History of hip hop dance - Knowledge (XXG)

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was not seen in the Bronx jams until the 1990s. Top rockin' seems to have developed gradually and unintentionally, leaving space for growth and new additions, until it evolved into a codified form." B-boy crew Spartanic Rockers adds: "Despite of many rumours and opinions Breaking didn't originate from Capoeira but during the last few years many moves, steps and freezes of this Brazilian (fight-) dance have inspired more and more B-Girls and B-Boys who integrated them into their dance." B-boy Ken Swift was breaking long before he saw capoeira: "In '78 I started and I didn't see it til '92 ... I was around, too—I was in Brooklyn, Bronx, Queens, I went around and I didn't see it. What we saw was Kung Fu—we saw Kung Fu from the 42nd Street theaters. So those were our inspirations... when we did the Kung Fu sh-t we switched it up and we put this B-boy flavor into it..."

889:, SalSoul, Air Force Crew, Crazy Commanders Crew, Starchild La Rock, and Rockwell Association. In the same way b-boy crews were active on the east coast of the United States spreading breaking throughout New York, funk crews were also active on the west coast spreading the funk styles throughout California. Aside from The Lockers and The Electric Boogaloos, other funk styles crews such as Medea Sirkas/Demons of the Mind, Black Messengers, The Robot Brothers, The Go-Go Brothers, Granny and Robotroid, and Chain Reaction were active during the 1970s performing on stage. 382: 378:

is similar in purpose to capoeira in that both translate aggressive combat movements into stylized dance. Both breaking and capoeira are performed to music and, since both art forms are acrobatic, some moves look similar to each other. However, capoeira is more rule-oriented. One rule in capoeira is that a capoeirista's back can never touch the ground. In contrast, a breaker's back is almost always on the ground, and the only rule in breaking is that you do not touch your opponent during a battle.

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a storm. During the song's instrumental break, Michael spun around and did the Robot, a dance that was among the popular fad dances done by the Soul Train Gang since Soul Train's inception... Michael's performance of the robot on the most popular show of the time with black kids, teens and young adults caught on and exposed the dance move to people in various parts of the country who may not have been familiar with the mechanical dance steps Michael so perfectly executed."

502:. Locking is characterized by consistently freezing or "locking" in place while dancing. Campbell developed locking accidentally while pausing in between dance moves when trying to remember how to do the Funky Chicken. He developed routines based on his new style using these pauses or "locks." Chang lists some of the other dance moves performed in locking, including "...points, skeeters, scooby doos, stop 'n go, which-away, and the fancies." 427:'s photography exhibit of subway graffiti. She wrote of the dance: "Its spatial level called to mind capoeira, the spectacular Brazilian dance cum martial art form that incorporates kartwheels, kicks, and feints low to the ground, but the two were dissimilar enough in shape and timing that capoeira seemed at most only a distant relative, and certainly one the breakdancers weren't acquainted with—at least on a conscious level." In his book 709: 893: 882:

developed organically. All styles of hip-hop are rooted in battling, and being a part of a crew was the only way to learn when these styles began because they were not taught in studios: they all started out as social dances. Forming and participating in a crew is how street dancers practiced, improved, made friends, and built relationships. In breaking in particular, battling is how b-boys/b-girls improved their skill.

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finished. He then looped these records one after the other in order to extend the break as long as he wanted: "And once they heard that, that was it, wasn't no turning back," Herc told Chang. "They always wanted to hear breaks after breaks after breaks after breaks." It was during these times that the dancers, later known as break-boys or b-boys, would perform what is known as breaking.

436:"We didn't know what the f-ck no capoeira was, man. We were in the ghetto! There were no dance schools, nothing. If there was a dance it was tap and jazz and ballet. I only saw one dance in my life in the ghetto during that time, and it was on Van Nest Avenue in the Bronx and it was a ballet school. Our immediate influence in b-boying was James Brown, point blank." 1014:, lost popularity. Most social dances are short-lived fad dances, some are line dances, and others spawn new dance styles that stay relevant even after the life of the songs they came from come to an end. The development of hip-hop social dancing extends further back than the 1990s with the Charleston, a jazz dance; Chubby Checker's Twist, which was considered 239:, the two warlords of the feuding gangs would uprock, and whoever won this preliminary dance battle decided where the real fight would be. Because uprock's purpose was to moderate gang violence, it never crossed over into mainstream breaking as seen today, except for some specific moves adopted by breakers who use it as a variation for their toprock. 3139:

popping and locking were also grouped under the term 'breakdance. Even though many of hip hop's pioneers accepted the term for a while in the 1980s, they have since reclaimed the original terminology and rejected 'breakdance' as a media-fabricated word that symbolizes the bastardization and co-optation of the art form.

431:(2008), Damien Morgan states: "Breakdancing can have its origins in capoeira, because it does not focus on injuring the opponent; it rather emphasizes skill towards your opponent, to express yourself away from violence... in most cases, it is blatantly obvious to see some of Breakdancing's foundations in Capoeira." 205:

song's short instrumental break, when the band would drop out and the rhythm section would get elemental. Forget melody, chorus, songs—it was all about the groove, building it, keeping it going. Like a string theorist, Herc zeroed in on the fundamental vibrating loop at the heart of the record, the break.

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In the 1970s, b-boy crews were neighborhood-based and would engage in battles held at local block parties called "jams". Today crews can battle in organized competitions with other crews from around the world. New Zealand crew ReQuest won the Australian-based competition World Supremacy Battlegrounds

908:, whose members included Thomas "T-Bopper" Guzman-Sanchez, Paul "Cool Pockets" Guzman-Sanchez, Robert "Bosco" Winters, and Mike "Deuce" Donley. Just like The Electric Boogaloos had their own signature dance style called electric boogaloo, Chain Reaction also had their own signature dance style called 634:

Boogaloo is both a style of dance and a style of music. It started out as a fad dance, and several songs were released in the 1960s celebrating it including "Boogaloo Down Broadway", "My Baby Likes to Boogaloo", "Hey You! Boo-Ga-Loo", "Do the Boogaloo," "Boogaloo #3," and "Sock Boogaloo." In response

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Several breaking practitioners and pioneers tend to side with the camp that does not believe breaking came from capoeira. B-boy Crazy Legs states: "We didn't know what the f-ck no capoeira was, man. We were in the ghetto!" According to Pabon, "Unlike the popularity of the martial arts films, capoeira

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is an Afro-Brazilian martial art, described by Pabon as "a form of self defense disguised as a dance." Its influence on breaking is disputed and debated; one side believes that breaking came from capoeira, while the other side denies this. Capoeira is hundreds of years older than breaking, and uprock

