Knowledge (XXG)

Croz

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he built into his garage, and I would go down and sleep there on his fold-out couch and we would work on it. It took us about two and a half years to do it." He also spoke about the songs on the album he wrote with his son James Raymond, saying: "He brings chemistry. These songs, we worked a lot on them, man, on things like 'The Clearing' or 'Dangerous Night'...There's probably six different sets of words to 'Dangerous Night' and four or five sets to 'Find a Heart,' different iterations of words that we kept going back and forth, 'This isn't good enough' or 'This really, really opens up another place for us to go. Let's look there.' It's such an alive process. The communication is so good between James and I. It's...well, the evidence is there before you" on the album."
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this stuff that I need to get off my chest." He also spoke about why they decided to release the album independently, saying: "We didn't have any money. None. We could have gone and gotten a deal, but everybody in the music business is very leery about the big companies and what kind of lifespan they might have. Most people are doing it on their own, so that's what we did."
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girls had come from Kosovo or some place really hideous and they were working their way west, trying to get their way out of the horror show that happened in the middle of Europe. But that's all imaginary. Mostly, I started thinking about where they hide their heart, their soul, their spirit when they're doing it. How do they disassociate? You can be damn sure they do."
501: 468: 430: 397: 392: 361: 356: 313: 496: 491: 486: 463: 458: 453: 448: 425: 420: 415: 387: 382: 377: 351: 346: 341: 308: 303: 298: 293: 602:, like its maker, is something of a curiosity. In an aural sense, it’s perfectly proficient yet frequently bland. Thematically, there is little light and an awful lot of shade. It’ll never go down as a classic of the Crosby canon, yet it is quite unlike anything else he’s ever done. Perhaps it’s best summed up in four simple words – one for the purists." 234:
he spoke about recording the album, saying: "We decided we were making a record, and, God, it's been the most wonderful experience. I don't know how we pulled it off, 'cause we don't have any money. Actually, I do know how we pulled it off; my son has a studio (the Bamboom Room in Altadena, Calif.)
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In the same interview, he explained that "If She Called" was inspired by a group of prostitutes that he saw near his hotel in Belgium, saying: "It was cold out and they had these skinny legs. They were trying to entice these drunk animals to fuck them. It was so gross, man. So sad. I imagined these
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gave the album a six out ten, saying "Anyone expecting a Bowie-esque return to centre stage or a fiery riposte in the style of Neil Young will be disappointed – but Crosby has never been a master of reinvention or an instinctive musical wanderer. If you’re looking for a neat musical reminder that
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gave the album four out of five stars, saying "Recorded at his son's home studio, David Crosby's first solo studio album in two decades has a pleasingly jazzy feel, the arrangements full of blocky piano chords and big string bass which, with Crosby's much-envied harmonies, create a pleasant fug."
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He also spoke about what "Set That Baggage Down" was inspired by, saying: "That's a thing you learn in AA. I went there for about fourteen and half years. You have to look at what got you there. You have to look at the mistakes, and I made some horrific ones, and then you have to learn from them,
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spoke about the album, saying: "I wanted to challenge myself. Most guys my age would have done a covers record or duets on old material. This won't be a huge hit. It'll probably sell nineteen copies. I don't think kids are gonna dig it, but I'm not making it for them. I'm making it for me. I have
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to play guitar on "What's Broken", saying: "That was a huge piece of generosity on Mark's part. We sent him the song and he just fucking killed it. He did me a huge favor and we don't even know each other. He's just brilliant." He went on to explain how he got
807:(1, 3, 11), synthesizers (1, 4–6, 9–11), synth bass (1, 4, 5, 7, 9, 10), virtual pedal steel (1), percussion programming (1), backing vocals (2, 5, 9), drum programming (4, 7, 9, 10), sampled acoustic and electric guitars (4), sampled acoustic guitar (10) 547:
is a reflection of where he stands in 2014: he's aware he's building upon a past he sometimes pines for, yet he's restless enough to forage ahead into new territory, but only when he's surrounded by cozy, familiar settings." Molloy Woodcraft of
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figure out how to not wind up there again. You have to set that baggage down and walk on. If you spend all your life looking over your shoulder at the things you did wrong, you're gonna walk smack into a tree." He also spoke about how he got
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gave the album three out of four stars, stating that the "11 tracks laced with tasteful intricacies and nuanced sonics that sound just fine up front but reveal more layers with each successive listen." David Welsh of
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to play trumpet on "Holding on to Nothing", saying: "He's a consummate musician. "I took a chance and asked him and he just said, 'Yeah, send me the tape.' What he played was just beautiful. He has tone for days."
