649:, lauded the acting in the drama, and wrote, "Mr. Dmytryk has handled most excellently a superlative cast which plays the drama. Robert Ryan is frighteningly real as the hard, sinewy, loud-mouthed, intolerant and vicious murderer, and Robert Mitchum, Steve Brodie, and George Cooper are variously revealing as his pals. Robert Young gives a fine taut performance as the patiently questioning police lieutenant, whose mind and sensibilities are revolted—and eloquently expressed—by what he finds. Sam Levene is affectingly gentle in his brief bit as the Jewish victim, and Gloria Grahame is believably brazen and pathetic as a girl of the streets."
386:. Winning over Leroy, Finlay sets a trap to catch Monty. Leroy tells a surprised Monty that Floyd wants to meet him and shows him an address he wrote down where he can find Floyd. Monty shows up at the apartment where he killed Floyd, presumably to check if he is still alive, and encounters Finlay and another cop. Finlay tells Monty he gave himself away as the address on the piece of paper was actually to a different building, nevertheless he came to the right apartment, proving he had been there before when he killed Floyd. Monty tries to escape but is shot dead by Finlay.
363:
left, he spent part of the night with Ginny
Tremaine, a working girl he met in a dance hall. When Mitch woke up the next morning in Ginny's apartment, she was not there. After hearing a knock at the door, Mitch met an odd man, who offered to make him coffee, and claimed he was waiting for Ginny too. While the man looked for some cigarettes, Mitch hastily left the apartment.
49:
371:
point Finlay enters the apartment to question her. Ginny recants and admits to knowing Mitch, but states that she never met him at her apartment. At this point, the odd man appears from a back room and tells Finlay that he remembers Mitch, thereby providing a partial alibi, but not for the estimated time of the murder.
358:
Ex-cop "Monty" Montgomery tells Finlay that he and his friend Floyd Bowers met
Samuels at the hotel bar and went up to his apartment to find Samuels talking to Cpl. "Mitch" Mitchell. Soon upon their arrival, a heavily drunk Mitch left Samuels' apartment alone, then Monty and Floyd left a minute or so
652:
Critic Dennis
Schwartz questioned the noir aspects of the film in 2000, and discussed the cinematography in his review. He wrote, "This is more of a message film than a noir thriller, but has been classified by most cinephiles in the noir category... J. Roy Hunt, the 70-year-old cinematographer, who
366:
Meanwhile, Monty and Floyd meet in an apartment. Monty tells Floyd to stay out of sight and to keep their stories straight, that they had no argument with
Samuels and left his apartment shortly after Mitch. Keeley knocks on their door and asks Floyd about the killing while Monty hides. After Keeley
636:
as intermarriage or clubs that exclude Jews. Here is a hard-hitting film whose whodunit aspects are fundamentally incidental to the overall thesis of bigotry and race prejudice... Director Edward
Dmytryk has drawn gripping portraitures. The flashback technique is effective as it shades and colors
362:
Sergeant Keeley, concerned that Mitch may be the prime suspect, investigates the murder himself, hoping to clear his friend's name. After helping Mitch escape from police capture, Keeley meets him in a movie theater, where Mitch recalls Monty arguing with
Samuels inside his apartment. After Mitch
547:
and antisemitism. Nevertheless, the fast rapport which develops between the artistic soldier and the sensitive older man hints at the original subtext. Director Edward
Dmytryk later said that the Code "had a very good effect because it made us think. If we wanted to get something across that was
370:
Escorted by
Officer Finlay, Mitch's wife Mary visits Ginny at her apartment, hoping that Ginny will confess to spending the night with Mitch and prove he is innocent. Mary asks Finlay to wait outside, as a cop might make Ginny clam up. Ginny claims to have no knowledge of meeting Mitch, at which
354:
In the opening scene, a man is half-seen beating a Jewish man named Joseph
Samuels to death in a hotel room. After the police are called in to investigate his murder, Captain Finlay suspects that the murderer may be among a group of demobilized soldiers who had been with Samuels and his female
378:
was the likely motive for
Samuels' murder, because no person involved knew Samuels personally. Both suspect that Monty was responsible for killing both Samuels and Floyd since he is clearly antisemitic.
