Dubstep - Knowledge (XXG)

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gaining significant popularity around 2015. It is said that those who enjoy this style of music describe it as the "dirtier, swaggier" side of dubstep, whereas those looking at this from the outside, claim that it is "repetitive and chaotic". Notable artists of the genre include Subfiltronik, Bukez Finezt, P0gman, Badklaat, 50 Carrot, Dubloadz and Coffi. Notable tracks of the genre include "Yasuo" by Bommer and Crowell, "Orgalorg" by Infekt, and "Jotaro" by Phiso. Some commentators have suggested that Riddim is not a genre in its own right and is instead just a style of dubstep. Riddim producer Oolacile states "A lot of people who have been around a lot longer have a different idea of what riddim is. Older fans consider riddim to be the swampy, repetitive sound, and newer fans will associate riddim with the sound of the underground."

760:, east London. Founded in 2001, Forward>> was critical to the development of dubstep, providing the first venue devoted to the sound and an environment in which dubstep producers could premier new music. Around this time, Forward>> was also incubating several other strains of dark garage hybrids, so much so that in the early days of the club the coming together of these strains was referred to as the "Forward>> sound". An online flyer from around this time encapsulated the Forward>> sound as "b-lines to make your chest cavity shudder." 981: 823: 791: 919: 321: 1595: 708: 1332:, a YouTube channel brand was founded by Luke Hood which introduced Dubstep to many young generations internationally at the time. UKF Dubstep has exploded in popularity as the music genre has hit the mainstream. In November 2010 the channel had 100,000 subscribers, and as of November 2019 has over one million. "UKF features established and up and coming producers from around the world, featuring artists from 1213: 1344:/ Hybrid Minds. We're sent a huge amount of music so it's our job to pick the best to upload on the channel for our audience to listen to. In just over 3 years our channels now have more than 2m subscribers and 4 channels – UKF Dubstep, Drum & Bass, Music and Mixes. The audience is getting more and more International and younger." Luke said on the interview with SoSoActive. 903:. The first featured Plasticman, Mark One and Slaughter Mob, with Kode9, Loefah, and Digital Mystikz appearing on the second. These compilations helped to raise awareness of dubstep at a time when the grime sound was drawing more attention, and Digital Mystikz and Loefah's presence on the second release contributed to the success of their DMZ club night. Soon afterwards, the 493:, with a clap or snare usually inserted every third beat in a bar. With a large majority of releases at 140bpm, the genre (as well as others, including grime) is sometimes referred to as "140". In its early stages, dubstep was often more percussive, with more influences from two‑step drum patterns. Many producers were also experimenting with tribal drum samples, such as 1173:, hand percussion and lushly arranged strings. Mary Anne Hobbs commented that, unlike "Grime and drum 'n' bass raves, the mood at dubstep nights is less aggressive, or more meditative, leading to a larger female attendance at events than with the genre's precursors. You see the female-to-male ratio constantly going up – it's got the potential to be 40:60". 1508: 849:, and partner David Carlisle started happening regularly. It was there that Skream, Benga, N Type, Walsh, Chef, Loefah, and Cyrus made their debuts as DJs. South London collective Digital Mystikz (Mala and Coki), along with labelmates and collaborators Loefah and MC Sgt Pokes soon came into their own, bringing sound system thinking, 1153:

As the genre has spread to become an international rather than UK-centric scene, it has also seen a number of women making headway into the scene in a variety of ways. Alongside Soulja of Ammunition Promotions and Mary Anne Hobbs, an influx of female producers, writers, photographers and DJs all have

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music. Riddim is characterised by repetitive and minimalist sub-bass and triplet percussion arrangements, similar to original dubstep, with a sound described as "wonky". Riddim is looked upon as a subgenre of dubstep, similarly to other sub genres like brostep, drum-step, and wobble-step. It started

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Commenting on the success of American producers such as Skrillex, Skream stated: "I think it hurts a lot of people over here because it's a UK sound, but it's been someone with influences outside the original sound that has made it a lot bigger. The bad side of that is that a lot of people will just

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writer Martin Clark has suggested that "well-meaning attempts to loosely define the ground we're covering here are somewhat futile and almost certainly flawed. This is not one genre. However, given the links, interaction, and free-flowing ideas ... you can't dismiss all these acts as unrelated"

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Towards the end of the 2000s and into the early 2010s, the genre started to become more commercially successful in the UK, with more singles and remixes entering the music charts. Music journalists and critics also noticed a dubstep influence in several pop artists' work. Around this time, producers

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shifted their sounds from post-dubstep into more experimental or soulful electronic influenced music. Pioneers of dubstep such as Skream and Loefah moved away from the genre, moving on to other genres instead. Loefah stopped playing and producing dubstep and moved on to UK bass, founding his record

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The sound's first North American ambassador, Baltimore DJ Joe Nice helped kickstart its spread into the continent. Regular Dubstep club nights started appearing in cities like New York, San Francisco, Seattle, Montreal, Houston, and Denver, while Mary Anne Hobbs curated a Dubstep showcase at 2007's

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coined the term "dubstep" in 2002. Ammunition Promotions, who run the influential club night Forward>> and have managed many proto-dubstep record labels (including Tempa, Soulja, Road, Vehicle, Shelflife, Texture, Lifestyle and Bingo), began to use the term "dubstep" to describe this style of

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Around the early to mid 2010s, a niche development of dubstep began to emerge which combines the aggression and impact of brostep with the rich tonality and musicality of melodic dubstep, drawing on the best elements of both sides and fusing tonality with mid-range bass sound design. Artists like

1785:" describing this style of dubstep due to its focus on vibrant, bright and colourful production, and founded the record label Rushdown in 2016 to promote it. Despite the overall declining popularity of dubstep in mainstream culture, colour bass has been promoted by veteran electronic labels like 2432:

No summary of the year in dubstep would be complete without the ever-expanding wobble side of the scene, recently hilariously and accurately renamed "brostep". In the UK, the wobble sound is now the default dubstep position for many fans, as the scene commands an increasing share of the Friday

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In the summer of 2005, Forward>> brought grime DJs to the fore of the line up. Building on the success of Skream's grimey anthem "Midnight Request Line", the hype around the DMZ night and support from online forums (notably dubstepforum.com) and media, the scene gained prominence after

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or more, as in the audio example). It is very common for the bass to drop at or very close to 55 seconds into the song, because 55 seconds is just over 32 measures at the common tempo of 140 bpm. However, this (or the existence of a bass drop in general) is by no means a

810:. Key artists such as Hatcha and later Skream worked in the shop (which initially sold early UK Hardcore / Rave, Techno and House and later, garage and drum and bass, but evolved with the emerging dubstep scene in the area), while Digital Mystikz were frequent visitors. El-B, Zed Bias, 880:, the United States, and Australia, leading to a queue of 600 people at the event. This forced the club to move from its regular 400-capacity space to Mass' main room, an event cited as a pivotal moment in dubstep's history. Later Mala would also found the influential label 584:

Many early dubstep tracks incorporate one or more "bass drops", a characteristic inherited from drum and bass. Typically, the percussion will pause, often reducing the track to silence, and then resume with more intensity, accompanied by a dominant sub-bass (often passing

977:, Hyaku-mado, Ena and Doppelganger are major figures in the Tokyo scene. Joe Nice has played at DMZ, while the fifth instalment of Tempa's "Dubstep Allstars" mix series (released in 2007) included tracks by Finnish producer Tes La Rok and Americans JuJu and Matty G. 610:

Rewinds (or reloads) are another technique used by dubstep DJs. If a song seems to be especially popular then someone, most often the DJ, will rewind the record by hand without lifting the stylus and play the track again. Because the stylus has not been lifted (or, on

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Beginning in mid-2014, dubstep began to decline drastically in mainstream popularity, particularly in the United States, where many formerly successful dubstep artists became popular. Artists such as Skrillex, for instance, moved on to producing tracks for

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that is punctuated by rhythmic variations in volume, filter cutoff, or distortion. This style of bass is a driving factor in some variations of dubstep, particularly at the more club-friendly end of the spectrum. Wobble bass has been nicknamed Wobble-step.

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EDM special referred to brostep as a "lurching and aggressive" variant of dubstep that has proven commercially successful in the United States. Unlike traditional dubstep production styles, which emphasise sub-bass content, brostep accentuates the middle

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in the UK) incorporated extensive use of heavily manipulated, mostly female, 'girl next door' vocal samples. Burial has spoken at length regarding his intent to reincorporate elements of musical precursors such as 2-step garage and house into his sound.

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However, the year 2009 saw the dubstep sound gaining further worldwide recognition, often through the assimilation of elements of the sound into other genres, in a manner similar to drum and bass before it. At the start of the year, UK electronic duo

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festival in Barcelona. Non-British artists have also won praise within the larger Dubstep community. The dynamic dubstep scene in Japan is growing quickly despite its cultural and geographical distance from the West. Such DJ/producers as

201:, and a dark tone. In 2001, this underground sound and other strains of garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), and on the 1768:

label Swamp81 in the process. Skream shifted away from dubstep, choosing to instead produce and play house and techno music in his DJ sets and releasing various techno songs on Alan Fitzpatrick's record label We Are The Brave.

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album released such content the very year dubstep saw a spike, containing three dubstep tracks. Such events propelled the genre into the biggest radio markets overnight, with considerable airplay. Other hip-hop artists like

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say 'dubstep equals Skrillex'. But in all honesty it genuinely doesn't bother me. I like the music he makes." Other North American artists that were initially associated with the brostep sound were Canadian producers

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commented on "a whole new sound", at a time when both genres were becoming popular, stating that "grime" and "dubstep" were two names for the same style, which was also known as "sublow", "8-bar", and "eskibeat".

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label, using 1970s funk and soul reference points, a departure from the familiar strains of dub and UK garage. The sound also continued to interest the mainstream press with key articles in magazines like

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and aided the growth of the scene, such as dubstepforum, the download site Barefiles and blogs such as gutterbreakz. Simultaneously, the genre was receiving extensive coverage in music magazines such as

1661:, the record was a muddled attempt by Rusko to realign his music with a "Jamaican inheritance" and distance it from the "belching, aggressive, resolutely macho" dubstep produced by his contemporaries. 1655:

that "brostep is sort of my fault, but now I've started to hate it in a way ... It's like someone screaming in your face ... you don't want that." According to a BBC review of his 2012 album

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Much like drum and bass before it, dubstep started to become incorporated into other media. In 2007, Benga, Skream, and other dubstep producers provided the soundtrack to much of the second series of

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track, observing that listeners "have internalized the double-time rhythm" and the "track is so empty it makes nervous, and you almost fill in the double time yourself, physically, to compensate".

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and Coki's single "Night" still continued to be a popular track on the UK dance chart more than a year after its release in late 2007, still ranking in the top five at the start of April 2008 on

1030:'s "Hammer of Thor" are other examples of dubstep-influenced techno. Berlin's Hard Wax record store (operated by influential dub techno artists Basic Channel) has also championed Shackleton's 5496: 4988: 4346: 339: 2773: 382:

has described dubstep's overall sound as "tightly coiled productions with overwhelming bass lines and reverberant drum patterns, clipped samples, and occasional vocals." According to

5726: 4050: 4637: 1526:" or simply "bass music") was used to describe club music that was influenced by certain aspects of dubstep. Such music often references earlier dubstep productions as well as 1045:

scoring a crossover hit (in a similar manner to Skream's "Midnight Request Line") with the track "Night", which gained widespread play from DJs in a diverse range of genres.

