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Daniel and the Sacred Harp

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429:. Marcus described this version as "an intimate drama" in which Helm hums the music that Danko plays on the fiddle on the official version. Marcus states that in this version "you can hear people reaching out to each other, but you can hear their estrangement before and after you hear them reaching out." 238:
A narrator, who is a contemporary of Daniel opens up the story and sings that only a few people are permitted to play the sacred harp and he didn't think Daniel was one of them, so he asks Daniel if he is "one of the chosen few" and how he received the harp. Daniel then sings his story about how he
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Beyond just the loss of a musician's soul, music critic Nick DeRiso hears in the song a theme of loss of innocence, which would have been particularly meaningful to the 1960s generation as they moved into the 1970s. He also hears the song reflecting the fate of most famous bands, who pay for their
155:, such as the title track, "Daniel and the Sacred Harp" reflects the difficulties the Band was going through at the time of the album's development. The theme of "Daniel and the Sacred Harp" is "a loss of integrity." The lyrics tell a story similar to the 1322: 243:. He then sings that although he did not make the deal out "of personal greed" he paid a heavy price, and his father tells him that he won the harp but is now "lost in sin." He sings that he has lost his shadow, which the music makes clear is a 163:. They tell of a man who acquires a famous harp, but loses his soul to get it. Robertson has claimed that the inspiration for the song came from his early days as a guitarist, when he was "stealing" techniques from earlier guitarists such as 1308: 1876: 676: 337:
criticized for lacking the unity of the songs on the Band's first two albums; however, he did praise Danko's bass and fiddle playing. Author Jason Schneider describes the song as "overwrought."
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The song has an unusual structure, in that the first lines appear to be a refrain, but these lines appear only at the beginning and at the very end of the song, as a framing device:
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sings the narrator's part. Although Helm was normally the Band's drummer and Manuel the pianist, this is one of several songs on which Manuel plays drums and Helm plays guitar.
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saved up silver to be able to purchase the harp, even though he wasn't one of the few permitted to own it. After three years, the seller returns with the harp from the
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acknowledges that the theme of the song is "selling your soul for music." According to author Neil Minturn, "Daniel and the Sacred Harp," earlier band songs "
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used the song as an example of the religious themed songs that were becoming popular at the time. He has also noted that he was into
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critic Jeff Burger describes the choice to include the song part of what gives the album an "inspired program of tunes."
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fame through the effects of bad choices, bad management decisions and other problems. Band drummer and vocalist
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regards it as a highlight of the album and says that the performance "positively pump with heartfelt emotion."
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Band biographer Peter Viney regards "Daniel and the Sacred Harp" as "one of The Band’s greatest songs".
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An alternate take of "Daniel and the Sacred Harp" was included on the 2000 rerelease of
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praised the song for displaying "the best of The Band's trademark interactive vocals."
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Whispering Pines: The Northern Roots of American Music... from Hank Snow to the Band
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The Night They Drove Old Dixie Down: The Best of the Band Live in Concert
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style singing, which was in the back of his mind when he wrote the song.
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critic Paul Evans regards the song as "Robertson at his most haunting."
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which reveals "a growing sense of anxiety and cynicism. Bob Budler of
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This Wheel's on Fire: Levon Helm and the Story of the Band
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This Wheel's on Fire: Levon Helm and the Story of The Band
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The Band never played "Daniel and the Sacred Harp" live.
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The Bootleg Series Vol. 11: The Basement Tapes Complete
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Mystery Train: Images of America in Rock 'n' Roll Music
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covered "Daniel and the Sacred Harp" on the 1993 album
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for losing his soul, before the opening lines return.
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Evans, P. (1992). DeCurtis, A.; et al. (eds.).
