries such as 1120: 1360: 1035: 1251: 1514: 1427: 1277: 1202: 1073: 943: 418: 399: 1814: 1839: 1755: 1666: 1829: 1819: 1003: 368:. Some of the original LPs were accidentally mispressed with another comic's album on the B-side, Detroit comedian and musician 1844: 277:, captures Pryor during his most transformative period as a comic, when he evolved from a family-friendly comic in the mode of 1763: 1736: 1596: 1530: 273: 1557: 1385: 1794: 1771: 320:
was a cult success, heard mostly by a black audience, but clearly laid the groundwork for his breakthrough album, 1974's
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into the challenging, politically aware comedian of his most famous albums. In the early 1970s, Pryor moved to
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on May 26, 2023 as a double LP, with side four featuring an engraving of the original cover art.
127: 1121:"Richard Pryor, Cha-Cha Hogan* – "CRAPS" (After Hours) / Brother Eatmore & Sister Fullbosom" 300:. In contrast to his earlier career performing for mostly white audiences, he began working at 1314: 1153: 1069: 422: 109: 1095: 1639: 1318: 105: 1728: 1177: 928: 384:
with different cover art, and side two was re-released in a 1973 split LP with Redd Foxx,
131: 117: 1227:"Heart and Brain: Omnivore Preps Spoken Word Releases from Richard Pryor, Allen Ginsberg" 934: 293: 1361:"I Hope I'm Funny: Omnivore Reissues Richard Pryor's "Live at The Comedy Store, 1973"" 1788: 1436: 909: 369: 247: 139: 123: 41: 969: 397:
released an expanded edition in 2021 with bonus material selected from the box sets
879: 407:. Liner notes for the reissues were written by Scott Saul, author of the biography 365: 297: 286: 251: 101: 96: 28: 308:, where he felt free to talk about issues of politics and race without restraint. 1063: 1256: 1008: 376:, which was released on Laff the same year as Pryor's album. Laff also released 349: 305: 68: 1036:"The Line-Up: Stand Up! Records Reissues Three Richard Pryor Classics on Vinyl" 1203:"Tracy Morgan to Play the Wonderfully Crude Redd Foxx in Richard Pryor Biopic" 278: 1157: 1498: 882:, 1971) Recorded at the Redd Foxx Club, Hollywood, California, December 1970 301: 974: 920:
Compilation produced by Reggie Collins & Steve Pokorny (bonus tracks)
336: 204: 1252:"Richard Pryor Comedy Album Reissues Prove He's More Relevant Than Ever" 1337: 1282: 1096:"Billboard Album Reviews: Comedy: Richard Pryor - Craps (After Hours)" 73: 36: 1386:"Richard Pryor's first two albums are being re-released on vinyl" 1405: 1004:"Richard Pryor Vinyl Reissues Highlight the Evolution of Comedy" 1409: 1065:
Comedy at the Edge: How Stand-up in the 1970s Changed America
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Original album art direction/cover design: Howard Goldstein
1278:"Richard Pryor's first albums to be re-released on vinyl" 1152:. Nielsen Business Media, Inc. 1971-03-06. p. 59. 917:
Known original producer (bonus tracks): Richard Pryor
