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and groups like the celebrated "Coros y Danzas" from Spain. He was responsible for overseeing new exhibitions at the
Palacio de Bellas Artes and setting up cultural programs. He also gave lectures covering a wide range of themes, like the one on his friend José Clemente Orozco, "La Muerte de Orozco",
568:
Suro was born in La Vega to a family of intellectuals and artists; his grandfather was writer
Federico García Godoy (1859-1924), and his uncle was the painter Enrique Garcia Godoy, the founder of an arts school in La Vega. His parents were Jaime Vicente Suro Sánchez, who was a government worker, and
798:
With limited
English, the artist moved to New York City with his family in 1953. His wife immediately found work as a seamstress in a factory, however Suro had a harder time. Visiting several establishments that hired artists to do fairly routine work, he soon realized that there was little demand.
701:
Shortly after Suro returned to his home country, Vasconcelos arrived in Santo
Domingo on an official visit and raved to Trujillo about the recently repatriated diplomat and painter, calling him "brilliant", and strongly urged the Dominican leader to name Suro Director of Fine Arts. This happened in
555:
In addition to a career as a prolific painter, Suro wrote extensively on art and frequently contributed to
Dominican and international art magazines. In 1969, Suro also produced a survey of modern Dominican painting consisting of brief monographs of the country's major artists. Throughout his long
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in Mexico City. The following year, he had a solo exhibition at the institution, an event that was widely publicized in the city, bringing him recognition from some of the most important art critics – but perhaps leading to his downfall with his own government. His embassy job was
947:
In
October 1996, he returned to the Dominican Republic with his wife. He was hoping to concentrate on his art, however, he died the following January. His funeral was attended by many friends, as well as Dominican dignitaries; three former Dominican presidents were present –
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As in Mexico, his busy professional life came to an abrupt end. His job was suddenly terminated, without any explanation. The Suros heard gossip about the termination of his job and a close friend, who happened to be related to
Trujillo's wife, recommended that they leave the country.
1710:
675:, who would play a crucial role in Suro's career. In 1944, he received word that he had won the second prize (silver medal) at the Second National Fine Arts Biennial in Santo Domingo. Two years later he won first prize (gold medal) at the Third National Fine Arts Biennial.
1703:
678:
Suro's style changed dramatically during the four years he lived in Mexico; influenced by the nationalistic spirit of the
Mexican social-realists that embraced indigeneity, Suro sought to create a Dominican perspective that changed the Indian for the Black. The
1977:
803:, screens and other objects. They were given models to work from, with a limited freedom of artistic expression. Nevertheless, Suro explored the New York City art scene. He started contacting dealers and gallery owners, including
577:, whom Jaime Suro greatly admired. From a very early age, Suro knew he wanted to dedicate his life to art, against his parents wishes; his first painting teacher was his uncle, when he enrolled into his school in 1935.
1727:
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world. As in Mexico and Spain, Suro changed his style once again, expressing himself through geometric abstract images and eventually going on to paint works that were decidedly informal and expressionistic.
778:. The same year, he participated in the First Hispano-American Biennial, which was exhibited in Madrid and Barcelona. He represented the Dominican Republic in several important congresses (including the
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del
Calstillo Pichardo, Jose (2007). "Dominican Cultures – The Making of a Caribbean Society". Markus Wiener Publishers. Page 73. (published in Spanish in 1981 by the Fundación Cultural
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circle, where he was asked to write the text of an accompanying monograph for Torres Garcia's 1960 breakthrough exhibition. He wrote for many international publications, including the Paris-based
1882:
871:
in
Manhattan, which he later called "one of the great universities of my life" and the place where he drank seriously along with his growing number of acquaintances. Another special friend was
863:. After a certain reluctance, the latter finally agreed to meet Suro and the two became fast friends (later Suro reminisced about the encounter and ensuing friendship in an article written for
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and several other European nations. In terms of his artistic development, Spain had a significant impact. This is where Suro painted his first abstract canvases, influenced by European trends.
755:. Living in Spain also facilitated extensive travel to other European cities, including Paris, London and Amsterdam. He especially loved Italy, and was particularly impressed by the works of
1912:
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Suro married Maruxa Franco Fernandez in 1943, and together they had 3 children: Jaime, Federico, and Rosa. Suro's first son, Jaime, died suddenly shortly before his second birthday.
1907:
1917:
1902:
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with essays by Maria Ugarte, Laura Gil and Marianne de Tolentinos). "Dario Suro 1917–1879 : Metamorfosis y Transmigraciones". Santo Domingo. Centro Cultural de Espana.
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from La Vega, Dominican Republic, remembered as one of the most influential Dominican artists from the 20th century. Suro's paintings encompassed a wide range of styles from the
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162:
129:
71:
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Ortiz, Benjamin; Valdes Jr., Gustavo (1996). "Art in Transit – A Dominican Experience". (catalogue for the exhibit at INTAR Latin American Gallery). New York.
