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were allowed to say much what they wanted; by writing his work in the voice of the fool, Brant could legitimize his criticism of the church. The abbot of
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for Johann
Bergann von Olpe. The book consists of a prologue, 112 brief satires, and an epilogue, all illustrated with woodcuts. Brant takes up the
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and the new, revolutionary views on
Christianity emerging in the 16th century are unclear. The debate still continues about whether
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by Jakob Locher (1497) and
Jodocus Badius (1505) with German translation and commentary (DFG project, 2021–2024, Univ. Würzburg).
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praised Brant for his mixture of classical metrics with a barbarian dialect and the organization of the poetry in the
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551:"Sebastian Brant: Das Narren Schyff. Basel [Johann Bergmann von Olpe] 11.2.1494, Erste Ausgabe (GW 5041)"
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trope, popular at the time, lashing with unsparing vigor the weaknesses and vices of his time. He conceives
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An den christlichen Adel deutscher Nation von des christlichen
Standes Besserung
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lamented Brant's title choice and would have preferred the book to be called
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is itself a humanist work or just a remnant of medieval sensibilities.
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in the pre-Reformation period to legitimize criticism, as also used by
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Digitized version from the
University of Houston, edition Basle 1498
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The work immediately became extremely popular, being published in
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Digital
Edition of 11 European Prints and Adaptations of the
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Of the 103 woodcuts, two-thirds are attributed to the young
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illustrations by István Orosz; unavailable 23 October 2017.
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for the use in both of their local languages. The educator
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Sculpture of JĂĽrgen Weber based on the satire, located in
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Wallraff, Martin; Stöcklin–Kaldewey, Sara, eds. (2010).
450:, or drew illustrations for contemporary editions of
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illustrating the manuscript may have been created by
584:"Sebastian Brant's "Narrenschiff" and the Humanists"
505:"Sebastian Brant's "Narrenschiff" and the Humanists"
234:deemed the book worthy to be taught in school and
178:The concept of foolishness was a frequently used
56:) was translated into Latin in 1497; some of the
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567:W Gillis, trans, The Ship of Fools, (1971)
765:German literature of the Late Middle Ages
135:and circulated in numerous translations.
131:. It is the most famous treatment of the
698:online exhibit, English adaptation, 1509
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479:"Schatzkammern der Universität Basel"
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634:Ulrich Gaier, “Sebastian Brant's
370:and two other anonymous artists.
204:Address to the Christian Nobility
36:Title page of a 1549 edition of
27:1494 allegory by Sebastian Brant
102:DaĂź Narrenschyff ad Narragoniam
682:. Hybrid edition of the Latin
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284:The book was translated into
175:of vulgar and coarse people.
171:, whom he imagines to be the
112:in German verse published in
589:Modern Language Association
373:An allegorical painting by
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221:. He compared the work to
327:in 1498, into English by
642:(May, 1968) 83: 266–270.
253:, home of Albrecht DĂĽrer
485:(in German). p. 69
446:, made images based on
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503:Gaier, Ulrich (1968).
395:Modern interpretations
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638:and the Humanists”,
159:. It was printed by
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555:Narragonien Digital
215:Johannes Trithemius
133:ship of fools trope
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357:Haintz-Nar-Meister
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153:Basel, Switzerland
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770:Works about ships
724:Project Gutenberg
452:The Ship of Fools
429:Richard Rappaport
329:Alexander Barclay
303:, into French by
236:Ulrich von Hutten
223:Dante Alighieri's
147:was published in
16:(Redirected from
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620:– via
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487:. Retrieved
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316:Jean Drouyn
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208:Court fools
95:, original
740:1494 books
734:Categories
489:2022-10-21
458:References
267:Strasbourg
259:Reutlingen
126:theologian
610:0030-8129
529:0030-8129
263:Nuremberg
251:Nuremberg
120:, by the
107:satirical
275:humanism
271:Augsburg
212:Sponheim
196:in his "
139:Overview
122:humanist
110:allegory
58:woodcuts
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483:Schwabe
331:and by
186:in his
184:Erasmus
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286:Latin
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346:1509
301:1497
269:and
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192:and
149:1494
143:The
124:and
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598:doi
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288:by
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