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Dumitru Țepeneag

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from the West. Ever since, he has commuted between Paris and Bucharest, and has played a part in promoting Romanian literature to the foreign public. His diaries from the early 1970s, detailing the years of his dissidence, were published in Romania beginning in 2006. Țepeneag has continued to publish
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turned out to have been modified by the editors. According to his translator Paruit, Țepeneag's leftist views may have contributed to his marginalization inside the Romanian exile, and may have even caused French authorities to view him with suspicion. Paruit noted that other writers, including
707:. Of Țepeneag in particular, Alex Ștefănescu believed that he had lost his credibility for being part of "a group of writers well liked by Ion Iliescu". Responding to this, Simion argued that Ștefănescu was wrong to criticize authors based on "their political option". 453:, an official body reuniting literary figures. As Dimisianu noted, Țepeneag's protests were singular in that their tone was not just cultural, but overtly political. According to Țepeneag, a conflict erupted inside the literary establishment after the magazine 508:" in Onirism, and argued that the movement rapidly decayed from that moment on. Nonetheless, Dimisianu noted that the current remained a strong influence on the unofficial cultural scene, and that, in time, Onirism was adopted by younger writers such as 388:
Dimisianu also noted that the Oniric movement was the only cultural movement of the time who had developed in complete separation from official guidelines. In this context, Țepeneag's contribution was compared to those of contemporaries such as
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newspaper, he described himself as "an old anarchist". Elsewhere, the writer acknowledged that, during the 1960s and early 1970s, he viewed Ceaușescu's leadership as benign, and welcomed the distance the Communist Party took from the
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decree signed by Ceaușescu. Inside Romania, Onirism became the target of cultural repression, and the term itself was carefully removed from all official publications. Țepeneag later commented that the regime had found "a
335:. According to Țepeneag, Paraschivescu, who was a former Surrealist, aimed at uniting avant-garde trends as a means to revitalize cultural life in Romania. This relationship allowed them to publish their works in his 1310: 268:
Faculty of Law. He did not complete his studies and, instead, trained as a teacher at the Bucharest Pedagogical Institute, before dedicating himself to literature without ever professing.
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in Romanian society, and especially the lack of freedom in the Romanian literary world. Alongside Ivănceanu and others, he spoke out against official policies during sessions of the
143:; b. February 14, 1937) is a contemporary Romanian novelist, essayist, short story writer and translator, who currently resides in France. He was one of the founding members of the 676:
argued that Buzura's book had classified Dumitru Țepeneag and his other adversaries as "insignificant authors", and expressed his opinion that such an attitude was incorrect.
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indicated that, at first, Romanian authorities tended to ignore the Oniric grouping, whom they viewed as "benign" and "a small racket caused by some people on the margin".