883:
He participated in group shows at the Rose Fried Gallery, including the International Collage Exhibition in 1956, and the "International Avant Garde Perspectives" at the
1942:
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1962:
1937:
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in Santo Domingo, showing works that were shown in Mexico with a few recent Dominican additions. As Director of Fine Arts, received distinguished guests, including
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region of his country. Suro had his first solo exhibition in 1938 at the Ateneo Dominicano in Santo Domingo. Subsequently, he was included in group exhibitions in
762:
Combining diplomacy and art as he had in Mexico, Suro participated in group exhibitions in Madrid and Barcelona, as well as faraway places like San Francisco (
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Danilo de los Santos. Memoria de la Pintura Dominicana. (Colección Centenario Grupo León Jimenes) 8v: vol 2. Grupo León Jimenes. Santo Domingo, 2003. pg 280.
960:. Suro was the first artist to receive "El Premio Nacional de Artes Plasicas" of the Dominican Republic in 1993, which was presented to him by President
549:'s assassination, Suro returned to Dominican Republic in 1965, resuming his career as a diplomat serving in various embassies, culminating in a post in
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Suro, Federico (three-part article; January 2, 9 and 16, 1999). "Dario Suro Fragmentado – Apuntes De Una Vida En Formato De Collage"
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1922:
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of 1937 was also fresh in the mind of the artist, who painted several works depicting terrifying scenes of mutilated children and headless corpses.
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Estevez, Lisandra. "Suro, Darío (1918–1997)." The Routledge Encyclopedia of Modernism. : Taylor and Francis, 2016. Date Accessed 24 Mar. 2022
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1872:
1695:
1489:
Mitila Lora, Ana (November 12, 1999). "Los Mexicanos Con Sus Indios, Los Dominicanos Con Sus Negros" (interview with Maruxa Franco viuda Suro).
1646:(Spring 1999). "Fantasia – Al Suro de todos los tiempos" (short story dedicated to Dario Suro). ARS Atelier. Page 17. New York.
1539:
de los Santos, Danilo (November 28, 1981). "2. La Leccion Retrospectiva De Dario Suro: Informalismo, Neopaisajismo y Figuracion Fraccionada".
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career, Suro was recognized with many honors, being the first artist to receive the 'Premio Nacional de Artes Plasticas' awarded by President
1877:
580:
Suro's early paintings were of the tropical landscapes of his hometown, largely painted with soft tones. He became popular early on as an
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de los Santos, Danilo (November 21, 1981). "1. La Leccion Retrospectiva De Dario Suro: Impressionismo, Realismo Racial y Expresionismo".
606:. In that same year, he participated in a group show at the Ateneo Dominicano in Santo Domingo. In 1942, he had a solo exhibition at the
898:
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which he gave at the Instituto Dominico Americano in Santo Domingo. In 1948, he participated in the 4th National Biennial of Fine Arts.
1972:
1957:
607:
506:. He worked as a diplomat throughout his career with his first appointment in 1943 as the cultural attaché of Dominican Republic to
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Edmundo Ory, Carlos (1952). "Nuestro Tiempo – Poesia & Pintura". (Suro and Ory collaborative monograph) Madrid.
1522:(1946). Dario Suro Exhibition Catalogue. (commentaries by Alfonso Reyes and María Izquierdo) Palacio de Bellas Artes. Mexico City.
1932:
1862:
603:
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1301:
1691:
Several authors (2010). Coleccion Permanente de Arte de la Camara de Diputados. "Trascendencia y Esplendor". Santo Domingo.
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Herman, Sara (Spring 1999). "Ceremonias y Tiempos. Suro y Su Ritual. Dario y El Presente". ARS Atelier. Page 15. New York.
905:, as well as at the Organization of American States (OAS). Suro remained in these posts for most of the rest of his life.
596:
908:
Suro continued painting and exhibiting worldwide into his old age. He also continued writing, frequently contributing to
522:. Upon his return to the Dominican Republic, Suro had an important solo exhibition at the National Gallery of Fine Arts.
1967:
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639:. During this time, the Mexican capital was considered the center of art in Latin America, and Suro began studying at
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de la Vega, Lolita (February 1997). "Dario Suro – Gran Pintor, Critico de Arte y Diplomatico".
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Gil, Laura (December 1, 1990). "Rafael Squirru: Dario Suro es uno de los Grandes Maestros de Latino America".
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251:
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643:, where he studied art for nearly four years with some of the most prestigious artists in Mexico, including
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In 1950, Suro was sent to Spain as cultural attaché of the Dominican Republic. Arriving with his family in
1952:
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early 1947 and once again Suro was celebrated. That same year, he had a successful solo exhibition at the
519:
1649:
Valdes Jr., Gustavo (Summer 1998). "Dario Suro: La Herejia en el Arte". ARS Atelier. Page 10. New York.
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949:
888:
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756:
372:
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de Tolentino, Marianne (October–November 1981). "Historica y Joven Retrospectiva de Dario Suro"
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1852:
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1315:
928:
1101:(first comprehensive history of Dominican Art). Santo Domingo; Publicaciones AHORA, C. por A.; 1968.
964:. The "Orden de Duarte, Sanchez y Mella" medal was presented posthumously to his widow by President
856:
1379:
965:
961:
672:
632:
557:
392:
158:
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67:
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Llado de Cosso, Jose (March 31, 1951). "Un gran pintor dominicano habla de una gran exposicion".
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Isabel Emilia García-Godoy Ceara; they had two children, Darío and Ruben, named after the famous
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1419:
Dominican Art – From Modernism to the Vanguard – 1940–2010
1331:
Barberan, Cecilio (1951). "Arte de Hoy en Madrid – Suro en el Salon de los 11".
