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During the late 1950s and early 1960s the courses were charged with a perceived lack of interest on the part of some of its zealot followers in any music not matching the uncompromisingly modern views of Pierre Boulez – the "party subservience" of the "clique orthodoxy" of a "sect", in the words of
327:
A first series were courses, lectures and concerts from 25 August to 21 September. They were followed by public concerts and lectures, titled "Internationale zeitgenössische
Musiktage" (International contemporary music days) from 22 to 29 September, held in collaboration with the city of Darmstadt,
595:
For the organisation of the event, the
Internationales Musikinstitut Darmstadt was founded in 1948. It also keeps an archive of past events and compositions. It holds around 20,000 photographs, 10,000 letters, sound files and other documents, available online since 2016. The event is sponsored by
179:, Germany. It was founded in 1946, under the name "Ferienkurse für Internationale Neue Musik Darmstadt" (Vacation Courses of International New Music in Darmstadt), as a gathering with lectures and concerts over several summer weeks. Composers, performers, theorists and philosophers of
862:, written in 1962 in an effort to "make the public believe that the most advanced music of the day was no more than a fancy cooked up by a bunch of aberrant conspirators conniving at war against music proper." This led to the use of the phrase "
215:
1160:
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It was the first forum of contemporary music in
Germany after World War II, including music theory and philosophy. Lectures were held by instructors such as
252:
The courses were first held annually, lasting for about twelve days. From 1970, they have been held biennially for two to three weeks. The first venue was
187:
er
Musikinstitut, which was renamed Internationales Musikinstitut Darmstadt (IMD). It is regarded as a leading international forum of contemporary and
260:
in
Darmstadt. Beginning in 1949, public buildings in Darmstadt have been used not only for some concerts as in the beginning, but also for courses.
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During the first years of the event, a focus was on German premieres of works, sometimes decades after their composition, by composers such as
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visited, presenting their work and aesthetic in composition classes, and contributing to worldwide recognition of the institution.
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in 1949. That year, a symphony concert was dedicated exclusively to
Schoenberg's works, including the German premiere of his
249:(1981–94), Solf Schaefer (1995–2009), and Thomas Schäfer, who has been artistic director and president of the IMD from 2009.
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However, although
Messiaen paid "a brief visit" to the courses in 1949, "he neither taught students nor lectured" there.
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50:
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436:, honouring his 75th birthday. The 70th birthday of Webern was honoured with a concert of his chamber music in 1953.
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presented their radical approach and theories. They are sometimes referred to as the "Darmstädter Schule" (
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being written at that time by himself and composers such as Boulez, Maderna, Stockhausen, Berio, and
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The
Ferienkurse were founded to reconnect Germany to the international scene in classical music, as
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has published recordings, often documenting world premieres and first performances in
Germany.
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171:("Darmstadt Summer Course") is a regular summer event of contemporary classical music in
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The
Sanctification of Misapprehension into a Doctrine: Darmstadt Epigones and Xenophobes
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Notable performers instructed in new playing techniques, and works by young composers (
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1115:"70 Jahre Darmstädter Ferienkurse für Neue Musik Stockhausen, Nono und die anderen"
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met first annually until 1970, and then biennially. The event was organised by the
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The courses presented in 70 years around 5,000 world premieres. The record label
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Recipients include performers (with their instrument listed) and composers:
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405:'s String Quartet No. 6 (1943) received their first performance in Germany.
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Von Kranichstein zur Gegenwart 1946–1996. 50 Jahre Darmstädter Ferienkurse
969:"Darmstädter Ferienkurse 2020 / Internationale Ferienkurse für Neue Musik"
459:, offering critical reflection of advanced composition. Composers such as
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was installed in 1952, first for performers, then also for composers.
874:) as a pejorative term, implying a "mathematical", rule-based music.
492:
214:
176:
284:) had been systematically suppressed by the Nazis from 1933 as "
377:'s sonata for solo flute, a trio for flute, viola and cello by
344:, "Zeitgenössische deutsche Kunst", and also Carl Orff's opera
230:, then responsible for culture in the municipal government of
1078:"Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946"
1372:. Music since 1900. Cambridge: Cambridge University Press.
1370:
New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez
866:" (coined originally in 1957 by Luigi Nono to describe the
1364:
Includes a photo of Brown and Bruno Maderna in Darmstadt.
296:
The first event in 1946 offered courses in conducting by
234:. He directed them until his death in 1961, succeeded by
1308:(in German). Zürich and Freiburg im Breisgau: Atlantis.
596:
several organisations, especially public broadcasters.
358:. Concerts presented several world premieres, such as
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191:
with a focus on composition. The festival awards the
1264:. Darmstadt: Internationales Musikinstitut Darmstadt
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74:
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21:
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1443:MusikKonzepte Sonderband Darmstadt-Dokumente I
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22:
1033:"Internationale Ferienkurse für Neue Musik"
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226:The Ferienkurse were initiated in 1946 by
1445:(Munich: edition text und kritik, 1999),
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1060:
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1024:
1022:
937:Applegate, Celia; Potter, Pamela (2002).