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The origins of the "Cha-Cha Slide" craze date back to 1996, when Mr. C created the dance for a personal trainer. The song then made its way to R&B station WGCI in Mr. C's hometown of Chicago. The station began playing the song in early 2000, and the tune garnered play in clubs, with label offers

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After an Ultra Sheen commercial, The Jackson 5 opened with "Dancing Machine," the last track off Get It Together. This percolating tune, with its relentless throbbing beat anchored by Michael's soulful tenor and the brothers' "ooo-bop-diddy-bop" background vocals, had the Soul Train Gang dancing up

1160:". The song "Do the Boogaloo" influenced Boogaloo Sam when he created the boogaloo dance style, and the Good Foot triggered the creation of breaking. In addition, James Brown also popularized the Funky Chicken, which was a major influence to Don Campbell when he created locking. In an interview with 621:

such as One Plus One, the Black Resurgents and the Black Messengers would help popularize the dance. Boogaloo street dance from Oakland would influence Northern California cities and movements would spread to Fresno via the West Coast Relays. In Fresno, The Electric Boogaloos are another funk styles

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Boogaloo is a freestyle, improvisational street dance movement of soulful steps and robotic movements which make up the foundations of Popping dance and Turfing; Boogaloo can incorporate illusions, restriction of muscles, stops, robot and/or wiggling. Throughout the 1960s and 1970s - Boogaloo groups

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started playing the song as part of its rotation. Soon after, other radio stations across the United States also started playing the song, and this increase in popularity led to a record deal with Universal Music Group. After securing a deal, the label began producing and distributing instructional

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in 2009 and 2010. On October 12, 2010, the Vietnamese Ministry of Culture, Sport, and Tourism presented the Certificate of Merit to dance crew Big Toe for winning a variety of international dance competitions. Dance crews are more prevalent in hip-hop, but hip-hop dance companies do exist. Examples

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A dance crew is a team of street dancers who come together to develop new moves and battle other crews. As hip-hop culture spread throughout New York City, the more often breaking crews got together to battle against each other. It was during this time that the different dance moves within breaking

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in 1977 by Sam "Boogaloo Sam" Solomon, Nate "Slide" Johnson, and Joe "Robot Joe" Thomas. Their name was originally The Electric Boogaloo Lockers, but they dropped "Lockers" the following year at the urging of their manager Jeff Kutash after the group moved from Fresno to Long Beach. Boogaloo Sam is

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Herc carefully studied the dancers. "I was smoking cigarettes and I was waiting for the records to finish. And I noticed people was waiting for certain parts of the record," he says. It was an insight as profound as Ruddy Redwood's dub discovery. The moment when the dancers really got wild was in a

103:-based dance style uprock influenced breaking early in its development. Boogaloo gained more exposure because it is the namesake of the Electric Boogaloos crew. Uprock, roboting, and boogaloo are respected dance styles but none of them are as mainstream or popular as breaking, locking, and popping. 2222:

Chang 2006, pp. 18–19. "Although dance forms associate with hip-hop did develop in New York City, half of them (that is, popping and locking) were created on the West Coast as part of a different cultural movement. Much of the media coverage in the 1980s grouped these dance forms together with New

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Breaking started out strictly as toprock, footwork-oriented dance moves performed while standing up. Toprock usually serves as the opening to a breaker's performance before transitioning into other dance moves performed on the floor. A separate dance style that influenced toprock is uprock, also

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With the barrage of media attention received, even terminology started changing. 'Breakdancing' became the catch-all term to describe what originally had been referred to as 'burning', 'going off', 'breaking', 'b-boying', and 'b-girling'. Dance styles that originated in the West Coast such as

2074:: Roughly translated as "fall into a roll," this means that when you get knocked off your feet, don't fall flat on your back. Capoeiristas are supposed to be adept at this. In the game of capoeira only five parts of the body should touch the ground: your two hands, your two feet, and your head. 1304:

The Cha Cha Slide, the Cupid Shuffle, and the Soulja Boy are examples of urban line dances that were created from hip-hop songs of the same name. These line dances have the same premise as the more widely know Electric Slide. There are variations to the Electric Slide, but the dance is always

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In response to this revelation, Herc developed the Merry-Go-Round technique to extend the breaks—the percussion interludes or instrumental solos within a longer work of music. When he played a break on one turntable, he repeated the same break on the second turntable as soon as the first was

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soon following. Once it was Universal's project, 'we made some instructional 'Cha-Cha Slide' dance videos and distributed them to clubs,' says senior VP of urban promotion Michael Horton. 'We also promoted the song at various black functions, such as homecoming events at black colleges.'

684:. Popping is also an inadvertent umbrella term that includes several other illusory dance styles such as ticking, liquid, tutting, waving, gliding, twisto-flex, and sliding. Most of these cannot be traced to a specific person or group and may have influences earlier than hip-hop. 293:'s Mighty Zulu Kings, they are one of the oldest continually active breaking crews. For others to get into the crew, they had to battle one of the Rock Steady b-boys—that was their audition, so to speak. The crew flourished once it came under the leadership of b-boy Richard " 857:, dancers reacted to those breaks with their most impressive dance moves. DJ Kool Herc coined the terms "b-boys" and "b-girls", which stands for "break-boys" and "break-girls." To describe the movement, the suffix "ing" was added after the word identifying the dancer (b-boy 654:

Although boogaloo was already a fad dance and a music genre in the 1960s, it did not become a dance style until Boogaloo Sam learned it, expanded it, and started performing it in public venues. He was influenced to expand boogaloo by cartoons; the 1960s social dances the

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An important thing to clarify is that the term 'Break dancing' is wrong, I read that in many magazines but that is a media term. The correct term is 'Breakin', people who do it are B-Boys and B-Girls. The term 'Break dancing' has to be thrown out of the dance

1175:. Before officially becoming a crew, members of The Lockers made several appearances on this show. They introduced different dance moves such as the Robot, Which-Aways, and the Stop-and-Go during the "Dance of the Week" segment of the broadcast. 1033:

as a rebellion against prohibition. It gained popularity once it was embraced by Caucasians, but it was still considered an immoral dance due to its association with alcohol. This dance relied on partnering and eventually led to the creation of

631:. However, there is disagreement as to whether he created the dances himself or borrowed moves from other street dancers. What is not contested is how influential he and his crew were in exposing popping and boogaloo to mainstream audiences. 1198:

created the dance and introduced it in their 1987 song of the same name, "The Cabbage Patch". Another popular social dance was the Roger Rabbit. This dance imitates the floppy movements of the lead cartoon character as seen in the 1988 film