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session which, although censored by the regime, prompted pro-communist and conformist writers to condemn the Oniric grouping. During trips to the United States and
527:, Dumitru Țepeneag founded and coordinated the Committee for the Defense of Human Rights in Romania, which reported on nature of repression under Ceaușescu. A 1460: 1765: 261: 653:, both of whom reportedly refused to vouch for Țepeneag, "simply did not understand that it was possible to condemn communism from anarchist positions." 434:, but their request was never granted. The "Aesthetic Onirism" group was able to print a few volumes between 1964 and 1972, but disbanded soon after the 1367: 617: 1735: 660:, whom he accused of mismanaging the state-sponsored promotion of Romanian literature abroad. The polemic was alluded to in Buzura's 2003 volume 695:, in his book on 20th century Romanian literature. Ștefănescu alleged that all four authors had associated with Romania's first post-Revolution 1544: 488:
among them —, he was marginalized inside the Writers' Union. Subsequently, placed under surveillance by the Romanian secret police, the
638:. He remained critical of Western society, especially after an article on Communist Romanian censorship he contributed to the French journal 1091: 1715: 1179: 1484: 1750: 1628: 1434: 1426: 1407: 704: 1755: 1705: 1760: 1730: 1583: 1710: 1347: 430:. In reaction, Țepeneag and his fellow group members asked to be assigned their own magazine, as a literary supplement of 1725: 1720: 1690: 722:
literature served as an influence for younger opponents of the Communist regime. Among them was the political scientist
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In 1965-1966, Dumitru Țepeneag and Dimov reached out to a panel of young writers contributing to the Bucharest magazine
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Such conflicts also surfaced after the writer returned to Romania — notably, Țepeneag clashed with novelist
941:, translated by Alain Paruit, Paris, Éditions P.O.L., 1998; Romanian version published by Editura Albatros, 1999 523:— and later directly in French. With time, his style evolved to a more classical narrative. Together with 462: 328: 324: 288: 1596: 477:(an interview which denounced communist policies and was clandestinely broadcast inside his native country). 271:
In 1959, he met Leonid Dimov, a writer who shared his literary interests. Both took partial inspiration from
1084: 485: 414: 304:. Together, they established the literary trend called "Aesthetic Onirism", which, initially, also included 265: 1306: 1745: 1612: 723: 553: 519:, Țepeneag continued writing first in Romanian — works which were usually translated into French by 362: 216: 822:(A Romanian in Paris), Cluj, Editura Dacia, 1993; definitive edition, Bucharest, Cartea Românească, 2006 715: 167: 148: 1537: 1314: 673: 669: 532: 499:
The same year, while he was in France on temporary stay, Țepeneag's citizenship was stripped through a
382: 293: 692: 378: 1740: 932: 696: 684: 664:, where the author responded to criticism from Țepeneag, as well as to similar opinions expressed by 500: 458: 366: 1541: 1213: 1154: 711: 410: 317: 313: 301: 245: 225: 211: 195: 1418: 1099: 1088: 520: 305: 1509: 1188: 509: 309: 229: 163: 1481: 581:
Opposing the Communist regime from the Left, Dumitru Țepeneag has maintained an independent and
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member who was generally seen as anti-dogmatic, and whose personal opinions were veering toward