1018: 1246: 1189: 1053: 1022: 994: 1518: 1254: 182:. The album was released on January 28, 2014, by Blue Castle Records. It was Crosby's first studio album in over 20 years; his previous release was 1993's 583:
gave the album three out of four stars, writing that Crosby "crafts a soul-baring, poetic and mostly engaging work that will please longtime fans."
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David Crosby is one of the most influential men of his era – and can still sparkle with some of that same musical magic today,
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Recorded at The Bamboom Room (Altadena, CA); Radio Hill Recorders (Los Angeles, CA); Rumor Mill Recording (Santa Ynez, CA);
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gave the album three out of five stars, saying "It’s been 20 years since David Crosby’s last solo offering, but
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finds his fire undimmed, and his freak flag still proudly flying, if slightly tattered." Aaron Lavery of
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Marcus Eaton – acoustic guitar (1–7, 9, 11), backing vocals (1, 2, 4–7, 9, 11), electric guitar (4),
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score of 71, which indicates "generally favorable reviews", based on 11 reviews.
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Additional Engineers – Bil Lane, Eddy Santos, Glen Suravech and Rich Tosi.
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rating out of 100 to reviews from critics, the album received an
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gave the album three and a half stars out of five, saying "That
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Photography – Daniel Garcia, Marcus Eaton and Buzz Person.
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Additional recording (B3 organ) on Track 2 – Kevin Madigan
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Producers – Daniel Garcia, David Crosby and James Raymond.
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Additional recording (trumpet) on Track 3 – Jeffrey Jones
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Retrieved February 12, 2014. 1303: 1301: 1212: 1210: 1076: 1074: 483: 445: 412: 374: 338: 1124: 1122: 1387: 1373: 1365: 1310:"Album of the week: David Crosby's 'Croz'" 918: 242: 27: 18: 1334:"Spanishcharts.com – David Crosby – Croz" 781:David Crosby, Marcus Eaton, James Raymond 708:David Crosby, Marcus Eaton, James Raymond 907:Art Direction and Design – Brian Porizek 610: 974:"iTunes - Music - Croz by David Crosby" 965: 1279:Woodcraft, Molloy (January 26, 2014). 836:Kevin McCormick – bass guitar (2, 6), 820:– electric guitar (1), guitar solo (1) 271: 248: 16:2014 studio album by David Crosby 7: 1308:Jerry, Shriver (January 27, 2014). 1160:"Album Review: David Crosby - Croz" 881:Recorded and Mixed by Daniel Garcia 292: 196:In a November 2013, interview with 1162:. Drowned in Sound. Archived from 1158:Lavery, Aaron (January 21, 2014). 