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as five 78-rpm singles the same year. The other tracks, along with alternate takes of those issued, were unreleased for decades. Unusually for the time, the recordings were made on a master tape and were of better quality than most other recordings of that era. The songs
Pickett recorded were mainly
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era. Eventually there emerged a letter from a James Founty to
Charles R. Paul, an attorney, dated July 1950, in which Founty claimed he had not been paid royalties. Investigations concluded that Founty's label had paid him for the recording session and that any royalties were determined by that
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For many years, blues researchers failed to firmly establish
Pickett's identity. With continuing diligence and the discovery of a contact made regarding royalty payments, more information emerged.
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By the 1960s, the recordings had become legendary among record collectors who regarded them as some of the best commercial country blues recordings of the post–
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There is no firm evidence of his life after his only recording session, other than details concerning his given name and the dates of his birth and death.
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containing all of the songs issued on five singles by Gotham
Records in 1949, alternate takes of those songs, and four previously unreleased tracks
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noted that "Pickett had a distinctive rhythmic style and unique phrasing that makes his records compelling decades after his release".
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contractual arrangement. The connection to
Pickett was suggested by the fact that he did not record any more under any name.
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Some reviewers had speculated that he could have been
Charlie Pickett, the Tennessee-based guitarist who recorded for
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Smith, Chris (1987). "Are You from
Alabama, Tennessee or Carolina? The Dan Pickett Story So Far".
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Bastin, Bruce (1993). "Truckin' My Blues Away: East Coast
Piedmont Styles". In Cohn, Lawrence.
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For the
American technology entrepreneur, private equity investor and philanthropist, see
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singer, guitarist and songwriter. He recorded fourteen tracks for
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reworkings of songs issued in the 1930s, including versions of
278:. New York, London, Paris: Abbeville Press. pp. 205–231.
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in 1949, several of which have been issued more recently.
140:(August 31, 1907 – August 16, 1967), better known as
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342:. Santa Barbara, California: Praeger. p. 89.
276:Nothing but the Blues: The Music and the Musicians
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539:20th-century American songwriters
196:'s "Ride to a Funeral in a V-8",
519:People from Pike County, Alabama
514:20th-century American guitarists
258:List of Piedmont blues musicians
263:List of country blues musicians
204:recording, "99 1/2 Won't Do".
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509:20th-century American singers
100:Singer, guitarist, songwriter
340:Blues: A Regional Experience
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398:: Songs, Reviews, Credits"
175:. In 1949, he traveled to
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534:American male songwriters
479:American blues guitarists
369:"Dan Pickett Discography"
504:Piedmont blues musicians
494:Songwriters from Alabama
484:American male guitarists
430:"Dan Pickett: Biography"
318:"Dan Pickett: Biography"
524:Guitarists from Alabama
499:Country blues musicians
489:American blues singers
242:Collectables Records
233:Selected discography
173:Pike County, Alabama
171:Pickett was born in
59:Pike County, Alabama
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396:1949 Country Blues
292:Blues & Rhythm
144:, was an American
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434:. Retrieved
402:. Retrieved
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209:World War II
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202:gospel music
177:Philadelphia
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138:James Founty
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114:Years active
71:(1967-08-16)
41:James Founty
474:1967 deaths
469:1907 births
142:Dan Pickett
30:Dan Pickett
21:Dan Pickett
463:Categories
436:2016-10-19
404:2016-10-19
375:2016-10-19
324:2016-10-13
300:References
194:Buddy Moss
186:Leroy Carr
52:1907-08-31
37:Birth name
432:. Last.fm
371:. Wirz.de
219:in 1937.
167:Biography
118:1924–1967
252:See also
240:(1990),
190:How Long
158:AllMusic
269:Sources
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123:Labels
83:Genres
344:ISBN
280:ISBN
188:'s "
148:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.