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Dudes (film)

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395:, Grant finds a matchbook in Milo's jacket that leads them to a saloon in a Montana town where they find Missoula and Blix. Trailing them into a movie theater, Grant and Biscuit open fire on the pair, but Grant hesitates and a shootout ensues; Missoula and Blix escape, while Grant and Biscuit are arrested and jailed. Missoula and Blix murder two sheriff's department officers and invade the jail in an attempt to kill the boys, but Jessie arrives just in time to break them out. Grant manages to kill Blix and wound Missoula, and pursues him on horseback to an abandoned building, where he tackles Missoula off a high ledge. Missoula shoots Grant in the arm and Grant returns fire, killing him. Grant once again sees Witherspoon and the Native American warriors, now accompanied by Milo, who ride off into the distance and disappear in a cloud of dust just before Biscuit and Jessie arrive. 1572:
distributors, they still didn't know about punk rock. They were like "Punk rock? Oh, no...Heavy metal? No, no." So we had two strikes right there." Flea agreed with this: "It has punk rock it in it, it has the Vandals, but it's not a punk rock movie. And then it has this sort of Western thing, this cowboy thing, but it's not a Western movie. And it has kind of a metal element too, but it's not a metal movie. Culturally, it doesn't really sit in a perfect place for people to pigeonhole." Although Jahnson's script was written as a dramatic, action-filled "punk western" and not a
869: 681: 560: 718:, and chose Cryer at Jaffe's suggestion. To prepare for the role Cryer learned how to ride a horse and fire a gun, and got his ear pierced since the script called for Grant to wear an earring; the heavy earring caused the piercing to become infected. Being young and eager to play the hero, he performed many of his own stunts. He had difficulty with the scenes that required him to drive a car; He had earned his driver's license while performing in 811:, later saying that he brought to the role "a certain vulnerability and a certain sweetness that actually wasn't written into the script, and played it in such a sweet, loving way that when the moment came that killed in the movie, it was more powerful, because so lovable before that, and people don't expect that moment." Flea felt honored to be cast, since 772:, since that was what the script called for his character, Biscuit, to have. When given the part, he had to have the sides of his head shaved and his hair tied into place for the duration of filming since it was too time-consuming to take apart and re-tie the mohawk for each shoot. Roebuck was not into punk rock, however, describing himself as a " 1679: 857: 730:
became interested in the role of Jessie because "she was a strong female character, which is important, and also was somebody who could ride horses, shoot a gun, she owned a garage...Part of my fantasy when I was a little girl was to do exactly all that stuff, and when I came on the set I had an idea
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where Missoula is rumored to be hiding, Grant once again sees the mysterious cowboy, but Biscuit dismisses it as an illusion. Finding the town empty, the pair get drunk and have a vision in which they meet the cowboy, named Witherspoon, accompanied by a trio of Native American warriors from Biscuit's
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takes pains to reclaim the western for its spiky-haired leads, therefore placing it in conversation with past westerns and with other countercultural films I'm not sure that it adds that much to the discussion, or even that it means to. But its utter weirdness is a virtue, and there's a playfulness
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Spheeris felt similarly upon reflection, saying that "when we were looking to get it released, the distributors just didn't get it. You know, punk rock was born in the late '70s, and then by the time we got to '86 and '7 it was still around, but I started integrating some metal in , you know. So the
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We wound up with a movie that was both true to and exceeded the multiple genres of the script, and the script wasn't one thing or another. It's a punk rock Western; well, what does that mean? It's a modern Western; what does that mean? It also has supernatural elements, but it's got punk rock, it's
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willing to give the film a wide theatrical release. "We were a small indie company," reflected Tejada-Flores 30 years later, "we had money to make indie films, and we co-financed a distribution company, but we didn't have the clout and the budget that the bigger distribution companies had", feeling
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from New York City who attempt to make their way to California. When one of them is murdered by a vicious gang leader, the other two, played by Cryer and Roebuck, find themselves fish out of water as they pursue the murderer from Arizona to Montana, assisted by a tow truck driver played by Stewart.
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Catching up to Missoula's truck, Grant and Biscuit engage in a high-speed shootout with Missoula and his buddy Blix, but swerve off the road and crash. They are rescued by Jessie, who teaches Grant how to shoot and ride a horse and strikes up a romance with him. Meanwhile, Biscuit has a dream in
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The local sheriffs do not believe the boys' story, having no record of Missoula or his gang and being unable to find Milo's body as evidence of the murder. Grant resolves to track down the gang and avenge Milo's death, despite Biscuit's reservations. Heading back into Utah, they find one of the
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transfer to the more modern digital formats. As added features for this 30th anniversary release, Spheeris conducted interviews with Cryer, Roebuck, and Flea reflecting on the making of the film. Separate interviews with Stewart and with Jahnson and Tejada-Flores were also included. During the
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in the building being used and refused to re-enter it, so the sequence had to be rewritten and edited to show less of his character. Spheeris liked Flea's performance so much that he was asked to return to filming so that his character could appear in the final scene, which had not been in the
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gang's trucks overturned and several of the members dead. Before dying, one of them reveals that they planned to turn themselves in but were killed by Missoula, who is headed north through Wyoming to Montana. The boys also meet Jessie, a young woman who runs a gas station and towing business.
