Knowledge (XXG)

David Rokeby

Source 📝

165:"A combination of technologies, some off-the-shelf, some rare and esoteric, and some cooked up by Rokeby himself. Initially, in 1982, much more of the system was homemade. His circuitry, designed to speed up the response of the sluggish Apple II, was still not fast enough to analyze an image from an ordinary video camera, so he built his own low-res device: a little box with 64 light sensors behind a plastic Fresnel lens. But Very Nervous System has been evolving for 13 years, during which time the world has seen any number of technological revolutions. So Rokeby now has a lot more store-bought components incorporated into the system: it can handle a Mac Quadra and real video cameras, via sophisticated " 31: 120: 462: 200:
He has exhibited and lectured extensively in the Americas, Europe and Asia. He is the Director of the BMO Lab for Creative Research in the Arts, Performance, Emerging Technologies and AI at the Centre for Drama, Theatre and Performance Studies at the University of Toronto.
498:
Prixars Electronica : 2002 cyberarts : international compendium prix ars electronica : net vision/net excellence, interactive art, computer animation/visual effects, digital musics, cybergeneration : u90-freestyle
375: 579: 371: 280: 523: 197:(2001) are artificial subjective entities, provoked by objects or spoken words in their immediate environment to formulate sentences and speak them aloud. 529: 396: 287:
was awarded the first Petro-Canada Award for Media Arts in 1988 and Austria's Prix Ars Electronica Award of Distinction for Interactive Art in 1991.
554: 333: 506: 491: 574: 559: 291:(2000) was awarded the first BAFTA award for interactive art from the British Academy of Film and Television Arts in 2000. 569: 421: 564: 30: 189:, other works engage in a critical examination of the differences between human and artificial intelligence. 400: 549: 470:
Cooper, Douglas. "Very Nervous System: Artist David Rokeby adds new meaning to the term interactive."
236:
David Rokeby, Silicon Remembers Carbon (retrospective), FACT, Liverpool, and CCA, Glasgow, U.K. (2007)
310:
Douglas Cooper, "Very Nervous System: Artist David Rokeby adds new meaning to the term interactive",
544: 276: 52: 502: 487: 397:"The Canada Council for the Arts - Petro-Canada Award in New Media Cumulative list of Winners" 337: 186: 109: 119: 461: 221:
Panorama 14, Le Fresnoy Studio Nationale des arts contemporains, Tourcoing, France (2012)
140: 132: 475: 166: 157: 101: 538: 218:
Realidad Elástica, Laboral Centro de Arte y Creación Industrial, Gijòn, Spain (2013)
324: 245:
Governor General's Award Winners, National Gallery of Canada, Ottawa Canada (2002)
239:
Algorithmische Revolution, Zentrum für Künst und Media, Karlesruhe, Germany (2004)
425: 254:
Alien Intelligence, Kiasma Museum of Contemporary Art, Helsinki, Finland (2000)
135:, translating physical gestures into real-time interactive sound environments. 479: 260:
Feuer / Erde / Wasser/ Luft, Mediale, Deichtorhallen, Hamburg, Germany (1993)
242:
Einbildung, Das Wahrnehmen in der Kunst, Kunsthaus Graz, Graz Austria (2003)
113: 64: 173:
A number of Rokeby's works address issues of digital surveillance, including
105: 465:
David Rokeby with his Ars Electronica Golden Nica at Ars Electronica 2002
233:
Profiling, Whitney Museum of American Art, New York City, U.S.A. (2007)
518: 323:
Mark Schilling, "This must be the place: Vera Frenkel, David Rokeby,
279:(Golden Nica for Interactive Art) in 2002. In 2002 he was awarded a 227:
Synthetic Time, National Art Museum of China, Beijing, China (2008)
215:
Human Intelligence, Centre Culturel Canadien, Paris, France (2020)
118: 230:
e-art, Musée des Beaux Arts de Montréal, Montréal, Canada (2007)