1150:"Darmstädter Ferienkurse: Im Fruchtland"
312:, voice by Elisabeth Delseit, violin by
1493:
1259:"Kranichsteiner Musikpreis Chronologie"
1238:Internationales Musikinstitut Darmstadt
1108:
1106:
1104:
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1085:Internationales Musikinstitut Darmstadt
924:
895:
591:Internationales Musikinstitut Darmstadt
340:. Events included an exhibition of the
1228:
1226:
18:
1431:, 4 vols. (Freiburg: Rombach, 1997),
1329:Earle Brown: Selected Works 1952–1965
1290:. Translated by Prescod Jokel, Sonia.
1217:
1193:
1181:
902:literally: Darmstadt Vacation Courses
7:
1395:Darmstädter Beiträge zur Neuen Musik
1205:
202:for performers and young composers.
1147:Hagedorn, Volker (13 August 2016).
316:, opera direction by Bruno Hey and
974:Deutsches Musikinformationszentrum
940:Music and German National Identity
385:for flute, piano and strings, and
272:forms of classical music (such as
14:
1339:Beal, Amy C. (June–August 2007).
1113:Eckle, Barbara (12 August 2016).
1496:
1412:(Stuttgart: DACO-Verlag, 1996),
1397:(Mainz: Schott Music, 1958ff.),
1163:from the original on Feb 4, 2024
350:, and the award ceremony of the
31:
1341:"An Interview with Earle Brown"
1087:(in German). pp. 1, 27, 33
1306:Texte, Studien zu seiner Musik
508:Composers such as, initially,
156:.internationales-musikinstitut
16:Festival of contemporary music
1:
1477:Darmstadt in den 90er Jahren?
583:) were offered in so-called
428:was played in 1948, and his
383:Kranichsteiner Kammerkonzert
369:'s string sextet, Fortner's
51:Contemporary classical music
1001:"Kranichsteiner Musikpreis"
945:University of Chicago Press
91:; 78 years ago
1555:
1534:Music festivals in Germany
1304:(1975). Stenzl, J. (ed.).
486:
342:Neue Darmstädter Sezession
247:Friedrich Ferdinand Hommel
1360:10.1080/07494460701414223
1348:Contemporary Music Review
1037:darmstadt-stadtlexikon.de
1005:darmstadt-stadtlexikon.de
606:Kranichsteiner Musikpreis
320:, and music criticism by
193:Kranichsteiner Musikpreis
30:
23:
554:Gottfried Michael Koenig
254:Jagdschloss Kranichstein
1325:"Earle Brown: A Sketch"
399:Symphonie in einem Satz
332:, and the broadcasters
169:Darmstädter Ferienkurse
53:in courses and concerts
24:Darmstädter Ferienkurse
1408:Rudolf Stephan (ed.):
1368:Iddon, Martin (2013).
1039:(in German). Darmstadt
1007:(in German). Darmstadt
754:Steffen Schleiermacher
505:
278:Second Viennese School
223:
1519:20th century in music
685:Detlev Müller-Siemens
510:Karlheinz Stockhausen
502:Karlheinz Stockhausen
496:
334:Süddeutscher Rundfunk
218:
67:bi-annually from 1972
64:annually 1946 to 1970
39:Karlheinz Stockhausen
1429:Im Zenit der Moderne
947:. pp. 209–210.
835:Simon Steen-Andersen
773:Joël-François Durand
587:(atelier concerts).
581:Nachwuchskomponisten
430:String Quartet No. 4
818:, Seth Wrightington
538:Niccolò Castiglioni
449:Heinz-Klaus Metzger
352:Georg Büchner Prize
302:musical composition
274:expressionist music
140:City of Darmstadt,
807:2002 Nam-Kuk Kim,
542:Franco Evangelisti
506:
298:Carl Mathieu Lange
228:Wolfgang Steinecke
224:
220:Wolfgang Steinecke
189:experimental music
181:contemporary music
108:Wolfgang Steinecke
1529:Modernism (music)
1451:978-3-88377-487-9
1437:978-3-7930-9138-7
1423:Gianmario Borio,
1418:978-3-87135-028-3
1379:978-1-107-03329-0
1333:New World Records
1327:, liner notes to
1031:Krebber, Jürgen.
999:Krebber, Jürgen.
977:(in German). 2020
954:978-0-22-602131-7
730:Robert H.P. Platz
570:Brian Ferneyhough
566:Helmut Lachenmann
441:Theodor W. Adorno
166:
165:
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1501:
1500:
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1468:
1466:Official website
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1354:(3–4): 341–356.