1753: 1561: 1446: 1414: 1347: 1278: 1249: 1164: 107: 93: 81: 65: 55: 47: 37: 26: 21: 159:myth. They also have antecedents in the story of 1437:Once Were Brothers: Robbie Robertson and the Band 316:critic Mark Kemp regards it as a "highlight" of 1844:(1976, Danko, Helm, Hudson, Manuel, Robertson) 1323:The Bootleg Series Vol. 4: Bob Dylan Live 1966 1089: 1000:Bob Dylan by Greil Marcus: Writings 1968–2010 510:Across the Great Divide: The Band and America 8: 1538:Most Likely You Go Your Way and I'll Go Mine 700:: CS1 maint: multiple names: authors list ( 539: 537: 535: 533: 531: 529: 527: 1168: 1096: 1082: 1074: 349:To Kingdom Come: The Definitive Collection 346:. It was later included on the 1989 album 139:. It has been covered by such artists as 18: 1021: 1019: 575:. Rowman & Littlefield. p. 125. 500: 498: 496: 494: 492: 250:DeRiso describes the music as "a kind of 990: 988: 986: 741: 739: 616: 614: 612: 566: 564: 562: 466: 464: 713: 711: 610: 608: 606: 604: 602: 600: 598: 596: 594: 592: 460: 352:. It was also included on the box sets 324:also rated it one of the best songs on 36: 25: 1865:Endless Highway: The Music of the Band 693: 802:Kemp, M. (2004). Brackett, N. (ed.). 680:. Chicago Review Press. p. 216. 7: 1502:The Night They Drove Old Dixie Down 218:Daniel, Daniel and the sacred harp 195:The Night They Drove Old Dixie Down 1002:. Faber & Faber. p. 333. 808:(4th ed.). Fireside. p.  14: 1909:Songs written by Robbie Robertson 1338:Live at the Academy of Music 1971 805:The New Rolling Stone Album Guide 313:The New Rolling Stone Album Guide 1833:The Muddy Waters Woodstock Album 1776:Bob Dylan and the Band 1974 Tour 1212:Northern Lights – Southern Cross 833:Budley, B. (September 3, 1970). 722:. Pendragon Press. p. 144. 258:sings the part of Daniel, while 1929:Songs about musical instruments 1914:Music based on the Faust legend 1828:(1965, Helm, Hudson, Robertson) 228:Daniel, Daniel would you mind? 1660:The W.S. Walcott Medicine Show 1646:King Harvest (Has Surely Come) 623:"Daniel & The Sacred Harp" 544:DeRiso, N. (23 January 2014). 199:King Harvest (Has Surely Come) 1: 1384:The Best of the Band, Vol. II 777:The Rolling Stone Album Guide 645:"Trade Gets R 'n' R(eligion)" 643:Hall, C. (November 7, 1970). 1060:. April 16, 1994. p. 62 781:. Random House. p. 49. 22:"Daniel and the Sacred Harp" 1681:When I Paint My Masterpiece 129:that was first released by 1955: 1667:Daniel and the Sacred Harp 720:The Last Waltz of The Band 223:Dancing through the clover 123:Daniel and the Sacred Harp 1771:Bob Dylan World Tour 1966 1171: 1111: 940:"Across the Great Divide" 753:(6th ed.). Penguin. 381:12 string acoustic guitar 307:Rolling Stone Album Guide 151:As with several songs on 674:& Davis, S. (2013). 201:" and another song from 1871:The Complete Last Waltz 1611:Across the Great Divide 1377:Across the Great Divide 1303:(1978 soundtrack album) 432:Barrence Whitfield and 388:– 2nd lead vocal, drums 355:Across the Great Divide 125:" is a song written by 1723:It Makes No Difference 1491:The Unfaithful Servant 861:Schneider, J. (2009). 