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deals with contemporary
British youth and the relationships between identity, psychology and environment. The format of the individual pieces within the Sunday collection is that of multiple images knitted together to form multi-screen scenes, each working in different ways with atmosphere and
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distinguished "by its technical and stylistic approaches to typical problems of
British realism". His film work has been noted for its precise compositions and technical rigour, and for its poetic cinematic rendering of realist subject matter, characters and environments.
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Hopkins was said to have "created an experience that is entirely separate from the conventions of sitting in a cinema. He generates a portrait of youth that has a matter of fact, harsh reality to it and a psychological intensity that is unnerving."
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was widely praised by critics as a film that was both radical and nuanced. It was often noted for its use of cinematic technique and narrative approach to connect themes such as romantic need, the roots of drug addiction, and
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Hopkins produces the work of other filmmakers through Third, a company co-founded with producer Samm
Haillay. With Third Hopkins has produced Daniel Elliott's Venice-winning short film
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wrote "Hopkins' film depicts, or rather creates, a piece of
British social landscape that we have never quite seen before".
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argued that "Hopkins is a director with an introspective subtlety uncommon in UK filmmaking", and in choosing '
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Hopkins has been described as being at the centre of an emergent 'British New Wave' alongside directors like
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89:(born 22 July 1973) is an English film director and artist, best known for directing the independent film
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Hopkins also works in the fields of photography and moving image art. His first solo gallery exhibition
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https://www.variety.com/review/VE1117937185.html?categoryid=31&cs=1&query=better+things+duane+
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https://www.variety.com/review/VE1117937185.html?categoryid=31&cs=1&query=better+things+duane+
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stated: "Duane
Hopkins follows his prize-winning shorts with visually distinctive first feature
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tale of love, yearning and loss amongst the young and old of a small town in rural
England,
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it was highly successful; together the two films gathered over 30 international awards.
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went on to win a host of prizes at festivals internationally. Hopkins followed
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its film of the week, comparing
Hopkins' work to "the abstract violence of
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http://www.casarotto.co.uk/system/media/client/cv/1821/Duane_Hopkins.pdf
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600:"| CREAM International Festival for Arts and Media Yokohama 2009"
425:"Peter Bradshaw on an Israeli docu-drama about the atrocities of war"
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was also exhibited at galleries in
Liverpool and Yokohama in 2009.
519:"DUANE HOPKINS - Exhibitions - BALTIC Centre for Contemporary Art"
493:"BFI | Sight & Sound | Cannes 2008: A royal rumpus"
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306:. In 2010 he co-produced the feature film debut of the artist
189:, purposefully against a contemporary, epic rural backdrop.
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Hopkins then wrote and directed his debut feature film
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narrative. The impression formed is suggestive of a
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2008, where it was nominated for the Camera D'Or. A
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203:by juxtaposing the natural and the constructed."
115:. A dark, unblinking tale of rural adolescence,
389:"Festival de Cannes - from 16 to 27 may 2012"
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147:where it won Best British Short Film. Like
695:Baltic Interview With Duane Hopkins about
651:"Self Made | Films | ScreenBase"
139:scheme for new British filmmaking talent.
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588:http://www.openeye.org.uk/past.asp?id=13
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573:: CS1 maint: archived copy as title (
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145:Edinburgh International Film Festival
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681:Duane Hopkins' Sunday Official Site
123:in 2003 with his second short film
72:Film director, screenwriter, artist
723:Photographers from Gloucestershire
260:Baltic Centre for Contemporary Art
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718:British experimental filmmakers
235:, and the lyrical harshness of
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107:, made in 2001, premiered at
359:(2009) (Installation Series)
274:– the subtle interaction of
166:International Critics' Week
113:International Critics' Week
103:Hopkins' first short film,
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219:as its Film of the Month,
330:Love Me Or Leave Me Alone
141:Love Me Or Leave Me Alone
125:Love Me Or Leave Me Alone
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36:BFI London Film Festival
738:Artists from Cheltenham
713:English film directors
302:and Berlinale-winning
668:Duane Hopkins Website
109:Cannes Film Festival
300:The Making of Parts
606:on 22 October 2009
525:on 7 December 2009
499:on 22 January 2010
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395:on 18 August 2011
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174:multi-narrative
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56:(age 51)
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318:Filmography
233:Alan Clarke
207:wrote that
185:notions of
183:existential
111:as part of
707:Categories
610:2010-09-22
560:2010-09-22
529:2010-09-13
399:2010-09-22
364:References
272:fairy tale
61:Cheltenham
50:1973-07-22
312:Self Made
310:, titled
63:, England
569:cite web
284:romantic
225:Le Monde
95:(2008).
280:surreal
276:realist
246:, with
192:Variety
187:anxiety
38:in 2014
697:Sunday
357:Sunday
346:(2014)
344:Bypass
340:(2008)
332:(2003)
326:(2001)
293:Sunday
288:Sunday
264:Sunday
256:Sunday
170:Cannes
129:Film 4
99:Career
554:(PDF)
547:(PDF)
324:Field
227:made
149:Field
121:Field
117:Field
105:Field
690:IMDb
637:2009
575:link
505:2010
468:2010
304:Jade
282:and
131:and
44:Born
688:at
168:in
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