804:
744:
534:
1475:
Miller, Jeannette (October 31, 1981). "Suro: Drama y Movimiento; Una Magnifica Retrospectiva".
1403:
Garcia Rogriguez, Jose Maria (June 17, 1948). "D. Suro o Lo Humano En La Angustia Del Hombre".
1564:
Soto Ricart, Humberto (December 8, 1974). "Dario Suro y Su Proxima Exposicion Retrospectiva".
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1349:. Volume 10 – Latin America Since 1930: Ideas Culture and Society. Page 414.
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In 1940, Suro participated in the Inter-American Exhibition of the Caribbean organized by the
574:
1751:
1172:
775:
732:
680:
584:
550:
476:
1546:
de los Santos, Danilo (2003–2007). "Memoria de la Pintura Dominicana" (eight-volume
1279:
1256:
Barberan, Cecilio (1951). "Arte de Hoy en Madrid – Suro en el Salon de los 11".
736:
695:
546:
1636:
Ugarte, Maria (February 7, 1967). "La Pintura De Dario Suro Esta En Continua Evolucion".
1578:(El Arte Erotico De Dario Suro. Pages 361–363). Buenos Aires: Ediciones Gaglianone.
1136:. Volume 25, Numbers 11–12. page 29. Washington, D.C. November–December 1973.
743:("Pepe"). Suro was also able to see great art, including works by his personal favorites
648:
1831:
1801:
1761:
1620:
de Tolentino, Marianne (November 28, 1987). "Bienvenido Sea El Desafio De Dario Suro".
1571:
1495:. Seccion La Republica – Memorias del Pasado. Page 12 A. Santo Domingo.
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836:
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538:
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in Santo Domingo. In 1943, he married Maruxa Franco Fernandez, a school teacher from
592:
581:
542:
472:
456:
350:
1176:
1052:
Dario Suro. "Joaquín Torres García" (monograph). Rose Fried Gallery. New York. 1960.
727:, Suro befriended some of the most prominent Spanish artists of the time, including
868:
812:
644:
511:
488:
480:
20:
1978:
Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda" alumni
1806:
1410:
Gaton Arce, Freddy (July 18, 1949). "La Medida – Oleo de Suro".
860:
664:
628:
484:
1115:. Volume 20, Number 11–12. Washington, D.C. November–December 1968.
1796:
1643:
875:, who was fluent in Spanish. Many of the friends that he met were part of the
867:"Franz Kline – Freedom and Space" in 1969). He frequented the
668:
464:
428:
413:
1434:
Gil, Laura (December 5, 1987). "En La Galeria – Dario Suro".
1543: – Suplemento Isla Abierta. Pages 4–5. Santo Domingo.
1536: – Suplemento Isla Abierta. Pages 4–5. Santo Domingo.
1482:
Miller, Jeannette (December 12, 1987). "La Pintura Bestial de Dario Suro".
848:
800:
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in 1951, along with ten other artists, a venue organized by the philosopher
570:
496:
1604:
Tanasescu, Horia (June 7, 1953). "Exposicion Retrospectiva de Dario Suro".
1454:(October 1946). "Anoche se inauguro la exposiccion del pintor Dario Suro".
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818:
As an art critic, Suro wrote the first in-depth critical articles on both
55:
1568: – Suplemento Dominical. Pages 4–5. Santo Domingo.
748:
692:
530:
468:
432:
944:(1970) and finally Adjunct Ambassador, Alternate Representative (1980).
436:
24:
1389:
Ferretti, Figuerola (1951). "Octavo Salon de los Once (Sala Biosca)".
1370:
Cortes Tamayo, R. (October 21, 1946). "Dario Suro Pintor Dominicano".
1557:
Santos Torroella, Rafael (1952). "1 Bienal Hipanoamericana de Arte".
1328:
Anreus, Alejandro (Winter 1997). "Dario Suro"; ARS Atelier. New York.
1083:
Dario Suro. "Taíno Sculpture – Of Artists and Owls".
724:
595:, at the Riverside Museum and the Dominican Republic Pavilion at the
507:
1377:
Edmundo Ory, Carlos (March 15, 1952). "Exposiciones de la Semana".
1069:
Dario Suro. "Torres Garcia of Uruguay, Universal Constructionist".
1585:). Page 13. New York: Americas Society and the Spanish Institute.
1525:
Salazar, Adolfo (1946). "Las Artes En Mexico De Semana A Semana".
691:
suddenly terminated. Suro was told by unofficial sources that the
588:
529:
during the early 1950s where he became fascinated with the art of
526:
1321:
Anreus, Alejandro (Fall 1994). "Dario Suro: The Mexican Period";
1021:. Volume VI, Number 73. page 16. Santo Domingo. September 1949.
1728:
Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda"
1699:
1486:(Seccion Temas Especial Para Hoy en la Galeria). Santo Domingo.
1472: – Seccion Exposiciones. Page 39. Mexico City.
1468:
Lara Pardo, Luis (November 10, 1946). "Cuadros de Dario Suro".
932:. He was promoted from cultural attaché to Counselor (1965) to
641:
Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda"
545:, where he lived for many years. Four years after the Dictator
419:
Escuela Nacional de Pintura, Escultura y Grabado "La Esmeralda"
1659:
Velazquez Chavez, Agustin (November 13, 1946). "Dario Suro".