5176: 615:, the channel has not been muted), a whirring noise is produced. Rewinds are also an important live element in many of dubstep's precursors; the technique originates in dub 5899: 5764: 3355: 1719:

In the early 2010s, UK artists began to play with a style of dubstep reminiscent of a resurgence or continuation of original British dubstep styles. This became known as

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reaching number 10 in the UK singles chart. This presented a turning point in the popularity of mainstream dubstep amongst UK listeners as it was placed on rotation on

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All throughout 2003, DJ Hatcha pioneered a new direction for dubstep on Rinse FM and through his sets at Forward>>. Playing sets cut to 10" one-off reggae-style

402:, 2 step." Reynolds comments that the traces of pre-existing styles "worked through their intrinsic sonic effects but also as signifiers, tokenings-back addressed to 5561: 5792: 4491: 209:, which went on to be considerably influential to the development of dubstep. The term "dubstep" in reference to a genre of music began to be used by around 2002 by 5627: 4945: 2117: 860:

Digital Mystikz brought an expanded palette of sounds and influences to the genre, most prominently reggae and dub, as well as orchestral melodies. After releasing

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Excerpt demonstrating the rhythmic tension generated between the drum rhythm and bassline. This song features a very sparse rhythm almost entirely composed of

6064: 4110: 3217: 8637: 5932: 5268: 4834: 3895: 3777: 4752: 4161: 1420:(produced by Benga) followed, debuting at number 5 in the UK singles chart, and stayed in the top 10 for five more weeks. Also, in 2010, American producer 338: 5085: 2811: 5715:"Metalhead turned dance-music star Bassnectar is happy to headline this weekend's Summer Set fest because its lineup is more eclectic than "electronic."" 6179: 4776: 5529: 3711: 8562: 4922: 2309: 5144: 5062: 4214: 4135: 8344: 5110: 3957: 330: 7416: 5246: 1200:

and 8-bit music. Several prominent purple sound artists cite video game music as a large influence. Purple sound later led to the development of

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have more experimental song structures which do not rely on a drop for a dynamic peak – and in some instances do not feature a bass drop at all.

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features several collaborations with electronic music producers, including Skrillex and Excision. This style of dubstep is sometimes known as

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used Benga's "E Trips"; adding her own verses over the beat to create a new tune called "Me N My"; the first single from her unreleased album

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has moved toward productions which fall outside the usual dubstep tempo, and sometimes entirely lack most of the common tropes of the genre.

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on Big Apple, they founded DMZ Records, which has released fourteen 12"s to date. They also began their night DMZ, held every two months in

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and Lethal Bizzle. He has also released tracks with a dubstep foundation and grime verses over the beats. Dubstep artist and label co-owner

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has been used by some as a pejorative descriptor for a style of popular dubstep developed in the United States. The producer known as

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from Trinidad. Production in a studio environment seems to lend itself to more experimentation. Kode9 collaborated extensively with

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Techno artists and DJs began assimilating dubstep into their sets and productions. Shackleton's "Blood on My Hands" was remixed by

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The breadth of styles that have come to be associated with the term post-dubstep preclude it from being a specific musical genre.

8642: 7725: 6221: 5754: 5326: 4696: 3521: 2472: 876:, and Vex'd. DMZ's first anniversary event (at the Mass venue, a converted church) saw fans attending from places as far away as 779:, and others, plus regular guests. The line up of residents has changed over the years to include Youngsta, Hatcha, Geeneus, and 3622: 3365: 3281: 3240: 1824: 931:

Radio 1 DJ Mary Anne Hobbs gathered top figures from the scene for one show, entitled "Dubstep Warz", (later releasing the

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The production duo Mount Kimbie is often associated with the origination of the term post-dubstep. English music producer

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The influence of dubstep on more commercial or popular genres can be identified as far back as 2007, with artists such as

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when it spread beyond small local scenes in late 2005 and early 2006; many websites devoted to the genre appeared on the

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Dubstep's early roots are in the more experimental releases of UK garage producers, seeking to incorporate elements of

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have experimented upon this style of production in the earlier 2010s. English dubstep producer Chime coined the term "

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within a riff. Compared to other styles of garage music, dubstep tends to be more minimalistic, focusing on prominent

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The early sounds of proto-dubstep originally came out of productions during 1999–2000 by producers such as Oris Jay,

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At the end of 2003, running independently from the pioneering FWD night, an event called Filthy Dub, co promoted by

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In a move foreshadowed by endorsements of the sound from R&B, hip-hop and recently, mainstream figures such as

1273: 386:, dubstep's constituents originally came from "different points in the 1989—99 UK lineage: bleep 'n' bass, jungle, 240:, who started playing it from 2003 onwards. In 2004, the last year of his show, a listeners vote included songs by 5922: 4826: 4438: 1053:

named it his record of 2007, and it was also a massive hit in the equally bassline-orientated, but decidedly more

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and DJ Pinch. Ammunition also released the first retrospective compilation of the 2000–2004 era of dubstep called

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also began to fuse elements of the original dubstep sound with other influences, creating fusion genres including

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and Skream, then also Digital Mystikz and Loefah—to begin a dark, clipped and minimal new direction in dubstep.

8632: 5095: 4748: 4460: 2864:"Dawn of Dubstep: Will this Bass-heavy Dance Phenomenon Blow Out Only Your Speakers or Will it Really Blow Up?" 2801: 2635: 869: 529: 361:

implied 71bpm tempo. The track is instead propelled by a sub-bass following a four-to-the-floor 142bpm pattern.

218: 4773: 4076: 1002:(an act reciprocated when Villalobos included a Shackleton mix on his "Vasco" EP) and included on a mix CD by 453:

frequencies. Some dubstep artists have also incorporated a variety of outside influences, from dub-influenced

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started championing the genre, beginning with a show devoted to it (entitled "Dubstep Warz") in January 2006.

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had achieved moderate commercial success in North America with a dubstep-influenced sound. By 2011, his EP

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fans than it did to lovers of UK garage". The brostep sound also attracted the attention of metal bands.

940:). The show created a new global audience for the scene, after years of exclusively UK underground buzz. 6943: 6618: 6591: 2212: 1230:

using dubstep sounds; critics observed a dubstep influence in the song "Freakshow", from the 2007 album

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In 2011, dubstep gained significant traction in the US market, by way of a post-dubstep style known as

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Notable mainstays in the live experience of the sound are MC Sgt Pokes and MC Crazy D from London, and

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completely rigid characteristic, rather a trope; a large portion of seminal tunes from producers like

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have introduced a palette of new sounds and influences to the genre, such as double-time bass drums,

1089: 1015: 566: 5825: 4312: 2675: 2603: 656:'s experiments with the genre are almost exclusively collaborations with MCs such as Warrior Queen, 7973: 7850: 7801: 7224: 6904: 6613: 6601: 6567: 6238: 5021: 4718: 4632: 4400: 4259: 4219: 3782: 3716: 3650: 3393: 3327: 3182: 3114: 3048: 3015: 2921: 2806: 2730: 2574: 2508: 2414: 2385: 2304: 2184: 2081: 1997: 1878: 1670: 1656: 1562: 1543: 1307: 1301: 1265: 1068: 354: 269: 263: 241: 182:. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican 175: 55: 4369: 2698: 1363:, providing a vocal for their "underground anthem", "Eastern Jam". The 2011 Britney Spears track " 8059: 8039: 7813: 7638: 7633: 7436: 7192: 7084: 7074: 6955: 6938: 6416: 6265: 5658: 5090: 4856: 3922: 3555: 2409: 2044: 1364: 1159: 1121: 1011: 999: 578: 422: 5858: 2863: 1886: 6180:"PREMIERE: Chime Delivers Thrilling Single "From Atoms To Pixels" ft. Sekai [Rushdown]" 5347: 4543: 1184:

emerged in Bristol in late 2008 out of the splintering dubstep scene and took inspiration from

944:'s self-titled album appearing in many critics' "Best of ..." lists for the year, notably 707: 622:, is widely employed by pirate radio stations and is also used at UK garage and jungle nights. 8508: 8297: 7897: 7875: 7576: 7495: 7167: 6875: 6810: 6734: 6689: 5927: 3998: 3560: 3531: 3457: 3291: 3250: 2735: 2452: 2390: 2189: 1925: 1882: 1851: 1778: 1666: 1637: 1572: 1480: 1452: 1438: 1413: 1386: 1360: 1054: 941: 932: 803: 712: 649: 630: 619: 462: 358: 298: 214: 4946:"Taylor Swift on Going Pop, Ignoring the Gossip and the Best (Worst) Nickname She's Ever Had" 4517: 1132:

Radio 1 Dubstepwarz Show in 2006, and further documented another set of dubstep's producers.

830:, one of the most widely known names on the scene since the beginning of the Dubstep movement 8597: 8480: 8368: 8329: 8214: 8170: 8101: 7919: 7648: 7480: 7399: 7239: 7079: 7047: 6788: 6699: 6694: 6684: 6596: 6542: 6496: 6229: 5302: 5209: 4024: 3081: 2356: 2149: 1756: 1648: 1625: 1555: 1460: 1448: 1322: 1269: 1237: 1170: 1113: 1038: 1027: 854: 839: 822: 784: 735: 626: 537: 490: 222: 118: 6557: 6118: 5422:"Dubstep producer tries aligning his output with Jamaican originals, with muddled results." 3612: 2048: 1236:, which Tom Ewing described as "built around the 'wobbler' effect that's a genre standby." 8428: 7608: 7561: 6931: 6926: 6793: 6664: 6552: 6225: 5830: 5600: 5466: 5440: 5330: 5057: 4950: 4780: 3985: 3749: 3617: 3360: 3149: 2768: 2666: 2039: 1906: 1874: 1828: 1724: 1684: 1652: 1594: 1577: 1546:. The latter in particular is heavily sampled by three artists described as post-dubstep: 1289: 1281: 1219:

performing for crowds on 7 July 2011 at the 10th Anniversary Camp Bisco Music Festival in

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and Heny G would all come through the Anti-Social Entertainment crew, with a show on

687: 669: 562: 541: 458: 438: 430: 414: 410: 294: 286: 179: 163: 103: 70: 35: 5962: 4188: 980: 637:, the MC's role in dubstep's live experience is critically important to its impact. 8535: 8503: 8445: 8433: 8390: 8277: 8138: 8091: 8066: 7860: 7784: 7675: 7653: 7613: 7598: 7490: 7394: 7372: 7362: 7318: 7313: 7229: 7129: 7109: 7067: 7032: 6960: 6916: 6820: 6423: 6356: 6322: 5797: 5421: 5139: 3683: 2608: 1720: 1714: 1547: 1492: 1472: 1405: 1019: 1007: 936: 720: 645: 399: 290: 210: 198: 194: 155: 108: 65: 4343:"Freeload: La Roux, "In for the Kill (Skream's Let's Get Ravey Remix) " The FADER" 2351: 1554:. The tempo of music typically characterised as post-dubstep is approximately 130 1154:

broken through in the up-til-then male orientated scene. With key 12" releases on

895:, released two compilations that included dubstep tracks – the (perhaps misnamed) 6243: 3589: 3484: 337: 8545: 8450: 8395: 8378: 8302: 8287: 8235: 8116: 8111: 8071: 8054: 8049: 8034: 7941: 7835: 7779: 7643: 7628: 7603: 7571: 7367: 7343: 7219: 7214: 7157: 7124: 7114: 7057: 7042: 7037: 7002: 6975: 6887: 6842: 6761: 6739: 6711: 6704: 6654: 6623: 6513: 6465: 6411: 6378: 5444: 5380:, Computer Music Specials (p. 9), Wed 26 October 2011, Future Publishing Limited 4286:"Radio 1 – BBC Radio 1's Chart Show with Reggie Yates – UK Top 40 Dance Singles" 3815: 2900: 2671: 2569: 1911: 1409: 1394: 1380:

Mr Grustle & Tha Russian Dubstep LA Embrace The Renaissance Vol. 1 Mixed by

1367:" was also responsible for promoting dubstep tropes within pop music. Rihanna's 1337: 1245: 1212: 1201: 1046: 1031: 1003: 984: 918: 691: 478: 418: 233: 226: 190: 171: 6215:

An online magazine full of interviews, articles, photos from events and videos.