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brought capoeira to the United States in 1975. Throughout this decade Vieira taught capoeira workshops in New York City and started a capoeira performance company called Dance Brazil that toured across the United States. In Gerard Taylor's

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chapter of the crew and made his friends and fellow b-boys Wayne "Frosty Freeze" Frost and Kenneth "Ken Swift" Gabbert co-vice presidents. RSC was instrumental in the spread of breaking's popularity beyond New York City. They appeared in

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With a number of prizes won at a variety of international competitions, Big Toe were awarded the Certificate of Merit on Oct. 12 by the Vietnam Electronic Sport and Recreational Sport Association under the Ministry of Culture, Sport and

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Chang 2006, p. 23. "Sam 's creation, popping, also became known as the unauthorized umbrella title to various forms within the dance. past and present. Some of these forms include Boogaloo, strut, dime stop, wave, tick, twisto-flex, and

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While breaking was developing in New York City, New York, other styles of dance were developing in California. Unlike breaking, the funk styles—which originated in California—were not originally hip-hop dance styles: they were danced to

1258:" in 2006. The dance was so popular, at one point YouTube had over 2,000 video clips of kids performing it. The song sold 335,000 ringtones, but it was not strong enough to sustain momentum for the full length album " 121:-derived style. Street dancers developed it in urban neighborhoods without a formal process. All of the early substyles and social dances were brought about through a combination of events including inspiration from 3655: 235:. Although it looks similar to toprock, uprock is danced with a partner and is more aggressive, involving fancy footwork, shuffles, hitting motions, and movements that mimic fighting. When there was an issue over 177:". People mimicked these moves in their living rooms, in hallways, and at parties. It was at these parties that breaking flourished and developed with the help of a young Clive Campbell. Campbell, better known as 1966: 110:, hip-hop social dancing emerged from breaking and the funk styles into different forms. Dances from the 1980s such as the Running Man, the Worm, and the Cabbage Patch entered the mainstream and became 1352:" to his MySpace page and uploaded an accompanying instructional video showing viewers how to perform the dance. After amassing more than 16 million page views, he was signed to Interscope Records. 944:

was the first time boogaloo, popping, and crossover locking were performed on film. In 1984, T-Bopper created a new dance crew called United Street Force. By invitation, this crew performed at the

557:. Berry left the group in 1976 to be on the show and was replaced by street dancer Tony "Go-Go" Lewis. After The Lockers disbanded, Tony Go-Go went on to open a locking school in Japan in 1985. 1098:

Two-step, the Wop, the Cabbage Patch, the Roger Rabbit, the Running Man, the Rooftop, the Hammer dance, the Humpty, the Worm, Kriss-Cross, the Bartman, the Butterfly*, the Kid 'n Play kick-step

564:. Before joining The Lockers, Charles Robot had his own dance crew called The Robot Brothers. He was inspired in 1969 by a mime artist named Robert Shields, who would pantomime in front of the 87:

More than 50 years old, hip-hop dance became widely known after the first professional street-based dance crews formed in the 1970s in the United States. The most influential groups were

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is quoted as saying: "Demonstrations by Mestre Jelon and Loremil Machado are considered by many to be responsible for the incorporation of capoeira movements into breakdancing." Former

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the funk styles. The funk styles were created in California independent from breaking, which was created in New York. They are called funk styles because they were originally danced to

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include Zoo Nation (UK), Culture Shock (USA), Lux Aeterna (USA), Boy Blue Entertainment (UK), Unity UK (UK), Bounce Streetdance Company (Sweden), and Funkbrella Dance Company (USA).

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is a musical interlude during a song—the section on a musical recording where the singing stops and the percussive rhythms are the most aggressive. When 1970s hip-hop DJs played

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Toe Wop, Harlem shake, the Chicken Noodle Soup, the Reject**, the Dougie, the Cat Daddy, Getting Lite, Shoulder Lean, Swag Surfin', Bernie Lean, Whip/Nae Nae, Twerking, the Dab

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television special. This performance popularized the moonwalk all over the world. However, it was not the first time the backslide had been performed on television or on film.

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Schloss 2009, p. 10. "Battling is foundational to all forms of hip-hop and the articulation of its strategy—"battle tactics"—is the backbone of its philosophy of aesthetics."

3647: 3291: 831:. The media followed suit by calling all represented styles "breakdancing", which caused a naming confusion among the general public. This was problematic for two reasons. 4017: 3914: 2223:

York's native dance forms (b-boying/b-girling and uprocking) labeling them all "breakdancing". As a result, the West Coast "funk" culture and movement were overlooked..."

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Chang 2006, p. 21. "The structure was different from b-boying/b-girling since dancers in b-boy/b-girl battles took turns dancing, while uprocking was done with partners."

3260: 2957: 1571: 3331: 1958: 3804: 2927: 1340:. In August 2007, 17,000 people set a world record when they performed the Cupid Shuffle (dance) to his song in Atlanta. The Soulja Boy dance became popular through 5023: 325: 270:—teams of street dancers who get together to develop new moves, create dance routines, and battle other crews. One b-boy move taken from gymnastics is called the 2597:

Higa, B. & Wiggins, C. (1996) "Electric Kingdom" The history of popping and locking, from the people who made it happen. Rap Pages. Sep. 1996: 52-67. Print.

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Guzman-Sanchez, T. (2012) "1965 and Soul Boogaloo", "The Oakland Funk Boogaloo Generation" Underground Dance Masters: Final History of a Forgotten Era. Praeger.

1164:, Lockers' member Adolpho "Shabba Doo" Quiñones stated "We're all children of James Brown... And you know, if James Brown was our father then you'd have to say 983:). In 2013, Hip Op-eration performed an exhibition routine at the World Hip Hop Dance Championships in Las Vegas. At the time, their youngest member was 66. 3881: 696:

in Harlem. Since hip-hop did not exist in the 1920s his style was considered jazz, but his "slithering, writhing" movement foreshadowed waving and sliding.

84:. All of these dance styles are different stylistically. They share common ground in their street origins and in their improvisational nature of hip hop. 1915: 2781: 784: 3945: 663:; and the movements of everyday people. As a dance style, it is characterized by rolling hip, knee, and head movements as if the body has no bones. 2812: 1187:

stemmed from disco music rather than funk. Hip-hop became more mainstream in the 1980s, and this surge in interest combined with the popularity of

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in 1976. Although strutting had exposure on national television, it (and the rest of the localized funk styles) faded and never became mainstream.