374:
Back at the police station, Finlay questions Monty a second time, hoping to uncover the motive for Samuels' murder, but sends him on his way. With Keeley in his office, Finlay suspects that
2975:
382:
Finlay delivers a personal antiracist message to Keeley and a naive soldier named Leroy, who was in Monty's unit, by recalling the death of his Irish grandfather during earlier
657:, providing dark shots of Monty, contrasted with ghost-like shots of Mary Mitchell (Jacqueline White) as she angelically goes to help her troubled husband Arthur."
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is a frank spotlight on antisemitism. Producer Dore Schary, in association with Adrian Scott, has pulled no punches. There is no skirting such relative
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censorable... we had to do it deviously. We had to be clever. And it usually turned out to be much better than if we had done it straight."
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After Monty is killed, Finlay and Keeley say their goodbyes. As Finlay drives away, Keeley offers to buy Leroy a cup of coffee.
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leaves, Monty – the actual killer – kills Floyd for refusing to stay out of sight, and then stages a hanging suicide.
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The book was published while Brooks was serving in the Marine Corps. A fellow Marine, the politically-active actor
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502:. Brooks wrote his novel while he was a sergeant in the U.S. Marine Corps making training films at
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Movie Time: A Chronology of Hollywood and the Movie Industry from Its Beginnings to the Present
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for the screen and the producers' battles with the censors is in James Naremore (1998).
555:, met Brooks and told him he was determined to play in a version of the book on screen.
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reported that 88% of critics gave the film a positive review, based on 24 reviews.
583:
572:
375:
289:
99:
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the sundry attitudes of the heavy, as seen or recalled by the rest of the cast."
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goes back to the earliest days of Hollywood, shot the film using the style of
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later. Monty claims that it was the last time they saw Samuels alive.
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544:
901:
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prohibited any mention of homosexuality because it was seen as a
1841:
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1098:, film review, August 5, 2019. Last accessed: November 7, 2022.
1082:, film review, July 23, 1947. Last accessed: February 26, 2008.
1066:. Film review; December 31, 1946. Archived on August 13, 2022.
524:
977:. Berkeley: University of California Press. pp. 114-123.
30:
This article is about the 1947 film. For other uses, see
795:
Lion of Hollywood: The Life and Legend of Louis B. Mayer
1129:. New Rochelle, New York: Arlington House, 1982. p. 222
1039:
Hollywood Exile, or How I Learned to Love the Blacklist
1041:. Austin, TX: University of Texas Press. pp. ix.
1234:"The 20th Academy Awards (1948) Nominees and Winners"
1140:
Slow Fade to Black: The Decline of RKO Radio Pictures
958:
Tough as Nails: The Life and Films of Richard Brooks
628:
magazine gave the film a positive review, writing, "
2697:
2386:
1875:
752:: BAFTA Film Award, Best Film from Any Source, 1949
254:
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185:
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355:companion at a hotel bar the night of his death.
2976:Opposition to antisemitism in the United States
27:1947 noir drama film directed by Edward Dmytryk
575:. The film premiered at the Rivoli Theatre in
1853:
1388:
559:Premiere and U.S. military distribution notes
447:George Cooper as Cpl. Arthur "Mitch" Mitchell
8:
2797:Uncle Boonmee Who Can Recall His Past Lives
2288:Festival cancelled while in progress (1968)
1268:British Academy of Film and Television Arts
1238:Academy of Motion Picture Arts and Sciences
750:British Academy of Film and Television Arts
586:and director Edward Dmytryk were cited for
1860:
1846:
1838:
1395:
1381:
1373:
1012:(paperback). New York: MacMillan. p.