1302: 1300: 1747: 1704: 1677: 1650: 1623: 1580: 1541: 1450: 1443: 821: 813: 447: 439: 138: 116: 95: 79: 67: 56: 48: 35: 21: 1220: 1218: 1566:Evolution/Revolution: The Early Years (1966–1974) 888:Evolution/Revolution: The Early Years (1966-1974) 1178:"Laff Records: A Parade Of Clowns & Jesters" 1029: 1027: 1025: 997: 995: 993: 991: 1421: 8: 1057: 1055: 209: 16:1971 stand-up comedy album by Richard Pryor 1447: 1428: 1414: 1406: 184: 27: 18: 963: 961: 959: 391:The album was re-released on CD in 1994. 246:is the second album by American comedian 1307:Karaszewski, Larry; Saul, Scott (2021). 807: 433: 1333:"Richard Pryor - "CRAPS" - After Hours" 955: 1850:Spoken word albums by American artists 374:Brother Eatmore & Sister Fullbosom 852:"Wino and Junkie (Alternate Version)" 400:Evolution/Revolution: The Early Years 190: 7: 1201:Halperin, Moze (November 13, 2015). 345:, they're still pretty damn funny." 265:, like his other early-1970s albums 893:No Pryor Restraint: Life in Concert 405:No Pryor Restraint: Life in Concert 364:was originally released in 1971 on 304:'s club in a black neighborhood of 1667:Jo Jo Dancer, Your Life Is Calling 14: 908:Original producer: David Drozen, 421:. It was re-released on vinyl by 211: 1670:(1986, also produced and writer) 1250:Solomon, Matt (April 26, 2023). 905:Executive producer: Louis Drozen 230: 225: 220: 215: 210: 1764:The Funniest Man Dead or Alive 1531:Live At The Comedy Store, 1973 942:Liner notes by Scott Saul and 814: 440: 274:Live At The Comedy Store, 1973 1: 863:"Attica (Behind Those Walls)" 348:Reviewing the album in 2023, 1384:Buss, Andrew (May 8, 2023). 1359:Marchese, Joe (2021-07-23). 1225:Marchese, Joe (2021-01-22). 1034:Marchese, Joe (2023-05-12). 1002:Sokol, Tony (June 7, 2023). 939:Booklet design by Greg Allen 1866: 1815:Omnivore Recordings albums 1483:...Is It Something I Said? 411:, with an introduction by 250:, released in 1971 on the 1840:Richard Pryor live albums 1558:The Anthology (1968–1992) 859: 848: 837: 826: 818: 793: 782: 771: 760: 749: 738: 727: 716: 705: 694: 683: 672: 661: 650: 639: 628: 617: 606: 595: 584: 573: 562: 551: 540: 529: 518: 507: 496: 485: 474: 463: 452: 444: 198: 195: 146: 26: 1830:1970s spoken word albums 1820:Stand Up! Records albums 1694:Live on the Sunset Strip 1605:Live on the Sunset Strip 1515:Live on the Sunset Strip 1062:Zoglin, Richard (2009). 316:On its initial release, 1713:Uncle Tom's Fairy Tales 1507:Wanted: Live in Concert 970:"Craps - Richard Pryor" 386:Pryor Goes Foxx Hunting 1845:Stand-up comedy albums 1632:The Richard Pryor Show 409:Becoming Richard Pryor 1550:...And It's Deep Too! 927:, Reggie Collins and 62:Hollywood, California 1795:Richard Pryor albums 283:Berkeley, California 186:Professional ratings 1825:1970s comedy albums 1810:Laff Records albums 1697:(1982, also writer) 1689:(1981, also writer) 1662:(1983, also writer) 1491:Bicentennial Nigger 1475:That Nigger's Crazy 1467:Craps (After Hours) 1310:Craps (After Hours) 876:Craps (After Hours) 810: 436: 414:Dolemite Is My Name 395:Omnivore Recordings 378:Craps (After Hours) 362:Craps (After Hours) 342:Bicentennial Nigger 326:. A 1971 review in 323:That Nigger's Crazy 318:Craps (After Hours) 263:Craps (After Hours) 243:Craps (After Hours) 187: 171:That Nigger's Crazy 162:Craps (After Hours) 22:Craps (After Hours) 1835:Live comedy albums 1721:Live & Smokin' 1589:Live & Smokin' 1341:. 