2153: 1723:, a name coined by British producer Jakes around 2012. The name comes from the 1196:

production from the 1990s into dubstep, while also introducing many aspects of

790: 749:

on the cover) contributed to it becoming established as the name of the genre.

577:, a second main section similar to the first (often with another drop), and an 8518: 8465: 8455: 8418: 8400: 8349: 8314: 8202: 8185: 8123: 8106: 8096: 8024: 7934: 7909: 7887: 7840: 7774: 7762: 7618: 7527: 7522: 7441: 7404: 7352: 7249: 7244: 7234: 7177: 7089: 7062: 7027: 7007: 6980: 6950: 6921: 6837: 6832: 6827: 6766: 6716: 6606: 6562: 6433: 6373: 6361: 2271: 1786: 1614: 1471:". Strong baselines imported from dubstep continued in popular music with the 1401: 1400:

Throughout 2010, the presence of dubstep in the pop charts was notable, with "

1381: 1356: 1189: 888: 846: 780: 776: 757: 679: 661: 586: 525: 482: 370: 350: 249: 167: 5399: 3564: 3535: 3295: 3254: 2739: 2394: 2193: 1628:

and features "robotic fluctuations and metal-esque aggression". According to

8319: 8282: 8230: 8180: 8155: 8044: 7999: 7983: 7929: 7855: 7845: 7823: 7745: 7730: 7710: 7670: 7660: 7623: 7586: 7566: 7512: 7473: 7451: 7431: 7389: 7301: 7261: 7052: 6992: 6892: 6870: 6854: 6815: 6800: 6756: 6674: 6669: 6659: 6312: 6288: 4253: 2868: 2699:"Markle Said Wha?: Plastician Interview (as featured in ATM Magazine 7 Nov)" 1760: 1742: 1734: 1679:

as "a viciously harsh, yet brilliantly produced sound that appealed more to

1527: 1329: 1241: 1139: 1080: 974: 850: 657: 570: 434: 426: 395: 346: 237: 159: 50: 45: 40: 7468: 6088:"Dr. Ushūu Makes Monstercat Debut With Cosmic Colour-Bass Single "Save Me"" 3842: 3154: 3086: 3241:"Various Artists – Grime (Rephlex) / DJ Slimzee – Bingo Beats III (Bingo)" 1378:

added their vocals to dubstep instrumental tracks for the mixtape project

1026:

album, among other tracks on that same album) and Roman Flugel's remix of

8572: 8354: 8250: 8240: 8207: 8190: 8165: 8076: 8009: 8004: 7961: 7956: 7902: 7880: 7692: 7687: 7556: 7537: 7517: 7485: 7377: 7338: 7306: 7296: 7291: 7276: 7271: 7197: 7182: 7094: 6987: 6751: 6581: 6390: 6348: 5759: 5204: 5199: 5171: 4313:"Electronic review: La Roux, In For the Kill (Skream remix) | Music" 3953: 2410:"The Year in Grime / Dubstep: The Year in Dubstep, Grime, and Funky 2009" 2144: 1790: 1688: 1610: 1598: 1567: 1456: 1421: 1341: 1167: 1155: 1143: 1087:. A track by Skream also featured in the second series of the teen drama 1084: 969: 873: 835: 775:, Youngsta, Kode 9, Zed Bias, Oris Jay, Slaughter Mob, Jay Da Flex, 764: 731: 450: 387: 379: 306: 257: 206: 6119:"Papa Khan Returns To Monstercat With New Colour Bass Single "Get To U"" 1507: 8160: 8143: 7951: 7914: 7806: 7544: 7254: 6428: 6383: 6343: 2236:

Interactive Composition: Strategies Using Ableton Live and Max for Live

1589: 1523: 1502: 1348: 1277: 1253: 1216: 1163: 1147: 1105: 892: 865: 807: 716: 641: 446: 302: 98: 6025: 5892:"Skream shares the tracks lighting up his marathon Open-To-Close sets" 4430: 1850:

Perseus Books; Reprint edition (5 January 2012), pages 511–516, (

1455:" from their album reached number 8 in the Official UK Singles Chart. 1037:

The summer of 2007 saw dubstep's musical palette expand further, with

838:, he drew exclusively from a pool of new South London producers—first 8470: 8383: 8292: 8014: 7946: 7924: 7865: 7828: 7720: 7591: 7581: 7463: 7446: 7384: 7187: 7119: 6970: 6965: 6771: 6247: 5923:"Skream goes full techno on new single, 'Poison' - Dancing Astronaut" 4215:"Column: Poptimist #10: Britney in the Black Lodge (Damn Fine Album)" 3494: 1738: 1729: 1675: 1636:

that function roughly in the same register as the electric guitar in

1417: 1375: 1261: 1193: 1101: 1034:

label, later broadening its focus to include other dubstep releases.

948:

s Best Album of 2006. The sound was also featured prominently in the

877: 827: 772: 665: 616: 590: 545: 494: 486: 474: 454: 391: 60: 6244:

BBC Collective dubstep documentary filmed at DMZ 1st Birthday, 2005.

5963:"Chime Discusses His Influences, Color Bass, & Rushdown Records" 4464: 2639: 1793:, and Chime himself finding success in producing colour bass music. 802:

Another crucial element in the early development of dubstep was the

763:

Forward>> also ran a radio show on east London pirate station

752:

Forward>> was originally held at the Velvet Rooms in London's

309:, greatly contributed to dubstep's popularity in the United States. 6150:"Chime Dives Into His Label and Plans for 2022 [Interview]" 4749:"Eve, "Me N My (prod. by Salaam Remi & Benga)" MP3 " The FADER" 4080: 8440: 8363: 7870: 7740: 7104: 6880: 6251: 5115: 3584: 2541: 1867: 1593: 1506: 1317: 1312: 1211: 979: 917: 821: 789: 768: 741: 706: 634: 595: 509: 5992: 4488:"Luke Hood, The 19 Year Old From UKF Dubstep Tops YouTube Charts" 3923:"Burial: Beautiful Dread, Inviting and Sinister : NPR Music" 8557: 8339: 8324: 8081: 5111:"Blawan takes post-dubstep and UK house out of its comfort zone" 1692: 1633: 923: 753: 727: 513: 252:

as the top 50 for the year. Dubstep started to enter mainstream

6469: 6261: 5489:"Korn Team with Skrillex, More Dubstep Producers for New Album" 524:

One characteristic of certain strands of dubstep is the wobble

16:

Genre of electronic dance music that originated in South London

5624:"The Rise of Riddim: What's this latest bass craze all about?" 1570:

released remixes which are considered post-dubstep, including

1188:, which it is sometimes considered a part of. It incorporates 1129: 1117: 964:, co-compiled by Ammunition and Blackdown on the Tempa Label. 783:, with Crazy D as MC/host. Producers including D1, Skream and 612: 277:. Interest in dubstep grew significantly after BBC Radio 1 DJ 2208: 1848:

Energy Flash: A Journey Through Rave Music and Dance Culture,

433:– the genre's feel is commonly dark; tracks frequently use a 6257: 2448:

Energy Flash: A Journey Through Rave Music and Dance Culture

1522:

In early 2011, the term "post-dubstep" (sometimes known as "

956:, which included Digital Mystikz, Random Trio, Kode 9, 319: 5348:"Dubstep Maker: The Software & Video Tutorial You Need" 417:

sound. These experiments often ended up on the B-side of a

5434:

I Like The Music Skrillex Makes': An Interview With Skream

2956: 1393:. The track was co-produced by Benga and hip hop producer 532:

to manipulate certain parameters of a synthesiser such as

6212: 3896:"Pitchfork Feature: Column: The Month in Grime / Dubstep" 5682:"Popping the Drop: A Timeline of How EDM's Bubble Burst" 2898:

Warren, Emma (1 August 2007). "The Dubstep Explosion!".

5392:"Fall preview 2011: Dubstep takes over the dance floor" 4103:"Jay 5ive - FABRICLIVE x Tempo Clash Mix - fabric blog" 3979:

Q&A with Kyle Lynd - How to get your music on Skins

2636:"InYourBassTv Presents Sgt. Pokes (Dour Festival 2008)" 497:

early release "Truly Dread" and Mala's "Anti-War Dub".

5755:"Dubstep May Be Dying, Just Don't Tell Canadians That" 1915:, London, 17 October 2011. Retrieved 22 November 2011. 489:. The tempo is nearly always in the range of 132–142 4657: 4655: 1789:

around the early 2020s, with artists like Skybreak,

1447:

reached No. 2 in the UK album chart. On 1 May 2011,

8496: 8411: 8270: 8263: 8223: 7992: 7703: 7150: 6863: 6727: 6642: 6535: 6521: 6442: 6404: 6331: 6295: 5562:"What is this Riddim Everyone Keeps Talking About?" 5530:"How to Talk to Your Kids About Riddim | Insomniac" 4979:"Chart Highlights: Demi Lovato 'Attack's Pop Songs" 421:or commercial garage release. Dubstep is generally 127: 91: 79: 28: 23: 3745:"Ellen Allien & Apparat: Orchestra of Bubbles" 3679:"Various, Dubstep Allstars 5 – Mixed By DJ N-Type" 5740:Dubstep obviously is already a thing of the past. 5233: 5231: 4719:"Track Reviews: Eve – "Me N My (Up in the Club)"" 771:. The original Forward>> line ups included 668:has also featured Warrior Queen and grime artist 565:and UK garage. Typically, this would comprise an 189:Dubstep is generally characterised by the use of 170:production, as well as incorporating elements of 5398:. Star Tribune Media Company LLC. Archived from 5167:"A profile of James Blake – post-dubstep artist" 4597:"New music: Britney Spears – Hold It Against Me" 4130: 4128: 3522:"Various Artists – The Roots of Dubstep (Tempa)" 2638:. Inyourbass.com. 28 August 2008. Archived from 1763:artists, while artists such as Mount Kimbie and 1673:. Their production style has been described by 1158:, Immigrant and Hotflush Recordings, producers 1093:, which also aired on Channel 4 in early 2008. 739:music in around 2002. The term's use in a 2002 633:mic styles in the vein of reggae pioneers like 4248:"Have You Heard of This Britney Spears Chick?" 1959:"Bubble and Squeak: Michael Wilson on Dubstep" 1750:2014–present: Decline in mainstream popularity 1128:. The show was the evolution from her seminal 686:as well as renowned Grime MC's such as Wiley, 6481: 6273: 6057:"Chime Asks To "Bring Me Back" In New Single" 2570:"How Low Can it Go: The Evolution of Dubstep" 8: 3210:"In Profile: A Plotted History of Deep Medi" 1208:2009–2014: Mainstream popularity and Brostep 3364:. London: Independent Print. Archived from 2835:"Beyond lies the wub: a history of dubstep" 1479:", which made number 1 on Billboard's U.S. 158:in the early 2000s. The style emerged as a 8267: 6532: 6488: 6474: 6466: 6280: 6266: 6258: 5376:Simon Reynolds, The Art of the Groove, in 4919:"All The Official Singles Chart Number 1s" 4794:"UK Charts: Week Ending 04-September–2010" 4079:. n3k4.com. 18 August 2008. Archived from 3843:"philip sherburne: November 2005 Archives" 2177: 2175: 2173: 2171: 1842: 1840: 1838: 1836: 1463:both had number one singles in 2011 with " 20: 8563:Music technology (electronic and digital) 5713:Chris, Riemenschneider (13 August 2015). 2795: 2793: 2791: 2293: 2291: 2289: 1325:on the cover of its December 2009 issue. 1116:, Nomad, Kulture and MC Sgt Pokes to the 922:Dubstep Section at Black Market Records, 3485:"Cast and Credits for 'Children of Men'" 2893: 2891: 2857: 2855: 2757: 2755: 2753: 2751: 2749: 2345: 2343: 2341: 2339: 2337: 2335: 2333: 2331: 2329: 2327: 2110:"Dubstep: How Has It Become So Popular?" 2070: 2068: 2066: 569:, a main section (often incorporating a 232:A very early supporter of the sound was 6055:Paul, Bryson "Boom" (7 December 2022). 4051:"Radio One Hosts Generation Bass " RWD" 2028: 2026: 2024: 2022: 2020: 1986: 1984: 1814: 1584:2011: Brostep and American developments 1083:with a soundtrack CD later released on 6020: 6018: 5956: 5954: 5952: 5950: 5778:Dubstep is DEAD… The movement is over. 5524: 5522: 5520: 5518: 5516: 5514: 5499:from the original on 22 September 2017 4958:from the original on 26 September 2017 4514:"Interview with UKF Founder Luke Hood" 4411:from the original on 16 September 2009 4323:from the original on 10 September 2014 3139: 3137: 2257: 2255: 2253: 2251: 2249: 2247: 2245: 1938:from the original on 26 September 2010 1733:, which refers to the instrumental of 1617:" for the scene. In September 2011, a 1430:had peaked at number three on the U.S. 798:, one of the pioneers of dubstep music 557:Originally, dubstep releases had some 368: 5921:Manganiello, Anthony (14 July 2018). 5871:from the original on 18 November 2015 5826:"James Blake: The Colour in Anything" 5805:from the original on 11 November 2017 5591:Ullah-Blocks, Jayce (25 March 2018). 5046: 5044: 5010: 5008: 5006: 4755:from the original on 26 November 2009 4729:from the original on 18 November 2009 4380:from the original on 15 November 2009 3712:"Ricardo Villalobos: Vasco EP Part 1" 3691:from the original on 27 December 2013 3625:from the original on 19 December 2012 3453:"Reasons to Be Cheerful (Just Three)" 3282:"Various Artists – Grime 2 (Rephlex)" 2833:Flatley, Joseph L. (28 August 2012). 2262:McKinnon, Matthew (30 January 2007). 1991:de Wilde, Gervase (14 October 2006). 1926:"Keeping It Peel: Festive 50s – 2004" 1385:. In summer 2009, rapper and actress 756:and later moved to Plastic People in 289:and the slower and more experimental 7: 6228:A week dedicated to the movement by 5902:from the original on 17 January 2018 5857:Szatan, Gabriel (14 February 2013). 5791:Aroesti, Rachel (7 September 2017). 5767:from the original on 23 January 2018 5729:from the original on 24 January 2018 5630:from the original on 7 December 2017 5200:"Crooks & Lovers – Mount Kimbie" 5053:"10 Post-Dubstep Artists Who Matter" 4887:"UK Charts: Week Ending 07-May–2011" 4857:"Chase & Status – No More Idols" 4837:from the original on 17 January 2012 4673:from the original on 28 October 2017 4626:Green, Thomas H (18 November 2009). 4540:"Dazed Digital | Hank Shocklee" 4494:from the original on 8 December 2017 4441:from the original on 19 October 2009 4431:"Adventures in Modern Music: Issues" 4136:"Women in dubstep – Time Out London" 4005:from the original on 7 February 2009 3960:from the original on 2 December 2012 3898:. Pitchforkmedia.com. Archived from 3849:from the original on 28 January 2011 3778:"Ellen Allien: Orchestra of Dubbles" 3354:Braddock, Kevin (22 February 2004). 2876:from the original on 19 January 2012 2728:"Rave From the Grave: Skull Disco". 2604:"Rising Star: DMZ, Music Collective" 2312:from the original on 1 December 2011 2033:O'Connell, Sharon (4 October 2006). 1359:collaborated with dubstep producers 1061:, whilst Burial's late 2007 release 305:, led by American producers such as 8638:Youth culture in the United Kingdom 6086:Bhanawat, Akshay (16 August 2022). 5935:from the original on 31 August 2018 5838:from the original on 17 August 2018 5694:from the original on 4 January 2018 5086:"SBTRKT adds to post-dubstep genre" 4925:from the original on 2 January 2012 4699:from the original on 2 January 2010 4640:from the original on 24 August 2011 3988:, BBC Introducing blog, 10-Feb-2010 3921:Porter, Christopher (20 May 2008). 3451:Reynolds, Simon (30 January 2007). 3321:Clark, Martin (11 September 2005). 2984:Chantelle Fiddy's World of Whatever 2776:from the original on 1 October 2017 2616:from the original on 13 August 2014 2583:from the original on 6 October 2011 2537:"Low End Theory: Dubstep Merchants" 1957:Wilson, Michael (1 November 2006). 1868:The Big Big Sound System Splashdown 1651:himself claimed in an interview on 6190:from the original on 25 March 2023 6160:from the original on 25 March 2023 6129:from the original on 25 March 2023 6117:Bhanawat, Akshay (14 April 2022). 6098:from the original on 25 March 2023 6067:from the original on 25 March 2023 6036:from the original on 26 March 2023 6003:from the original on 25 March 2023 5973:from the original on 25 March 2023 5890:Abbott, Jeremy (26 October 2017). 5753:Champagne, Jesse (14 March 2014). 5680:Sherborne, Philip (5 April 2016). 5651:"30 Best Riddim Songs of All Time" 5447:, 19 December 2011, TheQuietus.com 5358:from the original on 11 March 2016 5249:from the original on 26 April 2012 5216:from the original on 24 March 2011 5179:from the original on 26 March 2012 4595:Cragg, Michael (10 January 2011). 4486:Hick, Melanie (14 December 2011). 4399:Needham, Alex (23 December 2008). 4349:from the original on 17 April 2009 4292:from the original on 22 April 2009 4164:. The Stool Pigeon. Archived from 4057:from the original on 25 April 2013 3948:Goodman, Steve (1 November 2007). 3872:. Blackdownsoundboy.blogspot.com. 3809:Wasacz, Walter (11 October 2004). 2978:Fiddy, Chantelle (19 March 2006). 2862:Keast, Darren (15 November 2006). 2814:from the original on 19 March 2009 2422:from the original on 27 March 2011 2075:Clark, Martin (16 November 2006). 1272:and then again with their single " 1264:. They then gave remix duties of " 1067:(which was nominated for the 2008 857:bass weight to the dubstep scene. 561:similarities to other genres like 273:, with a regular feature entitled 14: 8568:Recording studio as an instrument 6148:Dutta, James (14 December 2021). 5275:from the original on 12 July 2012 5065:from the original on 19 July 2018 5029:from the original on 12 June 2011 4991:from the original on 7 March 2013 4806:from the original on 14 July 2021 4607:from the original on 5 March 2017 4113:from the original on 30 July 2020 3823:from the original on 14 July 2011 3613:"Japan's Dubstep Forges Own Path" 3520:Chan, Sebastian (November 2006). 