902:"1947 Academy Awards, Winners and History"
605:showed the film only at its US bases. The
47:
38:
975:More Than Night: Film Noir in its Context
594:(HUAC), becoming part of the blacklisted
571:'s brief tenure as Head of Production at
523:, and in the documentary included on the
494:, was based on director and screenwriter
761:
672:The film made a profit of $ 1,270,000.
592:House Un-American Activities Committee
459:as Dick, detective (as Richard Powers)
318:. The film's supporting cast features
908:. American Movie Classics Company LLC
767:
765:
7:
2260:The Birds, the Bees and the Italians
1125:Richard Jewell & Vernon Harbin,
854:film review; June 28, 1947, p. 102.
609:would not exhibit the film at all.
590:for refusing to testify before the
3051:English-language crime drama films
490:The film's screenplay, written by
306:and the screenplay was written by
25:
1244:from the original on July 6, 2011
1116:. Last accessed: January 9, 2023.
840:film review; June 25, 1947, p. 8.
3016:Films directed by Edward Dmytryk
2516:When Father Was Away on Business
2335:The Working Class Goes to Heaven
1214:. (searching by Title:Crossfire)
1212:Edgar Awards Info & Database
737:Best Writing, Adapted Screenplay
330:nominations, including Ryan for
3031:American police detective films
2757:The Wind That Shakes the Barley
1869:Cannes Film Festival Palme d'Or
1153:"Festival de Cannes: Crossfire"
969:A detailed account of adapting
960:Univ. of Wisconsin Press. p. 34
928:"PBS American Cinema Film Noir"
513:In the novel, the victim was a
3011:Films based on American novels
2966:American black-and-white films
2375:Chronicle of the Years of Fire
2250:The Knack ...and How to Get It
294:Academy Award for Best Picture
288:which deals with the theme of
1:
3026:Films set in Washington, D.C.
1505:Confessions of Boston Blackie
1183:"Edgar Allan Poe Awards 1948"
1096:Dennis Schwartz Movie Reviews
539:. Hence, the book's theme of
314:by screenwriter and director
2991:1940s English-language films
2767:4 Months, 3 Weeks and 2 Days
1893:No festival held (1940–1945)
1298:AFI Catalog of Feature Films
1208:"Search the Edgars Database"
956:Daniel, Douglass K. (2011).
691:Prix du meilleur film social
582:A few months later producer
326:. The picture received five
699:: Best Motion Picture, 1948
689:: Award, Best Social Film (
302:. The film was directed by
3067:
2971:American crime drama films
2827:Blue Is the Warmest Colour
2240:The Umbrellas of Cherbourg
310:, based on the 1945 novel
258:$ 2.5 million (US rentals)
32:Crossfire (disambiguation)
29:
2986:Edgar Award-winning works
1521:Seven Miles from Alcatraz
1489:The Blonde from Singapore
1411:
1142:, Uni of California, 2016
775:. American Film Institute
543:was changed to one about
474:Marlo Dwyer as Miss Lewis
205:August 15, 1947
53:Theatrical release poster
46:
3021:Films scored by Roy Webb
3001:Films about antisemitism
2981:American detective films
2556:Sex, Lies, and Videotape
2416:The Tree of Wooden Clogs
1497:Secrets of the Lone Wolf
1481:Sweetheart of the Campus
1352:review at DVD Savant by
1037:Gordon, Bernard (1999).
871:. Movies & TV Dept.
821:"Top Grossers of 1947",
773:"Crossfire: Detail View"
715:- Adrian Scott, producer
2895:No festival held (2020)
2110:Two Cents Worth of Hope
2073:No festival held (1950)
2058:No festival held (1948)
1537:The Falcon Strikes Back
731:Best Supporting Actress
336:Best Supporting Actress
334:and Gloria Grahame for
194:July 22, 1947
2961:1947 crime drama films
2536:Under the Sun of Satan
2496:The Ballad of Narayama
2220:O Pagador de Promessas
2010:Antoine and Antoinette
697:Edgar Allan Poe Awards
660:The review aggregator
517:. As told in the film
2596:Farewell My Concubine
2170:The Cranes Are Flying
1745:Walk on the Wild Side
1681:The End of the Affair
1553:Behind the Rising Sun
825:, 7 January 1948 p 63
808:"Variety (July 1948)"
725:Best Supporting Actor
622:When first released,
414:as "Monty" Montgomery
332:Best Supporting Actor
299:Gentleman's Agreement
292:, as did that year's
18:Crossfire (1947 film)
3046:1940s American films
3006:Films about veterans
1697:The Left Hand of God
1593:Till the End of Time
1163:on February 20, 2012
1004:Brown, Gene (1995).
