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clear, but it may be performed in numerous ways and in different handholds, so that even accomplished dancers are confused. In dances such as swing and salsa, inside and outside turns most commonly refer to underarm turns done by the follower. Since in these dances the follower's right arm is normally used to lead a turn (most commonly by the leader's left arm, but sometimes by the leader's right arm when a cross-hand or "handshake" position is used), an inside turn is normally a left (counter-clockwise) turn, while an outside turn is a right (clockwise) turn. However, if the follower's left arm is used to initiate the turn, the intended direction of turning may be opposite. (Alternatively, the non-ambiguous terms "left turn" and "right turn" may be used.)
711:, the time step is a recognizable rhythmic tap combination. The term comes from the time of great tap dancers that used their distinctive time step to tell the band the desired tempo. Common tap time steps are classified as single, double and triple. The basic rhythm and tempo remain the same but the number of sounds that happen on the second and sixth count of an eight-count phrase denotes single (often a single step) double (usually a flap or slap-tap) or triple (commonly shuffle-step). While these are the universal time steps, dancers often choose to create their own time steps, following the pattern two bars repeated three times with a two bar
218:. Basically, the leader, on counts 2 and 3 of their basic step (assuming dancing on 1), does a quarter-left turn (90° counter-clockwise) while still holding on to the follower. On counts 4 and 5, the follower is led forward across the leader, i.e., firmly led with the leader's right hand on their back, so that the follower travels across to turn and face the opposite direction they were originally facing. At the same time, the leader does another quarter-left turn as necessary in order to follow the follower and face them. At the end of the move, the dancers have their positions exchanged.
100:
193:
is a basic step in the waltz. The leader steps forward on either foot whilst the follower steps backward on the opposing foot (e.g.: the leader steps forward on their right foot whilst the follower steps back on their left). Both partners will then step to the side on the other foot, and conclude the
455:
action which occurs when the moving foot swings to a stop across the track of the standing foot rather than closing next to it. In the Latin dances the combination of the crossed position and the turnout of the feet means that the rear toe will be pointed at the heel of the other foot, while in the
543:
The term is applied to an individual turn of a partner in the couple. Basically, it denotes the lead/follow connection directed "outside" of the center of the spinning individual. Inside and outside terminology can not be determined by relativity to partnership as such position alternates every 180
418:
The term is applied to an individual turn of a partner in the couple. Basically, it denotes a turn where the arm of the partner doing the turn begins by moving towards the "inside" of the couple (the line running from the center of one partner to the center of the other). The meaning is intuitively
749:
is probably the most basic dance move. It exists in almost every dance. Walks approximately correspond normal walking steps, taking into the account the basic technique of the dance in question. (For example, in Latin-dance walks the toe hits the floor first, rather than the heel.)
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This is a dance movement common in salsa, where the two dance partners facing each other change positions. The dance partners keep contact with one or two hands while stepping to rotate concentrically over 180 degrees around the same point in opposite directions.
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in the air with a sliding motion. To perform this dance one must raise one hand and then with the second hand meet the first one half way making a clapping sound; that hand must then fully extend. This motion is repeated to the beat of the music.
182:(French, "to chase") is a dance step with a triple step pattern used in many forms of dance. It is a gliding, flowing step with the feet essentially following a step–together–step pattern. Timing and length of steps vary from dance to dance.
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is the very basic step that defines the character of a dance. Often it is called just thus: "basic movement", "basic step" or the like. For some dances it is sufficient to know the basic step performed in different
236:
is a circular movement where two people, who are initially facing each other, walk around each other without or almost without turning, i.e., facing in the same direction (same wall) all the time.
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are dance moves in
International Standard and American Smooth dances. They are characterised by the partners crossing their outside legs behind their inside legs, arriving in promenade position.
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is a move in waltz and other
Standard dances. Both partners take a step forward, and then the lady walks in a half-circle in front of the man from his right to his left side.
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Standard dances the lack of turnout means the feet will be parallel. In
Standard the basic locking action is usually preceded and followed by a left
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degrees of rotation. Connection points and application of active side are consistent only with regard to the axis of rotation and direction of spin.