3465:from the original on 14 July 2010 3432:from the original on 29 June 2012 3220:from the original on 30 July 2020 3075:Churchill, Tom (September 2009). 2800:Clark, Martin (25 January 2006). 2764:"Dubstep: Straight outta Croydon" 2697:Gurney, Mark (18 December 2007). 2445:Reynolds, Simon (20 March 2012). 2408:Clark, Martin (6 November 2009). 2268:Canadian Broadcasting Corporation 2120:from the original on 14 July 2014 1280:. The same year, London producer 7726:Christian electronic dance music 5147:from the original on 10 May 2017 4899:from the original on 18 May 2015 4663:"Dubstep it up– Features, Music" 4566:"Interviews: Chase & Status" 4542:. Dazedgroup.com. Archived from 4311:Grundy, Gareth (15 March 2009). 4031:from the original on 1 July 2013 3876:from the original on 8 July 2011 3776:Sherburne, Philip (3 May 2006). 3757:from the original on 23 May 2011 3743:De Young, Nate (19 April 2006). 3611:McBride, Blair (19 March 2010). 3501:from the original on 29 May 2007 3280:Chan, Sebastian (January 2005). 2990:from the original on 8 July 2011 2709:from the original on 8 July 2011 2479:. 15 August 2006. Archived from 2433:night/student/super club market. 2364:from the original on 22 May 2011 2234:Kuhn, Will; Manzo, V.J. (2015). 2215:from the original on 9 June 2011 2005:from the original on 4 June 2011 1969:from the original on 13 May 2012 1014:'s 2006 song "Metric" (from the 369:Problems playing this file? See 335: 267:and online publications such as 186:party scene in the early 1980s. 5457:Muggs, Joe (12 December 2011). 5051:Aaron, Charles (4 March 2011). 4944:Macsai, Dan (19 October 2012). 4867:from the original on 4 May 2015 4695:. Dubstepped.net. 19 May 2009. 4345:. Thefader.com. 14 April 2009. 4246:Segal, Dave (6 November 2007). 4213:Ewing, Tom (20 November 2007). 3929:from the original on 5 May 2011 3578:Palermo, Tomas (18 June 2007). 3389:"The Month In: Grime / Dubstep" 2915:Clark, Martin (12 April 2006). 2545:. Amalgam Media. Archived from 2077:"The Year in Grime and Dubstep" 1993:"Put a Bit of Dub in Your Step" 1534:and other forms of underground 1427:Scary Monsters and Nice Sprites 1284:released an influential album, 1022:'s "Godspeed" (from the 2007's 86:London, England, United Kingdom 6246:Interviews with Mala, Loefah, 5622:Conte, Chris (30 March 2017). 4827:"Skrillex - Awards - AllMusic" 4628:"Chase & Status Interview" 4053:. Rwdmag.com. 18 August 2008. 3677:Warren, Emma (22 April 2007). 3646:"The Month in Grime / Dubstep" 3644:Clark, Martin (8 March 2006). 3387:Martin, Clark (22 June 2005). 3323:"The Month in Grime / Dubstep" 3178:"The Month in Grime / Dubstep" 3176:Clark, Martin (8 March 2006). 3110:"The Month in Grime / Dubstep" 3044:"The Month in Grime / Dubstep" 3042:Clark, Martin (20 July 2006). 3011:"The Month in Grime / Dubstep" 3009:Clark, Martin (22 June 2005). 2917:"The Month in Grime / Dubstep" 2502:Clark, Martin (14 July 2006). 1499:List of post-dubstep musicians 1069:Nationwide Mercury Music Prize 1: 8628:Electronic dance music genres 8531:Electronic musical instrument 6332:Derivatives and fusion genres 5961:Bell, Alex (6 October 2020). 5824:Lozano, Kevin (10 May 2016). 5333:Andrew Gaerig, 12 September, 4516:. 6 July 2012. Archived from 4138:. Timeout.com. Archived from 3870:"Blackdown: One Friday night" 3420:Butler, Nick (19 June 2007). 3239:Chan, Sebastian (June 2004). 3108:Clark, Martin (25 May 2005). 2980:"Introducing ... Kode 9" 2802:"The Month In: Grime/Dubstep" 2772:. London: Independent Print. 2762:Mugan, Chris (28 July 2006). 2602:Warren, Emma (4 March 2007). 2568:Hammond, Bob (20 July 2008). 2535:Earp, Matt (30 August 2006). 2504:"The Month In: Grime/Dubstep" 2298:Clark, Martin (23 May 2007). 6219:10 Years of ... Dubstep 5859:"Pleasure Principle: Loefah" 5723:The Minneapolis Star-Tribune 5109:Guidry, Jake (19 May 2011). 5084:Moore, Thad (12 July 2011). 5015:Clark, Martin (4 May 2011). 4977:Trust, Gary (4 March 2013). 4077:"Generation Bass " n3k4.com" 3845:. Phs.abstractdynamics.org. 3811:"Losing Your Mind in Berlin" 3710:Finney, Tim (22 June 2008). 3559:. No. 544. March 2006. 2949:"FWD>> Friday 23 June" 2350:Sande, Kiran (7 June 2007). 2188:. No. 279. April 2011. 1609:,with the American producer 853:values, and appreciation of 6237:Columns by Martin Clark on 6235:The Month In: Grime/Dubstep 5295:"Is dubstep the new metal?" 5135:"Fantastic Mr Fox (No 910)" 4774:Magnetic Man – 'I Need Air' 4461:"XLR8R's Favorites of 2009" 4189:"The Dummy guide to purple" 2955:. June 2006. Archived from 2734:. No. 281. July 2007. 2389:. No. 269. July 2006. 2108:Joe Moor (3 January 2012). 872:, DJ Youngsta, Hijak, 544:. The resulting sound is a 275:The Month In: Grime/Dubstep 8661: 5324:Dubstep 101: A U.S. Primer 4401:"The London Dubstep Scene" 3868:Blackdown (1 April 2007). 2904:. No. 46. p. 32. 1712: 1587: 1496: 1490: 1311:, which featured producer 8623:21st-century music genres 8553:Electronics in rock music 8514:Digital audio workstation 6504: 6450:List of UK garage artists 5329:22 September 2017 at the 4779:15 September 2018 at the 4669:. London. 24 April 2009. 4288:. BBC. 24 February 2007. 3984:15 September 2018 at the 3950:"Kode9 interviews Burial" 2207:Pearsall (18 June 2005). 1827:23 September 2017 at the 1803:List of dubstep musicians 1772:2016–present: Colour bass 1613:becoming something of a " 1437:chart. In February 2011, 1221:Mariaville Lake, New York 952:for the 2006 sci-fi film 787:make regular appearances. 132: 6123:T.H.E - Music Essentials 6092:T.H.E - Music Essentials 5593:"What We Like || Riddim" 5459:"United Bass of America" 5439:25 February 2024 at the 3153:. London. Archived from 3085:. London. Archived from 2140:"Explore Music: Dubstep" 1260:" in the remix hands of 1100:invited Cyrus, Starkey, 625:Taking direct cues from 530:low-frequency oscillator 8643:English styles of music 8461:Progressive electronica 7501:Intelligent dance music 6629:Sound system (Jamaican) 6455:List of UK garage songs 4861:Official Charts Company 4463:. XLR8R. Archived from 3530:. No. 15. Sydney. 3290:. No. 10. Sydney. 3145:"About 2 Blow: Dubstep" 2209:"Interview: Plasticman" 2182:"The Primer: Dubstep". 1905:12 January 2012 at the 1550:, Fantastic Mr Fox and 1477:I Knew You Were Trouble 1435:Dance/Electronic Albums 1315:on its May 2009 cover. 1096:In the summer of 2008, 745:cover story (featuring 254:British popular culture 8618:2010s in British music 8608:2000s in British music 6782:List of hip hop genres 6508:Electronic dance music 5649:Stevo (8 March 2017). 3999:"Mary Anne Hobbs – TV" 3249:. No. 8. Sydney. 2703:Markleman.blogspot.com 2662:"Crazy D & Hatcha" 2264:"South London Calling" 2238:. Oxford. p. 195. 1963:Artforum International 1602: 1536:electronic dance music 1519: 1223: 1138:and Quest, along with 991: 927: 831: 812:Horsepower Productions 799: 747:Horsepower Productions 723: 600:Horsepower Productions 461:to classical music or 445:harmonies such as the 331:Dubstep rhythm example 324: 162:offshoot that blended 152:electronic dance music 6944:Electronic body music 6592:Electroacoustic music 6224:19 April 2012 at the 5390:Rietmulder, Michael. 5098:on 28 September 2011. 3580:"The Week in Dubstep" 2473:"Interview: Joe Nice" 2383:"Invisible Jukebox". 1597: 1510: 1215: 983: 921: 906:Independent on Sunday 825: 793: 710: 613:electronic turntables 425:. Similar to a vocal 323: 8241:Hyperpop microgenres 6905:Contemporary R&B 5245:. 15 December 2011. 4252:Heard Mentality:The 4083:on 29 September 2009 4039:– via YouTube. 4025:"Broadcast Yourself" 3542:on 3 September 2007. 2483:on 28 September 2007 2451:. Soft Skull Press. 1881:, 21 February 1981, 1698:The Path of Totality 1516:Glastonbury Festival 1016:Orchestra of Bubbles 962:The Roots of Dubstep 818:2002–2005: Evolution 672:on his debut album, 629:'s lyrically sparse 357:, with a distinctly 301:-influenced variant 7851:Mainstream hardcore 7225:Chopped and screwed 6614:Elektronische Musik 6568:List of rock genres 6499:-based music styles 6254:, Youngsta ... 5354:. 14 October 2015. 4633:The Daily Telegraph 4520:on 25 November 2015 4260:Village Voice Media 4227:on 13 December 2007 3592:on 11 November 2011 3553:"Brand New Heavy". 3368:on 13 February 2011 3356:"Partners in Grime" 1998:The Daily Telegraph 1879:New Musical Express 1846:Reynolds, S.(2012), 1777:501, Subscape, and 1276:" being remixed by 1192:from the 1980s and 734:. Neil Jolliffe of 730:, Steve Gurley and 631:deejay and toasting 166:rhythms and sparse 154:that originated in 8060:Kawaii future bass 8040:Deconstructed club 7193:Breakbeat hardcore 7085:Martial industrial 7075:Industrial hip hop 6956:Ethnic electronica 6939:Electro-industrial 6417:Kawaii future bass 6061:Substream Magazine 5402:on 12 January 2016 5305:on 16 October 2012 5175:. 6 January 2011. 5143:. 6 January 2011. 5091:The Daily Gamecock 4725:. 12 August 2009. 