Knowledge (XXG)

Damodar Gulati

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For Damodar small things suggest meanings, enhancing the impact of the whole if placed in a perspective. And this is what he does. He misses out on nothing. Whenever he creates a scene, like a sensitive film-maker he takes care of everything; the background, the foreground, the getup, movement of the
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led him to believe that Damodar Gulati was not actually an eyewitness to the tale but rather he was using a storytelling technique that was misinterpreted as meaning he was simply an eyewitness. In reality, Gulati's position to the characters in the tale is similar to that of
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actors, the body language and the gestures making the overall expression expressing the unexpressed. With the socio-cultural and psychological details woven into fabric of the story, he reminds us of the Great Russian classical novelists.
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Damodar, a Punjabi 'Hindu', picked up the legend of a Punjabi 'Muslim' girl who is said to have rebelled against the social and religious patriarchs of her community during the first and second quarters of the fifteenth
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It is in the context of multidimensional love that Waris Shah frames his qissa. Emperor Akbar's Hindu courtier, Damodar Gulati, had popularized the story of Heer and Ranjha at the beginning of the seventeenth
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On the matter of his religious identity, the majority of scholars describe him as a "Punjabi Hindu". Amaresh Dutta makes mention of Sufi and Sikh influence on Gulati.
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The Hindu poet Damodar, as far as we know, was the first person to compose an epic-length Punjabi text of Hir Ranjha.
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The Hindu poet Damodar, as far as we know, was the first person to compose an epic-length Punjabi text of Hir Ranjha.
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Soofi, Mushtaq (14 June 2013). "Damodar Gulati: poet who immortalised Heer and Ranjha – Part II".
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Particular importance is placed on finer details in the storytelling of Gulati's works.
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Of Sacred and Secular Desire: An Anthology of Lyrical Writings from the Punjab
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You (qazi) have accepted bribe, infringed my right,showing the book (shariah)
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He does have also a peculiar style, at the end of a quaternary he repeats
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The Dawn (republished by the Academy of the Punjab in North America)
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Say Damodar only those will go to paradise who recognize the truth)
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epic, who used paranormal powers to see what was happening at the
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Second chop off the nose of those who usurp the right of others,
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Aakkh Damodar Heer Akkhey qazi subh Sharah (shariah) takai.
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Martyr as Bridegroom: A Folk Representation of Bhagat Singh
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Performing Identities: Celebrating Indigeneity in the Arts