797:, Robson, 2005 p 420
687:Cannes Film Festival
588:contempt of Congress
531:film, the Hollywood
520:The Celluloid Closet
408:as Sgt. Peter Keeley
202: (New York City)
2912:Triangle of Sadness
2586:The Best Intentions
2546:Pelle the Conqueror
2160:Friendly Persuasion
1769:Where Love Has Gone
1753:The Reluctant Saint
1264:"BAFTA Awards 1949"
1157:festival-cannes.com
1138:Richard B. Jewell,
881:on November 2, 2007
706:20th Academy Awards
338:. It was the first
269:is a 1947 American
3041:Palme d'Or winners
3036:RKO Pictures films
2686:Dancer in the Dark
2666:Eternity and a Day
2636:Secrets & Lies
1825:The "Human" Factor
1689:Soldier of Fortune
1601:So Well Remembered
1545:Captive Wild Woman
1465:The Devil Commands
1449:Mystery Sea Raider
1403:Films directed by
1332:TCM Movie Database
1080:The New York Times
938:on October 1, 2013
874:The New York Times
851:Harrison's Reports
642:The New York Times
579:on July 22, 1947.
384:historical bigotry
181:RKO Radio Pictures
171:RKO Radio Pictures
2943:
2942:
2922:Anatomy of a Fall
2325:The Mattei Affair
2270:A Man and a Woman
2120:The Wages of Fear
2000:The Turning Point
1960:Pastoral Symphony
1940:Men Without Wings
1835:
1834:
1761:The Carpetbaggers
1529:Hitler's Children
1513:Counter-Espionage
1457:Her First Romance
971:The Brick Foxhole
744:Other nominations
618:Critical response
537:sexual perversion
500:The Brick Foxhole
432:as Joseph Samuels
420:as Ginny Tremaine
312:The Brick Foxhole
262:
261:
83:The Brick Foxhole
16:(Redirected from
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2926:
2916:
2906:
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2841:
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2811:
2807:The Tree of Life
2801:
2791:
2787:The White Ribbon
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2365:The Conversation
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2200:The Long Absence
2194:
2184:
2174:
2164:
2154:
2150:The Silent World
2144:
2134:
2124:
2114:
2104:
2094:
2084:
2080:Miracle in Milan
2074:
2069:
2059:
2054:
2050:Ziegfeld Follies
2044:
2034:
2024:
2014:
2004:
1994:
1984:
1974:
1964:
1954:
1944:
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1930:MarĂa Candelaria
1924:
1920:The Lost Weekend
1914:
1904:
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1889:
1862:
1855:
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1817:He Is My Brother
1665:The Caine Mutiny
1625:Give Us This Day
1569:Murder, My Sweet
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1159:. Archived from
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1076:Crowther, Bosley
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934:. Archived from
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877:. Archived from
865:Crowther, Bosley
861:
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785:
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733:- Gloria Grahame
721:- Edward Dmytryk
655:low-key lighting
565:prestige picture
506:, Virginia, and
478:Kenneth McDonald
453:as Bill Williams
451:Richard Benedict
438:as Mary Mitchell
436:Jacqueline White
212:
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39:
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2737:Fahrenheit 9/11
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2017:
2007:
1997:
1987:
1980:Rome, Open City
1977:
1970:The Red Meadows
1967:
1957:
1947:
1937:
1927:
1917:
1910:The Last Chance
1907:
1900:Brief Encounter
1897:
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1721:The Young Lions
1713:Raintree County
1433:Emergency Squad
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1114:Rotten Tomatoes
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678:
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662:Rotten Tomatoes
647:Bosley Crowther
620:
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561:
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739:- John Paxton
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719:Best Director
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2506:Paris, Texas
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2436:The Tin Drum
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2130:Gate of Hell
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1363:film trailer
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1271:. Retrieved
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1246:. Retrieved
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1216:. Retrieved
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1190:. Retrieved
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1165:. Retrieved
1161:the original
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906:AMC Filmsite
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883:. Retrieved
879:the original
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777:. Retrieved
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713:Best Picture
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480:as the Major
442:Steve Brodie
400:Robert Young
388:
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376:antisemitism
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346:nomination.