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During the following years, both at home and abroad, Țepeneag began campaigning against
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During his years of exile, he came into conflict with Romanian intellectuals such as
220:, he has also translated texts by Romanian poets into French — examples include 43: 1684: 1488: 1371: 1037: 835:(The son's return to the bosom of the errant mother), Iași, Institutul European, 1992 688: 624: 613: 582: 419: 398: 199: 1021: 605: 586: 394: 349:. Țepeneag's work of the time was part of a Romanian intellectual reaction against 237: 233: 221: 1580: 377:, who had attacked Țepeneag and other young authors, was replaced by the liberal 1663: 1145: 719: 700: 609: 594: 435: 374: 191: 187: 17: 809:(The Bulgarian Truck. Building Site beneath the Open Sky), Iași, Polirom, 2010. 679:
In parallel, both Țepeneag and Buzura, alongside writers such as Eugen Simion,
1553: 1104: 927:, written directly in French, 1988; translated into Romanian by the author as 913:, written directly in French, 1985, translated into Romanian by the author as 882:, first published in Romania by Editura Albatros in 1991; Bucharest, Art, 2007 635: 493: 489: 439: 332: 272: 480:
As a result, at the same time as other outspoken dissidents — novelist
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Paraschivescu's project was halted late in 1966, when authorities shut down
257: 171: 66: 1615:, "Bizantinism și revoluție. Istoria politică a comunismului românesc", in 859:(Upturned hourglass. Dialogue with Ion Simuț). , Pitești, Paralela 45, 2003 766:("Staging" or "Frame-up" and other texts), Pitești, Editura Calende, 1992 640: 546:, he returned to Romania, where he was involved in handing out emergency 469:, he met with other notable dissidents, and, in 1973, was interviewed by 183: 133: 772:(Through the keyhole), ed. Nicolae Bârna, Bucharest, Editura Allfa, 2001 1620: 918: 632: 631:, whose opinions, Țepeneag argued, situated them among admirers of the 551:
in important Western magazines, and edited the Paris-based periodicals
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The group was for a while under the protective wing of Romanian poet
413:. At the time, Dumitru Țepeneag was influenced by various trends in 878:, Paris, Flammarion, 1973 — translated by Alain Paruit after 1591: 1223: 847:(The literature war is not yet over), Bucharest, Editura ALL, 2000 528: 516: 162:
In addition to his literary work, he is known for his independent
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of 1971, when Ceaușescu imposed an even more severe system of
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Romanian novelist, essayist, short story writer and translator
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Joi, 14 iunie, ora 20.00. Medalion literar: Dumitru Țepeneag
888:, Paris, Flammarion, 1977, translated by Alain Paruit after 308:. In time, they were joined by Emil Brumaru, Daniel Turcea, 608:(especially in 1968, when Romania did not take part in the 841:(Unsuccessful journey), Bucharest, Cartea Românească, 1999 803:, Pitești, Editura Paralela 45, 2004; Bucharest, Art, 2007 369:. In particular, the period was marked by developments at 691:
were the recipients of criticism from literary historian
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History of the Literary Cultures of East-Central Europe