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was the most popular dance craze of the 1960s because it broke away from the trend of partner dancing enabling people to perform on their own.

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Hip-hop social dancing (party dancing) began when hip-hop musical artists started to release songs with an accompanying dance. In 1990, rapper

333: 1251:. The accompanying dance in the song called The Shuffle combines three social dances: the Running Man, the (half) Charleston, and the T-step. 1471: 3612: 3528: 4250: 3080: 1309:. In keeping with this tradition, the Cha Cha Slide, the Cupid Shuffle, and the Soulja Boy are always performed to their respective songs. 733: 3748: 2190: 1613: 254:, Afro-Cuban, and various African and Native American dances." From toprock, breaking progressed to being more floor-oriented, involving 5073: 5030: 2361:

Hess 2007, p. xxi. "1973: The Lockers dance group is started in Los Angeles by Don Campbell, the inventor of the locking dance style..."

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encompasses the people and events since the late 1960s that have contributed to the development of early hip-hop dance styles, such as

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Like breaking, the different moves within the funk styles occurred due to the formation of crews. Don "Campbellock" Campbell created

474:). The funk styles are actually slightly older than breaking due to fact that boogaloo and locking were developed in the late 1960s. 191: 2536: 2064: 169:" Colón, the purest hip-hop dance style, breaking (commonly called "breakdancing"), began in the early 1970s as elaborations on how 2588:

Guzman-Sanchez, T. (2012) "Oakland Funk Boogaloo to Popping". Underground Dance Masters: Final History of a Forgotten Era. Praeger.

266:. These additions occurred due to influences from 1970s martial arts films, influences from gymnastics, and the formation of dance 3299: 2485: 1316:" in 1996 for a personal trainer in his hometown Chicago. It did not get commercial airplay until 2000 when Chicago radio station 4938: 4661: 4405: 1050:

released the song "The Twist" with an accompanying dance of the same name in 1960. He performed the dance on the television show

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Aside from James Brown and uprock, hip-hop historian Jorge "Popmaster Fabel" Pabon writes that toprock was also influenced by "

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rifle drill movements in their dancing to make a unique funk style called Fillmore strutting. This dance was named after the

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is based on the technique of quickly contracting and relaxing muscles to cause a jerk in the dancer's body, referred to as a

363: 342: 114:. After the millennium, newer social dances such as the Cha Cha Slide and the Dougie also caught on and became very popular. 3339: 2616: 1716: 4760: 4360: 2935: 2332: 1231: 729: 1229:

created the Running Man and taught the dance to Janet Jackson when she was working as her choreographer during Jackson's

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Aside from Rock Steady Crew, several breaking crews were active in the 1970s such as Mighty Zulu Kings, Dynamic Rockers,

358:. This tour traveled to England and France, which spread hip-hop culture to those countries. In 1983, they performed for 5044: 4647: 4531: 834:

The first reason is that "breakdancing" became an inadvertent umbrella term among the general public for both breaking

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B-boy Crazy Legs invented the windmill (continuous back spin) and 1990 (continuous hand spin) b-boy moves by accident.

1008:". The Hammer dance was a social dance that became wildly popular and then faded as the album it was associated with, 223: 1239:", and rapper MC Hammer kept the fervor going when he started to do the Running Man in his performances. The pop duo 231:

called rocking or Brooklyn uprock, because it comes from Brooklyn, New York. The uprock dance style has its roots in

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were released, all the styles of dance performed in those films were put under the "breakdance" label. In addition,

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Further information on derivative styles, the dance industry, entertainment, and international competitions:

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Chang 2006, p. 20. "Early influences on b-boying and b-girling also included martial arts films from the 1970s."

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James Brown was a major contributor to social dance. He popularized several fad dances in the 1970s such as the

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In the 1970s, while Los Angeles was known for locking and Fresno was known for popping, several other cities in

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videos of the dance to nightclubs, which helped spread its popularity. On February 20, 2011, dancers in

1284:, the Dougie has been particularly popular as a celebratory dance among professional athletes. In 2010, 1015: 988: 869:" Solomon, one of the original members of the Electric Boogaloos, and Raquel Rivera, author of the book 842:. This name gives them a separate identity from breaking, which is traditionally danced to break beats. 685: 275: 65: 4545: 1865: 1807:

Hess 2007, p. xxii. "1977: The Rock Steady Crew is founded by Jojo and Jimmy D in the Bronx, New York."

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is the signature dance style of The Electric Boogaloos. It is a combination of boogaloo and popping.

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The Preservatory Project (2016) Boogaloo Traditions: Interview with Boogaloo Vic & Boogaloo Dana

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One of the more popular social dances created during the 1980s was the Cabbage Patch. The rap group

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genre; however, there is a dance move used in breaking that is taken from the Charleston called the

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to this song-and-dance craze, Puerto Rican artists in New York City created a style of music called

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rather than hip-hop music, and they were not associated with the other cultural pillars of hip-hop (

4885: 4690: 4668: 4496: 4433: 3886: 1479: 1322: 1280: 914: 780: 768: 535: 294: 166: 3624: 3081:"Interview with Popin Pete & Mr. Wiggles at Monsters of Hip Hop – July 7–9, 2006, Orlando, Fl" 4916: 4461: 1275: 1221: 1215:. It is a variation on the Charleston with elements of the Roger Rabbit and the Running Man. The 1211: 1052: 1026: 1018:; several 1970s fad dances made popular by James Brown; and the influence of the television show 968: 905: 623: 609: 3088: 1262:", which was not successful. For this reason, the Chicken Noodle Soup song and dance faded. The 3756: 3398: 2198: 1621: 783:

for snake hitting. The San Francisco crew Granny and Robotroid incorporated stepping moves and

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in California created locking, roboting, boogaloo, and popping—collectively referred to as the

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DiLorenzo, Kris (April 1985). "The Arts. Dance: Michael Jackson did not invent the Moonwalk".