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to Jaffe, and the two agreed that Spheeris was a good candidate to direct, a choice which was solidified when she convinced them that she could make the film within their proposed budget and get good performances out of her actors. Jahnson was a fan of Spheeris' 1981 punk rock documentary
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where people are getting sent out to ambulances all the time, and getting their heads really stomped in for having the wrong hair and shit...so I felt comfortable and fun in that environment", he recalled 30 years later. A scene in which Grant, Biscuit, and Milo nearly fall off of a
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mold" and for being "stripped to minimal, car-chase, '80s limits and spiced up with slapstick and an allegedly colorful subculture—which isn't very well portrayed", but complimented the cinematography and directing, saying "the deep-focus, scorching cinematography of
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cartoon. Beep, beep!') is another problem. Still, there are enough eccentric touches to hold the interest, like the exuberantly vicious Mr. Ving in his villain's role, and the character calling himself Daredelvis (Pete Willcox), who has somehow worked a lot of
315:. Several parties involved in making the film, including Spheeris, later attributed this to its mixing of multiple genres and tones. Written as a dramatic, action-filled "punk Western" set in the modern era, the finished film also contained elements of comedy, 1614:
gave it a middling review, saying that it "has a more commercial tone than some of Miss Spheeris' earlier films, which is to say it's filled with scenic, largely unmotivated events and lacks conviction. Tongue-tied dialogue ('This country, man - it's like a
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movie", he said in 2015. "There was nothing like it. When I read it all I thought of was 'I want to be in a Western.' I was a little concerned about the punk rock stuff, but I really liked the Western stuff." For his audition in front of Spheeris he wore a
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in 2011, Victoria Large called it "something of a bridge between the cult, punk films that started career and the slick Hollywood comedies that the director is perhaps more widely associated with. And while it’s true that melding the spiky strangeness of
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were used for some of the action, and the one standing in for Roebuck punched one of the punks squarely in the face. Flea, who had been to many punk rock shows, had no problem filming the scene: "That was very controlled in comparison to, like, a
668:(1986), personally approached Spheeris and expressed interest in working with her. Tejada-Flores and Jaffe had been impressed by Richardson's prior work, but did not think they could afford him; however, Richardson agreed to work within their 1833:
in January 2016 with Spheeris, Jahnson, Cryer, Roebuck, Stewart, and Pete Willcox (who played Daredelvis) in attendance, as part of a two-night tribute to the director. Spheeris also hosted a screening of the film at the
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when she stopped her horse abruptly to avoid hitting a parked vehicle and was thrown into the vehicle herself. This occurred toward the end of filming her scenes, so it did not significantly impact the shooting schedule.
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soldiers led by Missoula. Upon awakening, he begins to imitate a Native American warrior and insists on resuming the pursuit. Jesse outfits the pair in exaggerated western costumes and gives them use of a beat-up 1959
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handles the material with relish. Spheeris has an eye and a sense of humor, and she keeps everything overripe and zingy. She's also cast interesting actors who keep going pleasantly over the top, as in a good
1632:'s performance, saying "Mr. Ving was made for villainy, and he's at least as well suited to bad-guy acting roles as he is to punk posturing." Critic Michael Wilmington also gave the film a mixed review in the 388:
dream. Witherspoon magically transports Grant back in time to when the town was populated and raucous, while the Native Americans similarly transport Biscuit back in time to participate in a tribal gathering.
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and rain. Filming in Arizona lasted four weeks, with additional location filming taking place in New Mexico and Utah. For one of the driving scenes, Spheeris suggested that Cryer, Roebuck, and Flea sing
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was shot in downtown Los Angeles with the actors at ground level, then edited together with shots of stuntmen dangling from a higher level. A scene in which Grant flirts with a woman played by
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company the Vista Organization as "punk rockers out in the wilds of Wyoming", which Tejada-Flores thought was an interesting idea, though a bit "out there" conceptually. He and fellow producer
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and nine other Vista-produced films, claiming that Vista was attempting to renege on its commitment to license home video distribution of its films to Heron due to a possible merger with
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Catherine Mary Stewart joined the crew midway through filming to perform her scenes, including the jailbreak scene set in the fictional town of Crossfire, Montana, which was filmed in
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before. Cryer later remarked that he found it to be rough, but fun and less violent than he had expected. Roebuck, however, recalled that he and Cryer were being trounced by the
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and enlist his help to capture gang member Wes, from whom they recover Milo's stolen jacket, but Wes is killed by a bull without revealing Missoula's location. On the way to a
2478: 355:"Daredelvis" with getting his trailer unstuck. Later, Grant sees a mirage of a cowboy on horseback. While camping in the Arizona desert they are attacked by a gang of vicious 1039:; Spheeris liked both genres, and worked them both into the soundtrack, although she later thought this caused confusion regarding the tone of the film. Her next film, 2900: 2758: 1157: 615:" to describe a "tenderfoot" or "fish out of water", city-dwelling Easterners unprepared for life on the frontier, seeing his main characters as modern "dudes". 2885: 2693: 2905: 2580: 731:
of what my character should be and what I sort of developed for myself, and was very supportive of that." In preparation for the role she trained with a
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first read the script in March 1986 and expressed interest. Tejada-Flores had been impressed by her previous directorial work, particularly her 1985 film
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Spheeris wanted Jahnson to be part of the casting process, and invited him to many of the casting sessions, which was not common practice for directors.