159:, where he was a leading figure of the Romanian exile. 1273:"Câteva idei fixe și tot atâtea variabile" (fragmente) 1036:, trans. Patrick Camiller, Dalkey Archive Press, 2010 1028:, trans. Patrick Camiller, Dalkey Archive Press, 2009 1012:, trans. Patrick Camiller, Dalkey Archive Press, 2007 748:(Exercises) Bucharest, Editura pentru literatură, 1966 1658:Între veghe și vis sau Spațiul operei lui D. Țepeneag 1390: 1388: 1386: 853:, Cluj, Editura Dacia & Biblioteca Apostrof, 2001 1264: 1262: 1260: 1258: 1256: 1254: 1252: 381:
as editor-in-chief of the magazine. Literary critic
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stripped him of his citizenship. He settled down in
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Dumitru Țepeneag și canonul literaturii alternative
1530: 1528: 1250: 1248: 1246: 1244: 1242: 1240: 1238: 1236: 1234: 1232: 1077: 1075: 1073: 1071: 1069: 1067: 993:, trans. Alain Paruit, Paris, Éditions P.O.L., 2006 987:, trans. Alain Paruit, Paris, Éditions P.O.L., 2006 981:, trans. Alain Paruit, Paris, Éditions P.O.L., 2003 975:, trans. Alain Paruit, Paris, Éditions P.O.L., 2001 109: 101: 93: 73: 50: 32: 1569: 1567: 1565: 1563: 1557:, Nr.718, December 2003; retrieved October 1, 2007 754:(Cold), Bucharest, Editura pentru literatură, 1967 147:group, and a theoretician of the Onirist trend in 1651:Țepeneag între onirism, textualism, postmodernism 1459:, October 7, 2005; retrieved September 30, 2007. 1446: 1444: 1442: 1138: 1136: 1134: 1331: 1329: 1327: 1132: 1130: 1128: 1126: 1124: 1122: 1120: 1118: 1116: 1114: 1020:, trans. Jane Kuntz, Dalkey Archive Press, 2008 1522:, September 15, 2005; retrieved October 1, 2007 1338:Current Problems of Literary Life in Rumania II 1089:"«Traducerea, adică esențialul pentru mine...»" 1514:"«Criteriile sunt acum estetice, nu tematice»" 1380:, November 24, 2006; retrieved October 1, 2007 597:as "unclassifiable". In a 2003 interview with 1581:"Povești despre funie, în casa spânzuratului" 1281:, October 13, 2003; retrieved October 1, 2007 1168: 1166: 1164: 760:(Waiting), Bucharest, Cartea Românească, 1971 423:techniques first theorized during the 1950s. 8: 1423:Intellectuals and Politics in Central Europe 1206: 1204: 1202: 1200: 1198: 1192:, August 31, 2006; retrieved October 1, 2007 865:(Nepotistic capitalism), Iași, Polirom, 2007 1644:Țepeneag. Introducere într-o lume de hârtie 778:(Short prose), Bucharest, Tracus Arte, 2014 1473: 1471: 1469: 1453:Ioana Drăgan, "Un perpetuu insurgent", in 833:Întoarcerea fiului la sânul mamei rătăcite 703:, and, to varying degrees, with Iliescu's 42: 29: 1497:, June 9, 2003; retrieved October 1, 2007 896:La défense Alekhine, Paris, Garnier, 1983 857:Clepsidra răsturnată. Dialog cu Ion Simuț 461:to publish their grievances as part of a 1482:"D. Țepeneag: «Sunt un bătrân anarhist»" 807:Camionul bulgar. Șantier sub cerul liber 531:aficionado, he also published a book on 248:, is herself a translator and essayist. 1402:, Amsterdam & Philadelphia, p.123; 1063: 417:, including, alongside Surrealism, the 1516:(interview with Dumitru Țepeneag), in 264:in the city, and then enrolled at the 260:, Dumitru Țepeneag graduated from the 7: 1670:, Cluj, Casa Cărții de Știință, 2007 901:Le mot sablier. Cuvântul nisiparniță 845:Războiul literaturii nu s-a încheiat 357:, and coincided with the climate of 279:and the scientific ideas favored by 1394:Marcel Cornis-Pope, John Neubauer, 791:, Bucharest, Editura Albatros, 1996 365:'s period in power and the rise of 1766:20th-century Romanian male writers 1603:, Nr.10; retrieved October 1, 2007 1150:"Jurnalul unui incomod inclasabil" 907:, Bucharest, Editura Univers, 