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the bar table and take him home to produce our record. It was the worst produced record in the history of
Yugoslav rock'n'roll, but the energy we injected in it is evident when you listen to it. And it's precisely that raw honesty that later struck a cord with a lot of people... Once we finally finished recording Das ist Walter, we were literally spent, both physically and emotionally, as evidenced by the fact that each and every person involved in making it was so stressed that we all fell ill from ailments ranging from
381:". It took about 7 months to complete the recording, not because we struggled with the material ā we could do those songs in our sleep ā but because the combination of us and PaÅ”a FeroviÄ was like one long continuous anecdote. I could literally write a book about those 7 months. Just one of the many things we had to overcome was for example that our typical working day during that time consisted of seven band members getting up in the morning and then around 10 am splitting up in groups that went from one
422:. We'd show up to his house to record at the hour we previously agreed upon, but he would never be there because he was off drinking in some kafana. And all you'd see on the walls of his house were angry sprayed and written messages by his other studio clients that he screwed over. Threatening stuff like 'PaŔa, you're a dead man', 'PaŔa, you're fired', 'Never again, PaŔa'.... Then we realized that half of the equipment in his studio is not actually his. For example, one day
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430:, but we somehow persuaded him to leave it with PaÅ”a just a little while longer. So, basically if Brega hadn't been nice about it, we never would've made the album.... Then, the recording itself was another story. Seven of us recorded on 8 channels ā those who know sound recording can appreciate how difficult that is ā for example, we recorded the
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nagging us with stuff like 'what's the point of all this' and 'how much longer are you gonna be doing this pointless crap of yours'. And deep down we were on the verge of asking ourselves those questions too, fully conscious of the fact that if you now get a job as a waiter or at a gas station, the band is finished.
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on the same channel..... But still, if it hadn't been for PaÅ”a FeroviÄ and MiliÄ VukaÅ”inoviÄ, the band would've folded in 1983 or 1984 without ever making anything. It was a critical time for us, we were going into our fourth year together with very little to show for it and our families were already
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to another around the city of
Sarajevo, looking for PaÅ”a FeroviÄ who had spent the entire previous night drinking at one of these places. Unfortunately, there were no cellphones back then, which would've shortened this search considerably. After tracking him down, we would then literally peel him off
244:
Released by
Jugoton, the record was out in limited circulation of 3,000 copies, indicative of the label's modest expectations, however, it started selling surprisingly well, eventually crossing the mark of 100,000 copies sold. It also received plenty of accolades, including making the list of top 100
372:
Going into the studio to record the album, Zabranjeno PuÅ”enje made some personnel changes compared to the lineup that recorded the demos six months earlier. The band got a new rhythm section with Munja MitiÄ and Å eki Gayton becoming new bassist and drummer, respectively. Produced by FeroviÄ himself,
324:
After gigging locally throughout 1982 and 1983 in their hometown
Sarajevo at various university student clubs such as Kuk, Trasa, and CEDUS, Zabranjeno PuÅ”enje was ready to take the next step ā releasing a studio album. Consisting of seven energetic youngsters in their early 20s, itching to increase
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during the 1970s. They also gave him their demo tapes at the gig. Liking what he saw and heard, VukaÅ”inoviÄ put them in touch with his friend and former ÄiÄak bandmate from the late 1960s, Mahmut "PaÅ”a" FeroviÄ, who now owned a modest recording studio located in his own house where he worked as
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Midway through the recording session, the young band got a hold of Raka MariÄ, Bijelo Dugme's manager, who helped them find a record label that would release the material. He first offered it to
373:
the recording sessions began in
November 1983 and took almost 7 months to complete due to various extenuating circumstances. KarajliÄ said the following about the recording sessions:
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241:. The first track is the theme from the film. The album recording began in November 1983 in Studio 17 that was located in record producer Mahmut PaÅ”a FeroviÄ's house.
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The process of recording Das ist Walter with PaÅ”a FeroviÄ at his house was very symbolic of our whole rocky road as a band. It can be summed up as ā "
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The band's rhythm guitarist and main lyrics writer Sejo Sexon remembers the recording sessions as follows:
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For song writers, the lyrics author(s) is/are listed first, followed by the music author(s).
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albums in the history of pop and rock music in
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296: in this section. Unsourced material may be challenged and removed.
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having already experienced a measure of fame as former drummer of
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for months with PaÅ”a FeroviÄ in his studio was like getting a
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1118:"YU 100 Najbolji albumi jugoslovenske rock i pop muzike"
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for some dozen tracks during spring 1983 in a studio in
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YU 100: The
Greatest Yugoslav Rock and Pop Music Albums
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released on April 10, 1984. It was released through
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258:The album was re-released in 2000 by Nimfa Sound.
228:The album title is the closing line from the 1972
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1323:"100 najboljih omota YU rocka", Balkanrock.com
923:Benja, Yooroe, Dado and Mujo ā backing vocals
824:Credits adapted from the album's liner notes.