827:(4), 12-string acoustic guitar (8) 800:– lead vocals, electric guitar (8) 228:In a January 2014, interview with 14: 1512:It's All Coming Back to Me Now... 485: 447: 414: 376: 340: 1567:Crosby, Stills, Nash & Young 1411:If I Could Only Remember My Name 544:If I Could Only Remember My Name 499: 494: 489: 484: 466: 461: 456: 451: 446: 428: 423: 418: 413: 395: 390: 385: 380: 375: 359: 354: 349: 344: 339: 311: 306: 301: 296: 291: 1188:Gill, Andy (January 25, 2014). 1056:. Rolling Stone. Archived from 60:October 2011–October 2013 1573:David Crosby: Remember My Name 1358:. Retrieved February 7, 2014. 1021:. David Crosby. Archived from 976:. Itunes.apple.com. 1941-08-14 614: 1: 1346:"David Crosby Chart History ( 1281:"David Crosby: Croz – review" 952: 938: 868:(10), soprano saxophone (11) 666:David Crosby, Sterling Price 1217:Welsh, David (2014-01-22). 767:David Crosby, James Raymond 753:David Crosby, James Raymond 694:David Crosby, James Raymond 1623: 1052:Andy Greene (2013-11-05). 924: 921: 774: 760: 746: 732: 715: 701: 687: 673: 659: 643: 629: 621: 618: 279: 276: 256: 253: 130: 26: 1519:King Biscuit Flower Hour 1130:Erlewine, Stephen Thomas 1108:. Metacritic. 2014-01-24 719:"Set That Baggage Down" 663:"Holding On to Nothing" 531:Stephen Thomas Erlewine 1526:Live at Cuesta College 1219:"David Crosby – Croz" 574:is a worthy listen." 178:by American musician 1245:(January 27, 2014). 1132:(January 27, 2014). 244:Professional ratings 1607:David Crosby albums 1534:Live at the Wiltern 1166:on January 27, 2014 245: 98:Blue Castle Records 1469:Here If You Listen 846:– bass guitar (11) 521:, which assigns a 243: 239:Critical reception 1589: 1588: 1562:Crosby & Nash 1440:Just Like Gravity 1251:The Oakland Press 957: 956: 850:Steve DiStanislao 788: 787: 764:"Morning Falling" 750:"Dangerous Night" 590:The Oakland Press 577:Jerry Shriver of 508: 507: 407:The Oakland Press 167: 166: 163: 162: 1614: 1545:Related articles 1389: 1382: 1375: 1366: 1359: 1343: 1337: 1331: 1325: 1324: 1322: 1320: 1305: 1296: 1295: 1293: 1291: 1276: 1267: 1266: 1264: 1262: 1257:on March 4, 2016 1253:. Archived from 1239: 1230: 1229: 1227: 1226: 1214: 1205: 1204: 1202: 1200: 1185: 1176: 1175: 1173: 1171: 1155: 1146: 1145: 1143: 1141: 1126: 1117: 1116: 1114: 1113: 1102: 1093: 1092: 1090: 1089: 1078: 1069: 1068: 1066: 1065: 1049: 1034: 1033: 1031: 1030: 1015: 1009: 1008: 1006: 1005: 991: 985: 984: 982: 981: 970: 932:Spanish Albums ( 919: 862:Steve Tavaglione 812:Hammond B3 organ 810:Todd Caldwell – 616: 611: 567:Drowned in Sound 504: 503: 502: 498: 497: 493: 492: 488: 487: 471: 470: 469: 465: 464: 460: 459: 455: 454: 450: 449: 433: 432: 431: 427: 426: 422: 421: 417: 416: 400: 399: 398: 394: 393: 389: 388: 384: 383: 379: 378: 364: 363: 362: 358: 357: 353: 352: 348: 347: 343: 342: 322:Drowned in Sound 316: 315: 314: 310: 309: 305: 304: 300: 299: 295: 294: 249:Aggregate scores 246: 132: 131: 88: 87: 83: 52:January 28, 2014 31: 19: 1622: 1621: 1617: 1616: 1615: 1613: 1612: 