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is "most memorable for its loopy flourishes" and "at its most self-conscious when it comes to its co-option of western tropes", concluding that "while
359:, and Milo is murdered by their leader, Missoula. Grant and Biscuit escape and collapse in the desert, where Grant again sees a vision of the cowboy. 960:. The rodeo scene, set in the fictional town of Peckerville, Wyoming, was filmed in Agua Dulce as well. Some of the desert scenes were filmed in the 724:
in Los Angeles several years prior, but used public transport and taxis in his native New York City and had very little experience behind the wheel.
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of the New York skyline and other buildings edited in to create the illusion of being in New York City. The opening scene, a punk rock show with
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script as well as the opportunity to play the hero, which he had not done before. Spheeris favored Cryer for the film's lead but also considered
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performing their song "Urban Struggle" (with its opening lyric "I want to be a cowboy"), was the first to be filmed. Cryer and Roebuck both had
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vibes going for it", concluding that "the violent clash between cultures makes for absurdist adolescent drama, but it's weirdly entertaining."
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here that charms." In 2015, critic Dennis Schwartz gave the film a B− rating, calling it an "off-beat road adventure comedy" that "has some
549:, guitarist Dan Root, and bassist Chalmer Lumary—appear as themselves in the film's opening scene, performing their song "Urban Struggle". 2875: 2845: 2830: 2825: 2750: 2605: 1652: 1321: 1152: 789: 659: 651: 259: 112: 611:, which influenced his crossing of the two genres in his script. He settled on the film's title based on the Old West use of the term " 2865: 1616: 1523: 2244: 1604:
ultimately received only a limited release in a few theaters, opening in New York on June 24, 1988, and in Los Angeles a week later.
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Spheeris, Penelope; Jahnson, Randall; Cryer, Jon; Stewart, Catherine Mary; Roebuck, Daniel (2017). "Vintage Featurette – Making of
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was initially scheduled for theatrical release in April 1987, but this date was pushed back multiple times. It was screened at the
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and brought in several artists to appear on the film's soundtrack. At the time, the Los Angeles punk rock scene was giving way to
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contributed a new recording of "Urban Struggle", which had been an early hit for the band. Only guitarist Jan Sakert and drummer
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Production then moved east, outside of Los Angeles. The redneck attack and Milo's murder, set in Arizona, were filmed in
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International Film Festival in October 2017, at which she was presented a Lifetime Achievement award for her film work.
1440: 351:. Bored with their lives, they decide to move to Los Angeles, and set out on a cross-country drive. In Utah they assist 130: 2210: 868: 331:, through which niche interest in the film persisted in subsequent decades. In 2017 it was given a new release in the 293:, Axxel G. Reese of the Gears, and punk artist and promoter "Mad" Marc Rude in minor roles, as well as punk rock band 2850: 2792: 2566: 1628:." She felt that Cryer and Roebuck "have a wholesomeness that doesn't entirely suit their characters", but praised 1179:
recording featured new singer Dave Quackenbush and bassist Chalmer Lumary. In a retrospective review, Jon Bush of
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locations which he felt were "frozen in time". In the early and mid-1980s, he later reflected, the punk and
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Jahnson, Randall; Tejada-Flores, Miguel (2017). "Randall Jahnson and Miguel Tejada-Flores Interview".
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Guy Louthan's plea to the crowd to "not hurt the real actors" only caused them to be targeted more.
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Blessing McAnlis as Jennifer, a young girl who gives Grant and Biscuit information about the gang
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Spheeris, Penelope; Roebuck, Daniel (2017). "Daniel Roebuck Interviewed by Penelope Spheeris".
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on the Arizona-Utah border; filming in this region was delayed by inclement weather including
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he had been among a group of "street kids" similar to himself, all without acting experience.
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scenes in Los Angeles were demonstrating a certain fascination with the West, exemplified by
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is also a fun watch." Placing it in the "punk western" subgenre alongside other 1987 films
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While filming the climactic showdown between Grant and Missoula, Ving heard that there was
2653: 2613: 2553: 2341: 1582: 1495: 1290: 1285: 1135:, which featured several artists from the Los Angeles area including an early version of " 1120: 965: 904: 877: 799: 794: 750: 740: 732: 572: 420: 282: 265: 254: 242: 222: 52: 755: 2723: 2435: 2157: 2105: 2065: 2037: 1985: 1962: 1809: 1657: 1647: 1519: 1499: 1230: 916: 873: 773: 746: 706: 669: 664: 600: 584: 414: 234: 94: 834:. Jahnson met with the surviving members of the Doors while working on his script for 2809: 2032:
Spheeris, Penelope; Cryer, Jon (2017). "Jon Cryer Interviewed by Penelope Spheeris".
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Additional songs used in the film but not included on the soundtrack album include "
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about the band; Densmore had moved into acting, knew Spheeris, and had heard about
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rated the soundtrack album 3 stars out of 5 and pointed to the Megadeth track and
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Christina Beck as the woman accompanying Missoula in the saloon and movie theater
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from 1991, the only format on which the film was available until its release on
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and gets into a brawl with her boyfriend was filmed at popular punk hangout the
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soundtrack, the combination of which made it difficult to market. It received a
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Molly Matthiesen as the woman accompanying Blix in the saloon and movie theater
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filed a lawsuit against the Vista Organization regarding home video rights to
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was shown in only a few theaters and did not receive a wide release through a
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remained from the lineup that had recorded the original version, released on
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Peter Kent as Elyse's boyfriend "Road Warrior", who starts a fight with Grant
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performing in the opening scene. Spheeris had previously worked with Ving in
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Spheeris, Penelope; Flea (2017). "Flea Interviewed by Penelope Spheeris".
