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151:, Delacroix chose to produce the work in watercolour to express a radical opposition to Delaroche's approach. Delacroix's work imitated Delaroche's historical realism but as a small watercolour not a huge canvas. It also added Delacroix's own romanticism, which attempted to revive the past by evoking emotion. Unlike Delaroche, Delacroix preferred to imagine an evolving and troubled Cromwell on the edge of the scene not at its centre, finding the coffin by accident. It recalls the watercolour style of Delacroix's friend
22:
130:
501:
L’Œuvre complet de Eugène
Delacroix,... peintures, dessins, gravures, lithographies, catalogué et reproduit par Alfred Robaut, commenté par Ernest Chesneau, ouvrage publié avec la collaboration de Fernand
353:
L’Œuvre complet de Eugène
Delacroix,... peintures, dessins, gravures, lithographies, catalogué et reproduit par Alfred Robaut, commenté par Ernest Chesneau, ouvrage publié avec la collaboration de Fernand
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again and barely exhibited outside it either. Delacroix's work was acquired in
December 1942 from Raphaël Gérard for 8,750
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98:'s coffin after the latter's execution. Delaroche's work was less a portrayal of an event than an oblique comment on the
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in 1836, which was so strongly savaged by the critics that
Delaroche never exhibited at the
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Realizations : Narrative, Pictorial, and
Theatrical Arts in Nineteenth-Century England
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Realizations : Narrative, Pictorial, and
Theatrical Arts in Nineteenth-Century England
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had been exhibited at the same Salon. Both works are based on a fictional account by
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Delaroche ignored the criticism of his work and showed
Cromwell again in his
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332:, vol. 45, no.s 3-4, American Bibliographical Center, Clio, 1994, p. 906.
374:, t. 2, Paris, Musée des Beaux-Arts de Lyon ; Hazan, 2014, 320 p. (
372:
L’Invention du Passé. Histoires de cœur et d’épée en Europe 1802-1850
42:
440:, Christopher John Murray Ă©d., New York, Routledge, 2013, 1336 p., (
507:
425:, Paris, Gallimard, coll. « Monographie », 1997, 335 p. (
271:, Christopher John Murray Ă©d., New York, Routledge, 2013, 1336 p.,
37:
is a partially-varnished c. 1831 watercolour by the French painter
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128:
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20:
511:
499:
Alfred Robaut ; Fernand
Calmettes ; Ernest Chesneau,
137:
Delacroix was not alone in critiquing
Delaroche's painting –
184:. After its return to France it was assigned to the Louvre.
155:, even down to the theatrical curtain above Charles' head.
147:
According to a letter from
Delacroix to his painter friend
470:, Lincoln, University of Nebraska Press, 1989, 194 p., (
455:, Princeton, Princeton University Press, 2014, 492 p., (
114:, Delaroche was attempting to find a middle way between
485:, Princeton, Princeton University Press, 1997, 304 p. (
245:, Princeton, Princeton University Press, 2014, 492 p.,
203:, Lincoln, University of Nebraska Press, 1989, 194 p.,
312:, Princeton, Princeton University Press, 1997, 304 p.
41:, now in the DĂ©partement des Arts graphiques of the
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970:
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145:Louis Napoléon Looking at the Corpse of Liberty
143:even published a parody of it in 1852 entitled
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387:The Oxford Handbook of the English Revolution
222:The Oxford Handbook of the English Revolution
8:
356:, Paris, Charavay frères, 1885, p. 101.
106:'s execution, with Cromwell standing in for
807:Portrait of Frédéric Chopin and George Sand
438:Encyclopedia of the Romantic Era, 1760-1850
269:Encyclopedia of the Romantic Era, 1760-1850
57:The work was painted as a reaction against
530:
516:
508:
1098:Watercolour paintings by Eugène Delacroix
823:Last Words of the Emperor Marcus Aurelius
161:Charles I Insulted by Cromwell's Soldiers
815:Entry of the Crusaders in Constantinople
655:Louis d'Orléans Showing Off His Mistress
647:The Execution of the Doge Marino Faliero
304:
302:
300:
263:
261:
259:
775:The Battle of Taillebourg, 21 July 1242
192:
1113:Cultural depictions of Oliver Cromwell
998:Charles Maurice de Talleyrand-PĂ©rigord
110:. Besides this nostalgia for France's
80:'s seizure of power – Delacroix's own
16:c. 1831 watercolor by Eugène Delacroix
727:Cromwell with the Coffin of Charles I
711:A Young Tiger Playing with Its Mother
483:Paul Delaroche : History Painted
330:Historical Abstracts : 1775-1914
310:Paul Delaroche : History Painted
34:Cromwell with the Coffin of Charles I
26:Cromwell with the Coffin of Charles I
7:
289:Punch : Or the London Charivari
978:Charles-François Delacroix (father)
639:The Combat of the Giaour and Hassan
663:Portrait of Louis-Auguste Schwiter
631:Greece on the Ruins of Missolonghi
616:Horse Frightened by a Thunderstorm
14:
993:Jean-François Oeben (grandfather)
983:Charles-Henri Delacroix (brother)
695:The Murder of the Bishop of Liège
347: ; Fernand Calmettes ;
72:, the first to be held after the
935:
909:Arab Horses Fighting in a Stable
855:Christ Asleep during the Tempest
133:Delaroche's version of the scene
1049:Musée national Eugène Delacroix
504:, Paris, Charavay frères, 1885.