26 February 2021 1068:. Bloomsbury USA. 925:Jennifer Lee Pryor 923:Reissue producer: 885:Tracks 33-36 from 841:"Whorehouse Pt. 2" 830:"Whorehouse Pt. 1" 808: 665:"Pres' Black Baby" 467:"Fuck from Memory" 434: 185: 130:, Reggie Collins, 128:Jennifer Lee Pryor 1782: 1781: 1748:Documentary films 1576: 1575: 1315:Stand Up! Records 1075:978-1-58234-625-0 944:Larry Karaszewski 874:Tracks 1-32 from 870: 869: 804: 803: 764:"Fuck the Faggot" 753:"Gettin' the Nut" 742:"Black and Proud" 555:"Black Preachers" 423:Stand Up! Records 419:Larry Karaszewski 239: 238: 183: 182: 179: 178: 110:Stand Up! Records 1857: 1805:1971 live albums 1756:I Ain't Dead Yet 1448: 1430: 1423: 1416: 1407: 1400: 1399: 1397: 1396: 1381: 1375: 1374: 1372: 1371: 1356: 1350: 1349: 1347: 1346: 1329: 1323: 1322: 1319:Omnivore Records 1304: 1295: 1294: 1292: 1291: 1274: 1268: 1267: 1265: 1264: 1247: 1241: 1240: 1238: 1237: 1222: 1213: 1212: 1210: 1209: 1198: 1192: 1191: 1189: 1188: 1174: 1168: 1167: 1165: 1164: 1142: 1136: 1135: 1133: 1132: 1117: 1111: 1110: 1108: 1107: 1092: 1086: 1085: 1083: 1082: 1059: 1050: 1049: 1047: 1046: 1031: 1020: 1019: 1017: 1016: 999: 986: 985: 983: 982: 965: 816: 811: 786:"Snappin' Pussy" 577:"Blow Our Image" 442: 437: 235: 234: 233: 229: 228: 224: 223: 219: 218: 214: 213: 188: 148: 147: 106:Omnivore Records 91: 90: 86: 60:Redd Foxx Club, 31: 19: 1865: 1864: 1860: 1859: 1858: 1856: 1855: 1854: 1785: 1784: 1783: 1778: 1743: 1737:Live in Concert 1729:Blazing Saddles 1700: 1673: 1646: 1619: 1597:Live in Concert 1572: 1537: 1439: 1434: 1404: 1403: 1394: 1392: 1383: 1382: 1378: 1369: 1367: 1365:The Second Disc 1358: 1357: 1353: 1344: 1342: 1331: 1330: 1326: 1306: 1305: 1298: 1289: 1287: 1276: 1275: 1271: 1262: 1260: 1249: 1248: 1244: 1235: 1233: 1231:The Second Disc 1224: 1223: 1216: 1207: 1205: 1200: 1199: 1195: 1186: 1184: 1176: 1175: 1171: 1162: 1160: 1144: 1143: 1139: 1130: 1128: 1119: 1118: 1114: 1105: 1103: 1094: 1093: 1089: 1080: 1078: 1076: 1061: 1060: 1053: 1044: 1042: 1040:The Second Disc 1033: 1032: 1023: 1014: 1012: 1001: 1000: 989: 980: 978: 968:Kurutz, Steve. 967: 966: 957: 952: 929:Cheryl Pawelski 902: 871: 805: 731:"Insurance Man" 709:"280 Pound Ass" 687:"Wino Panthers" 500:"The President" 431: 380:under the name 359: 314: 260: 231: 226: 221: 216: 174: 165: 156: 132:Cheryl Pawelski 126: 88: 84: 83: 44: 17: 12: 11: 5: 1863: 1861: 1853: 1852: 1847: 1842: 1837: 1832: 1827: 1822: 1817: 1812: 1807: 1802: 1797: 1787: 1786: 1780: 1779: 1777: 1776: 1772:Omit the Logic 1768: 1760: 1751: 1749: 1745: 1744: 1742: 1741: 1733: 1725: 1717: 1708: 1706: 1702: 1701: 1699: 1698: 1690: 1681: 1679: 1678:Films produced 1675: 1674: 1672: 1671: 1663: 1654: 1652: 1651:Films directed 1648: 1647: 1645: 1644: 1636: 