344:Best Picture
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297:
290:antisemitism
278:Robert Young
265:
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263:
222:Running time
110:Robert Young
100:Adrian Scott
82:
36:
2877:Shoplifters
2717:The Pianist
2626:Underground
2576:Barton Fink
2526:The Mission
2466:Man of Iron
2396:Taxi Driver
2230:The Leopard
1657:The Juggler
1273:January 29,
1218:January 29,
1192:January 29,
869:"Crossfire"
779:November 7,
569:Dore Schary
563:This was a
553:Robert Ryan
492:John Paxton
412:Robert Ryan
308:John Paxton
286:Robert Ryan
213: (U.S.)
136:J. Roy Hunt
118:Robert Ryan
96:Produced by
73:John Paxton
59:Directed by
2956:1947 films
2950:Categories
2867:The Square
2090:Miss Julie
2030:The Damned
1641:The Sniper
1248:August 18,
1167:January 4,
1048:0292728271
942:January 6,
757:References
668:Box office
634:fol-de-rol
541:homophobia
515:homosexual
486:Production
469:Lex Barker
430:Sam Levene
426:as The Man
424:Paul Kelly
324:Sam Levene
274:drama film
255:Box office
226:86 minutes
209:1947-08-15
198:1947-07-22
163:Production
126:Sam Levene
86:1945 novel
2996:Film noir
2777:The Class
2606:The Piano
2456:Kagemusha
2387:1976–2000
2355:Scarecrow
2210:Viridiana
2020:Crossfire
1876:1939–1975
1809:Bluebeard
1617:Obsession
1609:Crossfire
1473:Under Age
1361:Crossfire
1349:Crossfire
1338:Crossfire
1327:Crossfire
1316:Crossfire
1305:Crossfire
1292:Crossfire
1109:Crossfire
1092:Crossfire
990:803190089
912:August 9,
630:Crossfire
613:Reception
533:Hays Code
529:Crossfire
457:Tom Keene
276:starring
271:film noir
266:Crossfire
250:$ 678,000
142:Edited by
42:Crossfire
2887:Parasite
2747:L'Enfant
2727:Elephant
1585:Cornered
1417:The Hawk
1321:AllMovie
1242:Archived
867:(2007).
504:Quantico
471:as Harry
465:as Leroy
296:winner,
239:Language
156:Roy Webb
152:Music by
106:Starring
79:Based on
2847:Dheepan
2676:Rosetta
2646:The Eel
2476:Missing
2305:M*A*S*H
2100:Othello
1990:Torment
1801:Shalako
1729:Warlock
1368:YouTube
1330:at the
1295:at the
1063:Variety
932:YouTube
900:Staff.
837:Variety
823:Variety
810:. 1948.