221:
The cross-body lead can be done with single-hand or double hand hold, with or without a follower's underarm turn, or leading the follower to do a
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while the other foot is held close and parallel to the support one. At the end of the turn the weight is transferred from one foot to the other.
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is usually applied when two or more steps are taken in the same direction. A single step, e.g., forward, is called just thus: "step forward".
167:
French for "chain", a series of quick turns starting from second position going to first position alternating on either flat feet or on
434:
Moving the knee upwards and then quickly kicking downwards with the foot. The ankle is stretched, that is, the toes are pointing down.
194:
figure by closing the first foot beside the second (hence the name "closed" of the step). Each step takes up a full beat of the music.
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sometimes refers to steps in place that mark the characteristic rhythm of the dance, "2-3-cha-cha-cha" for Cha-cha-cha, "1,2,3,4" for
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54:
is a movement where the dancer shifts the weight from the ball of one foot to the other and back. This is mostly used in jazz and
588:. A toe of the straight leg draws a semicircle on the floor. In ballroom dances the direction is usually from the front to back.
150:. During the second and fourth step it is advised the foot to travel along two sides of the box, rather than along its diagonal.
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is a dance move in which the person stays in the same place and creates an illusion like a running man by dragging his feet.
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is a dance technique that presents the illusion of the dancer being pulled backwards while attempting to walk forward, like
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usually means turning or spinning on one foot while touching the standing leg with the opposite leg in a bent position.
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A step taken forward into the space occupied by the partner, while the partner steps backwards. During this step feet
280:, in which the leader makes three or four steps forward, with the third one (right foot) done outside the follower.
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or vine starts with a side step, then the working leg goes behind, then stepping to the side, then join.
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is a dance figure named so because the steps rest in the four corners of a square. It is used, e.g., in
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Rhythm varies, e.g., it is "1-2-3,4-5-6" in Waltz and "slow quick quick, slow quick quick" in Rumba.
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and some other figures are those in which the dance couple rotates to the left (counter-clockwise).
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is a full left (counter-clockwise) turn in one measure of music. It is danced in waltz,
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or Suzy Q is a step where the feet perform alternating cross steps and side steps with
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is a move in which the person makes rhythmic wave like movements lying on the ground.
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and describes certain "hooking actions" in some dances of Latin
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and quickstep. It can be used, for example, to navigate a corner of the ballroom.
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A ballroom dance figure in which during the last step the moving foot passes the
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Curved walks are done along a curve, rather than along a straight line.
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A step on the spot, with twisting foot and the weight on the heel, like
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327:(leg action) and salsa (arm action and foot action) in particular.
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129:. The leader begins with the left foot and proceeds as follows.
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966:(10th ed.). London: Imperial Society of Teachers of Dance.
518:(e.g., to the left of the left moving foot). During this step
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A ballroom dance move, which is the turn on the heel of the
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864:. International Choreographed Ballroom Dance Assiciation
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lock step is often featured when cha-cha is danced in
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171:with progression along a straight line or circle.
760:Walks can be done in various dance positions: in
736:, "1,2,3,...5,6,7,..." for "salsa on one", etc.
202:Cross-body lead is a common and useful move in
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62:Basic (step / figure / movement / or pattern)
8:
728:In various rhythmic ballroom/social dances,
522:of both partners do not overlap. See also
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916:(2002). "Definition of technical terms".
514:A step taken with the partner beside the
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386:is a kind of leader's heel turn used in
920:(10th ed.). Taylor & Francis.
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163:Glossary of ballet terms § Chaînés
157:Chaînés / chainé turns / chaines turns
7:
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362:, in which the feet are kept apart.
406:of both partners overlap. See also
307:performed without partner contact.
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628:is a common right-turning move in
25:
451:is an alternative variation of a
536:
1916:Dance in mythology and religion
859:"Glossary of Round Dance Terms"
830:Glossary of partner dance terms
753:In dance descriptions the term
648:that simulates the motion of a
610:forward walk with twisted knees
689:The thunder clap is a form of
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585:Ballet glossary#Rond de jambe
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630:international standard waltz
506:, rather than closes to it.