1367: – Seccion La Forma Viva. Page 21. Barcelona.
780:
Congreso de la Cooperacion Intellectual Latino Americano—1952
502:
In his country he studied first under his uncle, the painter
1087:. Volume 18, Number 3. page 21. Washington, D.C. March 1966.
1073:. Volume 17, Number 3. page 24. Washington, D.C. March 1965.
1028:. Number 17. page 259. Madrid. September–October 1950.
698:
was not happy with the attention he had received in Mexico.
130:
Dominican Republic Embassy of the Dominican Republic, Madrid
1374: – Seccion de Arte y de Letras. Mexico D.F.
1342: – Seccion de Arte y de Letras. Mexico D.F.
1169:
https://www.rem.routledge.com/articles/suro-dario-1918-1997
1108:- Volume 20, Number 6. page 21. Washington, D.C. June 1968.
1045:
Dario Suro. "L'espace: Mondrian et Picasso". Aujourd'hui -
1314:
Anreus, Alejandro (1993). "Three Latin American Masters".
799:
He finally found a job in a factory where artists painted
1597:
Suro, Federico (January 9, 1999). "Dario El Dibujante".
1581:
Sullivan, Edward J. (1996) "Dominican Crossroads" (from
1038:
Dario Suro. "Dos Pintores Americanos: Davis y Glarner".
979:
Dario Suro died on January 18, 1997, at the age of 79.
901:
in 1962. Bosch named Suro the cultural attaché at the
627:
Shortly after marrying, Suro and his wife departed to
72:
Embassy of the Dominican Republic Embassy, Mexico City
1583:
Modern and Contemporary Art of the Dominican Republic
912:, several Dominican Republic publications, including
903:
Embassy of the Dominican Republic in Washington, D.C.
826:
in the Spanish language. He reintroduced the work of
483:
of his later works. Together with his contemporaries
1629:
Tourres, Choucette (1946). "Exposicion Dario Suro".
541:. In the late 1950s, Suro left his home country for
1883:
Dominican Republic expatriates in the United States
1734:
1325:. Volume 2, Number 2. Pages 18–19. New York.
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412:
404:
368:
360:
340:
324:
319:
305:
289:
Embassy of the Dominican Republic, Washington, D.C.
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276:
260:
Embassy of the Dominican Republic, Washington, D.C.
250:
240:
224:
Embassy of the Dominican Republic, Washington, D.C.
218:
208:
192:
Embassy of the Dominican Republic, Washington, D.C.
189:
179:
163:
Embassy of the Dominican Republic, Washington, D.C.
157:
147:
124:
114:
98:
88:
66:
46:
1666:Velazquez, Rufo (1951). "VIII Salon de los Once".
1055:Dario Suro. "De Malevich A Demain". Aujourd'hui -
1913:Dominican Republic people of Puerto Rican descent
1684:Zanetti, Vela (May 1954). "Les Arts Plastiques".
1550:). Santo Domingo and Santiago de los Caballeros:
887:in 1959. He finally had a solo exhibition at the
1688:. Volume 6, Number 56. Pages 67–70. Paris.
852:and other newspapers in the Dominican Republic.
686:In 1946, he was included in a group show at the
587:, often painting horses and rainy scenes of the
1132:Dario Suro. "Thomas Jefferson, the Architect".
1104:Dario Suro. "Franz Kline - Freedom and Space".
510:; during his stay in Mexico, Suro studied with
33: and the second or maternal family name is
1338:Benitez, Benito (October 1946). "Dario Suro".
1076:Dario Suro. "Stuart Davis (1894–1964)".
782:) while continuing his travels throughout the
287:Adjunct Ambassador, Alternate Representative,
1908:Dominican Republic people of Galician descent
1711:
1675:Culture and Customs of the Dominican Republic
1120:Colson – Dominicano Universal
1031:Dario Suro. "La pintura de Esteban Vicente".
893:After the assassination of Trujillo in 1961,
8:
1918:Dominican Republic people of Spanish descent
1903:Dominican Republic people of English descent
1129:. Number 440. Santo Domingo. April 17, 1973
1094:. page 25. Santo Domingo. October 29, 1967.
1062:Dario Suro. "The Baroque in Santo Domingo".
659:, as well as befriending other artists like
1656:magazine. Volume 47, Number 542; New York.
1125:Dario Suro. "Construccion de un Desorden".
1122:. Publicaciones Ahora. Santo Domingo. 1969.
1059:. Number 29. page 54. Paris. December 1960.
1049:. Number 20. page 28. Paris. December 1958.
920:, as well as international ones, including
495:, he is known as one of the progenitors of
1898:Dominican Republic people of Cuban descent
1718:
1704:
1696:
1594:. Ventana, Artes Y Letras. Santo Domingo.
1431:. Volume 30, Number 6. Page 51. New York.
1042:. page 11. Santo Domingo. January 9, 1955.
54:
43:
1943:20th-century Dominican Republic painters
1888:Dominican Republic expatriates in Mexico
1111:Dario Suro. "Taíno Sculpture" (part 2).