693:), 1947
625:Variety
607:US Navy
603:US Army
567:during
340:B movie
242:English
231:Country
207: (
196: (
165:company
2935:(2024)
2925:(2023)
2915:(2022)
2905:(2021)
2902:Titane
2890:(2019)
2880:(2018)
2870:(2017)
2860:(2016)
2850:(2015)
2840:(2014)
2830:(2013)
2820:(2012)
2810:(2011)
2800:(2010)
2790:(2009)
2780:(2008)
2770:(2007)
2760:(2006)
2750:(2005)
2740:(2004)
2730:(2003)
2720:(2002)
2710:(2001)
2689:(2000)
2679:(1999)
2669:(1998)
2659:(1997)
2649:(1997)
2639:(1996)
2629:(1995)
2619:(1994)
2609:(1993)
2599:(1993)
2589:(1992)
2579:(1991)
2569:(1990)
2559:(1989)
2549:(1988)
2539:(1987)
2529:(1986)
2519:(1985)
2509:(1984)
2499:(1983)
2489:(1982)
2479:(1982)
2469:(1981)
2459:(1980)
2449:(1980)
2439:(1979)
2429:(1979)
2419:(1978)
2409:(1977)
2399:(1976)
2378:(1975)
2368:(1974)
2358:(1973)
2348:(1973)
2338:(1972)
2328:(1972)
2318:(1971)
2308:(1970)
2298:(1969)
2295:if....
2283:(1967)
2280:Blowup
2273:(1966)
2263:(1966)
2253:(1965)
2243:(1964)
2233:(1963)
2223:(1962)
2213:(1961)
2203:(1961)
2193:(1960)
2183:(1959)
2173:(1958)
2163:(1957)
2153:(1956)
2143:(1955)
2133:(1954)
2123:(1953)
2113:(1952)
2103:(1951)
2093:(1951)
2083:(1951)
2068:(1949)
2053:(1947)
2043:(1947)
2033:(1947)
2023:(1947)
2013:(1947)
2003:(1946)
1993:(1946)
1983:(1946)
1973:(1946)
1963:(1946)
1953:(1946)
1943:(1946)
1933:(1946)
1923:(1946)
1913:(1946)
1903:(1946)
1888:(1939)
1828:(1975)
1820:(1975)
1812:(1972)
1804:(1968)
1796:(1968)
1788:(1966)
1780:(1965)
1777:Mirage
1772:(1964)
1764:(1964)
1756:(1962)
1748:(1962)
1740:(1959)
1732:(1959)
1724:(1958)
1716:(1957)
1708:(1956)
1700:(1955)
1692:(1955)
1684:(1954)
1676:(1954)
1668:(1954)
1660:(1953)
1652:(1952)
1644:(1952)
1636:(1952)
1633:Mutiny
1628:(1949)
1620:(1949)
1612:(1947)
1604:(1947)
1596:(1946)
1588:(1945)
1580:(1945)
1572:(1944)
1564:(1943)
1556:(1943)
1548:(1943)
1540:(1943)
1532:(1943)
1524:(1942)
1516:(1942)
1508:(1941)
1500:(1941)
1492:(1941)
1484:(1941)
1476:(1941)
1468:(1941)
1460:(1940)
1452:(1940)
1444:(1940)
1436:(1940)
1428:(1939)
1420:(1935)
1045:
1020:
988:
981:
885:May 5,
676:Awards
545:racism
247:Budget
2932:Anora
2817:Amour
2140:Marty
2040:Dumbo
1793:Anzio
328:Oscar
1310:IMDb
1275:2022
1250:2011
1220:2022
1194:2022
1187:MUBI
1169:2009
1043:ISBN
1018:ISBN
986:OCLC
979:ISBN
944:2019
914:2010
887:2011
781:2022
681:Wins
601:The
393:Cast
350:Plot
322:and
284:and
2486:Yol
1366:on
1341:at
1319:at
1308:at
1240:).
1112:at
1014:186
573:RKO
525:DVD
88:by
2952::
1266:.
1210:.
1185:.
1155:.
1094:.
1078:.
1016:.
996:^
930:.
904:.
764:^
598:.
280:,
1861:e
1854:t
1847:v
1396:e
1389:t
1382:v
1277:.
1252:.
1222:.
1196:.
1171:.
1051:.
1026:.
946:.
916:.
889:.
783:.
211:)
200:)
34:.
20:)
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