2003:
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886:"Left Box (Reverse) Turn"
142:: Backwards-side-together
825:Glossary of ballet terms
612:originally performed by
136:: Forward-side-together
964:The Ballroom Technique
468:with a one-hand hold.
106:
79:to enjoy it socially.
1085:. BallroomDancers.com
1064:. BallroomDancers.com
1043:. BallroomDancers.com
1022:. BallroomDancers.com
1001:. BallroomDancers.com
980:. BallroomDancers.com
945:. BallroomDancers.com
943:"Double reverse spin"
888:. BallroomDancers.com
787:The various kinds of
549:Direction of movement
424:Direction of movement
273:is a basic figure in
102:
83:Body roll / body wave
1881:Dance and disability
653:irrigation sprinkler
510:Outside partner step
408:outside partner step
148:full weight transfer
1987:Glossaries of dance
1926:Dance on television
1041:"Natural spin turn"
774:sweetheart position
723:International Style
524:inside partner step
398:Inside partner step
275:International Style
246:double reverse spin
240:Double reverse spin
146:Every step is with
766:promenade position
693:that incorporates
392:promenade position
319:" means "hook" in
229:Dos-Ă -dos / dosado
107:
1969:
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1921:Dance occupations
1858:Wallis and Futuna
626:natural spin turn
551:for more detail.
426:for more detail.
358:A variant of the
117:ballroom dances:
16:(Redirected from
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1956:History of dance
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1886:Dance and health
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1288:Neo-Burlesque
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1199:
1196:
1194:
1193:open position
1191:
1189:
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1183:close embrace
1181:
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1166:Participation
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1125:
1120:
1118:
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1111:
1106:
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1102:
1084:
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1063:
1062:"Side whisks"
1057:
1054:
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979:
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927:9780878301539
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673:
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669:
668:swivel action
665:
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633:
631:
627:
619:
617:
615:
611:
604:Shorty George
603:
601:
599:
591:
589:
587:
586:
577:
575:
573:
572:Reverse turns
566:
564:
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554:
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550:
545:
541:
540:
538:
529:
527:
525:
521:
517:
509:
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497:
495:
493:
492:Natural turns
486:
484:
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479:
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469:
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466:open position
463:
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294:
291:
290:Floss (dance)
283:
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264:
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239:
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228:
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197:
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191:Closed change
186:Closed change
185:
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34:
29:
27:
19:
1946:Dance troupe
1891:Dance awards
1786:Pontic Greek
1512:
1493:Dance theory
1483:Choreography
1395:Contemporary
1087:. Retrieved
1077:
1066:. Retrieved
1056:
1045:. Retrieved
1035:
1024:. Retrieved
1014:
1003:. Retrieved
993:
982:. Retrieved
972:
963:
958:
947:. Retrieved
937:
917:
890:. Retrieved
866:. Retrieved
810:
798:
786:
778:
759:
754:
752:
744:
729:
725:cha-cha-cha.
688:
685:Thunder clap
662:
639:
623:
607:
595:
582:
581:
570:
567:Reverse turn
558:
546:
542:
534:
533:
530:Outside turn
513:
504:support foot
501:
490:
487:Natural turn
475:
446:
433:
421:
417:
401:
381:
372:support foot
369:
357:
334:
314:
298:
271:feather step
268:
265:Feather step
259:
243:
232:
220:
214:, rumba and
204:Latin dances
201:
189:
178:
166:
152:
145:
139:
133:
108:
86:
68:basic figure
65:
50:
38:
26:
1982:Dance moves
1776:Philippines
1761:Netherlands
1751:Middle East
1303:Table dance
1268:Go go dance
1248:Competitive
914:Moore, Alex
709:tap dancing
598:Running man
592:Running man
537:Inside turn
520:feet tracks
516:moving foot
414:Inside turn
252:and tango.