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Say Damodar, Heer tells qazi showed her the whole Shariah.
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Nak tey kan tinhan da wadhaiy jo chori, yari karaindey
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Aakkh Damodar jinha sach sanjhatey sey bhashti jandey
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were all based on Damodar Gulati's original version.
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Toun keyoun zori karna ain qazi dery Khuda tu naheen
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Punjab Reconsidered: History, Culture, and Practice
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Punjab Reconsidered: History, Culture, and Practice
84: 74: 66: 56: 48: 38: 28: 21: 134:. He lived during the reign of Mughal king Akbar. 283:Doja nak tinhan da wadhaiy jo haq pariaya lendey 286:Teja nak tinhan da wadhaiy jo koi wadhi khandey 254:Aakkh Damodar mein Akkhi ditha laggi hon Ladai 247: 217: 305:توں کیوں زوری کرناں ایں قاضی ڈرے خدا توں ناہیں 775: 330:ley key wadhi haq ganvain kadh kitab vakkhai 8: 261:نک تے کن تنہاں دا وڈھیئے جو چوری یاری کریندے 327:Mera haq Ranjheeta ay,ho suneya subh lokai 271:تیجا نک تنہاں دا وڈھیئے جو کوئی وڈھی کھاندے 782: 768: 161: 110: 18: 443:Singh, Nikky-Guninder (30 January 2012). 276:آکھ دمودر جنہاں سچ سنجھاتے سے بہشتی جاندے 719:Medieval Indian Literature: An Anthology 659:Medieval Indian Literature: An Anthology 266:دوجا نک تنہاں دا وڈھیئےجو حق پرایا لیندے 172:. He states in the poem that he is from 398: 339:Ranjheeta is mine, all the people know 668: 310:میرا حق رانجھیٹا ایہو سنیاں سبھ لوکائی 320:آکھ دمودر ہیر آکھے قاضی سبھ شرع تکائی 315:لے کے وڈھی حق گنوائیں کڈھ کتاب وکھائی 250:آکھ دمودر میں اکھی ڈٹھا لگی ہون لڑائی 7: 740: 738: 506: 504: 472: 470: 438: 436: 412: 410: 408: 406: 404: 402: 754:. You can help Knowledge (XXG) by 14: 635:Encyclopædia of Indian Literature 601:Davis, Geoffrey V. (2017-07-05). 742: 750:This article about a poet is a 483:. Anthem Press. p. 28-29. 417:Soofi, Mushtaq (7 June 2013). 1: 675:: CS1 maint: date and year ( 632:Datta, Amaresh, ed. (1949). 580:. Anthem Press. p. 29. 515:. In Malhotra, Anshu (ed.). 519:. Oxford University Press. 832: 806:People from Jhang District 737: 638:. Vol. 3. New Delhi: 546:Different Types of History 511:Mir, Farina (2012-02-21). 727:Selections from Gulati's 231:(Oxford University Press) 713:Gulati, Damodar (1959). 188:dialect. An analysis by 551:Pearson Education India 801:Punjabi-language poets 480:Martyr as a Bridegroom 477:Gaur, ID (July 2008). 353: 234: 543:Ray, Bharati (2009). 245:means "Say Damodar": 205:battle of Kurukshetra 130:poet. He hailed from 653:Shah, Waris (1959). 574:Gaur, I. D. (2008). 725:. pp. 988–996. 105:: ਦਮੋਦਰ ਦਾਸ ਅਰੋੜਾ, 211:Religious identity 190:Najam Hussain Syed 180:in the dialect of 170:Punjabi literature 79:Punjabi literature 763: 762: 618:978-1-351-55462-6 587:978-81-905835-0-3 560:978-81-317-1818-6 526:978-0-19-908877-5 162:ہیر رانجھے دا قصہ 119:)) also known as 96: 95: 823: 784: 777: 770: 746: 739: 726: 700: 699: 687: 681: 680: 674: 666: 650: 644: 643: 629: 623: 622: 598: 592: 591: 571: 565: 564: 540: 534: 533: 508: 499: 498: 474: 465: 464: 440: 431: 430: 425:. Archived from 414: 351: 321: 316: 311: 306: 277: 272: 267: 262: 251: 232: 163: 118: 112: 19: 831: 830: 826: 825: 824: 822: 821: 820: 791: 790: 789: 788: 735: 729:Heer and Ranjha 723:Sahitya Akademi 712: 709: 707:Further reading 704: 703: 689: 688: 684: 667: 665:. p. 1090. 663:Sahitya Akademi 652: 651: 647: 642:. p. 2418. 640:Sahitya Akademi 631: 630: 626: 619: 600: 599: 595: 588: 573: 572: 568: 561: 553:. p. 204. 