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51: 293:), with Jeffrey Bloom from 1983-94. The threesome of Treacy, Head, and Bloom formed the longest unchanged line-up and as a result is considered by many to be the definitive line-up, performing hundreds of gigs around the world and recording many of the band's most popular songs like "How I Learned to Love the Bomb", "Salvador Dali's Garden Party" and "Strangely Beautiful". Despite this, the Television Personalities are best known for their early single " 350:. Ever unconventional, Treacy said he was not that much interested in music and the band rarely rehearsed. Treacy did not prepare set-lists for live performances, preferring to keep the band on their toes. Head remembers "us rehearsing once in late 1983. We did another one five years later, and that was about it." The band struggled to find a name, and early suggestions included the names of mainstream and often ridiculed television hosts such as 516:
of Europe but shortly afterwards Foster and Musker left. This left the band as a guitar, bass and drums threesome and Treacy, Head, and Bloom would continue as the Television Personalities for the next 14 years. The band were regulars on the London gig scene and also did several tours of the UK, Europe, the U.S. and Japan. The Chocolate Art and Camping in France live albums were recorded during this time.
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In the middle of 1980, the Television Personalities made their live debut following the recruitment of Joe Foster on bass and Mark Sheppard (known as Empire) on drums. This line-up was short-lived, reportedly due to differences in opinion between Foster and Sheppard, leading to Joe's departure. Prior
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In 1983 the band comprised Treacy, Dave Musker on keyboards, Joe Foster on guitar and Mark Flunder on bass. Jeffrey Bloom joined on drums at a gig in Alan McGee's Living Room club and shortly afterwards Stephen Bird, AKA Jowe Head, replaced Flunder on bass. This line up went on the band's first tour
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came in one day when I was reading an interview I'd done, and I told him I had a record out. So then, he walks me upstairs to a wardrobe brimming with guitars, hands me one and five minutes later, I was jamming with Jimmy Page. He was good, but he weren't as good as me." Later the promotion of the
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described it as a "stunningly original record-harrowing and hilarious in equal amounts", while the BBC wrote that the album "captures the offbeat brilliance that made the TVPs indie legends in the 70s, characterised by Treacy’s endearingly slapdash attitude towards singing in tune and playing in
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in Portland Harbour, Dorset, England. A gig at the Hanbury Ballroom, Brighton on 6 August 2005 ended in chaos after half an hour when Treacy had apparent difficulties with his guitars and mic stand. His bandmates left him on stage and the gig was halted by the management. His 2006 comeback album
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time." He was reportedly seriously ill in October 2011 following brain surgery to remove a blood clot. He regained consciousness in December, but remained hospitalised. By 2016 he was recovering from the surgery and said that he intended to return to music.
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showed Treacy's sense of humour; the TVPs were never to have any major commercial success in the UK – although their albums sold respectably in Germany, Sweden and the Netherlands. The first three albums featured Treacy and schoolmate
389:. Ball was amazed at the quality of Treacy's writing, and admitted that he "couldn't believe the lyrics. Suddenly, my best friend was coming out with these amazing songs." With the financial backing of his mother, Treacy 50: 1254: 1063: 1043: 326:. Treacy's unconventional but dryly witty and culture infused lyrics, have led to his reputation as a seminal and iconic figure within the independent music scene. 1458: 1433: 329:
In 2006, music critic Cam Lindsay described Treacy as having "recorded some of the most bizarre, unlistenable and brilliant pop songs in the last three decades".
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Treacy later struggled with mental health issues and drug addiction, and from 1998 to June 2004 was incarcerated for theft. He spent time on the prison ship HMP
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The song title and resulting media attention brought the band to the notice of the music press and rock establishment royalty they were parodying. Treacy said: "
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500 copies of "'Where's Bill Grundy Now?", each with a photocopied sleeve, which he sent to various record companies and radio DJs. The track was
507:, but were fired when they performed their song "I Know Where Syd Barrett Lives", during which Treacy read out Barrett's real address on stage. 1438: 1320: 1183: 987: 646: 443: 1463: 1227: 612: 1453: 1089: 1240: 1200: 1468: 1115: 435: 1247: 764: 1473: 1141: 1222: 1154: 792: 860: 310:), the Television Personalities are highly regarded by critics and have been widely influential, especially on the 877: 1355: 1008: 710: 369:
Their first single "14th Floor" was released in January 1978 to critical acclaim. It was followed by the 1978 EP
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band formed in 1977 by London singer-songwriter Dan Treacy. Their varied, volatile and long career encompasses
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scattered throughout the TVPs' lyrics, album titles and record artwork. Most of the references are to (mostly
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to this, Dan and Mark helped out with Joe's solo project, the Missing Scientists, which included
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Despite their relatively minor commercial success (their third album was sardonically titled
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which brought them to popular attention. The EP features their lone chart hit, the seminal "
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The Missing Man Of Music: A Search For The Elusive Dan Treacy Of Television Personalities
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received widespread critical acclaim, including for the single "Velvet Underground". The
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and ultra-restrained rock that's hauntingly beautiful, like the most delicate moments of
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was a combination of sixties style pop and darker material, and was similar in tone to
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Treacy was inspired to form the Television Personalities after hearing the
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The following is a complete list of the Television Personalities albums.