4405:Interview Magazine 4266:on 9 November 2007 4162:"Interview: Joker" 3724:on 13 January 2009 3658:on 13 January 2009 3401:on 13 January 2009 3335:on 13 January 2009 3190:on 13 January 2009 3122:on 13 January 2009 3023:on 13 January 2009 2516:on 13 January 2009 2274:on 8 December 2011 1900:"Hatcha Biography" 1873:9 May 2012 at the 1822:AllMusic - Dubstep 1603: 1601:performing in 2012 1520: 1487:2011: Post-dubstep 1439:Chase & Status 1365:Hold It Against Me 1361:Chase & Status 1355:'s Hank Shocklee, 1286:City Limits Vol. 1 1256:put their single " 1248:dance chart list. 1224: 1177:2008: Purple sound 1171:video game samples 1124:for a show called 1122:Maida Vale studios 1000:Ricardo Villalobos 992: 928: 832: 800: 724: 703:1999–2002: Origins 589:through an entire 441:, and can feature 378:The music website 325: 8585: 8584: 8581: 8580: 8509:Data sonification 8259: 8258: 8246:Plugg microgenres 8231:Breakcore revival 8196:Slowed and reverb 7876:Post-punk revival 7577:Progressive house 7496:Industrial techno 7168:Asian underground 7100:Power electronics 6876:Alternative dance 6735:Afro/cosmic music 6690:Psychedelic music 6463: 6462: 5928:Dancing Astronaut 5763:. VICE Magazine. 5469:on 7 January 2012 5420:Mellisa Bradshaw, 5337:, Spin Media LLC. 5198:Jeffries, David. 5017:"Grime / Dubstep" 4546:on 30 August 2009 3556:Time Out New York 3458:The Village Voice 3302:on 13 August 2011 3157:on 7 January 2009 2458:978-1-59376-407-4 2300:"Grime / Dubstep" 1856:978-1-59376-407-4 1709:2012–2013: Riddim 1481:Mainstream Top 40 1451:'s third single " 1414:Katy on a Mission 1079:, which aired on 1055:four-to-the-floor 933:compilation album 914:2005–2008: Growth 826:Dubstep producer 804:Big Apple Records 713:Big Apple Records 606:Cultural Elements 502:Invisible Jukebox 485:or incorporating 340: 197:, with prominent 145: 144: 137:List of musicians 29:Stylistic origins 8650: 8481:Video game music 8330:Acid house party 8268: 8215:Weird SoundCloud 8102:Melbourne bounce 7920:Shangaan electro 7481:Harsh noise wall 7240:Digital hardcore 7080:Industrial metal 6700:Psychedelic rock 6695:Psychedelic funk 6685:Progressive rock 6619:Live electronics 6602:Musique concrète 6597:Acousmatic music 6543:Amplified guitar 6533: 6528:decade of origin 6490: 6483: 6476: 6467: 6443:Related articles 6282: 6275: 6268: 6259: 6230:Drowned in Sound 6200: 6199: 6197: 6195: 6186:. 7 March 2023. 6176: 6170: 6169: 6167: 6165: 6145: 6139: 6138: 6136: 6134: 6114: 6108: 6107: 6105: 6103: 6083: 6077: 6076: 6074: 6072: 6052: 6046: 6045: 6043: 6041: 6022: 6013: 6012: 6010: 6008: 5989: 5983: 5982: 5980: 5978: 5958: 5945: 5944: 5942: 5940: 5918: 5912: 5911: 5909: 5907: 5887: 5881: 5880: 5878: 5876: 5854: 5848: 5847: 5845: 5843: 5821: 5815: 5814: 5812: 5810: 5788: 5782: 5781: 5774: 5772: 5750: 5744: 5743: 5736: 5734: 5710: 5704: 5703: 5701: 5699: 5677: 5671: 5670: 5668: 5666: 5661:on 30 April 2019 5657:. Archived from 5646: 5640: 5639: 5637: 5635: 5619: 5613: 5612: 5610: 5608: 5599:. Archived from 5588: 5582: 5581: 5579: 5577: 5572:on 26 April 2019 5568:. Archived from 5558: 5552: 5551: 5549: 5547: 5542:on 30 April 2019 5538:. Archived from 5526: 5509: 5508: 5506: 5504: 5485: 5479: 5478: 5476: 5474: 5465:. Archived from 5454: 5448: 5431: 5425: 5424:BBC, March 2012. 5418: 5412: 5411: 5409: 5407: 5387: 5381: 5374: 5368: 5367: 5365: 5363: 5344: 5338: 5321: 5315: 5314: 5312: 5310: 5301:. Archived from 5291: 5285: 5284: 5282: 5280: 5271:. 26 June 2012. 5265: 5259: 5258: 5256: 5254: 5235: 5226: 5225: 5223: 5221: 5210:Rovi Corporation 5195: 5189: 5188: 5186: 5184: 5163: 5157: 5156: 5154: 5152: 5131: 5125: 5124: 5119:. Archived from 5106: 5100: 5099: 5094:. Archived from 5081: 5075: 5074: 5072: 5070: 5048: 5039: 5038: 5036: 5034: 5012: 5001: 5000: 4998: 4996: 4974: 4968: 4967: 4965: 4963: 4941: 4935: 4934: 4932: 4930: 4915: 4909: 4908: 4906: 4904: 4883: 4877: 4876: 4874: 4872: 4853: 4847: 4846: 4844: 4842: 4825:David Jeffries. 4822: 4816: 4815: 4813: 4811: 4790: 4784: 4783:BBC – Chart Blog 4771: 4765: 4764: 4762: 4760: 4751:. Thefader.com. 4745: 4739: 4738: 4736: 4734: 4715: 4709: 4708: 4706: 4704: 4693:"Alexander Spit" 4689: 4683: 4682: 4680: 4678: 4659: 4650: 4649: 4647: 4645: 4623: 4617: 4616: 4614: 4612: 4592: 4586: 4585: 4583: 4581: 4562: 4556: 4555: 4553: 4551: 4536: 4530: 4529: 4527: 4525: 4510: 4504: 4503: 4501: 4499: 4483: 4477: 4476: 4474: 4472: 4467:on 20 April 2011 4457: 4451: 4450: 4448: 4446: 4427: 4421: 4420: 4418: 4416: 4396: 4390: 4389: 4387: 4385: 4365: 4359: 4358: 4356: 4354: 4339: 4333: 4332: 4330: 4328: 4308: 4302: 4301: 4299: 4297: 4282: 4276: 4275: 4273: 4271: 4262:. Archived from 4243: 4237: 4236: 4234: 4232: 4223:. Archived from 4210: 4204: 4203: 4201: 4199: 4187:Jones, Charlie. 4184: 4178: 4177: 4175: 4173: 4158: 4152: 4151: 4149: 4147: 4142:on 13 April 2011 4132: 4123: 4122: 4120: 4118: 4109:. 7 March 2013. 4099: 4093: 4092: 4090: 4088: 4073: 4067: 4066: 4064: 4062: 4047: 4041: 4040: 4038: 4036: 4021: 4015: 4014: 4012: 4010: 3995: 3989: 3976: 3970: 3969: 3967: 3965: 3945: 3939: 3938: 3936: 3934: 3918: 3912: 3911: 3909: 3907: 3892: 3886: 3885: 3883: 3881: 3865: 3859: 3858: 3856: 3854: 3839: 3833: 3832: 3830: 3828: 3806: 3800: 3799: 3797: 3795: 3786:. Archived from 3773: 3767: 3766: 3764: 3762: 3740: 3734: 3733: 3731: 3729: 3720:. Archived from 3707: 3701: 3700: 3698: 3696: 3674: 3668: 3667: 3665: 3663: 3654:. Archived from 3641: 3635: 3634: 3632: 3630: 3608: 3602: 3601: 3599: 3597: 3588:. Archived from 3575: 3569: 3568: 3550: 3544: 3543: 3538:. Archived from 3517: 3511: 3510: 3508: 3506: 3481: 3475: 3474: 3472: 3470: 3448: 3442: 3441: 3439: 3437: 3422:"Burial: Burial" 3417: 3411: 3410: 3408: 3406: 3397:. Archived from 3384: 3378: 3377: 3375: 3373: 3351: 3345: 3344: 3342: 3340: 3331:. Archived from 3318: 3312: 3311: 3309: 3307: 3298:. Archived from 3277: 3271: 3270: 3268: 3266: 3257:. Archived from 3236: 3230: 3229: 3227: 3225: 3206: 3200: 3199: 3197: 3195: 3186:. Archived from 3173: 3167: 3166: 3164: 3162: 3141: 3132: 3131: 3129: 3127: 3118:. Archived from 3105: 3099: 3098: 3096: 3094: 3072: 3066: 3065: 3063: 3061: 3052:. Archived from 3039: 3033: 3032: 3030: 3028: 3019:. Archived from 3006: 3000: 2999: 2997: 2995: 2975: 2969: 2968: 2966: 2964: 2945: 2939: 2938: 2936: 2934: 2925:. Archived from 2912: 2906: 2905: 2895: 2886: 2885: 2883: 2881: 2859: 2850: 2849: 2847: 2845: 2830: 2824: 2823: 2821: 2819: 2797: 2786: 2785: 2783: 2781: 2759: 2744: 2743: 2725: 2719: 2718: 2716: 2714: 2694: 2688: 2687: 2685: 2683: 2678:on 1 August 2008 2674:. Archived from 2658: 2652: 2651: 2649: 2647: 2632: 2626: 2625: 2623: 2621: 2599: 2593: 2592: 2590: 2588: 2565: 2559: 2558: 2556: 2554: 2532: 2526: 2525: 2523: 2521: 2512:. Archived from 2499: 2493: 2492: 2490: 2488: 2469: 2463: 2462: 2442: 2436: 2435: 2429: 2427: 2405: 2399: 2398: 2380: 2374: 2373: 2371: 2369: 2357:Resident Advisor 2347: 2322: 2321: 2319: 2317: 2295: 2284: 2283: 2281: 2279: 2270:. Archived from 2259: 2240: 2239: 2231: 2225: 2224: 2222: 2220: 2204: 2198: 2197: 2179: 2166: 2165: 2163: 2161: 2156:on 29 April 2012 2152:. Archived from 2150:Rovi Corporation 2136: 2130: 2129: 2127: 2125: 2105: 2099: 2098: 2096: 2094: 2085:. Archived from 2072: 2061: 2060: 2058: 2056: 2047:. Archived from 2030: 2015: 2014: 2012: 2010: 1988: 1979: 1978: 1976: 1974: 1954: 1948: 1947: 1945: 1943: 1922: 1916: 1896: 1890: 1865: 1859: 1844: 1831: 1819: 1556:beats per minute 1441:'s second album 1266:I'm Not Your Toy 1085:Rinse Recordings 1006:resident Cassy. 985:BBC Radio 1 736:Tempa Recordings 648:, who MCed in a 491:beats per minute 447:tritone interval 342: 341: 322: 234:BBC Radio 1 119:trap music (EDM) 92:Derivative forms 87: 80:Cultural origins 21: 8660: 8659: 8653: 8652: 8651: 8649: 8648: 8647: 8633:Music in London 8588: 8587: 8586: 8577: 8492: 8429:Chill-out music 8407: 8255: 8219: 7988: 7699: 7562:Nu skool breaks 7146: 6859: 6794:Industrial rock 6723: 6665:Electronic rock 6638: 6553:Hawaiian guitar 6526: 6517: 6500: 6494: 6464: 6459: 6438: 6400: 6327: 6291: 6286: 6226:Wayback Machine 6209: 6204: 6203: 6193: 6191: 6178: 6177: 6173: 6163: 6161: 6147: 6146: 6142: 6132: 6130: 6116: 6115: 6111: 6101: 6099: 6085: 6084: 6080: 6070: 6068: 6054: 6053: 6049: 6039: 6037: 6024: 6023: 6016: 6006: 6004: 5991: 5990: 5986: 5976: 5974: 5960: 5959: 5948: 5938: 5936: 5920: 5919: 5915: 5905: 5903: 5889: 5888: 5884: 5874: 5872: 5856: 5855: 5851: 5841: 5839: 5831:Pitchfork Media 5823: 5822: 5818: 5808: 5806: 5790: 5789: 5785: 5770: 5768: 5752: 5751: 5747: 5732: 5730: 5719:Startribune.com 5712: 5711: 5707: 5697: 5695: 5679: 5678: 5674: 5664: 5662: 5648: 5647: 5643: 5633: 5631: 5621: 5620: 5616: 5606: 5604: 5590: 5589: 5585: 5575: 5573: 5560: 5559: 5555: 5545: 5543: 5528: 5527: 5512: 5502: 5500: 5487: 5486: 5482: 5472: 5470: 5456: 5455: 5451: 5441:Wayback Machine 5432: 5428: 5419: 5415: 5405: 5403: 5389: 5388: 5384: 5375: 5371: 5361: 5359: 5346: 5345: 5341: 5331:Wayback Machine 5322: 5318: 5308: 5306: 5293: 5292: 5288: 5278: 5276: 5267: 5266: 5262: 5252: 5250: 5243:Miami New Times 5239:"Bass Invasion" 5237: 5236: 5229: 5219: 5217: 5197: 5196: 5192: 5182: 5180: 5165: 5164: 5160: 5150: 5148: 5133: 5132: 5128: 5123:on 20 May 2011. 