1611: 1592: 1591: 1590: 1585: 1540: 1499: 1481: 1398: 1393: 1363: 1362: 1344: 1340: 1332: 1328: 1318: 1316: 1307: 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1425:Thousand Roads 1421: 1414: 1406: 1404: 1400: 1399: 1394: 1392: 1391: 1384: 1377: 1369: 1361: 1360: 1338: 1326: 1297: 1268: 1231: 1206: 1177: 1147: 1118: 1106:"Croz Reviews" 1094: 1070: 1035: 1010: 986: 964: 963: 961: 958: 955: 954: 951: 941: 940: 937: 929: 928: 923: 916: 913: 912: 911: 908: 905: 898: 895:Groove Masters 891: 888: 885: 882: 879: 874: 871: 870: 869: 859: 853: 847: 841: 834: 831:Shane Fontayne 828: 825:electric sitar 821: 815: 808: 801: 793: 790: 786: 785: 782: 779: 778:"Find a Heart" 776: 772: 771: 768: 765: 762: 758: 757: 754: 751: 748: 744: 743: 740: 737: 734: 730: 729: 726: 724:Shane Fontayne 722:David Crosby, 720: 717: 713: 712: 709: 706: 703: 699: 698: 695: 692: 689: 685: 684: 681: 678: 677:"The Clearing" 675: 671: 670: 667: 664: 661: 657: 656: 653: 648: 645: 641: 640: 637: 634: 631: 627: 626: 623: 620: 617: 609: 607: 604: 506: 505: 481: 473: 472: 443: 435: 434: 410: 402: 401: 372: 366: 365: 336: 328: 327: 324: 318: 317: 288: 282: 281: 278: 274: 273: 269: 268: 265: 259: 258: 255: 251: 250: 240: 237: 193: 190: 185:Thousand Roads 174:is the fourth 165: 164: 161: 160: 151: 142: 128: 127: 120: 119: 118: 117: 114: 111: 106: 100: 99: 96: 90: 89: 78: 74: 73: 68: 62: 61: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1619: 1608: 1605: 1603: 1600: 1599: 1597: 1581: 1577: 1575: 1574: 1570: 1568: 1565: 1563: 1560: 1558: 1555: 1553: 1550: 1549: 1547: 1543: 1536: 1535: 1531: 1528: 1527: 1523: 1521: 1520: 1516: 1514: 1513: 1509: 1508: 1506: 1502: 1496: 1495: 1491: 1490: 1488: 1484: 1478: 1477: 1473: 1471: 1470: 1466: 1464: 1463: 1459: 1457: 1456: 1452: 1450: 1449: 1445: 1442: 1441: 1437: 1434: 1433: 1429: 1427: 1426: 1422: 1420: 1419: 1415: 1413: 1412: 1408: 1407: 1405: 1403:Studio albums 1401: 1397: 1390: 1385: 1383: 1378: 1376: 1371: 1370: 1367: 1357: 1356: 1351: 1349: 1342: 1339: 1335: 1330: 1327: 1315: 1311: 1304: 1302: 1298: 1286: 1282: 1275: 1273: 1269: 1256: 1252: 1248: 1244: 1238: 1236: 1232: 1220: 1213: 1211: 1207: 1195: 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560: 559: 553: 552: 546: 545: 540: 536: 532: 528: 524: 520: 516: 515:music critics 512: 482: 480: 479: 475: 474: 444: 442: 441: 437: 436: 411: 409: 408: 404: 403: 373: 371: 368: 367: 337: 335: 334: 330: 329: 325: 323: 320: 319: 289: 287: 284: 283: 275: 272:Review scores 270: 266: 264: 261: 260: 252: 247: 238: 236: 233: 232: 226: 223: 218: 217:Mark Knopfler 212: 208: 205: 201: 200: 199:Rolling Stone 191: 189: 187: 186: 181: 177: 173: 172: 157: 156: 152: 148: 147: 143: 139: 138: 134: 133: 129: 125: 121: 116:James Raymond 115: 112: 110:Daniel Garcia 109: 108: 107: 105: 101: 97: 95: 91: 79: 75: 72: 69: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1571: 1532: 1524: 1517: 1510: 1492: 1474: 1467: 1460: 1453: 1447: 1446: 1438: 1430: 1423: 1418:Oh Yes I Can 1416: 1409: 1396:David Crosby 1354: 1347: 