770:). He was invited to participate in the
1963:People from La Vega, Dominican Republic
1938:20th-century Dominican Republic artists
1893:Dominican Republic expatriates in Spain
1307:Almagre, Juan (1946). "Notas de Arte".
1147:
986:
897:, Suro's childhood friend, was elected
859:, who happened to be a close friend of
846:, and he was a frequent contributor at
1347:The Cambridge History of Latin America
1302:Trascendencia en la obra de Dario Suro
1626:(Suplemento). Page 20. Santo Domingo.
1398:40 Latin American Artists In New York
1024:Dario Suro. "El Mundo Magico Taíno".
631:where the young artist was appointed
7:
1243:
1241:
1231:
1229:
1163:
1161:
1159:
1157:
1155:
1153:
1151:
479:of his maturity, and finally to the
475:mood of his early paintings, to the
1677:. Page 170. Westport, Connecticut:
1396:Garcia Cisneros, Florencio (1960).
899:President of the Dominican Republic
1090:Dario Suro. "Estilo y Condicion".
1017:Dario Suro. "Orozco en su sitio".
1005:Numbers, 1958 (Private Collection)
14:
1673:Zakrzewski Brown, Isabel (1999).
1363:(March 18, 1952). "Dario Suro".
1300:. Fernando Urena Rib (online). "
1019:Cuadernos Dominicanos de Cultura
998:
989:
608:Escuela Nacional de Bellas Artes
1923:Dominican Republic male writers
1177:10.4324/9781135000356-REM1761-1
604:Organization of American States
499:art in the Dominican Republic.
449:Darío Antonio Suro García-Godoy
1873:Dominican Republic art critics
1512:Ramon Jarne, Ricardo (2001). (
1309:Ultimas Noticias del Excelsior
99:National Director of Fine Arts
16:Dominican diplomat and painter
1:
1548:Encyclopedia of Dominican Art
1878:Dominican Republic diplomats
1427:(1956). "Notes on Collage",
1282:. Retrieved August 23, 2013.
1276:"Dario Soro 1917–1998"
704:National Palace of Fine Arts
400:(first cousin twice removed)
23:, the first or paternal
1026:Cuadernos Hispanoamericanos
923:Cuadernos Hispanoamericanos
843:Cuadernos Hispanoamericanos
395:(first cousin once removed)
1994:
1679:Greenwood Publishing Group
1445:. Page 13. Santo Domingo.
1438:. Page 13. Santo Domingo.
1351:Cambridge University Press
1035:. San Juan. July 29, 1951.
830:to the artists within the
637:Dominican Republic Embassy
597:1939 New York World's Fair
393:Harold Priego García-Godoy
18:
1973:People from Santo Domingo
1958:20th-century male artists
1601:. Page 20. Santo Domingo.
1479:. Page 14. Santo Domingo.
1292:Berardo Collection Museum
891:, in Manhattan, in 1962.
442:
315:
294:
265:
229:
197:
168:
135:
103:
77:
62:
53:
1817:Verónica Ruiz de Velasco
1812:Armando Romero (painter)
1767:Arturo Estrada Hernández
1501:Poupeye, Veerle (1998).
1414:. Page 9. Santo Domingo.
1318:. Montclair, New Jersey.
1080:. Washington, D.C. 1965.
1066:. Washington, D.C. 1963.
938:Minister Plenipotentiary
855:Through his job, he met
408:Jaime, Federico and Rosa
252:Minister Plenipotentiary
1782:Nicolás Moreno (artist)
1742:Gilberto Aceves Navarro
1417:Geron, Candido (2011).
1345:Bethel, Leslie (1995).
942:Deputy Chief of Mission
885:Newport Art Association
794:United States 1953-1996
688:Palacio de Bellas Artes
657:Manuel Rodríguez Lozano
383:Rosa Delia García-Godoy
364:Maruxa Franco Fernandez
256:Deputy Chief of Mission
142:1950 – c. 1953
1933:Impressionist painters
1863:20th-century diplomats
1747:Rodolfo Aguirre Tinoco
1057:Art & Architecture
1047:Art & Architecture
1617:(three-part article).
1286:Museo de Arte Moderno
950:Salvador Jorge Blanco
840:and the Madrid-based
828:Joaquín Torres García
757:Piero della Francesca
653:Jesús Guerrero Galván
516:Jesus Guerrero Galván
373:Federico García Godoy
1787:Mario Moreno Zazueta
1566:El Nacional De Ahora
1561:. Number 46. Madrid.
1316:Montclair Art Museum
1092:El Nacional de Ahora
661:José Clemente Orozco
504:Enrique García-Godoy
455:– January 18, 1997,
378:Enrique García-Godoy
1470:Revista de Revistas
1380:Diario de Barcelona
618:Professional career
388:Héctor García-Godoy
1968:Landscape painters
1686:La Revue Française
1552:Grupo León Jimenes
1514:catalogue raisonné
1361:Cirici Pelicer, A.
954:Donald Reid Cabral
934:Minister Counselor
889:Poindexter Gallery
832:Rose Fried Gallery
768:Carnegie Institute
766:) and Pittsburgh (
493:Celeste Woss y Gil
398:Laura García-Godoy
355:Dominican Republic
335:Dominican Republic
310:Dominican Republic
281:Dominican Republic
245:Dominican Republic
220:Minister Counselor
213:Dominican Republic
184:Dominican Republic
152:Dominican Republic
119:Dominican Republic
93:Dominican Republic
1868:Abstract painters
1840:
1839:
1772:Pedro León Zapata
1507:Thames and Hudson
1274:Staff (undated).