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in San Francisco where Granny and Robotroid were from. Granny and Robotroid performed on the

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era. Jackson further popularized the dance when she performed it in her 1989 music video "

976: 573: 495: 483: 397: 381: 57: 3123: 551:; and Fred "Mr. Penguin" Berry, who played the character of Rerun on the television show 4948: 4909: 4902: 4870: 4845: 4840: 4830: 4825: 4780: 4765: 4715: 4685: 4587: 4517: 4510: 4440: 4391: 2493: 1410: 1206: 1184: 1047: 980: 757: 424: 99:

who are responsible for the spread of breaking, locking, and popping respectively. The

2245: 1959:"Breaking Out Of the Bronx: A Look Back; A Pioneering Dancer Is the Last of His Breed" 5062: 5009: 4953: 4820: 4800: 4775: 4740: 4735: 4730: 4573: 4524: 4475: 4291: 3686: 3458: 3391: 2167: 1672: 1333: 1313: 1267: 1240: 1236: 1195: 1165: 1149: 1057: 1039: 949: 920: 854: 656: 640: 569: 548: 489: 420: 251: 196: 134: 130: 107: 61: 31: 3989:

Hay, Carla (February 2001). "Mr. C The Slide Man Sets Off A Dance Craze On M.O.B.".

845:

The second reason this was problematic is that "breakdancing" was originally called

4989: 4790: 4770: 4745: 4695: 4482: 4314: 3016: 1289: 1152:, the Boogaloo, and the Good Foot. His accompanying songs to these dances include " 964: 737: 463: 406: 393: 362:

at the Royal Variety Performance. The following year, they recorded a song titled "

359: 355: 279: 178: 118: 3292:"World's oldest hip-hop dance crew gettin' its swagga on at Las Vegas competition" 2759: 2720: 1887:

Irwin, Demetria (April 2008). "Breakdancing pioneer, Frosty Freeze, passes away".

3842: 3116: 955:

Crews still form based on friendships and neighborhoods. For example, dance crew

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covered this event. In 1982, their manager Ruza "Kool Lady" Blue organized the

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Capoeira Beyond Brazil: From a Slave Tradition to an International Way of Life

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Shoot... We did that back in the '30s! Only it was called The Buzz back then.

2901: 1900: 1179:

was very popular during the 1970s, so some dance styles at that time such as

544: 4865: 4850: 4795: 4705: 4633: 1035: 1001: 793: 298: 247: 243: 182: 126: 111: 4700: 2403: 2281: 604: 2430:"Diary of an Ex-Soul Train Dancer: Q&A with Shabba Doo of the Lockers" 17: 4860: 4340: 1180: 1082:

The Charleston, the Twist, the Boogaloo, the Good Foot, the Funky Chicken

846: 806: 648: 636: 627:

credited with innovating popping from earlier boogaloo movements done in

547:

as the group's manager; Charles "Charles Robot" Washington, a pioneer of

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when 2,387 people performed the dance at the Anaheim Convention Center.

36: 4855: 4750: 4419: 4350: 4324: 3805:"LMFAO's 'Party Rock Anthem' Named Billboard's 2011 Song of the Summer" 1341: 1317: 1209:

created the Kid 'n Play kick-step and performed it in their 1990 movie

673: 593: 471: 336:

hosted a breaking battle between Dynamic Rockers and Rock Steady Crew.

69: 1336:" was released in February 2007 by singer Bryson "Cupid" Bernard from 1254:

DJ Troy "Webstar" Ryan and Bianca "Young B" Dupree released the song "

928:

premiered in 1980, four years earlier than the hip-hop dance classics

4815: 4559: 4112:

Icons of hip hop: An Encyclopedia of the Movement, Music, and Culture

3114:

Rivera, Raquel (2003). "It's Just Begun: The 1970s and Early 1980s".

1266:

comes from Dallas, Texas. The dance was named after the 1980s rapper

1263: 386: 49: 3915:"Happening Now: Wolf Blitzer Dances The Dougie At Soul Train Awards" 2529:"The Soul Train History Book Presents: The Mighty Mighty Jackson 5!" 1400:, a move in which a b-boy does a front flip and lands on their back. 1219:

is one of the most recognizable hip-hop social dances. According to

644: 267: 236: 1394:

Wayne "Frosty Freeze" Frost died on April 3, 2008. He invented the

892: 1368:

Crazy Legs invented the continuous back spin, commonly called the

1243:

brought the Running Man back into the mainstream with their song "

1176: 960: 891: 603: 380: 219: 213: 162: 285:

B-boys Jamie "Jimmy D" White and Santiago "Jo Jo" Torres founded

4999: 4260: 3010: 1572:"Aug 11, 1973: Hip Hop is born at a birthday party in the Bronx" 1004:

created the Hammer dance and popularized it in his music video "

839: 688:

was a professional dancer in the 1920s who appeared in the film

232: 214: 4264: 2928:"Remembering Michael Jackson (August 29, 1958 – June 25, 2009)" 1825: 752:(1955). Furthermore, in 1982 during a performance in London on 3620: 1285: 1161: 963:

and London. Crews also form for other reasons such as theme (

873:(2003), "breakdancing" is a media-coined term and incorrect. 724:. In 1983, Michael Jackson performed the moonwalk—called the 509:—the song-and-dance television program featuring funk music, 3521:"Sept. 19, 1960: Chubby Checker's "The Twist" hits number 1" 4210:

Foundation: B-Boys, B-Girls and Hip-Hop Culture in New York

4097:

Underground Dance Masters: Final History of a Forgotten Era

314:—1980s films about hip-hop culture—as well as in the movie 289:(RSC) in 1977 in the Bronx. Along with Dynamic Rockers and 4067:

Can't Stop Won't Stop: A History of the Hip-Hop Generation

4195:

Immigration and American Popular Culture: An Introduction

4133:. New York City: Rizzoli International Publications Inc. 584:

two years earlier with his dance partner Angela Johnson.

2191:"Capoeira and Break-Dancing: At the Roots of Resistance" 1056:, and the song reached number one in 1960 and 1962. The 4225:

Capoeira: The Jogo de Angola from Luanda to Cyberspace

4052:

Capoeira: The History of an Afro-Brazilian Martial Art

3882:"What's the Latest Move in Sports? Doing the 'Dougie'" 2813:"Earl "Snake Hips" Tucker: The King of Hip-Hop Dance?" 959:—formed in 2007—consists of brothers and friends from 403:

Capoeira: The Jogo de Angola from Luanda to Cyberspace

3361:"Big toe crew bags Asian hip-hop competition prize". 3261:"'America's Best Dance Crew' and worldwide Diversity" 2958:"Jeffrey Daniel joins judging panel of Nigerian Idol" 1753: 1751: 849:

or breaking by the street dancers who created it. A

4977: 4926: 4894: 4678: 4597: 4369: 4333: 4307: 2459: 2457: 2455: 2024:"Physical Graffiti... The History of Hip Hop Dance" 701: 354:, Cold Crush Brothers, the Double Dutch Girls, and 3433:Jazz Dance: The Story of American Vernacular Dance 3115: 1247:", which was named the 2011 song of the summer by 3160:Wisner, Heather (2006). "From Street to Studio". 1191:kick-started the rise of hip-hop social dancing. 1029:was created in the 1920s by African-Americans in 3944:Campbell-Livingston, Cecelia (October 3, 2012). 3780:Go! Fight! Win! Cheerleading in American Culture 1138:**The Reject is one of many dance moves used in 434: 4082:Total Chaos: The Art and Aesthetics of Hip-Hop 3849:. Vol. 119, no. 43. pp. 14–15. 1038:. Lindy Hop and the Charleston fall under the 904:Chain Reaction was a four-man dance crew from 76:created uprock and breaking in New York City. 4276: 3836: 3834: 3832: 3830: 3679:"Everyday I'm Shufflin': Top 10 Dance Crazes" 3648:"After 38 Years, 'Soul Train' Gets New Owner" 3451:"Everyday I'm Shufflin': Top 10 Dance Crazes" 3435:. New York City: Macmillan. pp. 322–329. 3122:. New York City: Palgrave MacMillan. p. 2522: 2520: 2471: 2469: 1435:Paula Abdul also choreographed the 1987 film 896:Boy Blue hip-hop dance company performing at 539:. Three original members of The Lockers were 8: 4197:. New York City: New York University Press. 3393:The Wicked Waltz and Other Scandalous Dances 2301: 2299: 2122:Writing Dancing: In the Age of Postmodernism 1916:"Hip Hop Hooray: Breaking into the Big Time" 1130:Cha Cha slide, Cupid shuffle, the Soulja Boy 517:, and social dancing. They also appeared on 423:, witnessed breaking in 1980 while covering 3050: 3048: 3046: 2687: 2685: 2423: 2421: 2231: 2229: 2017: 2015: 2013: 2011: 2009: 2007: 2005: 1943: 1941: 1312:DJ Willie "Casper" Perry created the song " 1305:performed to the song "Electric Boogie" by 987:in 2009 and the American-based competition 4283: 4269: 4261: 4212:. New York City: Oxford University Press. 3984: 3982: 3875: 3873: 3871: 3606: 3604: 2371: 2369: 2367: 2129:: Wesleyan University Press. p. 128. 2059:. Berkeley: Blue Snake Books. p. 31. 1466: 1464: 1462: 827:was released outside the United States as 720:The most recognizable popping move is the 4180:The Best Dance Moves in the World... Ever 3742: 3740: 3444: 3442: 3057:The Freshest Kids: A History of the B-Boy 3036: 3034: 2644: 2642: 1599: 1597: 912:locking. They performed on the talk show 760:performed the backslide during the song " 4193:Rubin, Rachel; Melnick, Jeffrey (2006). 3993:. Vol. 113, no. 6. p. 9. 2389: 2387: 2385: 2383: 2381: 2267: 2265: 2263: 2105: 2103: 1659: 1657: 1505: 1503: 1501: 1499: 1497: 1119: 1103: 1087: 1071: 505:The Lockers made several appearances on 40:A hip-hop dancer at Zona club in Moscow. 35: 2327: 2325: 2315: 2313: 2311: 2236:Mackrell, Judith (September 28, 2004). 2218: 2216: 2084: 2082: 1557: 1555: 1472:"Breakdancing, Present at the Creation" 1458: 1361: 524:The Tonight Show Starring Johnny Carson 3747:Robertson, Regina (February 2, 2012). 3658:from the original on November 28, 2016 3613:"How 'Soul Train' Got America Dancing" 3519:Bracaglia, Kate (September 19, 2011). 2670:Guzman-Sanchez 2012, pp. 110–113, 122. 2657: 2655: 2238:"We have a mission to spread the word" 1986: 1984: 1969:from the original on November 29, 2014 1851: 1849: 1847: 1845: 1843: 1710: 1708: 1409:Richard "Crazy Legs" Colón was one of 1381:The Mighty Zulu Kings were founded by 775:was known for a style called sac-ing, 698: 568:where he worked. On October 27, 1973, 334:Lincoln Center for the Performing Arts 4152:. Milton Keynes: AuthorHouse UK Ltd. 4069:. New York City: St. Martin's Press. 3204:Guzman-Sanchez 2012, pp. 80, 104–106. 3118:New York Ricans from the Hip Hop Zone 2713:"'Funk Styles' History And Knowledge" 2707: 2705: 2703: 2701: 2699: 2697: 2189:Delgado, Julie (September 26, 2007). 1540:from the original on October 20, 2012 871:New York Ricans from the Hip Hop Zone 740:performed the backslide in 1932, and 7: 4251:"A Dance Teacher's Guide to Hip Hop" 4016:Mochan, Amanda (February 25, 2011). 2428:McMillian, Stephen (June 29, 2011). 133:, the formation of dance crews, and 5031:The Legion of Extraordinary Dancers 3913:Joyella, Mark (November 29, 2010). 3619:(Podcast). Talk of the Nation from 3431:Stearns, Marshall and Jean (1968). 3231:Guzman-Sanchez 2012, pp. 73–74, 80. 3006:"Release dates for Breakin' (1984)" 2856:Thriller 25th Anniversary: The Book 2527:McMillan, Stephen (June 18, 2012). 1858:"Rock Steady Crew 32nd Anniversary" 1260:Webstar Presents: Caught in the Web 385:Two capoeiristas dance-fighting in 350:, which featured Rock Steady Crew, 274:, which was made famous by gymnast 4620:The Party Machine with Nia Peeples 4182:. San Francisco: Chronicle Books. 3397:. Jefferson: MacFarland. pp. 3330:Tawhiao, Carly (August 20, 2010). 2617:"Electric Boogaloos Group History" 2272:Freeman, Santiago (July 1, 2009). 