330:Rolling Stone Magazine 282:. Robertson plays an 1924:Songs about musicians 16:1970 song by The Band 1860:(2022, Helm, Weider) 1836:(1975, Helm, Hudson) 1744:What Am I Living For 1604:This Wheel's on Fire 1527:On a Night Like This 1356:The Best of the Band 1316:Live at Watkins Glen 718:Minturn, N. (2005). 396:acoustic bass guitar 276:acoustic bass guitar 133:on their 1970 album 1934:Fictional musicians 1737:Blind Willie McTell 1498:Up on Cripple Creek 1480:I Shall Be Released 1177:Music from Big Pink 967:"A Musical History" 888:"Anthology, Vol. 1" 571:Harris, C. (2014). 404:– electric guitar, 322:Copley News Service 1730:Georgia on My Mind 1639:Look Out Cleveland 1540:" (with Bob Dylan) 1520:Life Is a Carnival 1462:The Stones I Throw 1265:The Basement Tapes 1057:Billboard Magazine 650:Billboard Magazine 449:Billboard Magazine 379:– 1st lead vocal, 233:If I look it over. 178:Billboard Magazine 141:Barrence Whitfield 1919:Songs about music 1886: 1885: 1716:Acadian Driftwood 1398:A Musical History 1274: 1273: 915:"To Kingdom Come" 361:A Musical History 119: 118: 1946: 1841:No Reason to Cry 1632:Jemima Surrender 1625:Whispering Pines 1513:The Shape I'm In 1430:Festival Express 1294:Before the Flood 1169: 1136:Robbie Robertson 1098: 1091: 1084: 1075: 1069: 1068: 1066: 1065: 1048: 1042: 1041: 1039: 1038: 1023: 1014: 1013: 992: 981: 980: 978: 977: 960: 954: 953: 951: 950: 935: 929: 928: 926: 925: 908: 902: 901: 899: 898: 883: 877: 876: 858: 852: 851: 849: 848: 830: 824: 823: 799: 793: 792: 771: 765: 764: 743: 734: 733: 715: 706: 705: 699: 691: 668: 662: 661: 659: 658: 653:. pp. 1, 12 640: 634: 633: 631: 630: 618: 587: 586: 568: 557: 556: 554: 553: 548:. Something Else 541: 522: 521: 502: 487: 486: 484: 483: 468: 402:Robbie Robertson 209:Lyrics and music 165:Fred Carter, Jr. 127:Robbie Robertson 112: 102:Robbie Robertson 98: 77: 76: 72: 19: 1954: 1953: 1949: 1948: 1947: 1945: 1944: 1943: 1889: 1888: 1887: 1882: 1791:The Weight Band 1749: 1584:Long Black Veil 1557: 1469:Go Go Liza Jane 1442: 1410: 1370:To Kingdom Come 1343: 1270: 1245: 1233:High on the Hog 1205:Moondog Matinee 1160: 1146:Randy Ciarlante 1107: 1102: 1072: 1063: 1061: 1052:"Album Reviews" 1050: 1049: 1045: 1036: 1034: 1025: 1024: 1017: 1010: 994: 993: 984: 975: 973: 962: 961: 957: 948: 946: 937: 936: 932: 923: 921: 910: 909: 905: 896: 894: 885: 884: 880: 873: 860: 859: 855: 846: 844: 832: 831: 827: 820: 801: 800: 796: 789: 773: 772: 768: 761: 745: 744: 737: 730: 717: 716: 709: 692: 688: 670: 669: 665: 656: 654: 642: 641: 637: 628: 626: 620: 619: 590: 583: 570: 569: 560: 551: 549: 543: 542: 525: 512:. Hal Leonard. 504: 503: 490: 481: 479: 470: 469: 462: 458: 423: 373: 292: 211: 149: 108: 94: 74: 70: 69: 51:August 17, 1970 38:from the album 17: 12: 11: 5: 1952: 1950: 1942: 1941: 1936: 1931: 1926: 1921: 1916: 1911: 1906: 1904:The Band songs 1901: 1891: 1890: 1884: 1883: 1881: 1880: 1873: 1868: 1861: 1853: 1845: 1837: 1829: 1821: 1817:Basement Tapes 1812: 1808:Basement Tapes 1803: 1798: 1793: 1788: 1786:Ronnie Hawkins 1783: 1778: 1773: 1768: 1763: 1757: 1755: 1751: 1750: 1748: 1747: 1740: 1733: 1726: 1719: 1712: 1705: 1698: 1691: 1684: 1677: 