2547: 2183: 1629: 1498:, "Dirty Pool" and "Dead Dog Man" by the Little Kings (a group featuring 1336: 1180: 1144: 1011: 780: 736: 580: 520: 426: 238: 99: 2536: 1805: 1695: 912: 793:(1981), and stayed in touch with him. It was through Ving that she met 356: 336: 1678: 856: 655:, and agreed that she had the "punk rock sensibility" for the script. 474:
Arleigh Bonnaha as Fights at Dawn, one of the Native American warriors
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Stewart, Catherine Mary (2017). "Catherine Mary Stewart Interview".
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as too strange, and too dissimilar to mainstream films, to pick up:
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which he is part of a Native American tribe who are slaughtered by
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movie", singling out Ving and Roebuck's performances as examples.
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revenge story in a contemporary setting, its plot concerns three
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Scenes of the boys driving through the desert were filmed along
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to direct, but could not agree with him on the film's "vision".
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Judy Starr as Nancy Kellog, Ray's wife and fellow scout leader
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Red Wing as Laughing Bear, one of the Native American warriors
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The Decline of Western Civilization Part II: The Metal Years
1714:. Vista claimed that it had no such arrangement with Heron. 1042:
The Decline of Western Civilization Part II: The Metal Years
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features several rock musicians in various roles, including
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that September. The Vista Organization struggled to find a
2505:"Penelope Spheeris: 2017 Lifetime Achievement Recipient / 2479:"Indie Focus: Looking ahead at the Sundance Film Festival" 1722:
format in 1991 by Avid Home Entertainment, a division of
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was a chance to work alongside trained actors whereas in
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Reviewing the film from a VHS copy in 2005, film critic
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who specialized in gun play, learning how to twirl her
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as Elyse, a woman who flirts with Grant in a restaurant
2511:. Laughlin International Film Festival. Archived from 2308:(VHS). Van Nuys, California: Avid Home Entertainment. 2245:"Film View; Penelope Spheeris Finds the Heart of Rock" 1194:
Writing credits adapted from the film's credits reel.
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Dudes: The Original Motion Picture Soundtrack Album
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Wycliff Young as Watts, one of the Arizona sheriffs
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Ancel Cook as Rhatigan, one of the Arizona sheriffs
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The early scenes set in 538:Marcia Darroch as the movie theater concessionaire 379:In Wyoming, the boys find Daredelvis working at a 2147: 2145: 2143: 2141: 2139: 2137: 2135: 2013: 2011: 2009: 2007: 2005: 2003: 2001: 1999: 1997: 1995: 1592:(1985) and her later success with the hit comedy 2133: 2131: 2129: 2127: 2125: 2123: 2121: 2119: 2117: 2115: 1223:"Rock 'n' Roll Outlaw" (originally performed by 545:—consisting of singer Dave Quackenbush, drummer 480:as Skytalks, one of the Native American warriors 441:Michael Melvin as Logan, one of the gang members 376:complete with bull's horns mounted to the hood. 2759:The Crooked E: The Unshredded Truth About Enron 1158:Killing Is My Business... and Business Is Good! 253:Continuing Spheeris' theme of highlighting the 2268: 2266: 1749:rated it a 2 out of a possible 5. Writing for 1742:found a niche audience in subsequent decades. 1131:MCA records released the soundtrack album for 444:Axxel G. Reese as Red, one of the gang members 2574: 1821:lead-up to the release, Spheeris' alma mater 995:" while driving and launch into headbanging. 