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8:
1202:"Sarajlija ima posvuda, pa Äak i u Sarajevu"
1172:"Sarajlija ima posvuda, pa Äak i u Sarajevu"
941:Mahmut PaÅ”a FeroviÄ ā production, recording
337:, rhythm guitar player and main songwriter
16:1984 studio album by Zabranjeno PuŔenje
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325:their profile on the scene, they recorded
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961:Radomir MariÄ Raka ā executive production
312:Learn how and when to remove this message
917:Aida, Snježa and Haris ā backing vocals
659:
468:
1082:
632:"NeÄu da budem Å”vabo u dotiranom filmu"
580:"Put u srediÅ”te rudnika Kreka BanoviÄi"
7:
1299:"Zabranjeno PuŔenje: Das Ist Walter"
1143:"Zabranjeno PuŔenje: Das Ist Walter"
294:adding citations to reliable sources
1777:Elvis J. KurtoviÄ & His Meteors
203:
1017:Nenad VasilijeviÄ ā design, photos
14:
1809:
1808:
1662:Live in Skenderija Sarajevo 2018
740:"Pamtim to kao da je bilo danas"
270:
919:(tracks A4, A5, A6, B1, B2, B4)
281:needs additional citations for
666:
522:"Anarhija All Over BaÅ”ÄarÅ”ija"
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1:
255:is listed in the 87th place.
237:and it refers to the city of
1575:Male priÄe o velikoj ljubavi
1071:New wave music in Yugoslavia
964:VukaÅ”in BaboviÄ ā organizing
947:Silvano BuleÅ”iÄ ā mastering
1561:Dok ÄekaÅ” sabah sa Å”ejtanom
943:(Studio 17 in Sarajevo, YU)
688:"Å eki is on the Road Again"
183:Dok ÄekaÅ” sabah sa Å”ejtanom
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1679:Nikad robom, vazda taxijem
606:"Selena, vrati se, Selena"
394:. I for one ended up with
60:November 1983 ā March 1984
1840:Zabranjeno PuŔenje albums
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1792:The No Smoking Orchestra
1603:Hodi da ti Äiko neÅ”to da
1568:Pozdrav iz zemlje Safari
1033:Miloje StevaniÄ Äakon ā
1023:NebojÅ”a ŽigiÄ ā photos
1693:The Ultimate Collection
1020:Rade KosanoviÄ ā design
234:Walter Defends Sarajevo
1845:New Primitivism albums
1755:No Smoking in Sarajevo
1228:"ZAMP Autors Datebase"
499:"Uvod" (Tema iz filma
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1748:Top lista nadrealista
1035:photographic printing
501:Valter brani Sarajevo
976:Dubravko MajnariÄ ā
912:Additional musicians
396:enlarged lymph nodes
290:improve this article
207: That's Walter
1686:Srce, ruke i lopata
1200:(3 November 2006).
1170:(3 November 2006).
925:(tracks A2, A3, B5)
857:Mustafa ÄengiÄ Mujo
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379:per aspera ad astra
345:, keyboards player
153:Mahmut PaÅ”a FeroviÄ
1420:Seid Mali KarajliÄ
1362:Zabranjeno PuŔenje
1178:on 10 January 2007
866:Predrag RakiÄ Å eki
848:Mladen MitiÄ Munja
833:Zabranjeno puŔenje
794:"Äejeni odlaze..."
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349:, and saxophonist
347:Seid Mali KarajliÄ
343:Zenit "FuDo" ÄoziÄ
215:Zabranjeno PuŔenje
159:Zabranjeno PuŔenje
42:Zabranjeno PuŔenje
1835:1984 debut albums
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1656:Live in St. Louis
1596:Bog vozi Mercedes
1527:Dragomir HerendiÄ
1473:Elvis J. KurtoviÄ
1448:Predrag KovaÄeviÄ
1257:pretraga.sokoj.rs
1208:on 19 August 2011
1198:Miljenko JergoviÄ
1168:Miljenko JergoviÄ
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358:MiliÄ VukaÅ”inoviÄ
335:Dr. Nele KarajliÄ
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1703:Related articles
1610:Muzej revolucije
1589:Agent tajne sile
1497:Zoran StojanoviÄ
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902:Nele KarajliÄ
900:
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892:Seid KarajliÄ
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843:rhythm guitar
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451:Track listing
450:
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420:rock and roll
417:
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279:This section
277:
273:
268:
267:
261:
259:
256:
254:
250:
249:
242:
240:
236:
235:
231:
230:partisan film
226:
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201:
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185:
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63:
59:
55:
52:10 April 1984
51:
47:
43:
38:
34:
30:
25:
20:
1753:
1746:
1732:Band members
1691:
1684:
1677:
1671:Compilations
1661:
1654:
1647:
1629:
1622:
1615:
1608:
1601:
1594:
1587:
1580:
1573:
1566:
1559:
1553:
1552:
1493:DuÅ”an VraniÄ
1478:Marin Gradac
1443:Ognjen GajiÄ
1400:
1393:
1386:
1379:
1372:
1318:
1306:. Retrieved
1302:
1293:
1281:. Retrieved
1272:
1260:. Retrieved
1256:
1247:
1235:. Retrieved
1231:
1222:
1210:. Retrieved
1206:the original
1192:
1180:. Retrieved
1176:the original
1162:
1150:. Retrieved
1146:
1137:
1125:. Retrieved
1121:
1112:
1100:. Retrieved
1094:
1085:
1061:Balkanrock.