1341: 1329: 1317:. Retrieved 1313: 1288:. Retrieved 1285:The Observer 1284: 1259:. Retrieved 1255:the original 1250: 1223:. Retrieved 1197:. Retrieved 1193: 1168:. Retrieved 1164:the original 1138:. Retrieved 1110:. Retrieved 1086:. Retrieved 1062:. Retrieved 1058:the original 1027:. Retrieved 1023:the original 1013: 1002:. Retrieved 998: 989: 978:. Retrieved 968: 946: 900:Mastered by 844:Leland Sklar 798:David Crosby 739:David Crosby 651:David Crosby 599: 588: 578: 576: 571: 562: 556: 551:The Observer 549: 542: 538: 510: 509: 476: 440:The Observer 438: 405: 331: 229: 227: 213: 209: 204:David Crosby 197: 195: 183: 180:David Crosby 176:studio album 170: 169: 168: 153: 145: 144: 135: 124:David Crosby 113:David Crosby 42:David Crosby 37:Studio album 1602:2014 albums 1504:Live albums 1319:January 29, 1290:January 29, 1261:January 29, 1243:Graff, Gary 1199:January 29, 1170:January 29, 1140:January 29, 1084:. Billboard 1596:Categories 1557:CPR (band) 1537:(with CPR) 1529:(with CPR) 1462:Sky Trails 1455:Lighthouse 1443:(with CPR) 1435:(with CPR) 1225:2014-05-03 1221:. musicOMH 1136:. AllMusic 1112:2014-01-29 1088:2014-01-29 1064:2013-12-31 1029:2013-12-31 1004:2013-12-31 980:2013-12-31 960:References 934:PROMUSICAE 873:Production 585:Gary Graff 555:Andy Gill 523:normalized 519:Metacritic 263:Metacritic 192:Background 155:Lighthouse 126:chronology 1552:The Byrds 1355:Billboard 1348:Billboard 1314:USA Today 947:Billboard 927:position 792:Personnel 622:Writer(s) 580:USA Today 478:USA Today 231:Billboard 1476:For Free 902:Doug Sax 596:musicOMH 535:AllMusic 370:musicOMH 286:AllMusic 104:Producer 57:Recorded 49:Released 39: by 1486:Box set 691:"Radio" 527:average 159:(2016) 150:(2014) 141:(2006) 1494:Voyage 999:Amazon 915:Charts 625:Length 280:Rating 277:Source 267:71/100 257:Rating 254:Source 137:Voyage 77:Length 1350:200)" 619:Title 517:. At 94:Label 66:Genre 1580:Hero 1448:Croz 1321:2014 1292:2014 1263:2014 1201:2014 1172:2014 1142:2014 925:Peak 784:5:04 770:3:41 756:5:57 742:4:59 728:4:01 711:4:16 697:3:45 683:4:00 669:3:41 655:3:49 639:3:48 600:Croz 572:Croz 563:Croz 539:Croz 511:Croz 326:6/10 171:Croz 146:Croz 71:Rock 22:Croz 1432:CPR 953:36 949:200 944:US 939:97 866:EWI 840:(3) 814:(2) 775:11. 761:10. 615:No. 587:of 533:of 1598:: 1352:. 1312:. 1300:^ 1283:. 1271:^ 1249:. 1234:^ 1209:^ 1192:. 1180:^ 1150:^ 1121:^ 1097:^ 1073:^ 1038:^ 997:. 936:) 864:– 747:9. 733:8. 716:7. 702:6. 688:5. 674:4. 660:3. 644:2. 630:1. 202:, 188:. 86:03 82:47 1582:" 1578:" 1388:e 1381:t 1374:v 1323:. 1294:. 1265:. 1228:. 1203:. 1174:. 1144:. 1115:. 1091:. 1067:. 1032:. 1007:. 983:. 84::

Index


Studio album
David Crosby
Genre
Rock
Label
Producer
David Crosby
Voyage
Lighthouse
studio album
David Crosby
Thousand Roads
Rolling Stone
David Crosby
Mark Knopfler
Wynton Marsalis
Billboard
Metacritic
AllMusic
Drowned in Sound
The Independent
musicOMH
The Oakland Press
The Observer
USA Today
music critics
Metacritic
normalized
average

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