213:. The liner notes also include the following statement by Taylor, taken from an interview with Joseph Chonto: "Music... is the force of nature which is what the sound is – the eternal sound. The beauty of whatever made those trees, those stones, the rivers... that is the living force I'm concerned with. That is the force that leaves me at those highest points of ecstasy... I'm trying to be in touch with and appreciative of... this day - the way the sky looked last night - extraordinary! ... The beautiful forces unleashed were not a manifestation of anger, but manifestations of the beauty of nature. What we try to do now is consciously bring the beauty of living experience and to share that."
368:"a full-bore, hour-long exorcism and communal communion with the spirit world", and wrote: "If you are just trying to learn to dig Taylor for the first time, you might want to skip this, but not to go here or somewhere similar is not to give a full picture of Taylor... it has much to offer and is definitely pure, uncompromising Taylor." Writing for the Head Heritage web site, Dave Furgess commented: "
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wrote: "More than in many of Taylor's concert recordings, the music here suggests not darkness but incandescence – the flaring trumpet of Malik has a prominent role in the first 20 minutes, and the brilliance of Taylor's playing in this section is radiant."
206:. (The album documents the only occasion on which Ware and Edwards recorded with Taylor.) The original LP release presented the music in edited form, while the CD reissue contains the complete performance, restoring sections that were previously excised.
29:
372:... features a somewhat more structured and stable sound due to other musicians Taylor has brought to the table for the recording... I rate this right up there with John Coltrane's
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awards the album 4.5 stars, stating: "Listeners with very open ears and longtime fans of Cecil Taylor can consider this explosive performance to be essential." The authors of the
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for sheer gut-busting intensity... Play this at your next party and see how many people are left standing!"
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The album liner notes feature Taylor's poem "Da", which was later reprinted in the collection
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recorded at the
Ljubljana Jazz Festival, Yugoslavia, on June 18, 1976, and released on the
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Every
Goodbye Ain't Gone: An Anthology of Innovative Poetry by African Americans
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In a tribute to Taylor following the pianist's death, Howard Barnum called
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Taylor, Cecil (2006). "Da". In
Nielsen, Aldon Lynn; Ramey, Lauri (eds.).
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label. The album features Taylor on piano with alto saxophonist
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503:. University of Alabama Press. pp. 248–249.
484:: CS1 maint: others in cite AV media (notes) (
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538:. USA: Random House/Rolling Stone. pp.
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606:"The greatness of Cecil Taylor (1929-2018)"
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929:One Too Many Salty Swift and Not Goodbye
632:"Cecil Taylor Unit: Dark To Themselves"
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1188:Qu'a Yuba: Live at the Iridium, Vol. 2
1097:Looking (Berlin Version) The Feel Trio
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845:Nefertiti, the Beautiful One Has Come
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576:The Penguin Guide to Jazz Recordings
388:"Streams and Chorus of Seed" – 61:45
316:The Penguin Guide to Jazz Recordings
534:The Rolling Stone Jazz Record Guide
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278:The Rolling Stone Jazz Record Guide
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68:Ljubljana Jazz Festival, Yugoslavia
16:1977 live album by Cecil Taylor
799:Winged Serpent (Sliding Quadrants)
384:All compositions by Cecil Taylor.
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1181:Qu'a: Live at the Iridium, Vol. 1
866:The Great Concert of Cecil Taylor
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630:Furgess, Dave (April 13, 2003).
604:Barnum, Howard (April 6, 2018).
358:Penguin Guide to Jazz Recordings
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1090:Looking (Berlin Version) Solo
943:It Is in the Brewing Luminous
474:. Enja Records. 1990. 2084 2.
396:B. "Chorus of Seed" - 26:12
1299:Albums recorded in Slovenia
1223:The Owner of the River Bank
1062:Spots, Circles, and Fantasy
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736:The World of Cecil Taylor
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530:Swenson, J., ed. (1985).
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1294:Enja Records live albums
1289:Cecil Taylor live albums
950:Fly! Fly! Fly! Fly! Fly!
922:Live in the Black Forest
520:, accessed 14 July 2009.
392:Original vinyl edition:
211:Every Goodbye Ain't Gone
1041:Alms/Tiergarten (Spree)
1013:Tzotzil/Mummers/Tzotzil
610:Wine, Physics, and Song
1055:Pleistozaen Mit Wasser
894:Spring of Two Blue J's
1195:Lifting the Bandstand
1125:CT: The Dance Project
764:New York City R&B
750:Cell Walk for Celeste
394:A. "Streams" - 23:00
1216:The Willisau Concert
1076:Erzulie Maketh Scent
222:Professional ratings
194:, tenor saxophonist
122:Matthias Winckelmann
1167:The Light of Corona
1118:2 Ts for a Lovely T
915:Air Above Mountains
480:cite AV media notes
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159:Air Above Mountains
1237:Taylor/Dixon/Oxley
1111:Celebrated Blazons
908:Dark to Themselves
468:Dark to Themselves
370:Dark To Themselves
366:Dark to Themselves
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175:Dark to Themselves
150:Dark to Themselves
22:Dark to Themselves
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1160:Always a Pleasure
1132:Double Holy House
936:Historic Concerts
785:Cecil Taylor Unit
590:978-0-141-03401-0
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583:. p. 1381.
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1230:All the Notes
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60:June 18, 1976
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639:. Retrieved
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613:. Retrieved
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198:, trumpeter
184:Cecil Taylor
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128:Cecil Taylor
42:Cecil Taylor
1209:Incarnation
1048:Remembrance
830:Live albums
693:Discography
641:February 4,
615:February 4,
421:Raphe Malik
412:Jimmy Lyons
354:Scott Yanow
200:Raphe Malik
192:Jimmy Lyons
1278:Categories
1146:Melancholy
1034:The Hearth
957:The Eighth
838:At Newport
516:Yanow, S.
449:References
352:review by
180:live album
130:chronology
107:Inner City
37:Live album
1202:Algonquin
880:Akisakila
806:Chinampas
400:Personnel
217:Reception
79:Free jazz
985:For Olim
792:3 Phasis
573:(2008).
350:Allmusic
241:Allmusic
118:Producer
57:Recorded
49:Released
39: by
1027:Regalia
992:Olu Iwa
581:Penguin
425:trumpet
163:(1976)
154:(1977)
145:(1974)
1174:Almeda
1139:Nailed
964:Garden
873:Indent
859:Praxis
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232:Source
85:Length
1262:Mixed
978:Amewa
443:drums
407:piano
178:is a
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65:Venue
887:Solo
643:2021
617:2021
585:ISBN
544:ISBN
486:link
348:The
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111:Enja
52:1977
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182:by
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