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1120:Der Tagesspiegel
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864:Darmstadt School
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809:Martin Schüttler
761:Luca Francesconi
678:Suzanne Stephens
638:Jerome Lowenthal
631:Marion Zarzeczna
624:Karlheinz Zöller
614:
574:Darmstadt School
546:Karel Goeyvaerts
489:Darmstadt School
483:Darmstadt School
465:Olivier Messiaen
410:Arnold Schönberg
387:Hölderlin-Lieder
381:(1923), Henze's
368:
306:Wolfgang Fortner
286:degenerate music
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81:, many locations
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1479:(in German) in
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1425:Hermann Danuser
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1388:Further reading
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783:Chaya Czernowin
742:Richard Barrett
736:Bernardo Kuczer
712:Clarence Barlow
653:Wolfgang Gayler
608:
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585:Atelierkonzerte
558:Giacomo Manzoni
534:Franco Donatoni
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434:Violin Concerto
424:. Schoenberg's
418:Igor Stravinsky
391:Hermann Reutter
362:
338:Radio Frankfurt
318:Walter Jockisch
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126:Music theorists
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1473:Karlheinz Essl
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1458:External links
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445:René Leibowitz
426:Piano Concerto
395:Willy Burkhard
375:Günter Raphael
360:Erich Sehlbach
310:Georg Kuhlmann
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1323:Anon. 2006.
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1266:. Retrieved
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939:
907:
898:
883:
881:
868:serial music
860:Kurt Honolka
856:
841:Stefan Prins
779:James Clarke
726:Michael Bach
718:James Dillon
667:Bruno Canino
617:
603:
594:
584:
580:
578:
524:, and later
507:
469:Ernst Krenek
451:, and later
438:
414:Anton Webern
407:
398:
386:
382:
370:
345:
326:
295:
267:
251:
236:Ernst Thomas
225:
185:Kranichstein
168:
167:
160:/ferienkurse
129:Philosophers
114:Participants
37:Course with
1393:IMD (ed.):
1302:Nono, Luigi
1234:"Our Story"
1123:(in German)
847:Ashley Fure
812: [
660:Erika Haase
649:Gábor Gabos
609: [
600:Music prize
473:Earle Brown
422:Béla Bartók
401:(1944) and
371:für Klavier
363: [
314:Günter Kehr
308:, piano by
245:(1962–81),
239: [
196: [
86:Inaugurated
75:Location(s)
1513:Categories
1481:MusikTexte
1218:Iddon 2013
1194:Anon. 2006
1182:Iddon 2013
1091:6 February
919:References
878:Recordings
789:Mark Andre
695:(clarinet)
680:(clarinet)
645:Otto Zykan
518:Luigi Nono
498:Luigi Nono
322:Fred Hamel
264:Background
256:, a rural
123:Performers
1524:Darmstadt
1403:0418-3878
1206:Beal 2007
884:col legno
853:Criticism
728:(cello),
651:(piano),
647:(piano),
477:John Cage
403:Hindemith
347:Die Kluge
292:Beginning
282:serialism
270:modernist
232:Darmstadt
173:Darmstadt
137:Patron(s)
120:Composers
79:Darmstadt
58:Frequency
1427:(eds.):
1286:(1987).
1268:13 March
1243:12 March
1167:12 March
1161:Archived
1156:Die Zeit
1127:12 March
1043:12 March
1011:12 March
981:12 March
872:Pousseur
211:Overview
1317:Sources
756:(piano)
669:(piano)
662:(piano)
655:(piano)
640:(piano)
633:(piano)
626:(flute)
504:in 1957
222:in 1957
206:History
149:Website
104:Founder
94: (
41:in 1957
1489:Portal
1449:
1435:
1416:
1401:
1376:
951:
568:, and
276:, the
1344:(PDF)
1262:(PDF)
1081:(PDF)
890:Notes
845:2014
839:2010
833:2008
827:2006
821:2004
816:]
801:2000
787:1996
777:1992
759:1990
740:1986
734:1984
716:1982
710:1980
704:1978
698:1976
683:1974
672:1972
665:1960
658:1959
643:1958
636:1957
629:1955
622:1952
613:]
367:]
243:]
200:]
177:Hesse
47:Genre
1447:ISBN
1433:ISBN
1414:ISBN
1399:ISSN
1374:ISBN
1270:2020
1245:2020
1169:2020
1129:2020
1093:2020
1045:2020
1013:2020
983:2020
949:ISBN
500:and
475:and
455:and
420:and
336:and
328:its
280:and
96:1946
89:1946
1356:doi
576:).
397:'s
389:by
354:to
304:by
158:.de
154:www
1515::
1475::
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1350:.
1346:.
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1137:^
1117:.
1101:^
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814:de
795:,
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373:,
365:de
324:.
300:,
241:ru
198:de
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1362:.
1358::
1272:.
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1131:.
1095:.
1047:.
1015:.
985:.
957:.
98:)
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