2197:. WireTap Magazine. Archived from 1818:"History of the Mighty Zulu Kings" 1528:Roug, Louise (February 24, 2008). 1478:. October 14, 2002. Archived from 1270:and popularized in the 2010 song " 1136:*The Butterfly came from Jamaica. 639:(or Latin boogaloo) that combined 137:' creation of the television show 25: 3841:Crosley, Hillary (October 1997). 3803:Trust, Gary (September 8, 2011). 3259:Phillips, Jayvon (May 30, 2009). 3079:Klopman, Alan (January 1, 2007). 2986:Guzman-Sanchez 2012, pp. 104–107. 2788:. August 29, 2008. Archived from 2394:Garofoli, Wendy (April 1, 2008). 1922:. !Mira! magazine. Archived from 1856:Milosheff, Peter (July 7, 2008). 1578:. August 11, 2011. Archived from 771:had their own local funk styles. 195:(2005), describes DJ Kool Herc's 3880:Cohen, Ben (November 13, 2010). 3646:Stelter, Brian (June 17, 2008). 2486:"Old School (O.G.) Hall of Fame" 1769:"Who Really Invented the Flair?" 707: 419:and her colleague, photographer 405:(2005), master capoeira teacher 4095:Guzman-Sanchez, Thomas (2012). 4084:. New York City: BasicCivitas. 3611:Neil Conan (February 9, 2010). 3290:Lapan, Tovin (August 9, 2013). 3249:Guzman-Sanchez 2012, pp. 86–87. 3222:Guzman-Sanchez 2012, pp. 60–64. 2934:. June 25, 2011. Archived from 2917:Guzman-Sanchez 2012, pp. 16–17. 2514:Guzman-Sanchez 2012, pp. 35–36. 1171:In 1970, Don Cornelius created 106:Parallel with the evolution of 4231:. Berkeley: Blue Snake Books. 2758:. July 7, 2008. Archived from 1776:International Gymnast Magazine 1767:Stoldt, David (October 1980). 1530:"Hip-hop may save Bronx homes" 612:industrial building in Moscow. 364:(Hey You) The Rock Steady Crew 157:According to hip-hop activist 27:Aspect of the history of dance 1: 4406:Breakin' 2: Electric Boogaloo 4165:1000 Novelty & Fad Dances 4150:Volume I: The Artful Movement 4118:. Westport: Greenwood Press. 4018:"Largest cha-cha slide dance" 3782:. Popular Press. p. 58. 3332:"ReQuest on top of the world" 2811:Held, Joy (August 29, 2008). 2319:Guzman-Sanchez 2012, pp. 6–7. 1702:Chang 2005, pp. 117–118, 138. 1011:Please Hammer, Don't Hurt 'Em 820:Breakin' 2: Electric Boogaloo 651:was a pioneer of this style. 320:. They also performed at the 297:" Colón. Crazy Legs opened a 5045:The Hip Hop Dance Experience 4532:Beat This: A Hip-Hop History 4167:. Bloomington: AuthorHouse. 4054:. New York City: Routledge. 3749:"Throwback: The Running Man" 2995:Guzman-Sanchez 2012, p. 106. 2841:Guzman-Sanchez 2012, p. 121. 2679:Guzman-Sanchez 2012, p. 122. 2606:Guzman-Sanchez 2012, p. 118. 2097:Guzman-Sanchez 2012, p. 135. 1999:Guzman-Sanchez 2012, p. 143. 1957:Feuer, Alan (July 7, 2008). 1292:performed the Dougie at the 4050:Assunção, Matthias (2005). 3778:Hanson, Mary Ellen (1995). 3707:Guzman-Sanchez 2012, p. 99. 3240:Guzman-Sanchez 2012, p. 74. 3213:Guzman-Sanchez 2012, p. 57. 2561:Guzman-Sanchez 2012, p. 38. 2475:Guzman-Sanchez 2012, p. 44. 1156:", "Do the Boogaloo", and " 807:B-boying § Terminology 744:performed it in the movies 441:Richard "Crazy Legs" Colón; 224:Union Square, San Francisco 5105: 5074:Dance in the United States 5024:So You Think You Can Dance 5019:Bounce Streetdance Company 4761:Tabitha and Napoleon D'umo 4099:. Santa Barbara: Praeger. 3320:Schloss 2009, p. 116. 3055:Israel (director) (2002). 1031:Charleston, South Carolina 861:) or the music beat (break 804: 597: 591: 487: 481: 150: 29: 4944:United Dance Organisation 4648:America's Best Dance Crew 4298: 4129:Kugelberg, Johan (2007). 4110:Hess, Mickey, ed (2007). 3059:(DVD). QD3 Entertainment. 1135: 1106:2000s-2010s social dances 1090:1980s-1990s social dances 1065: 865:). According to Timothy " 706: 46:history of hip-hop dances 4553:ABCD: Any Body Can Dance 4301:History of hip hop dance 4208:Schloss, Joseph (2009). 4022:GuinnessWorldRecords.com 3843:"Song and Dance Routine" 2333:"The History of Locking" 2053:Essien, Aniefre (2008). 1990:Chang 2005, pp. 182–183. 1154:(Do the) Mashed Potatoes 1046:rock. Singer-songwriter 713:Earl "Snake Hips" Tucker 686:Earl "Snake Hips" Tucker 4641:The Wade Robson Project 4223:Taylor, Gerard (2007). 4144:Morgan, Damien (2008). 3363:The Vietnam News Agency 3069:Kugelberg 2007, p. 140. 2858:. ML Publishing Group. 2782:"Drop Me Off in Harlem" 2752:"Hip-Hop Dance History" 2305:Nelson 2009, pp. 32–33. 2195:Capoeira-Connection.com 1889:New York Amsterdam News 1348:" Way posted his song " 1294:Soul Train Music Awards 1202:Who Framed Roger Rabbit 779:for dime stopping, and 728:in popping context— on 659:, the Popcorn, and the 117:Hip-hop dance is not a 4985:African-American dance 4964:UK B-Boy Championships 4448:Step Up 2: The Streets 4427:Honey 3: Dare to Dance 3559:Bury, Martine (2000). 3389:Knowles, Mark (2009). 2109:Assunção 2005, p. 190. 1947:Kugelberg 2007, p. 59. 1272:Teach Me How to Dougie 1168:was our great uncle." 1066:Hip-Hop Social Dances 901: 887:New York City Breakers 750:Rhythm and Blues Revue 613: 530:The Dick Van Dyke Show 519:The Carol Burnett Show 438: 390: 348:New York City Rap Tour 227: 208: 97:The Electric Boogaloos 41: 4939:Hip Hop International 4504:Save the Last Dance 2 4178:Pagett, Matt (2008). 3815:on September 25, 2011 3195:Schloss 2009, p. 111. 2717:ElectricBoogaloos.com 2621:ElectricBoogaloos.com 2119:Banes, Sally (1994). 