1627: 1625: 1621: 1620: 1618: 1617: 1609: 1601: 1593: 1584: 1582: 1578: 1577: 1574: 1573: 1571: 1570: 1562: 1554: 1545: 1543: 1539: 1538: 1536: 1535: 1527: 1519: 1511: 1503: 1495: 1487: 1479: 1471: 1463: 1454: 1452: 1445: 1441: 1440: 1435: 1433: 1432: 1425: 1418: 1410: 1402: 1401: 1376: 1351: 1324: 1296: 1269: 1242: 1214: 1193: 1169: 1146:"Funniest Yet" 1137: 1112: 1087: 1074: 1051: 1021: 987: 954: 953: 951: 948: 947: 946: 940: 937: 935:Michael Graves 933:Remastered by 931: 921: 918: 915: 912: 906: 901: 898: 897: 896: 883: 868: 867: 864: 861: 857: 856: 853: 850: 846: 845: 842: 839: 835: 834: 831: 828: 824: 823: 820: 817: 806: 802: 801: 798: 795: 791: 790: 787: 784: 780: 779: 776: 773: 769: 768: 765: 762: 758: 757: 754: 751: 747: 746: 743: 740: 736: 735: 732: 729: 725: 724: 721: 718: 714: 713: 710: 707: 703: 702: 699: 696: 692: 691: 688: 685: 681: 680: 677: 674: 670: 669: 666: 663: 659: 658: 655: 654:"Got a Dollar" 652: 648: 647: 644: 641: 637: 636: 633: 630: 626: 625: 622: 619: 615: 614: 611: 608: 604: 603: 600: 597: 593: 592: 589: 586: 582: 581: 578: 575: 571: 570: 567: 564: 560: 559: 556: 553: 549: 548: 545: 542: 538: 537: 534: 533:"Masturbating" 531: 527: 526: 523: 520: 516: 515: 512: 509: 505: 504: 501: 498: 494: 493: 490: 489:"Gettin' Some" 487: 483: 482: 479: 476: 472: 471: 468: 465: 461: 460: 457: 456:"Gettin' High" 454: 450: 449: 446: 443: 432: 430: 427: 358: 355: 313: 310: 259: 256: 237: 236: 207: 201: 200: 197: 193: 192: 181: 180: 177: 176: 167: 158: 144: 143: 136: 135: 122:David Drozen, 120: 114: 113: 99: 93: 92: 81: 77: 76: 71: 65: 64: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1862: 1851: 1848: 1846: 1843: 1841: 1838: 1836: 1833: 1831: 1828: 1826: 1823: 1821: 1818: 1816: 1813: 1811: 1808: 1806: 1803: 1801: 1798: 1796: 1793: 1792: 1790: 1774: 1773: 1769: 1766: 1765: 1761: 1758: 1757: 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513: 510: 506: 502: 499: 495: 491: 488: 484: 480: 477: 473: 469: 466: 462: 458: 455: 451: 438: 429:Track listing 428: 426: 424: 420: 417:screenwriter 416: 415: 410: 406: 402: 401: 396: 392: 389: 387: 383: 379: 375: 371: 370:Cha Cha Hogan 367: 363: 356: 354: 351: 346: 344: 343: 338: 334: 331: 330: 325: 324: 319: 311: 309: 307: 303: 299: 295: 292: 291:Black Panther 288: 284: 280: 276: 275: 270: 269: 268:Richard Pryor 264: 257: 255: 253: 249: 248:Richard Pryor 245: 244: 208: 206: 203: 202: 194: 191:Review scores 189: 173: 172: 168: 164: 163: 159: 155: 154: 153:Richard Pryor 150: 149: 145: 141: 140:Richard Pryor 137: 133: 129: 125: 124:Richard Pryor 121: 119: 115: 111: 107: 103: 100: 98: 94: 82: 78: 75: 72: 70: 66: 63: 59: 55: 51: 47: 43: 42:Richard Pryor 38: 34: 30: 25: 20: 1770: 1762: 1754: 1735: 1727: 1719: 1711: 1692: 1684: 1665: 1659:Here and Now 1657: 1638: 1630: 1613:Here and Now 1611: 1603: 1595: 1587: 1564: 1556: 1548: 1529: 1523:Here and Now 1521: 1513: 1505: 1497: 1489: 1481: 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Retrieved 973: 892: 886: 875: 643:"Ass Wupin'" 599:"I Spy Cops" 566:"Being Born" 412: 408: 404: 398: 393: 390: 385: 381: 377: 373: 366:Laff Records 361: 360: 347: 340: 335: 327: 321: 317: 315: 298:Ishmael Reed 287:Angela Davis 272: 266: 262: 261: 252:Laff Records 242: 241: 240: 169: 161: 160: 151: 1800:1971 albums 1542:Compilation 1313:(booklet). 