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him 1,000 rubles for another article. Certain that he is not suspected of the crime, Roderick returns to see his family, where he mocks Lushin, and in doing so, ends Toni's engagement. Meanwhile, Sonya is questioned by
Porfiry, and his suspicions about Roderick are aroused. Roderick then shows up at the police station, and Porfiry invites himself to meet his family, who he questions vociferously until Roderick forces him to apologize. Later, Grilov arrives and tells Roderick that he is now a widower, then offers Toni 500 rubles as compensation for his actions.
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Roderick sees a young streetwalker, Sonya, receive only one ruble for her valuable Bible, and when she is pushed out the door by the pawnbroker, she loses the ruble. When
Roderick learns that Sonya supports her family, he gives her the rubles he receives for his watch. Later, Roderick's mother and sister, Toni, arrive at his apartment, and he learns that Toni lost her job because her employer's husband, Grilov, tried to force himself on her.
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guilt, Roderick confesses while Grilov listens outside the door. Grilov then tries to blackmail Toni, but relents when he sees her hatred of him. Meanwhile, Roderick returns to his apartment and finds
Porfiry, who accuses him of the crime and threatens to send the innocent man to Siberia and leave the injustice on Roderick's conscience.
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Production code officials had reviewed a recent stage adaption of the novel and warned that the narrative describes "a failure of the police to arrest and prosecute the young college student " and that "serious thematic difficulties will be encountered because of the characterization of the heroine
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Porfiry, who has solved all crimes assigned to him, confides to
Roderick that he is willing to send an innocent man to prison in order to maintain his record. Later, Roderick goes to the office of the Current Review and the editor, excited over the response to Roderick's last article, agrees to give
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Now wracked by his conscience, Roderick visits
Porfiry, who admits that he suspects him; however, the innocent man confesses, thus causing Roderick to feel more guilt. Roderick goes to Sonya, and terrifies her with crazy talk, and she begins to read the Bible to him. No longer able to endure his
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In Russia, university student
Roderick Raskolnikov graduates with honors. Even though he is hailed as an authority on crime, Roderick lives in poverty. When Roderick learns that his family is coming to visit, he decides to pawn the heirloom watch he received for graduation. At the pawnbroker's,
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Dostoyevsky's psychological exploration of a murderer, his remorse and redemption posed an immense challenge for cinematic rendering "as there could be no visual equivalent the author's detailed reasoning and elaborate description of mental attitudes." Harry Cohn approved the project in part
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Angry at Toni for selling herself to Lushin, and desperately in need of money, Roderick kills the cruel old pawnbroker, and rummages through her room for valuables. The next day, Roderick is arrested, not for the pawnbroker's murder but for overdue rent. Inspector
Porfiry is eager to meet the
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was entirely too vulgar. Greene commented that the original
Russian story of "religious and unhappy mind" had been altered in this picture into a "lunch-bar-chromium version" with idealism, ethics, and optimism "of a salesman who has never failed to sell his canned beans". He recommended
324:
Roderick goes to Toni, who is now engaged to his friend Dmitri, and asks her to look after their mother and Sonya in his absence. As
Roderick leaves, Sonya asks him to leave the country with her, but he asks her to wait for him, and they go to Porfiry's office
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Von
Sternberg, who was contractually obliged to make the film, disliked it, later writing that it was "no more related to the true text of the novel than the corner of Sunset Boulevard and Gower is related to the Russian environment."
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The "odd cast", bestowed upon Sternberg, included a mix of Columbia contract artists as well as "supers"—freelance players engaged without a contract, for a modest fee—that satisfied Columbia's budgetary constraints.
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exemplifies a trend in Hollywood of the 1930s towards elevating feature film credentials through adapting classical literature "to lend an air of prestige" to the film industry.
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Sternberg, recognizing the complexities inherent to the novel, prudently chose to compose a straightforward genre film "about a detective and a criminal."
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Swanbeck, Laura. 2013. The Crank: 'Crime and Punishment' Program Notes. UCLA Film and Television Archive. Retrieved 2 July 2018.
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criminal expert, and he has Roderick observe the interrogation of an innocent prisoner suspected of the pawnbroker's murder.
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Catalog of Holdings The American Film Institute Collection and The United Artist Collection at The Library of Congress
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American Film Institute. 2017. Crime and Punishment (1935). Movie details, History section. Retrieved 2 July 2018.
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Beltzer, Thomas. 2004. Crime and Punishment: A Neglected Classic. Senses of Cinema. Retrieved 2 July 2018.
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Beltzer, Thomas. 2004. Crime and Punishment: A Neglected Classic. Senses of Cinema. Retrieved 2 July 2018.
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http://brightlightsfilm.com/auteur-distress-wallace-beery-von-sternberg-sergeant-madden/#.W0ea_ZCWyUk
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and quickly brought Sternberg on board in a two-picture contract with the "poorly financed" studio.