1994 25: 1677:, Cluj, Biblioteca Apostrof, 2007 1427:Central European University Press 585:position — literary critic 593:on the left", and his colleague 166:views, which were influenced by 339:, a supplement of the magazine 1736:Romanian expatriates in France 1542:"Războiul civil în literatură" 1226:; retrieved September 30, 2007 1158:; retrieved September 30, 2007 947:, Paris, Éditions P.O.L., 2009 214:. The founder of the magazine 1: 1351:; retrieved September 8, 2021 1348:Blinken Open Society Archives 1646:, Bucharest, Albatros, 1998 577:Political views and polemics 275:, but rejected its focus on 1617:Stalinism pentru eternitate 1365:"Întâlniri esențiale" (III) 1321:; retrieved October 1, 2007 1220:Romanian Cultural Institute 969:, 1972, trans. Alain Paruit 921:, Institutul European, 1993 797:, Cluj, Editura Dacia, 2001 735:First published in Romanian 571:Romanian Cultural Institute 544:Romanian Revolution of 1989 457:allowed him, Ivănceanu and 1782: 1716:Romanian writers in French 262:Mihai Viteazul High School 870:First published in French 612:intervention against the 559:Nouveaux cahiers de l'Est 373:: in 1968, the hardliner 41: 1751:20th-century translators 1429:, Budapest, 1999, p.59; 569:, with support from the 325:Miron Radu Paraschivescu 178:, and has rendered into 1756:Romanian male essayists 1706:Romanian male novelists 764:Înscenare și alte texte 705:Social Democratic Party 451:Romanian Writers' Union 415:experimental literature 266:University of Bucharest 1761:20th-century essayists 1731:Writers from Bucharest 1026:The Necessary Marriage 915:Roman de citit în tren 880:Zadarnică e arta fugii 863:Capitalism de cumetrie 589:has defined him as "a 363:Gheorghe Gheorghiu-Dej 132:(also known under the 1653:, Craiova, Aius, 1998 1649:Marian Victor Buciu, 1307:Daniel Cristea-Enache 1010:Vain Art of the Fugue 945:Frappes chirurgicales 886:Les noces nécessaires 827:Essays and journalism 716:libertarian socialist 168:libertarian socialism 114:Vain Art of the Fugue 1711:Romanian translators 1623:, Iași, 2005, p.15; 1108:, Nr.633, April 2002 1085:Gabriela Adameșteanu 973:Au pays du Maramureș 905:Cuvîntul nisiparniță 839:Călătorie neizbutită 714:'s familiarity with 1726:Romanian socialists 1721:Romanian anarchists 1691:Romanian dissidents 1660:, Cluj, Limes, 2006 1613:Vladimir Tismăneanu 1177:"Un român la Paris" 1175:Constantin Coroiu, 1155:Observator Cultural 1042:The Bulgarian Truck 963:Exercices d'attente 724:Vladimir Tismăneanu 537:La Défense Alekhine 196:Alain Robbe-Grillet 149:Romanian literature 1701:Romanian novelists 1696:Romanian essayists 1599:2007-02-12 at the 1586:2011-05-29 at the 1547:2004-11-17 at the 1271:Dumitru Țepeneag, 1182:2009-01-15 at the 1094:2003-09-26 at the 662:Tentația 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513: 511: 507: 502: 497: 495: 491: 487: 483: 478: 476: 472: 468: 464: 460: 456: 452: 448: 443: 441: 437: 433: 429: 424: 422: 421: 420:Nouveau roman 416: 412: 408: 407:Nicolae Labiș 404: 400: 399:Ana Blandiana 396: 392: 386: 384: 380: 376: 372: 368: 364: 360: 356: 352: 348: 344: 343: 338: 334: 330: 326: 321: 319: 318:Virgil Tănase 315: 314:Florin Gabrea 311: 307: 303: 302:Iulian Neacșu 299: 295: 291: 290: 284: 282: 278: 274: 269: 267: 263: 259: 251: 249: 247: 246:Mona Țepeneag 243: 239: 235: 231: 227: 226:Daniel Turcea 223: 219: 218: 213: 209: 205: 204:Albert Béguin 201: 200:Robert Pinget 197: 193: 189: 185: 182:the works by 181: 177: 173: 169: 165: 160: 158: 154: 150: 146: 142: 138: 137:Ed Pastenague 135: 131: 123: 119: 115: 112: 110:Notable