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retrospective of Naum Gabo since the war: “Gabo was the first to produce –out of glass–transparent sculpture. Now it is evident that Black, although by no means in direct succession, has carried transparent sculpture to its aesthetic and technical perfection with the help of modern materials and techniques. One can see through them. The entire effect becomes unreal, because the colored sheets and bands which make up the sculptures, transform them, by their reflections and refractions, into a kind of transparent, translucent light-painting…”.
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314:“With grace, wit and no small measure of style, David Black acknowledges that maturity has enriched his art and liberated his working procedures. The constraints of career building are now behind him and a new sense of freedom has unleashed creative powers that are driving him toward more ambitious projects. A recent outpouring of ideas has led to a series of monumentally scaled, publicly destined sculptures that are startling in originality, but intimately integrated as a body of work…” - Ruth K. Myer, Director of the Taft Museum.
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292:, writes in a printed essay about Black's public sculptures: "They are remarkable for their sense of elation – a novelty in public space-and dynamics, which makes them an exciting environment unto themselves, even as they anchor the environment they inhabit, humanizing it in the process…" Of all the artists now that I know of, who make works that are meant for public space, David Black is, to my mind, unequivocally the most important.
333:„The American artist, David Black, chose an unusual material for his works: Acrylic Plexiglas. Plexiglas is considered cold, impersonal, technical. What the American makes out of it, however, is anything but. Even his large spaces lose nothing of their lightness and buoyancy. His work seems to be attuned to light, which only gains in transparency and liveliness. The colors, discreetly chosen, often shine like crystals.“
330:“Plastics, relatively recent universal commodities, have become effective materials for the contemporary sculptor. Within the last few years, Nevelson and Judd have included plastics as appropriate materials for tri-dimensional expression sculpture. ...However, it has been David Black’s contribution to fully demonstrate the 20th century potential of plastics as fundamental, sculptural materials.”
134:, whose ocean seascape, rough granite shoreline and iconic white lighthouses, white oceanside hotels, white churches and ships were to dominate his work his entire career. He later revealed that a near death experience as a very young child where he was not expected to live after falling from a tree, was a driving force in his lifelong obsession with archaic, spiritual forms and architecture.
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and fascinating inner motion”, wrote
Jaqueline Hall in the Columbus Monthly in 1982, “The Germans were so impressed by his work that they commissioned a 20-foot sculpture for the reflecting pool of the West Berlin Museum of Modern Art, Die Neue Nationalgalerie. It is a striking piece which does great credit to the artist and through him to American art.“
141:. During the summers he returned to work as a lifeguard on Gloucester's Wingaersheek Beach where he met sculptor George Aarons, who had a studio in the sand dunes nearby. The experience made such an impression, that two years into college, he changed his major to art, embarking on a career as a sculptor. The summer of 1949 Black attended the
845:"David Black : Skulpturen : Ausstellung Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz mit Unterstützung des Berliner Künstlerprogramms des DAAD, 6. April bis 4. Mai 1977, Wilhelm-Lehmbruck-Museum der Stadt Duisburg, 13. Mai bis 19. Juni 1977 / Katalog, David Black, Bärbel Messing, Angela Schneider"
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Success outside the United States also furthered recognition within his home country: „The transparency of the medium (Plexiglas) gives those monumental sculptures a deceptively delicate appearance. And the transparent surfaces toy with light in such a way that the pieces seem endowed with a strange
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More than 40 major sculptures, most the result of winning open competitions, are installed throughout the US, as well as in
Germany, Japan and Canada. Black describes his work as “proto-architecture,” a reference to his fusion of archetypal architectural motifs, such as columns, pillars, arches, and
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In 1970, he received the two-year Artist in
Residence grant from DAAD, the German Academic Exchange, to live in then West-Berlin, Germany. There, the Neue Nationalgalerie (New National Gallery), commissioned the monumental sculpture, Skypiece, for its courtyard fountain and held an exhibition of his
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Black's first breakthrough came with his pioneering, avant-garde use of plastic as a complete and significant art form with his “receptors of light”. Naum Gabo had previously investigated transparency through glass a half century before and a few artists had used plastics inadvertently, but Black is
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For the first 12 years, he made exclusively ceramic pottery and sculptures, winning the First Prize for
Ceramics at the American Crafts Museum in New York in 1957. Later he received fellowships that took him to other countries and ancient cultures. A Fulbright fellowship grant in 1962 allowed him to
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And the magazine Das Bild-Berlin wrote “The