542: 541: 537: 527: 510: 509: 502: 491: 476: 475: 468: 457: 449:. I.B, Tauris. 442: 441: 434: 416: 415: 400: 395: 375:Heer and Ranjha 371: 360:Heer and Ranjha 352: 349: 319: 314: 309: 304: 275: 270: 265: 260: 249: 239: 233: 223: 213: 157:Heer and Ranjha 147: 144:Heer and Ranjha 140: 114: 111:دمودر داس اروڑا 90:Heer and Ranjha 34: 33:ਦਮੋਦਰ ਦਾਸ ਅਰੋੜਾ 24: 17: 12: 11: 5: 829: 827: 819: 818: 813: 808: 803: 793: 792: 787: 786: 779: 772: 764: 761: 760: 747: 733: 732: 708: 705: 702: 701: 682: 645: 624: 617: 611:. p. 51. 593: 586: 566: 559: 535: 525: 500: 489: 466: 455: 432: 429:on 2023-07-01. 397: 396: 394: 391: 377:renditions of 370: 367: 358:later adapted 350:Damodar Gulati 347: 238: 235: 221: 212: 209: 146: 141: 139: 136: 99:Damodar Gulati 94: 93: 86: 82: 81: 76: 72: 71: 68: 64: 63: 58: 54: 53: 50: 46: 45: 40: 36: 35: 32: 30: 26: 25: 23:Damodar Gulati 22: 15: 13: 10: 9: 6: 4: 3: 2: 828: 817: 814: 812: 809: 807: 804: 802: 799: 798: 796: 785: 780: 778: 773: 771: 766: 765: 759: 757: 753: 748: 745: 741: 736: 730: 724: 720: 716: 711: 710: 706: 698: 693: 686: 683: 678: 672: 664: 660: 656: 655:"Heer-Ranjha" 649: 646: 641: 637: 636: 628: 625: 620: 614: 610: 606: 605: 597: 594: 589: 583: 579: 578: 570: 567: 562: 556: 552: 548: 547: 539: 536: 532: 528: 522: 518: 514: 507: 505: 501: 497: 492: 490:9781843313489 486: 482: 481: 473: 471: 467: 463: 458: 456:9780857730985 452: 448: 447: 439: 437: 433: 428: 424: 420: 413: 411: 409: 407: 405: 403: 399: 392: 390: 388: 384: 380: 376: 368: 366: 363: 361: 357: 346: 343: 340: 337: 334: 331: 328: 325: 322: 317: 312: 307: 302: 299: 296: 293: 290: 287: 284: 281: 278: 273: 268: 263: 258: 255: 252: 246: 244: 243:Aakkh Damodar 236: 230: 226: 220: 216: 210: 208: 206: 202: 201: 196: 191: 187: 183: 179: 175: 171: 167: 159: 158: 154: 153: 149:He wrote the 145: 142: 137: 135: 133: 129: 128:Punjabi Hindu 125: 124: 117: 108: 104: 100: 92: 91: 87: 85:Notable works 83: 80: 77: 73: 69: 65: 62: 59: 55: 51: 47: 44: 41: 37: 31: 27: 20: 756:expanding it 749: 734: 728: 718: 695: 691: 685: 658: 648: 634: 627: 603: 596: 576: 569: 545: 538: 530: 516: 494: 479: 460: 445: 427:the original 422: 374: 372: 364: 359: 354: 344: 341: 338: 335: 332: 329: 326: 323: 318: 313: 308: 303: 300: 297: 294: 291: 288: 285: 282: 279: 274: 269: 264: 259: 256: 253: 248: 242: 240: 228: 218: 214: 198: 177: 165: 155: 150: 148: 143: 121:Damodar Das 120: 98: 97: 88: 70:17th century 52:Punjabi poet 16:Punjabi poet 811:Heer Ranjha 387:Charag Awan 200:Mahabharata 178:Heer Ranjha 166:Heer Ranjha 29:Native name 816:Poet stubs 795:Categories 393:References 379:Waris Shah 356:Waris Shah 225:Farina Mir 182:Sandal Bar 49:Occupation 671:cite book 609:Routledge 138:Biography 107:Shahmukhi 496:century. 462:century. 348:—  222:—  126:, was a 103:Gurmukhi 57:Language 197:of the 195:Sanjaya 116:Punjabi 61:Punjabi 715:"Heer" 615:  584:  557:  523:  487:  453:  385:, and 383:Muqbal 369:Legacy 67:Period 237:Style 186:Majhi 174:Jhang 152:qissa 132:Jhang 123:Arora 75:Genre 43:Jhang 752:stub 677:link 613:ISBN 582:ISBN 555:ISBN 521:ISBN 485:ISBN 451:ISBN 423:Dawn 373:The 39:Born 168:in 797:: 717:. 694:. 673:}} 669:{{ 657:. 607:. 549:. 529:. 503:^ 493:. 469:^ 459:. 435:^ 421:. 401:^ 381:, 362:. 227:, 207:. 109:: 783:e 776:t 769:v 758:. 731:. 679:) 621:. 590:. 563:. 160:( 113:( 101:(

Index

Jhang
Punjabi
Punjabi literature
Heer and Ranjha
Gurmukhi
Shahmukhi
Punjabi
Arora
Punjabi Hindu
Jhang
qissa
Heer and Ranjha
Punjabi literature
Jhang
Sandal Bar
Majhi
Najam Hussain Syed
Sanjaya
Mahabharata
battle of Kurukshetra
Farina Mir
Waris Shah
Waris Shah
Muqbal
Charag Awan




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