910:Americas Magazine
865:Americas Magazine
784:Iberian Peninsula
772:Salón de los Once
446:
445:
1985:
1948:La Vega Province
1720:
1713:
1706:
1697:
1640:. Santo Domingo.
1608:. Santo Domingo.
1452:Izquierdo, María
1421:. Santo Domingo.
1407:. Santo Domingo.
1298:Latin Art Museum
1288:. Santo Domingo.
1261:
1254:
1248:
1245:
1236:
1233:
1224:
1221:
1215:
1212:
1206:
1203:
1197:
1194:
1188:
1185:
1179:
1165:
1002:
993:
966:Leonel Fernández
962:Joaquín Balaguer
681:Parsley massacre
673:José Vasconcelos
633:cultural attaché
623:Mexico 1943-1947
585:landscape artist
558:Joaquin Balaguer
525:Suro resided in
451:(June 13, 1917,
347:
344:January 18, 1997
320:Personal details
299:
270:
234:
202:
173:
159:Cultural attaché
140:
126:Cultural attaché
108:
82:
68:Cultural attaché
58:
44:
1993:
1992:
1988:
1987:
1986:
1984:
1983:
1982:
1843:
1842:
1841:
1836:
1730:
1724:
1694:
1576:Arte De America
1572:Squirru, Rafael
1559:Mundo Hispanico
1280:Museo Bellapart
1270:
1265:
1264:
1255:
1251:
1246:
1239:
1234:
1227:
1223:^ Ibid, pg 287.
1222:
1218:
1213:
1209:
1204:
1200:
1195:
1191:
1186:
1182:
1166:
1149:
1144:
1139:
1099:Arte Dominicano
1013:
1006:
1003:
994:
985:
974:
929:Acento Cultural
892:
796:
764:Legion of Honor
737:Manolo Millares
721:
719:Spain 1950-1953
696:Rafael Trujillo
625:
620:
566:
551:Washington, DC.
547:Rafael Trujillo
535:Diego Velázquez
396:
391:
386:
381:
376:
349:
345:
329:
300:
295:
271:
266:
235:
230:
203:
198:
174:
169:
143:
141:
136:
109:
104:
83:
78:
49:
40:
17:
12:
11:
5:
1991:
1989:
1981:
1980:
1975:
1970:
1965:
1960:
1955:
1950:
1945:
1940:
1935:
1930:
1928:Equine artists
1925:
1920:
1915:
1910:
1905:
1900:
1895:
1890:
1885:
1880:
1875:
1870:
1865:
1860:
1855:
1845:
1844:
1838:
1837:
1835:
1834:
1832:Nahum B. Zenil
1829:
1824:
1819:
1814:
1809:
1804:
1802:Melchor Peredo
1799:
1794:
1789:
1784:
1779:
1774:
1769:
1764:
1762:Rafael Coronel
1759:
1754:
1749:
1744:
1738:
1736:
1732:
1731:
1726:Alumni of the
1725:
1723:
1722:
1715:
1708:
1700:
1693:
1692:
1689:
1682:
1671:
1664:
1657:
1650:
1647:
1641:
1634:
1631:Revista Manana
1627:
1618:
1609:
1602:
1595:
1586:
1579:
1569:
1562:
1555:
1544:
1537:
1530:
1523:
1520:Reyes, Alfonso
1517:
1510:
1499:
1496:
1487:
1480:
1473:
1466:
1465:. Tegucigalpa.
1459:
1449:
1446:
1439:
1432:
1425:Guest, Barbara
1422:
1415:
1408:
1401:
1394:
1387:
1384:
1375:
1372:Prensa Grafica
1368:
1358:
1354:
1343:
1340:Prensa Grafica
1336:
1329:
1326:
1319:
1312:
1305:
1295:
1289:
1283:
1271:
1269:
1266:
1263:
1262:
1249:
1247:^ Ibid, pg 297
1237:
1235:^ Ibid, pg 289
1225:
1216:
1214:^ Ibid, pg 284
1207:
1205:^ Ibid, pg 283
1198:
1196:^ Ibid, pg 277
1189:
1180:
1146:
1145:
1143:
1140:
1138:
1137:
1130:
1123:
1116:
1109:
1102:
1095:
1088:
1081:
1074:
1067:
1060:
1053:
1050:
1043:
1036:
1029:
1022:
1014:
1012:
1009:
1008:
1007:
1004:
997:
995:
988:
984:
981:
973:
970:
877:Neo-Plasticist
857:Herman Somberg
795:
792:
741:Jose Caballero
720:
717:
708:Alicia Markova
624:
621:
619:
616:
565:
562:
539:Francisco Goya
444:
443:
440:
439:
426:
422:
421:
416:
410:
409:
406:
402:
401:
370:
366:
365:
362:
358:
357:
348:(aged 79)
342:
338:
337:
326:
322:
321:
317:
316:
313:
312:
307:
303:
302:
292:
291:
284:
283:
278:
274:
273:
263:
262:
248:
247:
242:
238:
237:
227:
226:
216:
215:
210:
206:
205:
195:
194:
187:
186:
181:
177:
176:
166:
165:
155:
154:
149:
145:
144:
133:
132:
122:
121:
116:
112:
111:
101:
100:
96:
95:
90:
86:
85:
75:
74:
64:
63:
60:
59:
51:
50:
47:
15:
13:
10:
9:
6:
4:
3:
2:
1990:
1979:
1976:
1974:
1971:
1969:
1966:
1964:
1961:
1959:
1956:
1954:
1953:Male painters
1951:
1949:
1946:
1944:
1941:
1939:
1936:
1934:
1931:
1929:
1926:
1924:
1921:
1919:
1916:
1914:
1911:
1909:
1906:
1904:
1901:
1899:
1896:
1894:
1891:
1889:
1886:
1884:
1881:
1879:
1876:
1874:
1871:
1869:
1866:
1864:
1861:
1859:
1856:
1854:
1851:
1850:
1848:
1833:
1830:
1828:
1825:
1823:
1822:Luciano Spano
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1795:
1793:
1792:Rodolfo Nieto
1790:
1788:
1785:
1783:
1780:
1778:
1777:Adolfo Mexiac
1775:
1773:
1770:
1768:
1765:
1763:
1760:
1758:
1757:Arnold Belkin
1755:
1753:
1752:Tomás Batista
1750:
1748:
1745:
1743:
1740:
1739:
1737:
1733:
1729:
1721:
1716:
1714:
1709:
1707:
1702:
1701:
1698:
1690:
1687:
1683:
1680:
1676:
1672:
1669:
1665:
1663:. Mexico D.F.