American sculptor David Black is the first artist in the world to build his Plexiglas works in fully imaginative forms. With his sculpture “Stack”, which reminds one of a modern skyscraper, and his work “Turn”, he draws attention to the modern form-making
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in Dayton, a stainless steel “flight path” arch 46 meters long (150 feet) and five stories tall, commemorating the Wright
Brothers’ first flight in 1903, won an international competition and was awarded the “Meritorious Structure Award” from the National Council of Structural Engineers Associations
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Like much of Black's plastic period, his large monumental works have been called “kinetic without movement”, where the public is “invited” to circle and enter within the work, which changes and engages with the viewer as they move within. In essence, it is the movement of the viewer which completes
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contrasted the public work of David Black, whose public sculpture Kuspit described as “friendly”, “inviting” and “participatory” creating “sacred space”, as the antithesis of the work of his colleague
Richard Serra. “There is a curious kind of caring in Black’s sculpture, even in the way it wraps
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THE SACRED: In spite of an early, successful, lucrative relationship with private art galleries, particularly with the sale of his woven wool tapestries, he came to increasingly disassociate from commercial art galleries in particular and lament the commercialization of art in general, choosing
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the sculpture. Hidden in plain sight, many also include what Black termed, “Spirit Houses”. “Black has created a kind of perfect modernist public sculpture, at once a pure articulation of abstract space in a personally inhabitable public space in which we are invited to invest our dreams.”
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Critics in the 1970s, celebrated Black as a pioneer for the use of plastics in sculpture. For example, Heinz Ohff in “Das
Kunstwerk” magazine considered it a highly significant coincidence, that Black's Berlin exhibition, in the New National Gallery, was shown parallel to the first large
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writes in a New York Times review: "his forms have an admirable definition, almost a simplicity, which is yet the result of a certain metaphorical development and resolution (...). It is as a sculptor, with a real feeling for his craft, that Mr. Black makes an impression.”
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Robert A. Malone, former Dean of The Pratt
Institute, also comments on the spiritual quality of Black's work: "His sculpture is transcendent in the same way that good music can be transcendent, not in the religious sense of being parochial."
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about Black's predilection for the color white: "he is ‘enamored of white objects partly because of their commonness and partly because of a sacred quality. With his sculptures, he tries to create a bridge between the common and the sacred."
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the use of light with the energy and references of sculpture. His community landmarks engage their environments and the viewer spatially, as well as culturally, strongly connecting with the viewer as they move through and around the work.
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While further investigating the monumental structures, this time of ancient Meso-America, he set up a temporary studio in Mexico in 1966, casting in aluminum and designing wall-hangings to be woven in wool by local, Indigenous weavers.
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machines to mold and shape sheets of
Plexiglas, later through the lamination of layers of Plexiglas with epoxy resin, which added the quality of refracted light, and lastly, in his transparent Black Edge Series.
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won the Shikanai, First Prize in the Henry Moore International Sculpture Competition in Nagano, Japan in 1985. It is permanently installed atop a mountain at the entrance to the Utsukushi-ga-hara Art Museum.
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sculpture at the Amerika Haus, Berlin. He returned again in 1977 for a one-man-exhibition in the Neue Nationalgalerie. This exhibition was shown as well at the Wilhelm Lehmbruck Museum in Duisburg, Germany.
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live a year and a half in Florence, Italy, investigating ancient Etruscan art, making sculptures(in the former studio of Leonardo da Vinci) and having them cast in bronze in nearby Pistoia.
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122:(May 29, 1928 – September 5, 2023) was an American sculptor known for both, his pioneering, avant-garde use of plastics and his monumental, aluminum, large scale public sculptures.
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widely credited as being the first to use the commonplace, industrial material to its full potential in “fully imaginative forms”, a “pure plastic esthetic” building his own
173:. It was at this time, around 1980, that he began producing monumental, abstract public sculpture, working again in metal, this time with massive plates of industrial aluminum.
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Returning to the United States, Black received an “Individual Artist Grant” from the National Endowment of the Arts while being awarded a full professorship at the
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instead to work almost exclusively in the public realm, preferring to regard art, not as a commodity, but as an expression of the sacred.