347:Grant, Biscuit, and Milo are punks living in 8: 2694:The Decline of Western Civilization Part III 1642:cookie-cutter: a revenge Western in the old 907:backgrounds and were not very familiar with 532:leader who refuses to help Grant and Biscuit 2405:. Ozus' World Movie Reviews. Archived from 807:, and Spheeris reached out to him to be in 465:as Hezekiah, a prisoner in the Montana jail 447:Marc Rude as Sonny, one of the gang members 2581: 2567: 2559: 2201: 2199: 1052: 710:, was attracted to the eclectic nature of 27: 18: 1855: 1853: 1851: 1816:imprint, the original film print given a 1718:was eventually released to home video in 2359: 2357: 1762:makes for an uneven viewing experience, 1547:1987 Toronto International Film Festival 1197: 919:, who were actual punks, and that first 860:The gang attack scene was filmed at the 495:as Stoddard, one of the Montana sheriffs 1847: 1476: 662:, who had recently finished working on 2901:English-language Western (genre) films 2430:Spheeris, Penelope (Director) (2017). 2425: 2423: 2304:Spheeris, Penelope (Director) (1991). 1893: 1891: 1860:Spheeris, Penelope (Director) (1987). 501:as Beeson, one of the Montana sheriffs 403:Adapted from the film's credits reel. 1889: 1887: 1885: 1883: 1881: 1879: 1877: 1875: 1873: 1871: 1477: 7: 1554:that the larger distributors viewed 277:singer Lee Ving as the gang leader, 2886:Films directed by Penelope Spheeris 2751:Prison Stories: Women on the Inside 2606:The Decline of Western Civilization 2279:Barely Overcomes a Mediocre Script" 2211:"Review/Film; Innocents Abroad, in 1728:The Decline of Western Civilization 790:The Decline of Western Civilization 652:The Decline of Western Civilization 513:Leland Sun as the restaurant waiter 301:, and with Flea and the Vandals in 299:The Decline of Western Civilization 260:The Decline of Western Civilization 2906:English-language independent films 2716:We Sold Our Souls for Rock 'n Roll 2273:Wilmington, Michael (1988-07-01). 1524:If You Love Somebody Set Them Free 753:who had recently finished filming 563:Director Penelope Spheeris in 1984 14: 2836:Films scored by Charles Bernstein 1368:"Jesus Came Driving Along" (from 1322:These Boots Were Made for Walkin' 1256:"Urban Struggle" (1987 recording) 803:. By 1986 Flea was active in the 739:so it would slide right into its 575:was partly inspired by visits to 2458:UCLA Film and Television Archive 2450:"A Tribute to Penelope Spheeris" 2378:Not Coming to a Theater Near You 1758:with the agreeable silliness of 1751:Not Coming to a Theater Near You 1153:These Boots Are Made for Walkin' 2397:Schwartz, Dennis (2015-04-19). 895:were filmed in Hollywood, with 528:David K. Wolf as Ray Kellog, a 2364:Large, Victoria (2011-12-31). 1201: 826:, though in a minor role, was 618:Jahnson pitched his script to 456:Calvin Bartlett as Witherspoon 1: 2434:(DVD, Blu-ray). Los Angeles: 1624:mannerisms into his act as a 1506:, "Cocaine & Whiskey" by 2891:1980s English-language films 2871:Films about Native Americans 1023:Kathy Nelson, who worked at 911:, and neither had been in a 163: (Toronto Film Festival) 155:September 18, 1987 1726:. It was on VHS that, like 1445:Charles Bernstein & Co. 1324:" (originally performed by 688:similar to the one used in 2922: 2876:Contemporary Western films 2846:Films set in New York City 2831:American independent films 2826:1987 Western (genre) films 2477:Olsen, Mark (2016-01-24). 459:Pete Willcox as Daredelvis 285:as the murdered punk, and 2866:Films shot in Los Angeles 1452: 1433: 1416: 1387: 1364: 1345: 1316: 1309:Simon Steele and the Claw 1299: 1274: 1252: 1219: 1211: 1208: 1205: 822:Another musician cast in 432:Billy Ray Sharkey as Blix 33:Theatrical release poster 26: 1352:Kat Arthur, Brian Hansen 622:Miguel Tejada-Flores of 2793:Uncle Tom's Fairy Tales 2670:The Beverly Hillbillies 1911:American Film Institute 1278:"Show No Mercy" (from " 1143:and a new recording of 166:June 24, 1988 2821:1987 independent films 1825:hosted a screening of 1699: 1569: 954:Agua Dulce, California 881: 865: 779:Spheeris had featured 728:Catherine Mary Stewart 697: 564: 516:Tiny Wells as McGrorty 451:Catherine