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De
Coninck's teacher Pieter Boel was a pupil of Jan Fyt, the leading Flemish animal painter of the mid 17th century. This explains the influence of Jan Fyt's style on de Coninck's work. Some works of David de Coninck and Pieter Boel are still attributed to Fyt. As David de Coninck rarely signed his
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De
Coninck painted still lifes, including fruit still lifes and hunting still lifes, landscapes with hunting scenes and architectural paintings. De Coninck's stylistic development is unclear and it is difficult to date his paintings with any precision. It is possible that early in his career he
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De
Coninck was an accomplished painter of scenes with animals, mainly birds, in a garden or against a landscape background. He painted lively action scenes of fighting cats and dogs, packs of dogs attacking game and birds of prey or cats attacking birds or poultry.
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144:. He returned to Antwerp in 1687. He moved to Brussels at some time between 1699 and 1701. The last record of de Coninck is his registration as a became a member of the Brussels Guild of Saint Luke in 1701. It is not known when or where he died.
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works, which are generally of a high quality and similar style they have often been confused with the works of Boel, Fyt and even Frans
Snijders, the leading Flemish animal painter of the first half of the 17th century.
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with animals and hunting scenes. Recognised as a leading animal painter, de
Coninck was able to develop an international career which caused him to work for extended periods in Paris, Rome and Vienna.
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His fruit still lifes of fruits and flowers painted on large canvases are complex
Baroque compositions, which often include animals in an outdoor setting. Large, Italianate fruit still lifes in the
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for several years, probably until 1669. Nicasius
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painted fruit still lifes, since there is a record that in 1668 two fruit still lifes made by a 'Koninck' were exported to Vienna.
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can likely also be attributed to de
Coninck. An example of his fruit still lifes is the
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in 1659. Pieter Boel was an accomplished animal painter who had been trained by
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Grove Art Online. Oxford Art Online. Oxford
University Press. Web. 22 April 2014
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He moved to Paris where he worked with the prominent
Flemish animal painter
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where he lived from 1671 to 1694. Here he became a member of the
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Still life of fruit, a black servant and animals in a landscape
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De Coninck's work influenced other artists in Italy such as
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David de Coninck (Antwerp c. 1645 – after 1701 Brussels),
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church in Rome where the Bentvueghels used to congregate.
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186:Still life of fruit and flowers with animals
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436:Members of the Bentvueghels
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352:Arnout Balis. "Fyt , Jan."
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161:Allegory of Vigilance
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397:at Wikimedia Commons
243:5 March 2016 at the
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341:(in German)
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190:Musée Fesch
81:Pieter Boel
64:still lifes
50:(ca. 1644,
405:Categories
374:(in Dutch)
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112:in Paris.
68:landscapes
91:in 1663.
48:Rammelaer
306:Archived
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75:Life
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