1670: 1663: 1656: 1649: 1642: 1635: 1628: 1621: 1618:When You Awake 1614: 1607: 1600: 1598:Lonesome Suzie 1594: 1587: 1580: 1573: 1565: 1563: 1559: 1558: 1556: 1555: 1548: 1541: 1534: 1523: 1516: 1505: 1494: 1483: 1472: 1465: 1458: 1450: 1448: 1444: 1443: 1441: 1440: 1433: 1426: 1423:The Last Waltz 1418: 1416: 1412: 1411: 1409: 1408: 1401: 1394: 1387: 1380: 1373: 1366: 1359: 1351: 1349: 1345: 1344: 1342: 1341: 1334: 1332:(2002 box set) 1330:The Last Waltz 1326: 1319: 1312: 1305: 1301:The Last Waltz 1297: 1290: 1282: 1280: 1276: 1275: 1272: 1271: 1269: 1268: 1261: 1253: 1251: 1250:with Bob Dylan 1247: 1246: 1244: 1243: 1236: 1229: 1222: 1215: 1208: 1201: 1194: 1187: 1180: 1172: 1166: 1162: 1161: 1159: 1158: 1153: 1148: 1143: 1138: 1133: 1131:Richard Manuel 1128: 1123: 1118: 1112: 1109: 1108: 1103: 1101: 1100: 1093: 1086: 1078: 1071: 1070: 1043: 1028:"Cowboy Mambo" 1015: 1008: 982: 964:Erlewine, S.T. 955: 930: 912:Erlewine, S.T. 903: 878: 871: 853: 840:Kingsport Post 835:"Stage Fright" 825: 818: 794: 787: 766: 759: 735: 728: 707: 686: 663: 635: 588: 581: 558: 523: 488: 473:"Stage Fright" 459: 457: 454: 422: 421:Other versions 419: 418: 417: 408: 399: 389: 386:Richard Manuel 383: 372: 369: 291: 288: 256:Richard Manuel 241:Sea of Galilee 236: 235: 230: 225: 220: 210: 207: 157:Robert Johnson 148: 145: 117: 116: 113: 105: 104: 99: 91: 90: 85: 79: 78: 67: 63: 62: 59: 53: 52: 49: 45: 44: 35: 34: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1951: 1940: 1937: 1935: 1932: 1930: 1927: 1925: 1922: 1920: 1917: 1915: 1912: 1910: 1907: 1905: 1902: 1900: 1897: 1896: 1894: 1879: 1878: 1874: 1872: 1869: 1867: 1866: 1862: 1859: 1858: 1857:Carry Me Home 1854: 1851: 1850: 1846: 1843: 1842: 1838: 1835: 1834: 1830: 1827: 1826: 1825:So Many Roads 1822: 1820: 1818: 1813: 1811: 1809: 1804: 1802: 1799: 1797: 1794: 1792: 1789: 1787: 1784: 1782: 1781:Cate Brothers 1779: 1777: 1774: 1772: 1769: 1767: 1764: 1762: 1759: 1758: 1756: 1752: 1745: 1741: 1738: 1734: 1731: 1727: 1724: 1720: 1717: 1713: 1710: 1706: 1703: 1702:Mystery Train 1699: 1696: 1692: 1689: 1685: 1682: 1678: 1675: 1671: 1668: 1664: 1661: 1657: 1654: 1650: 1647: 1643: 1640: 1636: 1633: 1629: 1626: 1622: 1619: 1615: 1612: 1608: 1605: 1601: 1599: 1595: 1592: 1588: 1585: 1581: 1578: 1574: 1571: 1570:Tears of Rage 1567: 1566: 1564: 1560: 1553: 1552:Atlantic City 1549: 1546: 1542: 1539: 1535: 1532: 1528: 1524: 1521: 1517: 1514: 1510: 1506: 1503: 1499: 1495: 1492: 1488: 1484: 1481: 1477: 1473: 1470: 1466: 1463: 1459: 1456: 1452: 1451: 1449: 1445: 1439: 1438: 1434: 1432: 1431: 1427: 1425: 1424: 1420: 1419: 1417: 1413: 1407: 1406: 1402: 1400: 1399: 1395: 1393: 1392: 1391:Greatest Hits 1388: 1386: 1385: 1381: 1379: 1378: 1374: 1372: 1371: 1367: 1365: 1364: 1360: 1358: 1357: 1353: 1352: 1350: 1346: 1340: 1339: 1335: 1333: 1331: 1327: 1325: 1324: 1320: 1318: 1317: 1313: 1311: 1310: 1306: 1304: 1302: 1298: 1296: 1295: 1291: 1289: 1288: 1284: 1283: 1281: 1277: 1267: 1266: 1262: 1260: 1259: 1255: 1254: 1252: 1248: 1242: 1241: 1237: 1235: 1234: 1230: 1228: 1227: 1223: 1221: 1220: 1216: 1214: 1213: 1209: 1207: 1206: 1202: 1200: 1199: 