1009:Den of Geek 720:"Crap Game" 610:"Sugar Ray" 588:"Blackjack" 350:Den of Geek 306:Los Angeles 294:Huey Newton 1789:Categories 1624:Television 1395:2023-06-08 1370:2023-06-08 1345:2023-06-20 1290:2023-06-08 1263:2023-06-08 1236:2023-06-21 1208:2023-06-20 1187:2023-06-20 1182:Rassoodock 1163:2023-06-20 1131:2023-06-20 1106:2023-06-27 1081:2023-06-19 1045:2023-06-08 1015:2023-06-08 981:2023-06-08 950:References 544:"Religion" 511:"Ass-Hole" 478:"Big Tits" 279:Bill Cosby 142:chronology 37:Live album 1499:L.A. Jail 1158:0006-2510 1150:Billboard 1100:Billboard 797:"Fartin'" 632:"Indians" 382:Blackjack 329:Billboard 312:Reception 302:Redd Foxx 134:(reissue) 112:(reissue) 1451:Original 975:AllMusic 357:Releases 337:AllMusic 205:AllMusic 118:Producer 49:Released 39: by 1338:Discogs 1283:Chortle 1257:Cracked 1125:Discogs 900:Credits 258:History 254:label. 175:(1974) 166:(1971) 157:(1968) 1775:(2013) 1767:(2005) 1759:(2003) 1740:(1979) 1732:(1974) 1724:(1971) 1716:(1969) 1643:(1984) 1635:(1977) 1616:(1983) 1608:(1982) 1600:(1979) 1592:(1971) 1569:(2005) 1561:(2002) 1553:(2000) 1534:(2021) 1526:(1983) 1518:(1982) 1510:(1978) 1502:(1976) 1494:(1976) 1486:(1975) 1478:(1974) 1470:(1971) 1462:(1968) 1444:Albums 1156:  1127:. 1971 1072:  866:  855:  844:  833:  822:Length 809:LP two 800:  789:  778:  767:  756:  745:  734:  723:  712:  701:  690:  679:  676:"Dope" 668:  657:  646:  635:  624:  613:  602:  591:  580:  569:  558:  547:  536:  525:  514:  503:  492:  481:  470:  459:  448:Length 435:LP one 296:, and 199:Rating 196:Source 80:Length 74:Comedy 819:Title 445:Title 97:Label 69:Genre 57:Venue 1154:ISSN 1070:ISBN 891:and 403:and 271:and 102:Laff 52:1971 860:36. 849:35. 838:34. 827:33. 815:No. 794:32. 783:31. 772:30. 761:29. 750:28. 739:27. 728:26. 717:25. 706:24. 695:23. 684:22. 673:21. 662:20. 651:19. 640:18. 629:17. 618:16. 607:15. 596:14. 585:13. 574:12. 563:11. 552:10. 441:No. 372:'s 1791:: 1388:. 1363:. 1335:. 1299:^ 1280:. 1254:. 1229:. 1217:^ 1180:. 1148:. 1123:. 1098:. 1054:^ 1038:. 1024:^ 1006:. 990:^ 972:. 958:^ 541:9. 530:8. 519:7. 508:6. 497:5. 486:4. 475:3. 464:2. 453:1. 388:. 289:, 108:, 104:; 89:21 85:36 1429:e 1422:t 1415:v 1398:. 1373:. 1348:. 1321:. 1317:/ 1293:. 1266:. 1239:. 1211:. 1190:. 1166:. 1134:. 1109:. 1084:. 1048:. 1018:. 984:. 895:. 878:( 87::

Index


Live album
Richard Pryor
Hollywood, California
Genre
Comedy
Label
Laff
Omnivore Records
Stand Up! Records
Producer
Richard Pryor
Jennifer Lee Pryor
Cheryl Pawelski
Richard Pryor
Richard Pryor
That Nigger's Crazy
AllMusic
Richard Pryor
Laff Records
Richard Pryor
Live At The Comedy Store, 1973
Bill Cosby
Berkeley, California
Angela Davis
Black Panther
Huey Newton
Ishmael Reed
Redd Foxx
Los Angeles

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