433:, notice BnF no FRBNF36190301).
382:, notice BnF no FRBNF43829187).
988:Henriette de Verninac (sister)
407:, Paris, Hazan, 1993, 365 p. (
88:François-René de Chateaubriand
1:
957:
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620:
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389:, OUP Oxford, 2015, 640 p., (
28:(c. 1831) by Eugène Delacroix
224:, OUP Oxford, 2015, 640 p.,
1118:Charles I of England in art
593:Orphan Girl at the Cemetery
403:Alain Daguerre de Hureaux,
1139:
791:Convulsionists of Tangiers
783:The KaĂŻd, A Moroccan Chief
703:Liberty Leading the People
687:Cromwell at Windsor Castle
585:Head of an Old Greek Woman
83:Liberty Leading the People
933:
679:The Death of Sardanapalus
172:(175,000 francs) for the
1018:Richard Parkes Bonington
901:Ovid Among the Scythians
839:The Abduction of Rebecca
554:The Entombment of Christ
153:Richard Parkes Bonington
68:, exhibited at the 1831
1003:Henri-François Riesener
870:Lion Devouring a Rabbit
671:Woman Stroking a Parrot
1103:Drawings in the Louvre
1033:Pierre-Narcisse Guérin
917:Horses Leaving the Sea
134:
64:Cromwell and Charles I
29:
1123:Paintings about death
925:Tiger with a Tortoise
850:(pre-1849, 1843–1849)
831:The Sultan of Morocco
608:The Massacre at Chios
468:Paintings on the move
385:Michael J. Braddick,
220:Michael J. Braddick,
201:Paintings on the move
132:
24:
1070:Homage to Delacroix
1008:Jean-Henri Riesener
847:The Bride of Abydos
767:Christ on the Cross
743:Arab Rider Charging
719:The Battle of Nancy
562:The Barque of Dante
421:Barthélémy Jobert,
1077:Delacroix (crater)
1013:Théodore Géricault
642:(1826, 1835, 1856)
170:â„›︁â„ł︁
135:
30:
1085:
1084:
799:Warrior by a Tomb
754:(1834, 1847–1849)
570:Mademoiselle Rose
491:978-0-69101-745-7
476:978-0-80324-909-7
461:978-1-40085-609-1
446:978-1-13545-579-8
431:978-2-07011-516-7
413:978-2-85025-324-9
395:978-0-19166-726-8
380:978-2-7541-0760-0
318:978-0-69101-745-7
277:978-1-13545-579-8
251:978-1-40085-609-1
232:, p. 539-40.
230:978-0-19166-726-8
211:, p. 539-40.
209:978-0-80324-909-7
100:French Revolution
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466:Susanne Zantop,
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199:Susanne Zantop,
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122:and Delacroix's
78:Louis-Philippe I
39:Eugène Delacroix
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349:Ernest Chesneau
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92:Oliver Cromwell
74:July Revolution
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961: 1850
878: 1855
863: 1853
794:(1837–1838)
759:The Natchez
735:The Picador
624: 1824
601: 1824
497:(in French)
419:(in French)
401:(in French)
369:(in French)
342:(in French)
293:read online
166:Paris Salon
124:romanticism
70:Paris Salon
1092:Categories
188:References
182:DĂĽsseldorf
53:Production
1023:Paul Huet
762:(1834–35)
714:(1830–31)
666:(1826–27)
546:Paintings
502:Calmettes
423:Delacroix
405:Delacroix
354:Calmettes
149:Paul Huet
104:Louis XVI
96:Charles I
945:Drawings
108:Napoleon
94:opening
1062:Related
1042:Museums
66:
971:People
953:Sunset
928:(1862)
920:(1860)
912:(1860)
896:(1855)
888:(1855)
842:(1846)
834:(1845)
826:(1840)
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116:Ingres
43:Louvre
1053:Paris
178:Essen
140:Punch
47:Paris
487:ISBN
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442:ISBN
427:ISBN
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376:ISBN
314:ISBN
273:ISBN
247:ISBN
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205:ISBN
102:and
76:and
176:in
90:of
61:'s
45:in
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