Mary Stewart 257:as in her prior films 231:Catherine Mary Stewart 141:The Vista Organization 90:Catherine Mary Stewart 2861:Films shot in Arizona 1724:Artisan Entertainment 1681: 1560: 1522:, and renditions of " 885:Principal photography 871: 859: 805:Red Hot Chili Peppers 683: 562: 279:Red Hot Chili Peppers 2896:1980s American films 2856:Films set in Wyoming 2841:Films set in Arizona 2630:Hollywood Vice Squad 2176:Original Soundtrack" 2156:(DVD). Los Angeles: 2104:(DVD). Los Angeles: 2064:(DVD). Los Angeles: 2036:(DVD). Los Angeles: 1984:(DVD). Los Angeles: 1961:(DVD). Los Angeles: 1778:, she remarked that 1704:Heron Communications 1261:Steven Ronald Jensen 1172:Peace thru Vandalism 830:, former drummer of 70:Miguel Tejada-Flores 1668:Abbott and Costello 1303:"Vengeance Is Mine" 1000:Cottonwood, Arizona 213:is a 1987 American 2678:The Little Rascals 2622:The Boys Next Door 2338:rottentomatoes.com 2250:The New York Times 2220:The New York Times 1736:The Boys Next Door 1700: 1607:The New York Times 1589:The Boys Next Door 1510:, a rendition of " 1395:" (1986 recording) 964:region, including 921:assistant director 897:establishing shots 882: 866: 721:Torch Song Trilogy 698: 646:The Boys Next Door 641:The Boys Next Door 565: 353:Elvis impersonator 2851:Films set in Utah 2803: 2802: 2775:The Real St. Nick 2732:Balls to the Wall 2591:Penelope Spheeris 2484:Los Angeles Times 2284:Los Angeles Times 1702:In October 1987, 1663:Penelope Spheeris 1653:Robert Richardson 1635:Los Angeles Times 1487: 1486: 1441:Charles Bernstein 1349:"Time Forgot You" 1191:" as highlights. 1129: 1128: 1015:original script. 993:Bohemian Rhapsody 842:biographical film 660:Robert Richardson 636:Penelope Spheeris 607:mixing punk with 593:Spaghetti Western 519:James Helpi as a 219:Penelope Spheeris 206: 205: 131:Charles Bernstein 113:Robert Richardson 43:Penelope Spheeris 2913: 2583: 2576: 2569: 2560: 2524: 2523: 2521: 2520: 2501: 2495: 2494: 2492: 2491: 2474: 2468: 2467: 2465: 2464: 2446: 2440: 2439: 2427: 2418: 2417: 2415: 2414: 2394: 2388: 2387: 2385: 2384: 2361: 2352: 2351: 2349: 2348: 2334:: Movie Reviews" 2326: 2320: 2319: 2301: 2295: 2294: 2292: 2291: 2270: 2261: 2260: 2258: 2257: 2237: 2231: 2230: 2228: 2227: 2203: 2194: 2193: 2191: 2190: 2168: 2162: 2161: 2149: 2110: 2109: 2097: 2070: 2069: 2057: 2042: 2041: 2029: 1990: 1989: 1973: 1967: 1966: 1954: 1921: 1920: 1918: 1917: 1895: 1866: 1865: 1857: 1800:was released on 1769:Straight to Hell 1712:Carolco Pictures 1551:film distributor 1512:Blue Suede Shoes 1480: 1437:"Dudes Showdown" 1408:Jane's Addiction 1203: 1198: 1141:Jane's Addiction 1125:Stephen E. Smith 1103: 1102: 1098: 1062:Soundtrack album 1053: 1049:Soundtrack album 770:mohawk hairstyle 763:. "It was not a 658:Cinematographer 624:independent film 313:film distributor 215:independent film 173: 171: 162: 160: 31: 19: 2921: 2920: 2916: 2915: 2914: 2912: 2911: 2910: 2806: 2805: 2804: 2799: 2780: 2738: 2724:The Kid & I 2654:Thunder and Mud 2593: 2587: 2554:Rotten Tomatoes 2533: 2528: 2527: 2518: 2516: 2509:Film Screening" 2503: 2502: 2498: 2489: 2487: 2476: 2475: 2471: 2462: 2460: 2454:cinema.ucla.edu 2448: 2447: 2443: 2429: 2428: 2421: 2412: 2410: 2396: 2395: 2391: 2382: 2380: 2363: 2362: 2355: 2346: 2344: 2342:Rotten Tomatoes 2328: 2327: 2323: 2316: 2303: 2302: 2298: 2289: 2287: 2275:"Movie Review: 2272: 2271: 2264: 2255: 2253: 2239: 2238: 2234: 2225: 2223: 2205: 2204: 2197: 2188: 2186: 2170: 2169: 2165: 2151: 2150: 2113: 2099: 2098: 2073: 2059: 2058: 2045: 2031: 2030: 1993: 1975: 1974: 1970: 1956: 1955: 1924: 1915: 1913: 1907:catalog.afi.com 1897: 1896: 1869: 1859: 1858: 1849: 1844: 1676: 1563:got a bunch of 1540: 1530:" performed by 1514:" performed by 1496:Faster Pussycat 1488: 1478: 1460:" (traditional) 1286:Blackie Lawless 1187:'s version of " 1100: 1096: 1095: 1051: 1021: 966:Monument Valley 905:musical theatre 878:Monument Valley 854: 751:character actor 733:stunt performer 678: 573:Randall Jahnson 571:, scriptwriter 557: 552: 541:Punk rock band 401: 345: 255:punk subculture 225:, and starring 223:Randall Jahnson 183: 176: 169: 167: 158: 156: 149: 104: 73: 53:Randall Jahnson 34: 17: 12: 11: 5: 2919: 2917: 2909: 2908: 2903: 2898: 2893: 2888: 2883: 2878: 2873: 2868: 2863: 2858: 2853: 2848: 2843: 2838: 2833: 2828: 2823: 2818: 2808: 2807: 2801: 2800: 2798: 2797: 2788: 2786: 2782: 2781: 2779: 2778: 2772: 2766:"Cheyanne" in 2763: 2755: 2746: 2744: 2740: 2739: 2737: 2736: 2728: 2720: 2712: 2706: 2698: 2690: 2682: 2674: 2666: 2658: 2650: 2642: 2634: 2626: 2618: 2610: 2601: 2599: 2598:Films directed 2595: 2594: 2588: 2586: 2585: 2578: 2571: 2563: 2557: 2556: 2545: 2532: 2531:External links 2529: 2526: 2525: 2496: 2469: 2441: 2436:Shout! Factory 2419: 2389: 2353: 2321: 2314: 2296: 2262: 2243:(1988-06-26). 