5108: 5107: 5103: 5083: 5082: 5078: 5068: 5066: 5050: 5049: 5042: 5032: 5030: 5014: 5013: 5004: 4994: 4992: 4976: 4975: 4971: 4961: 4959: 4943: 4942: 4938: 4928: 4926: 4917: 4916: 4912: 4902: 4900: 4892:Official Charts 4885: 4884: 4880: 4870: 4868: 4855: 4854: 4850: 4840: 4838: 4824: 4823: 4819: 4809: 4807: 4799:Official Charts 4792: 4791: 4787: 4781:Wayback Machine 4772: 4768: 4758: 4756: 4747: 4746: 4742: 4732: 4730: 4717: 4716: 4712: 4702: 4700: 4691: 4690: 4686: 4676: 4674: 4667:The Independent 4661: 4660: 4653: 4643: 4641: 4625: 4624: 4620: 4610: 4608: 4594: 4593: 4589: 4579: 4577: 4564: 4563: 4559: 4549: 4547: 4538: 4537: 4533: 4523: 4521: 4512: 4511: 4507: 4497: 4495: 4485: 4484: 4480: 4470: 4468: 4459: 4458: 4454: 4444: 4442: 4429: 4428: 4424: 4414: 4412: 4398: 4397: 4393: 4383: 4381: 4370:"Grime/Dubstep" 4368:Clark, Martin. 4367: 4366: 4362: 4352: 4350: 4341: 4340: 4336: 4326: 4324: 4310: 4309: 4305: 4295: 4293: 4284: 4283: 4279: 4269: 4267: 4245: 4244: 4240: 4230: 4228: 4212: 4211: 4207: 4197: 4195: 4186: 4185: 4181: 4171: 4169: 4168:on 1 March 2012 4160: 4159: 4155: 4145: 4143: 4134: 4133: 4126: 4116: 4114: 4101: 4100: 4096: 4086: 4084: 4075: 4074: 4070: 4060: 4058: 4049: 4048: 4044: 4034: 4032: 4023: 4022: 4018: 4008: 4006: 3997: 3996: 3992: 3986:Wayback Machine 3977: 3973: 3963: 3961: 3947: 3946: 3942: 3932: 3930: 3920: 3919: 3915: 3905: 3903: 3902:on 1 March 2009 3894: 3893: 3889: 3879: 3877: 3867: 3866: 3862: 3852: 3850: 3841: 3840: 3836: 3826: 3824: 3808: 3807: 3803: 3793: 3791: 3790:on 3 March 2009 3775: 3774: 3770: 3760: 3758: 3750:Stylus Magazine 3742: 3741: 3737: 3727: 3725: 3709: 3708: 3704: 3694: 3692: 3676: 3675: 3671: 3661: 3659: 3643: 3642: 3638: 3628: 3626: 3618:The Japan Times 3610: 3609: 3605: 3595: 3593: 3577: 3576: 3572: 3552: 3551: 3547: 3519: 3518: 3514: 3504: 3502: 3483: 3482: 3478: 3468: 3466: 3450: 3449: 3445: 3435: 3433: 3419: 3418: 3414: 3404: 3402: 3386: 3385: 3381: 3371: 3369: 3361:The Independent 3353: 3352: 3348: 3338: 3336: 3320: 3319: 3315: 3305: 3303: 3279: 3278: 3274: 3264: 3262: 3261:on 14 June 2011 3238: 3237: 3233: 3223: 3221: 3216:. 11 May 2016. 3208: 3207: 3203: 3193: 3191: 3175: 3174: 3170: 3160: 3158: 3150:Rewind Magazine 3143: 3142: 3135: 3125: 3123: 3107: 3106: 3102: 3092: 3090: 3089:on 1 April 2009 3074: 3073: 3069: 3059: 3057: 3041: 3040: 3036: 3026: 3024: 3008: 3007: 3003: 2993: 2991: 2977: 2976: 2972: 2962: 2960: 2959:on 16 June 2006 2953:Forward>> 2947: 2946: 2942: 2932: 2930: 2929:on 25 June 2008 2914: 2913: 2909: 2897: 2896: 2889: 2879: 2877: 2861: 2860: 2853: 2843: 2841: 2832: 2831: 2827: 2817: 2815: 2799: 2798: 2789: 2779: 2777: 2769:The Independent 2761: 2760: 2747: 2727: 2726: 2722: 2712: 2710: 2696: 2695: 2691: 2681: 2679: 2667:Kiss 100 London 2660: 2659: 2655: 2645: 2643: 2642:on 13 July 2011 2634: 2633: 2629: 2619: 2617: 2601: 2600: 2596: 2586: 2584: 2567: 2566: 2562: 2552: 2550: 2534: 2533: 2529: 2519: 2517: 2501: 2500: 2496: 2486: 2484: 2471: 2470: 2466: 2459: 2444: 2443: 2439: 2425: 2423: 2407: 2406: 2402: 2382: 2381: 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555: 522: 512:commented on a 504:interview with 471: 376: 375: 367: 365: 364: 363: 362: 353:, and a sparse 343: 336: 333: 326: 320: 315: 313:Characteristics 279:Mary Anne Hobbs 246:Digital Mystikz 141: 123: 85: 84: 75: 17: 12: 11: 5: 8658: 8657: 8654: 8646: 8645: 8640: 8635: 8630: 8625: 8620: 8615: 8613:2010s in music 8610: 8605: 8603:2000s in music 8600: 8590: 8589: 8583: 8582: 8579: 8578: 8576: 8575: 8570: 8565: 8560: 8555: 8550: 8549: 8548: 8543: 8538: 8528: 8527: 8526: 8516: 8511: 8506: 8500: 8498: 8494: 8493: 8491: 8490: 8489: 8488: 8486:Adaptive music 8478: 8473: 8468: 8463: 8458: 8453: 8448: 8443: 8438: 8437: 8436: 8426: 8421: 8415: 8413: 8409: 8408: 8406: 8405: 8404: 8403: 8398: 8388: 8387: 8386: 8381: 8376: 8374:Plunderphonics 8366: 8361: 8360: 8359: 8358: 8357: 8347: 8342: 8337: 8332: 8322: 8317: 8312: 8307: 8306: 8305: 8300: 8295: 8285: 8280: 8274: 8272: 8265: 8261: 8260: 8257: 8256: 8254: 8253: 8248: 8243: 8238: 8233: 8227: 8225: 8221: 8220: 8218: 8217: 8212: 8211: 8210: 8200: 8199: 8198: 8193: 8188: 8178: 8176:Tropical house 8173: 8168: 8163: 8158: 8153: 8152: 8151: 8149:Riddim (genre) 8146: 8136: 8131: 8129:Outsider house 8126: 8121: 8120: 8119: 8114: 8104: 8099: 8094: 8089: 8084: 8079: 8074: 8069: 8064: 8063: 8062: 8052: 8047: 8042: 8037: 8032: 8030:Brazilian bass 8027: 8022: 8020:Big room house 8017: 8012: 8007: 8002: 7996: 7994: 7990: 7989: 7987: 7986: 7981: 7976: 7971: 7969:Vocaloid music 7966: 7965: 7964: 7954: 7949: 7944: 7939: 7938: 7937: 7927: 7922: 7917: 7912: 7907: 7906: 7905: 7900: 7890: 7885: 7884: 7883: 7873: 7868: 7863: 7858: 7853: 7848: 7843: 7838: 7833: 7832: 7831: 7826: 7819:Hypnagogic pop 7816: 7811: 7810: 7809: 7799: 7794: 7789: 7788: 7787: 7782: 7777: 7767: 7766: 7765: 7755: 7750: 7749: 7748: 7738: 7733: 7728: 7723: 7718: 7713: 7707: 7705: 7701: 7700: 7698: 7697: 7696: 7695: 7690: 7680: 7679: 7678: 7673: 7668: 7658: 7657: 7656: 7651: 7646: 7641: 7636: 7631: 7626: 7621: 7616: 7611: 7606: 7596: 7595: 7594: 7584: 7579: 7574: 7569: 7564: 7559: 7554: 7553: 7552: 7542: 7541: 7540: 7533:Minimal techno 7530: 7525: 7520: 7515: 7510: 7509: 7508: 7506:Drill 'n' bass 7498: 7493: 7488: 7483: 7478: 7477: 7476: 7471: 7466: 7461: 7460: 7459: 7457:Lento violento 7449: 7444: 7439: 7434: 7429: 7424: 7422:Belgian techno 7414: 7409: 7408: 7407: 7402: 7392: 7387: 7382: 7381: 7380: 7370: 7365: 7360: 7355: 7350: 7349: 7348: 7347: 7346: 7341: 7336: 7331: 7323: 7322: 7321: 7311: 7310: 7309: 7304: 7299: 7294: 7281: 7280: 7279: 7274: 7269: 7259: 7258: 7257: 7247: 7242: 7237: 7232: 7227: 7222: 7217: 7212: 7211: 7210: 7208:Toytown techno 7205: 7203:Happy hardcore 7200: 7190: 7185: 7180: 7175: 7173:Baltimore club 7170: 7165: 7163:Ambient techno 7160: 7154: 7152: 7148: 7147: 7145: 7144: 7139: 7138: 7137: 7135:Detroit techno 7132: 7127: 7117: 7112: 7107: 7102: 7097: 7092: 7087: 7082: 7077: 7072: 7071: 7070: 7065: 7060: 7055: 7050: 7045: 7040: 7035: 7030: 7025: 7020: 7015: 7010: 7000: 6995: 6990: 6985: 6984: 6983: 6978: 6973: 6968: 6963: 6953: 6948: 6947: 6946: 6936: 6935: 6934: 6924: 6919: 6914: 6913: 6912: 6910:New jack swing 6902: 6901: 6900: 6898:Florida breaks 6890: 6885: 6884: 6883: 6873: 6867: 6865: 6861: 6860: 6858: 6857: 6852: 6847: 6846: 6845: 6840: 6835: 6825: 6824: 6823: 6818: 6813: 6803: 6798: 6797: 6796: 6786: 6785: 6784: 6774: 6769: 6764: 6759: 6754: 6749: 6744: 6743: 6742: 6731: 6729: 6725: 6724: 6722: 6721: 6720: 6719: 6709: 6708: 6707: 6702: 6697: 6687: 6682: 6677: 6672: 6667: 6662: 6657: 6652: 6646: 6644: 6640: 6639: 6637: 6636: 6631: 6626: 6621: 6616: 6611: 6610: 6609: 6604: 6599: 6589: 6587:Computer music 6584: 6579: 6578: 6577: 6572: 6571: 6570: 6560: 6555: 6550: 6548:Electric blues 6539: 6537: 6530: 6519: 6518: 6505: 6502: 6501: 6495: 6493: 6492: 6485: 6478: 6470: 6461: 6460: 6458: 6457: 6452: 6446: 6444: 6440: 6439: 6437: 6436: 6431: 6426: 6421: 6420: 6419: 6408: 6406: 6405:Related genres 6402: 6401: 6399: 6398: 6393: 6388: 6387: 6386: 6376: 6371: 6370: 6369: 6364: 6359: 6354: 6351: 6346: 6335: 6333: 6329: 6328: 6326: 6325: 6320: 6315: 6310: 6305: 6299: 6297: 6293: 6292: 6287: 6285: 6284: 6277: 6270: 6262: 6256: 6255: 6241: 6232: 6216: 6208: 6207:External links 6205: 6202: 6201: 6171: 6140: 6109: 6078: 6047: 6014: 5984: 5946: 5913: 5882: 5864:Clash Magazine 5849: 5816: 5783: 5745: 5705: 5690:. Conde Nast. 5672: 5641: 5614: 5583: 5553: 5510: 5480: 5449: 5426: 5413: 5382: 5378:Computer Music 5369: 5339: 5316: 5286: 5260: 5227: 5190: 5158: 5126: 5101: 5076: 5040: 5002: 4969: 4936: 4910: 4878: 4848: 4817: 4785: 4766: 4740: 4710: 4684: 4651: 4618: 4587: 4576:. 