1662:
1658:
1655:
1651:
1648:
1645:
1642:
1639:
1635:
1633:. Mexico D.F.
1632:
1628:
1625:
1624:
1623:Listin Diario
1619:
1616:
1615:
1614:Listin Diario
1610:
1607:
1603:
1600:
1596:
1593:
1592:
1591:Listin Diario
1587:
1584:
1580:
1577:
1573:
1570:
1567:
1563:
1560:
1556:
1553:
1549:
1545:
1542:
1538:
1535:
1531:
1529:. Mexico D.F.
1528:
1524:
1521:
1518:
1515:
1511:
1508:
1504:
1503:Caribbean Art
1500:
1497:
1494:
1493:
1492:Listin Diario
1488:
1485:
1481:
1478:
1474:
1471:
1467:
1464:
1460:
1458:. Mexico D.F.
1457:
1453:
1450:
1447:
1444:
1440:
1437:
1433:
1430:
1426:
1423:
1420:
1416:
1413:
1409:
1406:
1402:
1399:
1395:
1392:
1388:
1385:
1382:
1381:
1376:
1373:
1369:
1366:
1362:
1359:
1355:
1352:
1348:
1344:
1341:
1337:
1334:
1333:Informaciones
1330:
1327:
1324:
1320:
1317:
1313:
1311:. Mexico D.F.
1310:
1306:
1303:
1299:
1296:
1293:
1290:
1287:
1284:
1281:
1277:
1273:
1272:
1267:
1259:
1258:Informaciones
1253:
1250:
1244:
1242:
1238:
1232:
1230:
1226:
1220:
1217:
1211:
1208:
1202:
1199:
1193:
1190:
1184:
1181:
1178:
1174:
1170:
1164:
1162:
1160:
1158:
1156:
1154:
1152:
1148:
1141:
1135:
1131:
1128:
1124:
1121:
1117:
1114:
1110:
1107:
1103:
1100:
1096:
1093:
1089:
1086:
1082:
1079:
1075:
1072:
1068:
1065:
1061:
1058:
1054:
1051:
1048:
1044:
1041:
1037:
1034:
1030:
1027:
1023:
1020:
1016:
1015:
1010:
1001:
996:
992:
987:
982:
980:
977:
972:Personal life
971:
969:
967:
963:
959:
955:
951:
945:
943:
939:
935:
931:
930:
925:
924:
919:
918:Listin Diario
915:
911:
906:
904:
900:
896:
890:
886:
881:
878:
874:
873:Philip Guston
870:
866:
862:
858:
853:
851:
850:
845:
844:
839:
838:
833:
829:
825:
821:
820:Piet Mondrian
816:
814:
810:
809:Betty Parsons
806:
802:
793:
791:
787:
785:
781:
777:
776:Eugenio d'Ors
773:
769:
765:
760:
758:
754:
750:
746:
742:
738:
734:
733:Antoni Tàpies
730:
729:Antonio Saura
726:
718:
716:
713:
709:
705:
699:
697:
694:
689:
684:
682:
676:
674:
670:
666:
662:
658:
654:
650:
646:
642:
638:
634:
630:
622:
617:
615:
613:
609:
605:
600:
598:
594:
593:New York City
590:
586:
583:
582:Impressionist
578:
576:
572:
563:
561:
559:
553:
552:
548:
544:
543:New York City
540:
536:
532:
528:
523:
521:
517:
513:
509:
505:
500:
498:
494:
490:
486:
482:
478:
474:
473:impressionist
470:
466:
462:
458:
457:Santo Domingo
454:
450:
441:
438:
434:
430:
427:
423:
420:
417:
415:
411:
407:
403:
399:
394:
389:
384:
379:
375:(grandfather)
374:
371:
367:
363:
359:
356:
352:
351:Santo Domingo
343:
339:
336:
332:
328:June 13, 1917
327:
323:
318:
314:
311:
308:
304:
298:
293:
290:
285:
282:
279:
275:
269:
264:
261:
257:
253:
249:
246:
243:
239:
233:
228:
225:
221:
217:
214:
211:
207:
201:
196:
193:
188:
185:
182:
178:
172:
167:
164:
160:
156:
153:
150:
146:
139:
134:
131:
127:
123:
120:
117:
113:
107:
102:
97:
94:
91:
87:
81:
76:
73:
69:
65:
61:
57:
52:
45:
42:
38:
37:
32:
31:
26:
22:
1826:
1685:
1674:
1667:
1660:
1653:
1637:
1630:
1621:
1612:
1605:
1598:
1589:
1582:
1575:
1565:
1558:
1547:
1540:
1533:
1526:
1502:
1490:
1483:
1476:
1469:
1462:
1455:
1442:
1435:
1428:
1418:
1411:
1404:
1397:
1390:
1383:. Barcelona.