works 108: 104: 100: 96: 92: 85: 82: 79: 78: 76: 72: 68: 63:(age 87) 53: 49: 45: 40: 36: 31: 19: 1674: 1667: 1657: 1650: 1643: 1616: 1608: 1592: 1552: 1517: 1502: 1492: 1454: 1422: 1414: 1395: 1375: 1356: 1346: 1337: 1276: 1214: 1187: 1153: 1103: 1100:Alain Paruit 1049: 1041: 1034:Hotel Europa 1033: 1025: 1017: 1009: 996: 990: 985:Hôtel Europa 984: 978: 972: 962: 952:Translations 944: 938: 928: 924: 914: 910: 904: 900: 895: 889: 885: 879: 875: 862: 856: 850: 844: 838: 832: 819: 806: 800: 794: 789:Hotel Europa 788: 776:Proză scurtă 775: 769: 763: 757: 751: 745: 710:Dumitru and 709: 678: 661: 655: 639: 622: 606:Soviet Union 598: 587:Eugen Simion 580: 566: 562: 558: 552: 541: 536: 521:Alain Paruit 514: 501:presidential 498: 479: 454: 444: 431: 427: 425: 418: 395:Cezar Baltag 387: 370: 340: 336: 322: 306:Sânziana Pop 287: 285: 281:André Breton 270: 255: 244:. His wife, 238:Emil Brumaru 234:Marta Petreu 222:Leonid Dimov 215: 161: 140: 136: 129: 128: 121: 118:Hôtel Europa 117: 113: 34: 1741:1937 births 1664:Laura Pavel 1510:Ioan Groșan 1189:Evenimentul 1146:Paul Cernat 1018:Pigeon Post 925:Pigeon vole 720:Neo-Marxist 701:Ion Iliescu 681:Fănuș Neagu 610:Warsaw Pact 595:Paul Cernat 510:Ioan Groșan 463:round table 436:July Theses 375:Eugen Barbu 310:Sorin Titel 230:Ion Mureșan 192:Neo-Marxist 188:avant-garde 122:Pigeon Post 94:Nationality 1685:Categories 1593:E-Leonardo 1554:Revista 22 1105:Revista 22 1059:References 967:Flammarion 636:Iron Guard 542:After the 490:Securitate 455:Amfiteatru 440:censorship 432:Luceafărul 371:Luceafărul 333:Trotskyism 289:Luceafărul 273:Surrealism 74:Occupation 57:1937-02-14 1218:, at the 795:Maramureș 758:Așteptare 746:Exerciții 697:President 666:Paul Goma 629:Ioan Cușa 539:, 1983). 506:scapegoat 496:in 1975. 484:and poet 482:Paul Goma 258:Bucharest 252:Biography 172:anarchism 164:left-wing 134:pen names 69:, Romania 67:Bucharest 1597:Archived 1584:Archived 1545:Archived 1485:Archived 1368:Archived 1319:LiterNet 1180:Archived 1092:Archived 876:Arpièges 641:Le Monde 494:indicted 292:— 256:Born in 184:New Left 180:Romanian 97:Romanian 86:essayist 80:Novelist 1621:Polirom 1461:Reprint 1335:E. R., 1004:English 979:Attente 814:Diaries 633:fascist 591:heretic 351:Realism 347:Craiova 1627:  1433:  1406:  1317:), at 1102:), in 957:French 935:, 1997 783:Novels 565:, and 563:Poésie 409:, and 342:Ramuri 300:, and 210:, and 145:Oniric 102:Period 1590:, in 1551:, in 1491:, in 1374:, in 1275:, in 1224:Paris 1186:, in 1152:, in 529:chess 517:Paris 157:Paris 105:1966– 1625:ISBN 1519:Ziua 1494:Ziua 1431:ISBN 1404:ISBN 1278:Ziua 919:Iași 752:Frig 718:and 687:and 649:and 627:and 600:Ziua 353:and 327:, a 316:and 190:and 170:and 139:and 51:Born 1222:in 620:). 616:in 561:), 473:'s 345:in 1687:: 1666:, 1619:, 1579:, 1562:^ 1540:, 1527:^ 1512:, 1468:^ 1441:^ 1425:, 1421:, 1398:, 1385:^ 1341:, 1326:^ 1309:, 1286:^ 1231:^ 1197:^ 1163:^ 1148:, 1113:^ 1087:, 1066:^ 965:, 917:, 699:, 683:, 668:, 573:. 512:. 442:. 405:, 401:, 397:, 393:, 320:. 312:, 296:, 240:, 236:, 232:, 228:, 224:, 206:, 202:, 198:, 186:, 120:, 116:, 59:) 1463:. 535:( 55:( 20:)

Index

Dumitru Ţepeneag

Bucharest
pen names
Oniric
Romanian literature
Communist regime
Paris
left-wing
libertarian socialism
anarchism
French literature
Romanian
New Left
avant-garde
Neo-Marxist
Alain Robbe-Grillet
Robert Pinget
Albert Béguin
Jacques Derrida
Alexandre Kojève
Cahiers de l'Est
Leonid Dimov
Daniel Turcea
Ion Mureșan
Marta Petreu
Emil Brumaru
Mircea Ivănescu
Mona Țepeneag
Bucharest

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