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Over the last two decades of the last century, David Black became one of the most prolific public sculptors in America.
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David Black's works have been exhibited in the U.S. at the Contemporaries Gallery and PS One, the Gilman Gallery, the
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has recently been restored and rebuilt as the permanent fountain centerpiece for the reopening of Mies van der Rohe's
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1028:"Art: The Quiet, Self-Possessed Genius of Morandi; Loeb & Krugier Show Is Balm to the Spirit"
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972:"David Black's Restless Curiosity: The Central Ohio Artist Left His Mark Through Sculpture"
935:"Wiedergeburt in der Neuen Nationalgalerie: Die Restaurierung von David Blacks "Sky Piece""
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This is a list of artworks by David Black that are available to the public.
197:'Skypiece', sculpture by David Black, New National Gallery, Berlin, Germany
185:'Windpoint', sculpture by David Black, Utsukushi-ga-hara Art Museum, Japan
994:"ISSUU - David Black Urban Sculpture by Design Media Publishing Limited"
883:"David Black Sculpture | Chadwick Arboretum & Learning Gardens"
758:"David Black: Urban Sculpture as Proto-Architecture by Donald B. Kuspit"
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in 1999. In 2010–2011 David Black finished two major public sculptures:
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Thalia Gouma-Petyerson in SCULPTURE OUTDOORS magazine, September 1982
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Clarkson University: Clarkson University Sculpture Featured in Book
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911:"Flyover - Dayton, Ohio - Smithsonian Art Inventory Sculptures on"
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1225:"Ohio Online Visual Artist Registry Artist Display – David Black"
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724:, 1972 and rebuilt in 2021, Neue Nationalgalerie, Berlin
779:"An artist's 'monumental' works: David Black comes home"
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Smithsonian Institution Research Information System.
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Smithsonian Institution Research Information System.
1432:. Smithsonian Institution Research Information System
1297:. Smithsonian Institution Research Information System
1205:. Smithsonian Institution Research Information System
1567:"Artist David Black Installs Sculpture at 5th and K"
1070:"David Black: Urban Sculpture as Proto-Architecture"
615:, 1995, University Circle, Euclid Ave. at Mayfield,
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220:Some examples of his most important work include:
1120:"IN PLEXIGLAS SCULPTURES, LIGHT SHINES THROUGH".
711:, 1985, Utsukushi-ga-Hara Museum, Nagano, Japan
648:Cincinnati State Technical and Community College
318:Recognition for the use of plastics in sculpture
137:Black left Cape Ann in 1946 to study science at
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395:'Open Skies', sculpture by David Black, detail
302:Thalia Gouma-Petyerson writes in the magazine
130:David Black was born in 1928 on the island of
1573:. Mount Vernon Triangle. 2009. Archived from
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145:, which solidified his choice to pursue art.
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820:"'Monumental' works: David Black comes home"
690:, 2009, City Vista Plaza, K St. at 5th St.,
284:Recognition for monumental public sculpture
951:. Gloucester Daily Times. 13 November 2023
797:Skowhegan School of Painting and Sculpture
379:'Turning Points', sculpture by David Black
267:, on September 5, 2023, at the age of 95.
143:Skowhegan School of Painting and Sculpture
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833:"West Deutsche Allgemeine". May 14, 1977.
1090:Ohff, Heinz (July 1971). "David Black".
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465:, 2011, Edison Circle, Centennial Park,
35:Black, in front of his piece, Wind Point
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1496:"Tuesday Trivia: Sculptures on campus"
1647:People from Gloucester, Massachusetts
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1484:. Youngstown State University. 2014.
387:'Flyover', sculpture by David Black
1642:20th-century American male artists
1627:21st-century American male artists
1478:"Inner Circles: A Moser Hall Icon"
1229:Ohio Online Visual Artist Registry
1177:"Public Sculptures of David Black"
970:Oliphint, Joel (5 December 2023).
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279:'Uxmal', sculpture by David Black
255:in Berlin in the summer of 2021.
1482:STEM Youngstown State University
949:"David Black comes home forever"
1622:21st-century American sculptors
1617:20th-century American sculptors
1330:"Rotunda Fountain, (sculpture)"
1245:. SAN FRANCISCO BAY TRAIL. 2011
1015:https://davidblacksculpture.com
672:, 2007, Zanesville Art Center,
591:Case Western Reserve University
240:in Downtown Washington D.C and
214:itself around you implicitly.”