5 March 2010 4557: 4531: 4505: 4478: 4452: 4422: 4391: 4360: 4334: 4303: 4277: 4238: 4205: 4179: 4153: 4124: 4094: 4068: 4042: 4016: 3990: 3971: 3940: 3913: 3887: 3860: 3834: 3801: 3768: 3735: 3702: 3669: 3636: 3603: 3570: 3545: 3527:Cyclic Defrost 3512: 3476: 3443: 3412: 3379: 3346: 3313: 3287:Cyclic Defrost 3272: 3246:Cyclic Defrost 3231: 3201: 3168: 3133: 3100: 3067: 3056:on 6 June 2007 3034: 3001: 2970: 2940: 2907: 2887: 2851: 2825: 2787: 2745: 2720: 2689: 2653: 2627: 2594: 2560: 2549:on 22 May 2011 2527: 2494: 2464: 2457: 2437: 2400: 2375: 2323: 2285: 2241: 2226: 2199: 2167: 2131: 2100: 2089:on 28 May 2020 2062: 2045:Time Out Group 2016: 1980: 1949: 1917: 1891: 1860: 1832: 1813: 1812: 1810: 1807: 1806: 1805: 1798: 1795: 1773: 1770: 1751: 1748: 1713:Main article: 1710: 1707: 1695:'s 2011 album 1681:Marilyn Manson 1630:Simon Reynolds 1588:Main article: 1585: 1582: 1573:We're New Here 1514:performing at 1491:Main article: 1488: 1485: 1353:The Bomb Squad 1228:Britney Spears 1209: 1206: 1178: 1175: 1162:, Subeena and 1077:Dubplate Drama 1059:bassline house 996:minimal techno 915: 912: 819: 816: 704: 701: 699: 696: 692:Sam Shackleton 607: 604: 554: 551: 521: 518: 470: 467: 404:those who know 384:Simon Reynolds 366: 344: 334: 329: 328: 327: 318: 317: 316: 314: 311: 293:. The harsher 150:is a genre of 143: 142: 140: 139: 133: 130: 129: 125: 124: 122: 121: 116: 111: 106: 101: 95: 93: 89: 88: 81: 77: 76: 74: 73: 68: 63: 58: 53: 48: 43: 38: 32: 30: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 8656: 8655: 8644: 8641: 8639: 8636: 8634: 8631: 8629: 8626: 8624: 8621: 8619: 8616: 8614: 8611: 8609: 8606: 8604: 8601: 8599: 8596: 8595: 8593: 8574: 8571: 8569: 8566: 8564: 8561: 8559: 8556: 8554: 8551: 8547: 8544: 8542: 8539: 8537: 8534: 8533: 8532: 8529: 8525: 8522: 8521: 8520: 8517: 8515: 8512: 8510: 8507: 8505: 8502: 8501: 8499: 8495: 8487: 8484: 8483: 8482: 8479: 8477: 8476:Sound collage 8474: 8472: 8469: 8467: 8464: 8462: 8459: 8457: 8454: 8452: 8449: 8447: 8444: 8442: 8439: 8435: 8432: 8431: 8430: 8427: 8425: 8424:Celtic fusion 8422: 8420: 8417: 8416: 8414: 8410: 8402: 8399: 8397: 8394: 8393: 8392: 8389: 8385: 8382: 8380: 8377: 8375: 8372: 8371: 8370: 8367: 8365: 8362: 8356: 8353: 8352: 8351: 8348: 8346: 8343: 8341: 8338: 8336: 8335:Circuit party 8333: 8331: 8328: 8327: 8326: 8323: 8321: 8318: 8316: 8313: 8311: 8308: 8304: 8301: 8299: 8296: 8294: 8291: 8290: 8289: 8286: 8284: 8281: 8279: 8276: 8275: 8273: 8269: 8266: 8262: 8252: 8249: 8247: 8244: 8242: 8239: 8237: 8234: 8232: 8229: 8228: 8226: 8222: 8216: 8213: 8209: 8206: 8205: 8204: 8201: 8197: 8194: 8192: 8189: 8187: 8184: 8183: 8182: 8179: 8177: 8174: 8172: 8169: 8167: 8164: 8162: 8159: 8157: 8154: 8150: 8147: 8145: 8142: 8141: 8140: 8137: 8135: 8132: 8130: 8127: 8125: 8122: 8118: 8115: 8113: 8110: 8109: 8108: 8105: 8103: 8100: 8098: 8095: 8093: 8090: 8088: 8087:Jungle terror 8085: 8083: 8080: 8078: 8075: 8073: 8070: 8068: 8065: 8061: 8058: 8057: 8056: 8053: 8051: 8048: 8046: 8043: 8041: 8038: 8036: 8033: 8031: 8028: 8026: 8023: 8021: 8018: 8016: 8013: 8011: 8008: 8006: 8003: 8001: 7998: 7997: 7995: 7991: 7985: 7982: 7980: 7977: 7975: 7972: 7970: 7967: 7963: 7960: 7959: 7958: 7955: 7953: 7950: 7948: 7945: 7943: 7940: 7936: 7933: 7932: 7931: 7928: 7926: 7923: 7921: 7918: 7916: 7913: 7911: 7908: 7904: 7901: 7899: 7896: 7895: 7894: 7891: 7889: 7886: 7882: 7879: 7878: 7877: 7874: 7872: 7869: 7867: 7864: 7862: 7859: 7857: 7854: 7852: 7849: 7847: 7844: 7842: 7839: 7837: 7834: 7830: 7827: 7825: 7822: 7821: 7820: 7817: 7815: 7812: 7808: 7805: 7804: 7803: 7800: 7798: 7797:Future garage 7795: 7793: 7792:Electronicore 7790: 7786: 7783: 7781: 7778: 7776: 7773: 7772: 7771: 7770:Electro house 7768: 7764: 7761: 7760: 7759: 7756: 7754: 7753:Dancehall pop 7751: 7747: 7744: 7743: 7742: 7739: 7737: 7734: 7732: 7729: 7727: 7724: 7722: 7719: 7717: 7714: 7712: 7709: 7708: 7706: 7702: 7694: 7691: 7689: 7686: 7685: 7684: 7683:UK hard house 7681: 7677: 7674: 7672: 7669: 7667: 7664: 7663: 7662: 7659: 7655: 7652: 7650: 7647: 7645: 7642: 7640: 7637: 7635: 7632: 7630: 7627: 7625: 7622: 7620: 7617: 7615: 7612: 7610: 7607: 7605: 7602: 7601: 7600: 7597: 7593: 7590: 7589: 7588: 7585: 7583: 7580: 7578: 7575: 7573: 7570: 7568: 7565: 7563: 7560: 7558: 7555: 7551: 7550:Electro swing 7548: 7547: 7546: 7543: 7539: 7536: 7535: 7534: 7531: 7529: 7526: 7524: 7521: 7519: 7516: 7514: 7511: 7507: 7504: 7503: 7502: 7499: 7497: 7494: 7492: 7489: 7487: 7484: 7482: 7479: 7475: 7472: 7470: 7467: 7465: 7462: 7458: 7455: 7454: 7453: 7450: 7448: 7445: 7443: 7440: 7438: 7435: 7433: 7430: 7428: 7427:Bouncy techno 7425: 7423: 7420: 7419: 7418: 7415: 7413: 7410: 7406: 7403: 7401: 7398: 7397: 7396: 7393: 7391: 7388: 7386: 7383: 7379: 7376: 7375: 7374: 7371: 7369: 7366: 7364: 7361: 7359: 7358:Dungeon synth 7356: 7354: 7351: 7345: 7342: 7340: 7337: 7335: 7332: 7330: 7327: 7326: 7324: 7320: 7317: 7316: 7315: 7312: 7308: 7305: 7303: 7300: 7298: 7295: 7293: 7290: 7289: 7287: 7286: 7285: 7284:Drum and bass 7282: 7278: 7275: 7273: 7270: 7268: 7267:Bristol sound 7265: 7264: 7263: 7260: 7256: 7253: 7252: 7251: 7248: 7246: 7243: 7241: 7238: 7236: 7233: 7231: 7228: 7226: 7223: 7221: 7218: 7216: 7213: 7209: 7206: 7204: 7201: 7199: 7196: 7195: 7194: 7191: 7189: 7186: 7184: 7181: 7179: 7176: 7174: 7171: 7169: 7166: 7164: 7161: 7159: 7156: 7155: 7153: 7149: 7143: 7142:Tracker music 7140: 7136: 7133: 7131: 7128: 7126: 7123: 7122: 7121: 7118: 7116: 7113: 7111: 7108: 7106: 7103: 7101: 7098: 7096: 7093: 7091: 7088: 7086: 7083: 7081: 7078: 7076: 7073: 7069: 7066: 7064: 7061: 7059: 7056: 7054: 7051: 7049: 7046: 7044: 7041: 7039: 7036: 7034: 7031: 7029: 7026: 7024: 7021: 7019: 7018:Balearic beat 7016: 7014: 7011: 7009: 7006: 7005: 7004: 7001: 6999: 6996: 6994: 6991: 6989: 6986: 6982: 6979: 6977: 6974: 6972: 6969: 6967: 6964: 6962: 6959: 6958: 6957: 6954: 6952: 6949: 6945: 6942: 6941: 6940: 6937: 6933: 6930: 6929: 6928: 6925: 6923: 6920: 6918: 6915: 6911: 6908: 6907: 6906: 6903: 6899: 6896: 6895: 6894: 6891: 6889: 6886: 6882: 6879: 6878: 6877: 6874: 6872: 6869: 6868: 6866: 6862: 6856: 6853: 6851: 6850:Reggae fusion 6848: 6844: 6841: 6839: 6836: 6834: 6831: 6830: 6829: 6826: 6822: 6819: 6817: 6814: 6812: 6809: 6808: 6807: 6804: 6802: 6799: 6795: 6792: 6791: 6790: 6787: 6783: 6780: 6779: 6778: 6775: 6773: 6770: 6768: 6765: 6763: 6760: 6758: 6755: 6753: 6750: 6748: 6745: 6741: 6738: 6737: 6736: 6733: 6732: 6730: 6726: 6718: 6715: 6714: 6713: 6710: 6706: 6703: 6701: 6698: 6696: 6693: 6692: 6691: 6688: 6686: 6683: 6681: 6680:New-age music 6678: 6676: 6673: 6671: 6668: 6666: 6663: 6661: 6658: 6656: 6653: 6651: 6648: 6647: 6645: 6641: 6635: 6634:Space age pop 6632: 6630: 6627: 6625: 6622: 6620: 6617: 6615: 6612: 6608: 6605: 6603: 6600: 6598: 6595: 6594: 6593: 6590: 6588: 6585: 6583: 6580: 6576: 6575:Western swing 6573: 6569: 6566: 6565: 6564: 6561: 6559: 6556: 6554: 6551: 6549: 6546: 6545: 6544: 6541: 6540: 6538: 6534: 6531: 6529: 6524: 6520: 6516: 6515: 6510: 6509: 6503: 6498: 6491: 6486: 6484: 6479: 6477: 6472: 6471: 6468: 6456: 6453: 6451: 6448: 6447: 6445: 6441: 6435: 6432: 6430: 6427: 6425: 6422: 6418: 6415: 6414: 6413: 6410: 6409: 6407: 6403: 6397: 6394: 6392: 6389: 6385: 6382: 6381: 6380: 6377: 6375: 6372: 6368: 6365: 6363: 6360: 6358: 6355: 6352: 6350: 6347: 6345: 6342: 6341: 6340: 6337: 6336: 6334: 6330: 6324: 6321: 6319: 6318:Future garage 6316: 6314: 6311: 6309: 6306: 6304: 6301: 6300: 6298: 6294: 6290: 6283: 6278: 6276: 6271: 6269: 6264: 6263: 6260: 6253: 6249: 6245: 6242: 6240: 6236: 6233: 6231: 6227: 6223: 6220: 6217: 6214: 6211: 6210: 6206: 6189: 6185: 6181: 6175: 6172: 6159: 6155: 6151: 6144: 6141: 6128: 6124: 6120: 6113: 6110: 6097: 6093: 6089: 6082: 6079: 6066: 6062: 6058: 6051: 6048: 6035: 6031: 6027: 6021: 6019: 6015: 6002: 5998: 5994: 5988: 5985: 5972: 5968: 5964: 5957: 5955: 5953: 5951: 5947: 5934: 5930: 5929: 5924: 5917: 5914: 5901: 5897: 5893: 5886: 5883: 5870: 5866: 5865: 5860: 5853: 5850: 5837: 5833: 5832: 5827: 5820: 5817: 5804: 5800: 5799: 5794: 5787: 5784: 5780: 5779: 5766: 5762: 5761: 5756: 5749: 5746: 5742: 5741: 5728: 5724: 5720: 5716: 5709: 5706: 5693: 5689: 5688: 5687:Pitchfork.com 5683: 5676: 5673: 5660: 5656: 5652: 5645: 5642: 5629: 5625: 5618: 5615: 5603:on 1 May 2019 5602: 5598: 5594: 5587: 5584: 5571: 5567: 5563: 5557: 5554: 5541: 5537: 5536: 5531: 5525: 5523: 5521: 5519: 5517: 5515: 5511: 5498: 5494: 5493:Rolling Stone 5490: 5484: 5481: 5468: 5464: 5460: 5453: 5450: 5446: 5442: 5438: 5435: 5430: 5427: 5423: 5417: 5414: 5401: 5397: 5393: 5386: 5383: 5379: 5373: 5370: 5357: 5353: 5349: 5343: 5340: 5336: 5335:Spin Magazine 5332: 5328: 5325: 5320: 5317: 5304: 5300: 5296: 5290: 5287: 5274: 5270: 5264: 5261: 5248: 5244: 5240: 5234: 5232: 5228: 5215: 5211: 5207: 5206: 5201: 5194: 5191: 5178: 5174: 5173: 5168: 5162: 5159: 5146: 5142: 5141: 5136: 5130: 5127: 5122: 5118: 5117: 5112: 5105: 5102: 5097: 5093: 5092: 5087: 5080: 5077: 5064: 5060: 5059: 5054: 5047: 5045: 5041: 5028: 5024: 5023: 5018: 5011: 5009: 5007: 5003: 4990: 4986: 4985: 4980: 4973: 4970: 4957: 4953: 4952: 4947: 4940: 4937: 4924: 4920: 4914: 4911: 4898: 4894: 4893: 4888: 4882: 4879: 4866: 4862: 4858: 4852: 4849: 4836: 4832: 4828: 4821: 4818: 4805: 4801: 4800: 4795: 4789: 4786: 4782: 4778: 4775: 4770: 4767: 4754: 4750: 4744: 4741: 4728: 4724: 4720: 4714: 4711: 4698: 4694: 4688: 4685: 4672: 4668: 4664: 4658: 4656: 4652: 4639: 4635: 4634: 4629: 4622: 4619: 4606: 4602: 4598: 4591: 4588: 4575: 4574:PRS for Music 4571: 4567: 4561: 4558: 4545: 4541: 4535: 4532: 4519: 4515: 4509: 4506: 4493: 4489: 4482: 4479: 4466: 4462: 4456: 4453: 4440: 4436: 4432: 4426: 4423: 4410: 4406: 4402: 4395: 4392: 4379: 4375: 4371: 4364: 4361: 4348: 4344: 4338: 4335: 4322: 4318: 4314: 4307: 4304: 4291: 4287: 4281: 4278: 4265: 4261: 4257: 4255: 4249: 4242: 4239: 4226: 4222: 4221: 4216: 4209: 4206: 4194: 4190: 4183: 4180: 4167: 4163: 4157: 4154: 4141: 4137: 4131: 4129: 4125: 4112: 4108: 4104: 4098: 4095: 4082: 4078: 4072: 4069: 4056: 4052: 4046: 4043: 4030: 4026: 4020: 4017: 4004: 4000: 3994: 3991: 3987: 3983: 3980: 3975: 3972: 3959: 3955: 3951: 3944: 3941: 3928: 3924: 3917: 3914: 3901: 3897: 3891: 3888: 3875: 3871: 3864: 3861: 3848: 3844: 3838: 3835: 3822: 3818: 3817: 3812: 3805: 3802: 3789: 3785: 3784: 3779: 3772: 3769: 3756: 3752: 3751: 3746: 3739: 3736: 3723: 3719: 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