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gave the film a poor review, noting that despite the fine acting of Peter Lorre, this version of
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709:(20 March 1936). "The Milky Way/Strike Me Pink/Night Mail/Crime and Punishment".
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Auteur in Distress: On Wallace Beery, von Sternberg, and Sergeant Madden
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as a prostitute. This characterization is a definite part of the plot."
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The American Film Institute provides a summary of the film's narrative:
270:. The screenplay was adapted by Joseph Anthony and S.K. Lauren from
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Inspector Porfiry (Edward Arnold) and Raskolnikov (Peter Lorre)
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Sarris, 1966. P. 44: " inherited script, cast, and miscast
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http://sensesofcinema.com/2004/cteq/crime_and_punishment/
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http://sensesofcinema.com/2004/cteq/crime_and_punishment/
798:. Bright Lights Film Journal. Retrieved 12 July 2018.
791:. Museum of Modern Art/Doubleday. New York, New York.
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1471:Films based on Crime and Punishment
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1481:Films produced by B. P. Schulberg
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1351:Crime and Punishment in Suburbia
789:The Films of Josef von Sternberg
1461:American black-and-white films
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1244:Rodion Romanovich Raskolnikov
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1451:1930s English-language films
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211:November 21, 1935
187:B.P. Schullberg Productions
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386:as University President
338:as Roderick Raskolnikov
276:novel of the same title
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356:as Antonya Raskolnikov
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720:Taylor, John Russell
696:Baxter, 1971. P. 130
620:Baxter, 1971. P. 131
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519:Crime and Punishment
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344:as Inspector Porfiry
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129:Mrs Patrick Campbell
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1413:(2007 Ochiai manga)
1405:(1953 Tezuka manga)
1080:The Scarlet Empress
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362:as Mrs. Raskolnikov
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43:Josef von Sternberg
1335:Without Compassion
1123:(1937, unfinished)
1110:The King Steps Out
942:(1926, unfinished)
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1118:
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1088:
1078:
1070:Blonde Venus
1068:
1058:
1048:
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1028:
1018:
1008:
987:
977:
969:The Drag Net
967:
957:
947:
937:
927:
917:
910:Silent films
858:
847:
836:
825:
795:
788:
775:
772:Baxter, John
725:
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541:
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479:Writing for
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366:Robert Allen
348:Marian Marsh
323:
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292:
288:
262:directed by
254:
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227:Running time
204:Release date
165:R.H. Bassett
114:Marian Marsh
73:
1421:(2007 play)
1271:Raskolnikow
1120:I, Claudius
1010:Thunderbolt
1001:Sound films
730:. pp.
531:IMDB trivia
354:Tala Birell
336:Peter Lorre
284:Raskolnikov
280:Peter Lorre
119:Tala Birell
104:Peter Lorre
87:Produced by
61:S.K. Lauren
39:Directed by
1441:1935 films
1435:Categories
1237:Characters
1040:Dishonored
949:Underworld
741:0192812866
504:References
440:Harry Cohn
409:Production
260:drama film
231:88 minutes
215:1935-11-21
180:Production
49:Written by
1178:Jet Pilot
485:in 1936,
434:Producer
392:as Editor
380:as Lushin
374:as Grilov
368:as Dmitri
325:together.
148:Edited by
1168:Anatahan
1149:The Town
842:AllMovie
837:synopsis
809:Archived
774:. 1971.
450:because
398:as Clerk
350:as Sonya
297:Synopsis
274:'s 1866
244:Language
158:Music by
97:Starring
70:Based on
1375:Student
1030:Morocco
862:at the
851:at the
754:Sources
247:English
236:Country
213: (
182:company
1378:(2012)
1362:(2002)
1354:(2000)
1346:(1998)
1338:(1994)
1330:(1983)
1322:(1970)
1314:(1956)
1306:(1946)
1298:(1945)
1274:(1923)
1266:(1917)
1231:(1866)
1181:(1957)
1171:(1953)
1161:(1952)
1151:(1943)
1143:(1941)
1133:(1939)
1113:(1936)
1103:(1935)
1093:(1935)
1083:(1934)
1073:(1932)
1063:(1932)
1053:(1931)
1043:(1931)
1033:(1930)
1023:(1930)
1013:(1929)
992:(1929)
982:(1928)
972:(1928)
962:(1928)
952:(1927)
932:(1926)
922:(1925)
738:
667:
600:
1386:Other
1158:Macao
732:60–61
1303:Fear
831:IMDb
736:ISBN
669:..."
602:..."
330:Cast
266:for
1225:'s
840:at
829:at
442:'s
79:by
1437::
734:.
431:.
1215:e
1208:t
1201:v
894:e
887:t
880:v
746:)
744:.
715:.
217:)
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