1195: 1193: 1192: 1188: 1186: 1185: 1181: 1179: 1178: 1174: 1173: 1170: 1167: 1165:Studio albums 1163: 1157: 1154: 1152: 1149: 1147: 1144: 1142: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1117: 1114: 1113: 1110: 1106: 1099: 1094: 1092: 1087: 1085: 1080: 1079: 1076: 1059: 1058: 1053: 1047: 1044: 1033: 1029: 1022: 1020: 1016: 1011: 1009:9780571254484 1005: 1001: 997: 991: 989: 987: 983: 972: 968: 965: 959: 956: 945: 941: 938:Ruhlmann, W. 934: 931: 920: 916: 913: 907: 904: 893: 889: 886:Ruhlmann, W. 882: 879: 874: 872:9781554905522 868: 865:. 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The Band 621:Viney, P. 552:2015-05-24 518:B001C4QHK0 482:2015-05-24 456:References 415:pump organ 392:Rick Danko 377:Levon Helm 371:Performers 272:Rick Danko 268:pump organ 260:Levon Helm 254:lament." 191:Levon Helm 1766:Bob Dylan 1531:Bob Dylan 1363:Anthology 696:cite book 343:Anthology 290:Reception 1815:List of 1806:List of 1796:Big Pink 1709:Holy Cow 1653:Sleeping 1529:" (with 1455:Uh-Uh-Uh 1184:The Band 1105:The Band 1032:Allmusic 998:(2011). 971:Allmusic 944:Allmusic 919:Allmusic 892:Allmusic 749:(2015). 672:Helm, L. 573:The Band 508:(2006). 477:Allmusic 444:Allmusic 406:autoharp 398:, violin 284:autoharp 245:metaphor 131:The Band 115:The Band 48:Released 32:The Band 1754:Related 1545:Ophelia 1447:Singles 1226:Jericho 1219:Islands 1198:Cahoots 333:critic 300:critic 197:" and " 88:Capitol 1006:  869:  816:  785:  757:  726:  684:  579:  516:  280:fiddle 274:plays 266:plays 147:Themes 66:Length 1810:songs 1511:" / " 1500:" / " 1489:" / " 1478:" / " 1415:Films 161:Faust 83:Label 57:Genre 1004:ISBN 867:ISBN 814:ISBN 783:ISBN 755:ISBN 724:ISBN 702:link 682:ISBN 577:ISBN 514:ASIN 358:and 278:and 270:and 171:and 61:Rock 28:Song 442:. 30:by 1895:: 1054:. 1030:. 1018:^ 985:^ 969:. 942:. 917:. 890:. 837:. 812:. 810:42 738:^ 710:^ 698:}} 694:{{ 647:. 591:^ 561:^ 526:^ 491:^ 475:. 463:^ 413:– 394:– 364:. 286:. 167:, 143:. 75:06 1746:" 1742:" 1739:" 1735:" 1732:" 1728:" 1725:" 1721:" 1718:" 1714:" 1711:" 1707:" 1704:" 1700:" 1697:" 1693:" 1690:" 1686:" 1683:" 1679:" 1676:" 1672:" 1669:" 1665:" 1662:" 1658:" 1655:" 1651:" 1648:" 1644:" 1641:" 1637:" 1634:" 1630:" 1627:" 1623:" 1620:" 1616:" 1613:" 1609:" 1606:" 1602:" 1596:" 1593:" 1589:" 1586:" 1582:" 1579:" 1575:" 1572:" 1568:" 1554:" 1550:" 1547:" 1543:" 1536:" 1533:) 1525:" 1522:" 1518:" 1515:" 1507:" 1504:" 1496:" 1493:" 1485:" 1482:" 1474:" 1471:" 1467:" 1464:" 1460:" 1457:" 1453:" 1097:e 1090:t 1083:v 1067:. 1040:. 1012:. 979:. 952:. 927:. 900:. 875:. 850:. 822:. 791:. 763:. 732:. 704:) 690:. 660:. 632:. 585:. 555:. 520:. 485:. 297:Q 121:" 73:: 71:4

Index

Song
The Band
Stage Fright
Genre
Label
Capitol
Songwriter(s)
Robbie Robertson
Producer(s)
Robbie Robertson
The Band
Stage Fright
Barrence Whitfield
Robert Johnson
Faust
Fred Carter, Jr.
Roy Buchanan
Howlin' Wolf
Billboard Magazine
Sacred Harp
Levon Helm
The Night They Drove Old Dixie Down
King Harvest (Has Surely Come)
Sea of Galilee
metaphor
Appalachian
Richard Manuel
Levon Helm
Garth Hudson
pump organ

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