216:cha-cha-cha
52:Ball change
47:Ball change
35:Apple Jacks
1976:Categories
1843:Uzbekistan
1611:Azerbaijan
1520:Musicality
1488:Connection
1445:Postmodern
1415:Historical
1298:Striptease
1293:Pole dance
1243:Ceremonial
1198:slow dance
1089:2020-06-09
1068:2020-06-09
1047:2020-06-09
1026:2020-05-02
1005:2020-05-02
984:2020-06-09
949:2020-06-09
892:2020-06-09
868:2020-06-04
836:References
719:Time steps
646:dance move
305:dance turn
161:See also:
1848:Venezuela
1811:Sri Lanka
1806:Singapore
1766:Nicaragua
1696:Indonesia
1601:Australia
1470:Technique
1368:formation
1283:Lap dance
978:"Impetus"
734:pasodoble
730:time step
702:Time step
642:sprinkler
636:Sprinkler
620:Spin turn
561:pirouette
555:Pirouette
498:Open turn
458:side lead
449:lock step
443:Lock step
366:Heel turn
360:heel turn
354:Heel pull
343:Head roll
337:grapevine
331:Grapevine
303:dance, a
295:Free spin
250:quickstep
223:free spin
1863:Zimbabwe
1816:Thailand
1741:Malaysia
1726:Kiribati
1636:Cameroon
1631:Cambodia
1621:Bulgaria
1596:Assyrian
1565:national
1560:Regional
1540:Spotting
1535:Sequence
1513:glossary
1460:Two-step
1405:Flamenco
1390:Breaking
1385:Boogaloo
1363:Ballroom
1308:Twerking
1273:Grinding
1258:Ecstatic
819:See also
695:clapping
674:Telemark
478:moonwalk
472:Moonwalk
388:Standard
256:Enchufla
206:such as
111:box step
104:Box step
95:Box step
73:handhold
1873:Related
1853:Vietnam
1826:Ukraine
1736:Kurdish
1706:Ireland
1686:Hungary
1676:Georgia
1661:Denmark
1651:Croatia
1616:Belarus
1606:Austria
1591:Armenia
1581:Albania
1545:Turnout
1430:Lyrical
1410:Hip-hop
1253:Concert
1178:Partner
1147:Outline
776:, etc.
664:Suzie Q
659:Suzie Q
460:. The
384:impetus
378:Impetus
321:Spanish
278:foxtrot
127:foxtrot
1821:Turkey
1801:Serbia
1796:Russia
1791:Romani
1781:Poland
1746:Mexico
1711:Israel
1681:Greece
1666:Europe
1641:Canada
1576:Africa
1567:dances
1525:Pointe
1498:Graham
1478:Ballet
1435:Modern
1358:Ballet
1345:Styles
1330:Street
1325:Sacred
1263:Erotic
1235:Social
1223:square
1208:contra
1203:circle
1083:"Wing"
924:
650:garden
453:chassé
404:tracks
317:Gancho
311:Gancho
234:Dosado
180:Chassé
175:Chassé
169:relevé
75:s and
1756:Nepal
1731:Korea
1721:Japan
1716:Italy
1691:India
1646:China
1550:Turns
1508:Moves
1450:Swing
1440:Polka
1425:Latin
1380:Belly
1373:waltz
1218:round
1142:Index
1131:Dance
862:(PDF)
789:whisk
783:Whisk
713:break
691:dance
644:is a
578:Rondé
462:Latin
284:Floss
212:mambo
208:salsa
123:waltz
119:rumba
1771:Peru
1701:Iran
1656:Cuba
1586:Arab
1530:Pole
1420:Jazz
1353:Acro
1315:Folk
1213:line
1173:Solo
922:ISBN
813:Worm
811:The
807:Worm
801:wing
799:The
795:Wing
755:walk
747:walk
745:The
741:Walk
640:The
624:The
596:The
583:See
547:See
535:Cf.
482:this
476:The
430:Kick
422:See
382:The
335:The
269:The
244:The
109:The
89:this
56:jive
41:this
1455:Tap
1335:War
707:In
438:L–Z
299:In
30:A–K
1978::
901:^
877:^
844:^
772:,
768:,
764:,
670:.
655:.
616:.
608:A
559:A
526:.
447:A
410:.
394:.
225:.
210:,
121:,
91:.
66:A
58:.
43:.
1569:)
1563:(
1123:e
1116:t
1109:v
1092:.
1071:.
1050:.
1029:.
1008:.
987:.
952:.
932:.
930:.
895:.
871:.
715:.
539:.
315:"
20:)
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