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scales are often apparent. Even though Monrad
Johansen had achieved significant recognition with these pieces, it was clear to him that the style was a dead-end, and the following pieces show a composer on a stylistic search. Then, during the studies in 1933 and 1935, he turned more into a
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Monrad
Johansen had a very central position in Norwegian music life in the 1920s and 1930s. He was the leading person within the musical nationalism around 1925, after having achieved great recognition with the 7 songs to old Norwegian folk stories (opus 6) and the piece for male choir,
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op. 13, are the most pure nationalistic of Monrad
Johansen’s works, and often called a Norwegian impressionism. Regarding sound, they are related to impressionism, but have structures with more polyphonic features than what was common in f. ex.
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It is difficult to categorise his style, with all the different influences that he went through. Before Berlin, he was within the conservative late
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direction, more polyphonic, more clear tonality, classical forms – also more clear sound and colours, and fewer dissonances than in the 1930s.
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op. 15 (1926). It was composed for soloists/vocals, choir and orchestra, and it is based on the poem
Voluspaa, from the
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folk stories/songs, but seldom melodies. He did, however, arrange some folk tunes for piano (opus 9 and 10).
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Bergen: Editio norvegica, 1969. Quote from page 211:"... and also member of the Nazi
Kulturting 1942-45."
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Athena S. Leoussi and Steven Grosby (editors); pp. 55-67. Edinburgh
University Press. 2007.
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Nationalism and
Ethnosymbolism: History, Culture and Ethnicity in the Formation of Nations.
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he was convicted of treason and sentenced to four years of forced labour.
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in 1915 for further studies. In 1920, he went for a study trip to
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People convicted of treason for Nazi
Germany against Norway
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David Monrad
Johansen - Great Norwegian encyclopedia
74:, which inspired him to start studying dissonant
27:(8 November 1888 – 20 February 1974) was a
252:Music and Nationalism: Five Historical Moments.
230:(in Norwegian). Oslo: Cappelen. p. 202.
190:David Monrad Johansen's son was the composer
20:Portrait of David Monrad Johansen (1888-1974)
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277:Contemporary Norwegian Orchestral Music.
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112:Monrad Johansen’s most famous piece is
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293:David Monrad Johansen - Biography
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163:German occupation of Norway
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218:"Johansen, David Monrad"
216:Stenseth, Bodil (1995).
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185:Norwegian legal purge
120:. This piece and the
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331:Norwegian composers
99:nationalistic style
95:Impressionist music
222:Dahl, Hans Fredrik
175:and supported the
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161:During the
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66:, and here
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44:Christiania
310:Categories
198:References
68:Stravinsky
31:composer.
107:Norwegian
91:Alf Hurum
29:Norwegian
137:Phrygian
114:Voluspaa
224:(ed.).
129:Debussy
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