2232: 2209:(1988-06-24). 2195: 2163: 2158:Shout! Factory 2111: 2106:Shout! Factory 2071: 2066:Shout! Factory 2043: 2038:Shout! Factory 1991: 1986:Shout! Factory 1968: 1963:Shout! Factory 1922: 1867: 1846: 1845: 1843: 1840: 1810:Shout! Factory 1675: 1672: 1648:Henry Hathaway 1539: 1536: 1520:Chris Spedding 1500:Gore Verbinski 1485: 1484: 1481: 1475: 1474: 1471: 1466: 1461: 1454: 1450: 1449: 1446: 1443: 1438: 1435: 1431: 1430: 1427: 1424: 1421: 1420:"Lost Highway" 1418: 1414: 1413: 1410: 1405: 1396: 1389: 1385: 1384: 1381: 1376: 1375:Bengt Aronsson 1373: 1366: 1362: 1361: 1358: 1353: 1350: 1347: 1343: 1342: 1339: 1334: 1329: 1318: 1314: 1313: 1310: 1307: 1304: 1301: 1297: 1296: 1293: 1288: 1283: 1276: 1272: 1271: 1268: 1263: 1257: 1254: 1250: 1249: 1246: 1241: 1231:Angry Anderson 1228: 1221: 1217: 1216: 1213: 1210: 1207: 1204: 1196: 1127: 1126: 1123: 1117: 1116: 1111: 1105: 1104: 1093: 1089: 1088: 1079: 1073: 1072: 1069: 1065: 1064: 1058: 1057: 1050: 1047: 1027:, served as a 1020: 1017: 874:U.S. Route 163 853: 850: 747:Daniel Roebuck 707:Pretty in Pink 677: 674: 670:cinematography 589:cover versions 585:Wall of Voodoo 556: 553: 551: 550: 539: 536: 533: 526: 523: 517: 514: 511: 508: 502: 496: 490: 487: 484: 481: 475: 472: 469: 466: 460: 457: 454: 448: 445: 442: 439: 433: 430: 424: 418: 415:Daniel Roebuck 412: 405: 400: 397: 344: 341: 235:Daniel Roebuck 204: 203: 200: 196: 195: 192: 188: 187: 184: 181: 178: 177: 175: 174: 164: 152: 150: 147: 144: 143: 138: 137:Distributed by 134: 133: 128: 124: 123: 120: 116: 115: 110: 109:Cinematography 106: 105: 103: 102: 97: 95:Daniel Roebuck 92: 87: 81: 79: 75: 74: 72: 71: 68: 62: 60: 56: 55: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 2918: 2907: 2904: 2902: 2899: 2897: 2894: 2892: 2889: 2887: 2884: 2882: 2879: 2877: 2874: 2872: 2869: 2867: 2864: 2862: 2859: 2857: 2854: 2852: 2849: 2847: 2844: 2842: 2839: 2837: 2834: 2832: 2829: 2827: 2824: 2822: 2819: 2817: 2814: 2813: 2811: 2795: 2794: 2790: 2789: 2787: 2783: 2776: 2773: 2770: 2769: 2764: 2761: 2760: 2756: 2753: 2752: 2748: 2747: 2745: 2741: 2734: 2733: 2729: 2726: 2725: 2721: 2718: 2717: 2713: 2710: 2707: 2704: 2703: 2699: 2696: 2695: 2691: 2688: 2687: 2683: 2680: 2679: 2675: 2672: 2671: 2667: 2664: 2663: 2662:Wayne's World 2659: 2656: 2655: 2651: 2648: 2647: 2643: 2640: 2639: 2635: 2632: 2631: 2627: 2624: 2623: 2619: 2616: 2615: 2611: 2608: 2607: 2603: 2602: 2600: 2596: 2592: 2584: 2579: 2577: 2572: 2570: 2565: 2564: 2561: 2555: 2551: 2550: 2546: 2544: 2540: 2539: 2535: 2534: 2530: 2515:on 2018-02-06 2514: 2510: 2508: 2500: 2497: 2486: 2485: 2480: 2473: 2470: 2459: 2455: 2451: 2445: 2442: 2437: 2433: 2426: 2424: 2420: 2409:on 2017-12-06 2408: 2404: 2402: 2393: 2390: 2379: 2375: 2374:notcoming.com 2371: 2369: 2360: 2358: 2354: 2343: 2339: 2335: 2333: 2325: 2322: 2317: 2315:1-55658-488-1 2311: 2307: 2300: 2297: 2286: 2285: 2280: 2278: 2269: 2267: 2263: 2252: 2251: 2246: 2242: 2241:Maslin, Janet 2236: 2233: 2222: 2221: 2216: 2214: 2208: 2207:Maslin, Janet 2202: 2200: 2196: 2185: 2181: 2177: 2175: 2167: 2164: 2159: 2155: 2148: 2146: 2144: 2142: 2140: 2138: 2136: 2134: 2132: 2130: 2128: 2126: 2124: 2122: 2120: 2118: 2116: 2112: 2107: 2103: 2096: 2094: 2092: 2090: 2088: 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and roll 1559: 1557: 1552: 1548: 1544: 1537: 1535: 1533: 1529: 1528:Mexican Radio 1525: 1521: 1517: 1516:Robert Gordon 1513: 1509: 1505: 1501: 1497: 1493: 1492:Bathroom Wall 1482: 1479:Total length: 1472: 1470: 1467: 1465: 1462: 1459: 1458:Amazing Grace 1455: 1451: 1447: 1444: 1442: 1439: 1436: 1432: 1428: 1425: 1422: 1419: 1415: 1411: 1409: 1406: 1404: 1400: 