1914:Del Barco, Mandalit. 1344:when rapper DeAndre " 1327:Guinness world record 989:Hip Hop International 895: 829:Breakdance: The Movie 692:and performed at the 607: 384: 217: 201: 192:Can't Stop Won't Stop 147:Beginning of breaking 39: 4163:Nelson, Tom (2009). 4080:Chang, Jeff (2006). 4065:Chang, Jeff (2005). 3976:Pagett 2008, p. 156. 3958:on November 19, 2012 3623:News. Archived from 3598:Pagett 2008, p. 152. 3421:Pagett 2008, p. 168. 3379:Pagett 2008, p. 104. 3365:. October 14, 2010. 3271:on February 23, 2012 3186:Schloss 2009, p. 54. 3091:on November 16, 2011 3040:Scholss 2009, p. 60. 3019:on December 24, 2008 2962:AllStreetDance.co.uk 2878:Paggett 2008, p. 72. 2823:on November 16, 2011 2284:on November 21, 2010 2088:Taylor 2007, p. 170. 2034:on February 20, 2010 1782:(10). Archived from 1482:on November 24, 2010 1338:Lafayette, Louisiana 1158:Get on the Good Foot 608:A popper dancing at 588:Boogaloo and popping 566:Hollywood Wax Museum 562:Richmond, California 560:Roboting comes from 478:Locking and roboting 330:Jerry Lewis Telethon 199:moment in this way: 175:Get on the Good Foot 173:danced to his song " 129:'s invention of the 4934:Breakin' Convention 4886:Shantanu Maheshwari 4497:Save the Last Dance 4434:Battlefield America 4378:Balttle of the Year 4146:Hip Hop Had a Dream 3946:"Truly outstanding" 3887:Wall Street Journal 3734:Pagett 2008, p. 68. 3725:Pagett 2008, p. 45. 3716:Pagett 2008, p. 33. 3689:on January 12, 2013 3627:on February 2, 2012 3549:Pagett 2008, p. 56. 3493:(10): 46–48. 1991. 3461:on January 12, 2013 3342:on October 24, 2012 3302:on January 17, 2014 2968:on January 22, 2012 2741:Morgan 2008, p. 38. 2723:on February 9, 2010 2691:Rubin 2007, p. 120. 2661:Pagett 2008, p. 19. 2539:on October 26, 2012 2440:on October 10, 2011 2201:on October 20, 2011 2149:Morgan 2008, p. 29. 1868:on January 11, 2011 1757:Chang 2005, p. 136. 1717:"Crazy Legs Speaks" 1675:on December 2, 2009 1642:Chang 2005, p. 138. 1603:Chang 2005, p. 115. 1509:Chang 2005, p. 116. 1323:Anaheim, California 1281:Wall Street Journal 1278:. According to the 1274:" by the rap group 1256:Chicken Noodle Soup 915:Thicke of the Night 898:Breakin' Convention 769:Northern California 762:A Night to Remember 536:Saturday Night Live 429:Hip Hop Had a Dream 343:National Geographic 278:and is called the " 5089:History of hip hop 4546:Neukölln Unlimited 4462:Step Up Revolution 4308:Primary influences 3652:The New York Times 2786:Kennedy-Center.org 2463:Chang 2006, p. 23. 2375:Chang 2006, p. 22. 2170:on October 1, 2011 1963:The New York Times 1789:on October 4, 2011 1693:Chang 2006, p. 20. 1582:on October 5, 2012 1561:Chang 2005, p. 79. 1518:Chang 2005, p. 76. 1413:' body doubles in 1276:Cali Swag District 1053:American Bandstand 1006:U Can't Touch This 969:ReQuest Dance Crew 906:Reseda, California 902: 614: 554:What's Happening!! 391: 360:Queen Elizabeth II 262:, head spins, and 228: 42: 5054: 5053: 4334:Derivative styles 4131:Born in the Bronx 3925:on March 15, 2012 3531:on April 16, 2012 3265:Los Angeles Times 2792:on April 19, 2010 2762:on April 13, 2010 2490:LockerLegends.net 2337:LockerLegends.net 1534:Los Angeles Times 1245:Party Rock Anthem 1146: 1145: 1123: 1107: 1091: 1075: 918:and in the movie 789:Fillmore district 718: 717: 690:Symphony in Black 600:Electric boogaloo 282:" in gymnastics. 78:African Americans 74:African Americans 16:(Redirected from 5096: 5084:History of dance 4959:Urban Street Jam 4786:Laurieann Gibson 4285: 4278: 4271: 4262: 4038: 4037: 4035: 4033: 4028:on March 4, 2011 4024:. 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Archived from 2524: 2515: 2512: 2506: 2505: 2503: 2501: 2496:on July 23, 2011 2492:. Archived from 2482: 2476: 2473: 2464: 2461: 2450: 2449: 2447: 2445: 2436:. Archived from 2425: 2416: 2415: 2413: 2411: 2402:. Archived from 2391: 2376: 2373: 2362: 2359: 2353: 2352: 2350: 2348: 2339:. Archived from 2329: 2320: 2317: 2306: 2303: 2294: 2293: 2291: 2289: 2280:. Archived from 2269: 2258: 2257: 2255: 2253: 2248:on March 5, 2016 2244:. Archived from 2233: 2224: 2220: 2211: 2210: 2208: 2206: 2186: 2180: 2179: 2177: 2175: 2166:. Archived from 2156: 2150: 2147: 2141: 2140: 2116: 2110: 2107: 2098: 2095: 2089: 2086: 2077: 2076: 2050: 2044: 2043: 2041: 2039: 2030:. Archived from 2019: 2000: 1997: 1991: 1988: 1979: 1978: 1976: 1974: 1954: 1948: 1945: 1936: 1935: 1933: 1931: 1911: 1905: 1904: 1884: 1878: 1877: 1875: 1873: 1864:. Archived from 1853: 1838: 1837: 1835: 1833: 1828:on April 7, 2010 1824:. 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In 1981, the 155: 149: 34: 28: 23: 22: 15: 12: 11: 5: 5102: 5100: 5092: 5091: 5086: 5081: 5076: 5071: 5061: 5060: 5052: 5051: 5049: 5048: 5041: 5038:World of Dance 5034: 5027: 5020: 5017: 5012: 5007: 5002: 4997: 4992: 4987: 4981: 4979: 4978:Related topics 4975: 4974: 4972: 4971: 4966: 4961: 4956: 4951: 4949:World of Dance 4946: 4941: 4936: 4930: 4928: 4924: 4923: 4921: 4920: 4913: 4910:Into the Hoods 4906: 4903:In the Heights 4898: 4896: 4892: 4891: 4889: 4888: 4883: 4878: 4873: 4868: 4863: 4858: 4853: 4848: 4846:Columbus Short 4843: 4841:Shaun Evaristo 4838: 4833: 4831:Adam G. 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