1545:""outlook" sculpture unveiled"
327:issues of the 20th century.”
126:Early life and artistic career
112:http://davidblacksculpture.com
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1519:"Turning Points, (sculpture)"
1026:Kramer, Hilton (1967-05-20).
433:, 1991, Plaza, main library,
413:, 2005, Hutchison Institute,
223:Black's monumental sculpture
16:American sculptor (1928–2023)
1637:Sculptors from Massachusetts
1381:. Clarkson University. 2013
635:Youngstown State University
534:Central Michigan University
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1543:Kathryn Snodgrass (2007).
574:Wexner Center for the Arts
346:Indianapolis Museum of Art
263:Black died at his home in
132:Gloucester, Massachusetts
55:Gloucester, Massachusetts
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1498:. Cincinnati State. 2014
1426:"Coastline, (sculpture)"
1349:"New Arcadia; sculpture"
1291:"Crossings, (sculpture)"
1269:Fire Dance | artswfl.com
494:, 2000, Hammond, Indiana
483:Fort Wayne Museum of Art
209:The New York art critic
1632:American male sculptors
1523:Art Inventories Catalog
1457:Art Inventories Catalog
1430:Art Inventories Catalog
1295:Art Inventories Catalog
1203:Art Inventories Catalog
1179:. David Black Sculpture
661:Wright State University
265:Grandview Heights, Ohio
74:Grandview Heights, Ohio
1453:"Flyover, (sculpture)"
1231:. columbuslibrary.org.
538:Mt. Pleasant, Michigan
523:, 1987, College Park,
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350:Columbus Museum of Art
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1353:Cache Digital Archive
1199:"Sonora, (sculpture)"
578:Ohio State University
449:, 1990, Island Park,
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171:Ohio State University
1243:"Jetty, (sculpture)"
415:University of Alaska
354:Neue Nationalgalerie
288:New York art critic
253:New National Gallery
1375:"News & Events"
1355:. Kalamazoo College
554:Clarkson University
525:Kalamazoo, Michigan
487:Fort Wayne, Indiana
451:Belmont, California
139:Wesleyan University
1068:Kuspit, Donald B.
1032:The New York Times
974:. Columbus Monthly
756:Kuspit, Donald B.
509:Cedar Rapids, Iowa
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304:Sculpture Outdoors
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247:Black's sculpture
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822:. 24 August 2010.
793:"People Database"
781:. 23 August 2010.
558:Potsdam, New York
419:Fairbanks, Alaska
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68:(2023-09-05)
51:May 29, 1928
1612:2023 deaths
1607:1928 births
1334:artswfl.com
604:Ottawa Park
600:Ottawa Gate
521:New Arcadia
342:Taft Museum
271:Recognition
120:David Black
23:David Black
1601:Categories
1076:2022-05-04
1045:2023-03-02
978:11 January
955:11 January
917:2022-05-04
868:2022-05-04
802:2023-01-31
764:2022-05-04
741:References
644:Viewpoint
463:Fire Dance
441:California
411:Open Skies
242:Fire Dance
225:Wind Point
82:Occupation
47:1928-05-29
1571:News Room
1401:"Breaker"
1040:0362-4331
998:issuu.com
709:Windpoint
646:, 1997,
633:, 1996,
587:Coastline
572:, 1982,
479:Crossings
159:vacu-form
729:See also
722:Skypiece
687:Lift Off
659:, 1998,
624:, 1996,
602:, 1994,
589:, 1983,
552:, 1984,
550:Portside
544:New York
532:, 1988,
530:Quadrant
515:Michigan
507:, 1999,
481:, 1984,
360:and the
249:Skypiece
85:Sculptor
1336:. 1990.
1275:May 27,
716:Germany
670:Outlook
622:Flyover
570:Breaker
473:Indiana
457:Florida
425:Arizona
238:Liftoff
233:Flyover
108:Website
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505:Rapids
431:Sonora
405:Alaska
356:, the
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344:, the
100:Spouse
76:, U.S.
57:, U.S.
1581:4 Feb
703:Japan
447:Jetty
259:Death
1583:2011
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