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Official site: Treacy's web journal, live gig archive, photos, tour info
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Various line-up changes and circumstances prevented the recordings for
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was released in 1981. It set the template for their subsequent career:
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The Creation Records Story: My Magpie Eyes Are Hungry for the Prize
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A Day in Heaven: An unofficial Television Personalities website
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as the band's twelfth album. It had been recorded in 1990 on a
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Lost Television Personalities album to be released in January
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Dan Treacy performing with Television Personalities in Japan
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Bands that have cited them as formative influences include
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from being released until 1990. Their subsequent album
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According to critic Ira Robbins, with their 1984 album
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This article is about the band. For the concept, see
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Retrieved 12 May 2018 822:Television Personalities: My Dark Places 463:influences. Their third album, entitled 910:. Omnibus Press, 2009. ASIN: B0030V0PEC 799:, 24 August 2014. Retrieved 13 May 2018 736: 830:, 16 March 2006. Retrieved 12 May 2018 472:; Ball left the band in 1982 to found 1459:English psychedelic rock music groups 1434:Musical groups disestablished in 2011 1038: 1036: 1034: 1012:, 1 March 2006. Retrieved 12 May 2018 897:, 3 March 2006. Retrieved 13 May 2018 847:, 1 April 2016. Retrieved 13 may 2018 771:, 26 July 2016. Retrieved 12 May 2018 409:"14th Floor" single was supported by 7: 855: 853: 816: 814: 759: 757: 613:Television Personalities discography 1142:INTERVIEW: TELEVISION PERSONALITIES 878:Television Personalities: Biography 285:(early line-up, later briefly) and 1429:Musical groups established in 1978 1321:...And Don't the Kids Just Love It 1223:Alan McGee article in The Guardian 880:". AllMusic. 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London: Virgin Books, 2000. 1: 1439:Indie rock groups from London 1088:Earp, Joseph (26 July 2016). 698:(1998, Damaged Goods Records) 451:married to an obsession with 978:Schaffner, Nicholas (1991). 1464:Rough Trade Records artists 672:(1984, Illuminated Records) 1490: 1454:British mod revival groups 714:(2007, Overground Records) 692:(1995, Overground Records) 654:Mummy Your Not Watching Me 610: 457:Mummy Your Not Watching Me 279:'Slaughter Joe' Joe Foster 29: 1270: 48: 1356:Are We Nearly There Yet? 1264:Television Personalities 841:Television Personalities 745:Television Personalities 711:Are We Nearly There Yet? 476:, but rejoined in 2004. 259:Television Personalities 123:Domino Recording Company 43:Television Personalities 32:Television personalities 1469:English pop punk groups 1176:The Rough Guide to Rock 1161:. Retrieved 12 May 2018 1028:. Retrieved 12 May 2018 751:. Retrieved 13 May 2018 559:released the long lost 511:Later years and revival 459:demonstrated increased 281:, one time best friend 119:Little Teddy Recordings 110:1977–1998, 2004–present 1299:Mark 'Empire' Sheppard 1289:'Slaughter Joe' Foster 1228:ARC magazine interview 1178:. Rough Guides, 2003. 1004:60 SECONDS: Dan Treacy 664:(1982, Whaam! Records) 656:(1982, Whaam! Records) 491:The Velvet Underground 417:when he began to form 212:Mark 'Empire' Sheppard 196:'Slaughter Joe' Foster 61:Background information 27:English post-punk band 581:Half Man Half Biscuit 797:Dazed & Confused 726:(2018, Fire Records) 686:(1992, Fire Records) 680:(1989, Fire Records) 577:Jesus and Mary Chain 1474:Rocket Girl artists 1042:Lanigan, Michael. " 808:Buckley (2003), 106 720:(2010, Rocket Girl) 650:(1981, Rough Trade) 131:Rough Trade Records 1122:. 14 November 2017 921:Missing Scientists 383:high-rise building 297:", a favourite of 1416: 1415: 1408:Teenage Filmstars 1363:Beautiful Despair 1184:978-1-8435-3105-0 989:978-0-385-30684-3 861:Beautiful Despair 791:Baal, Iphgenia. " 724:Beautiful Despair 561:Beautiful Despair 555:In January 2018, 255: 254: 135:Fire Records (UK) 16:(Redirected from 1481: 1391:Related articles 1335:The Painted Word 1277:Texas Bob Juarez 1257: 1250: 1243: 1234: 1174:Buckley, Peter. 1162: 1151: 1145: 1138: 1132: 1131: 1129: 1127: 1112: 1106: 1105: 1103: 1101: 1085: 1079: 1078: 1076: 1074: 1059: 1053: 1040: 1029: 1019: 1013: 1000: 994: 993: 975: 969: 968: 966: 964: 947: 941: 934: 928: 917: 911: 904: 898: 887: 881: 876:Ankeny, Jason. " 874: 868: 857: 848: 837: 831: 820:Abebe, Nitsuh. 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Index

Daniel Treacy
Television personalities
Dan Treacy performing with Television Personalities in Japan
Post-punk
mod revival
psychedelia
indie pop
Little Teddy Recordings
Domino Recording Company
Rocket Girl
Rough Trade Records
Fire Records (UK)
Whaam! Records
Jowe Head
'Slaughter Joe' Foster
Ed Ball
Mark 'Empire' Sheppard
Homepage
post-punk
post punk
neo-psychedelia
indie pop
'Slaughter Joe' Joe Foster
Ed Ball
Jowe Head
Swell Maps
Part Time Punks
John Peel's
They Could Have Been Bigger than the Beatles
C86

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