1378:
1371:
1364:
1346:
1339:
1332:
1322:
1308:
1268:Bibliography
1257:
1252:
1219:
1210:
1201:
1192:
1183:
1133:
1126:
1119:
1118:Dario Suro.
1112:
1105:
1098:
1097:Dario Suro.
1091:
1084:
1077:
1070:
1063:
1056:
1046:
1039:
1032:
1025:
1018:
978:
975:
946:
927:
921:
917:
913:
909:
907:
882:
869:Cedar Tavern
864:
854:
847:
841:
835:
824:Stuart Davis
817:
813:Leo Castelli
797:
788:
761:
722:
700:
685:
677:
649:Agustín Lazo
645:Diego Rivera
626:
601:
579:
567:
554:
524:
520:Agustín Lazo
512:Diego Rivera
501:
489:Jaime Colson
448:
447:
346:(1997-01-18)
306:Constituency
296:
277:Constituency
267:
241:Constituency
231:
209:Constituency
199:
180:Constituency
170:
148:Constituency
137:
115:Constituency
105:
89:Constituency
79:
41:
36:García-Godoy
35:
34:
29:
28:
21:Spanish name
1858:1997 deaths
1853:1917 births
1807:Fanny Rabel
1644:Valdes, Zoe
1456:El Nacional
1400:. New York.
1357:Dominicana)
861:Franz Kline
837:Aujourd'hui
712:Anton Dolin
665:Frida Kahlo
629:Mexico City
575:Rubén Darío
485:Yoryi Morel
481:abstraction
477:neo-realism
190:Counselor,
1847:Categories
1827:Darío Suro
1797:Kiyoto Ota
1505:. London:
1142:References
958:Juan Bosch
936:(1967) to
895:Juan Bosch
805:Rose Fried
669:Lupe Marin
571:Nicaraguan
564:Early life
465:art critic
429:Art critic
425:Occupation
414:Alma mater
48:Darío Suro
1670:. Madrid.
1638:El Caribe
1606:El Caribe
1599:El Caribe
1527:Novedades
1477:El Caribe
1443:El Caribe
1436:El Caribe
1412:El Caribe
1405:La Nación
1393:. Madrid.
1335:. Madrid.
1294:. Lisbon.
1260:. Madrid.
1040:El Caribe
968:in 1999.
849:El Caribe
801:porcelain
745:Velázquez
560:in 1993.
497:modernist
463:painter,
461:Dominican
369:Relations
301:1980–1996
297:In office
272:1970–1980
268:In office
236:1967–1970
232:In office
204:1965–1967
200:In office
175:1962–1965
171:In office
138:In office
110:1947–1950
106:In office
84:1943–1947
80:In office
1574:(1978).
1134:Americas
1113:Americas
1106:Americas
1085:Americas
1071:Americas
1064:Americas
1033:El Mundo
1011:Writings
749:El Greco
693:dictator
612:Santiago
531:El Greco
469:diplomat
459:) was a
433:diplomat
405:Children
390:(cousin)
19:In this
1735:Artists
1078:America
983:Gallery
635:in the
453:La Vega
437:painter
380:(uncle)
331:La Vega
25:surname
1463:El Día
811:, and
739:, and
725:Madrid
537:, and
518:, and
508:Mexico
491:, and
467:, and
385:(aunt)
361:Spouse
1654:Temas
1127:Ahora
914:Ahora
589:Cibao
573:poet
527:Spain
1668:Arte
1429:Arts
1391:Arte
1323:STET
956:and
926:and
916:and
822:and
753:Goya
751:and
710:and
671:and
655:and
341:Died
325:Born
30:Suro
1661:Ars
1541:Hoy
1534:Hoy
1484:Hoy
1365:Hoy
1173:doi
27:is
1849::
1304:".
1278:.
1240:^
1228:^
1171:.
1150:^
952:,
940:,
815:.
807:,
759:.
747:,
735:,
731:,
667:,
663:,
651:,
647:,
614:.
599:.
533:,
514:,
487:,
435:,
431:,
353:,
333:,
258:,
254:,
222:,
161:,
128:,
70:,
1719:e
1712:t
1705:v
1681:.
1554:.
1509:.
1353:.
1175::
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