1399:Perry Farrell 1397: 1394: 1393:Mountain Song 1390: 1386: 1382: 1380: 1377: 1374: 1371: 1367: 1363: 1359: 1357: 1354: 1351: 1348: 1344: 1340: 1338: 1335: 1333: 1332:Lee Hazlewood 1330: 1327: 1326:Nancy Sinatra 1323: 1319: 1315: 1311: 1308: 1305: 1302: 1298: 1294: 1292: 1289: 1287: 1284: 1281: 1277: 1273: 1269: 1267: 1264: 1262: 1258: 1255: 1251: 1247: 1245: 1242: 1240: 1236: 1232: 1229: 1226: 1222: 1218: 1199: 1195: 1192: 1190: 1189:Amazing Grace 1186: 1182: 1178: 1174: 1173: 1168: 1167:Joe Escalante 1164: 1160: 1159: 1154: 1150: 1149:cover version 1146: 1142: 1138: 1137:Mountain Song 1134: 1124: 1122: 1118: 1115: 1112: 1110: 1106: 1094: 1090: 1087: 1083: 1080: 1078: 1074: 1070: 1066: 1063: 1059: 1054: 1048: 1046: 1044: 1043: 1038: 1034: 1030: 1026: 1018: 1016: 1013: 1008: 1005: 1001: 996: 994: 990: 989: 988:Wayne's World 984: 980: 976: 971: 967: 963: 959: 958:Vasquez Rocks 955: 950: 948: 944: 943:Pamela Gidley 940: 935: 931: 926: 925:Stunt doubles 922: 918: 914: 910: 906: 902: 898: 894: 890: 886: 879: 875: 870: 863: 862:Vasquez Rocks 858: 851: 849: 847: 843: 839: 838: 833: 829: 828:John Densmore 825: 820: 818: 814: 810: 806: 802: 801: 796: 792: 791: 786: 782: 777: 775: 771: 766: 762: 758: 757: 752: 748: 744: 742: 738: 734: 729: 725: 723: 722: 717: 713: 709: 708: 703: 695: 694:full-size car 691: 687: 686:Buick Invicta 682: 675: 673: 671: 667: 666: 661: 656: 654: 653: 647: 643: 642: 637: 633: 629: 625: 621: 616: 614: 610: 609:country music 606: 602: 598: 597:Dead Kennedys 594: 590: 586: 582: 578: 574: 570: 561: 554: 548: 547:Joe Escalante 544: 540: 537: 534: 531: 527: 524: 522: 518: 515: 512: 509: 506: 505:Pamela Gidley 503: 500: 499:John Densmore 497: 494: 491: 488: 485: 482: 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 446: 443: 440: 437: 436:Glenn Withrow 434: 431: 428: 425: 422: 419: 416: 413: 410: 407: 406: 404: 398: 396: 394: 389: 386: 382: 377: 375: 374:Buick Invicta 370: 364: 360: 358: 354: 350: 342: 340: 338: 334: 330: 326: 322: 318: 314: 310: 306: 304: 300: 296: 292: 288: 287:John Densmore 284: 280: 276: 272: 268: 267: 262: 261: 256: 251: 248: 244: 240: 236: 232: 228: 224: 221:, written by 220: 216: 212: 211: 201: 197: 194:United States 193: 189: 185: 179: 165: 154: 153: 151: 148:Release dates 145: 142: 139: 135: 132: 129: 125: 122:Andy Horvitch 121: 117: 114: 111: 107: 101: 98: 96: 93: 91: 88: 86: 83: 82: 80: 76: 69: 67: 64: 63: 61: 57: 54: 51: 47: 44: 41: 37: 30: 25: 20: 2791: 2774: 2767: 2757: 2749: 2730: 2722: 2714: 2708: 2700: 2692: 2684: 2676: 2668: 2660: 2652: 2644: 2637: 2636: 2628: 2620: 2612: 2604: 2548: 2537: 2517:. 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Retrieved 1906: 1900: 1861: 1826: 1814:Shout Select 1812:under their 1797: 1795: 1788: 1783: 1779: 1775:Border Radio 1773: 1767: 1763: 1759: 1755: 1747:Emanuel Levy 1744: 1739: 1735: 1731: 1727: 1715: 1707: 1701: 1687: 1656: 1633: 1612:Janet Maslin 1610:film critic 1605: 1601: 1600: 1593: 1587: 1581: 1577: 1570: 1561: 1555: 1542: 1541: 1532:Vance Colvig 1508:Ned Sublette 1489: 1426:Little Kings 1369: 1356:Legal Weapon 1306:Simon Steele 1259:Jan Sakert, 1193: 1176: 1175:(1982); the 1170: 1156: 1132: 1130: 1040: 1032: 1029:music editor 1022: 1009: 997: 986: 962:Four Corners 951: 932:show at the 888: 883: 845: 835: 823: 821: 816: 812: 808: 798: 788: 778: 760: 756:River's Edge 754: 745: 726: 719: 716:Keanu Reeves 711: 705: 699: 689: 663: 657: 650: 645: 639: 632:Ridley Scott 617: 605:Meat Puppets 568: 566: 478:Apesanahkwat 463:Vance Colvig 402: 390: 378: 365: 361: 346: 308: 307: 302: 298: 270: 264: 258: 252: 247:punk rockers 217:directed by 209: 208: 207: 182:Running time 2686:Black Sheep 2438:. 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Index


Penelope Spheeris
Randall Jahnson
Herb Jaffe
Jon Cryer
Catherine Mary Stewart
Daniel Roebuck
Lee Ving
Robert Richardson
Charles Bernstein
The Vista Organization
independent film
Penelope Spheeris
Randall Jahnson
Jon Cryer
Catherine Mary Stewart
Daniel Roebuck
Lee Ving
Western
punk rockers
punk subculture
The Decline of Western Civilization
Suburbia
Fear
Red Hot Chili Peppers
Flea
John Densmore
the Doors
the Vandals
film distributor

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