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Daum Marries Her Pedantic Automaton "George" in May 1920

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The concept of the painting was explained by Grosz publisher Werner Herzfeld who said that marriage "comes between the bride and groom like a shadow, this fact that, at the very moment when the wife is allowed to make known her secret desire and reveal her body, her husband turns to other soberly
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artistic tendency of the time, and is an ironic take on his recent marriage. His wife had been nicknamed by him as Maud, and the title Daum is an obvious anagram of that short form. The scene takes place having an irrealistic urban background that seems inspired by the work of
28: 115:. His wife is largely undressed, still wearing her hat, appearing reluctant near her husband, Grosz, who appears in a half-human, half-machine form, as a robot or automaton. This is a reference to the 201: 148:"Daum" marries her pedantic automaton "George" in May 1920, John Heartfield is very glad of it., Berlin Landesmuseum fur Moderne Kunst (German) 390: 147: 308: 94:, in 1920. The painting does have an original English title. It is held at the Berlin Landesmuseum fur Moderne Kunst, in the 90:
is a painting created by using the combination of pencil, pen, brush and ink, watercolor and collage, by the German artist
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Daum Marries Her Pedantic Automaton "George" in May 1920. John Heartfield is very glad of it.
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Daum Marries Her Pedantic Automaton "George" in May 1920. John Heartfield is very glad of it.
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Daum Marries Her Pedantic Automaton "George" in May 1920. John Heartfield is very glad of it.
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concept of the artist as a kind of machine. The title also mentions ironically fellow
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42 cm × 30.2 cm (17 in × 11.9 in)
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Grosz married Eva Peters on 22 May 1920. This painting reflects his
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The Dada Cyborg: Visions of the New Human in Weimar Berlin
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Index


George Grosz
Berlinische Galerie
Berlin
George Grosz
Berlinische Galerie
Dada
Giorgio de Chirico
dadaist
Dada
John Heartfield
"Daum" marries her pedantic automaton "George" in May 1920, John Heartfield is very glad of it., Berlin Landesmuseum fur Moderne Kunst (German)
George Grosz, The Art Story
v
t
e
George Grosz
The Love Sick
Metropolis
The Funeral
Daum Marries Her Pedantic Automaton "George" in May 1920. John Heartfield is very glad of it.
Eclipse of the Sun
The Poet Max Herrmann-Neisse
The Wanderer
Cain, or Hitler in Hell
Peace II
Jedermann sein eigner Fussball
A Little Yes and a Big No
George Grosz' Interregnum
Marty Grosz

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