1059:web magazine
1054:
1052:
1039:
1011:
1010:
995:music editor
935:
934:
929:
911:
910:
879:Ognjen GajiÄ
832:
831:
823:
507:Bojan AdamiÄ
500:
454:
442:
407:
405:
401:
376:
371:
366:Bijelo Dugme
355:
323:
308:
299:
288:Please help
283:verification
280:
257:
252:
246:
243:
232:
227:
211:studio album
198:
197:
196:
181:
173:
172:
72:, Yugoslavia
37:Studio album
1737:Dario Vitez
1722:Videography
1717:Discography
1519:Bruno UrliÄ
1504:Albin JariÄ
1488:Äani Pervan
1468:Dado Džihan
1438:Å eki Gayton
1434:Zoran Degan
1430:Munja MitiÄ
1425:Mujo Snažni
1415:Zenit ÄoziÄ
1303:discogs.com
1147:discogs.com
1122:secanja.com
1096:Google Play
906:lead vocals
861:solo guitar
803:N. JankoviÄ
800:N. JankoviÄ
776:Johnny Cash
694:N. JankoviÄ
677:Arranger(s)
643:Zoran Degan
639:Mirko SrdiÄ
612:N. JankoviÄ
589:N. JankoviÄ
563:N. JankoviÄ
560:N. JankoviÄ
529:Davor SuÄiÄ
487:Arranger(s)
428:sound board
302:August 2018
86:Garage rock
68:Studio 17,
1829:Categories
1742:TLN-Europa
1649:Hapsi sve!
1532:Paul Kempf
1381:Toni LoviÄ
1374:Sejo Sexon
1077:References
972:supporting
936:Production
839:Sejo Sexon
406:Recording
369:producer.
339:Sejo Sexon
223:Yugoslavia
161:chronology
1483:Sead Kovo
896:keyboards
894:ā organ,
883:saxophone
820:Personnel
674:Writer(s)
483:Writer(s)
416:doctorate
392:pneumonia
351:Ogi GajiÄ
262:Recording
96:punk rock
1814:Category
1710:Articles
1631:Karamba!
1308:8 August
1262:1 August
1152:8 August
1127:8 August
1102:7 August
1065:See also
1053:In 2015
1027:Belgrade
460:Source:
331:Kiseljak
239:Sarajevo
149:Producer
126:Language
101:new wave
70:Sarajevo
57:Recorded
49:Released
39: by
1283:12 June
1237:28 July
1232:zamp.hr
1000:Jugoton
983:Jugoton
951:Jugoton
462:Discogs
445:PGP RTB
436:timpani
219:Jugoton
204:transl.
187:(1985)
178:(1984)
142:Jugoton
1770:Groups
1212:24 May
1182:24 May
1049:Legacy
1040:
1012:Design
1004:Zagreb
987:Zagreb
955:Zagreb
809:ÄengiÄ
783:ÄengiÄ
755:
749:ÄengiÄ
729:ÄengiÄ
703:ÄengiÄ
680:Length
661:Side B
649:ÄengiÄ
621:ÄengiÄ
569:ÄengiÄ
554:"Abid"
511:
491:Length
470:Side A
383:kafana
110:Length
65:Studio
1727:Songs
1029:, YU)
1006:, YU)
989:, YU)
957:, YU)
887:flute
870:drums
772:SuÄiÄ
746:SuÄiÄ
723:SuÄiÄ
720:SuÄiÄ
697:SuÄiÄ
671:Title
615:SuÄiÄ
595:SuÄiÄ
586:SuÄiÄ
480:Title
432:flute
327:demos
137:Label
78:Genre
1310:2018
1285:2023
1264:2018
1239:2018
1214:2023
1184:2023
1154:2018
1129:2018
1104:2018
852:bass
812:4:13
786:2:27
758:2:07
732:4:09
706:3:35
652:2:30
624:4:03
598:2:07
572:3:40
546:1:42
514:1:30
434:and
414:and
1002:in
985:in
953:in
667:No.
476:No.
418:in
390:to
292:by
221:in
1831::
1301:.
1255:.
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1120:.
1093:.
970:ā
904:ā
885:,
881:ā
872:,
868:ā
859:ā
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841:ā
791:5.
763:4.
737:3.
711:2.
685:1.
629:6.
603:5.
577:4.
551:3.
519:2.
496:1.
353:.
251:.
225:.
119:11
115:32
1354:e
1347:t
1340:v
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1156:.
1131:.
1106:.
998:(
981:(
949:(
503:)
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309:(
304:)
300:(
286:.
202:(
117::
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