100:(born 1960) is a Canadian artist who has been making works of 580:
Governor General's Award in Visual and Media Arts winners
248:
Venice Biennale of Architecture, Venice, Italy (2002)
202: 372:"Governor General's Visual and Media Arts Awards 2002" 112:
since 1982. He lives with his wife, acclaimed pianist
306: 304: 251:
Ars Electronica, Linz, Austria (2002, 1998 and 1991)
224:
See This Sound, Lentos Museum, Linz, Austria (2009)
212:
Chengdu Biennale:SUPERFUSION, Chengdu, China (2021)
131:(1982–1991) is acknowledged as a pioneering work of 78: 70: 60: 45: 21: 281:Governor General's Award in Visual and Media Arts 449:, Oakville, Ont.: Oakville Galleries, 2005, 79 530:AudioHyperspace - Interview with David Rokeby 8: 486:. Oakville, Ont.: Oakville Galleries, 2005. 361:, Ostfildern, Germany: Hatje Cantz, 2002, 76 496:Leopoldseder, Hannes and Christine Schöpf. 501:. Ostfildern, Germany: Hatje Cantz, 2002. 357:Hannes Leopoldseder and Christine Schöpf, 88:Jane Rokeby (née Jane Walkington) (mother) 29: 18: 460: 257:Kwangju Biennale, Kwangju, Korea (1995) 445:Peggy Gale, Sara Diamond and Su Ditta, 300: 263:Venice Biennale, Venice, Italy (1986) 526:with information about Rokeby's works 151:Rokeby's pioneering interactive work 7: 35:Rokeby at the unveiling of the work 329:para-para- 022: Parachute Magazine 14: 155:has been evolving since 1982. In 378:from the original on 2012-09-16 123:long wave by David Rokeby 2009 1: 555:Canadian installation artists 524:Horizon Zero 3 - Invent issue 482:, Sara Diamond and Su Ditta. 422:"ARS Electronica | Prix" 185:(2003). In addition to his 49:1960 (age 63–64) 16:Canadian artist (born 1960) 596: 331:No. 122 (April 2006), 7-8 161:the work is described as 275:, Rokeby was awarded the 28: 519:David Rokeby - home page 575:People from Tillsonburg 334:"Parachute - para-para" 169:" software from Paris." 85:Richard Rokeby (father) 560:Canadian video artists 474:Issue 3.03 (Mar 1995) 466: 171: 124: 116:, in Toronto, Canada. 464: 314:Issue 3.03 (Mar 1995) 271:For his installation 163: 139:was presented at the 122: 570:Artists from Ontario 289:Watched and Measured 277:Prix Ars Electronica 203:http://www.bmolab.ca 53:Tillsonburg, Ontario 359:Prixars Electronica 327:and Norman White", 285:Very Nervous System 153:Very Nervous System 137:Very Nervous System 129:Very Nervous System 467: 191:The Giver of Names 125: 565:New media artists 208:Major exhibitions 95: 94: 587: 450: 443: 437: 436: 434: 433: 424:. Archived from 418: 412: 411: 409: 408: 399:. Archived from 393: 387: 386: 384: 383: 368: 362: 355: 349: 348: 346: 345: 336:. Archived from 321: 315: 308: 187:surveillance art 110:installation art 33: 19: 595: 594: 590: 589: 588: 586: 585: 584: 535: 534: 515: 459: 457:Further reading 454: 453: 444: 440: 431: 429: 420: 419: 415: 406: 404: 395: 394: 390: 381: 379: 370: 369: 365: 356: 352: 343: 341: 332: 322: 318: 309: 302: 297: 269: 210: 149: 141:Venice Biennale 133:interactive art 127:His early work 91: 56: 50: 41: 36: 24: 17: 12: 11: 5: 593: 591: 583: 582: 577: 572: 567: 562: 557: 552: 547: 537: 536: 533: 532: 527: 521: 514: 513:External links 511: 510: 509: 494: 477: 458: 455: 452: 451: 438: 413: 388: 363: 350: 316: 299: 298: 296: 293: 268: 265: 209: 206: 183:Sorting Daemon 179:Guardian Angel 158:Wired Magazine 148: 145: 93: 92: 90: 89: 86: 82: 80: 76: 75: 72: 68: 67: 62: 58: 57: 51: 47: 43: 42: 34: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 592: 581: 578: 576: 573: 571: 568: 566: 563: 561: 558: 556: 553: 551: 550:Living people 548: 546: 543: 542: 540: 531: 528: 525: 522: 520: 517: 516: 512: 508: 507:3-7757-1208-9 504: 500: 495: 493: 492:1-894707-21-4 489: 485: 481: 478: 476: 473: 469: 468: 463: 456: 448: 442: 439: 428:on 2009-02-21 427: 423: 417: 414: 403:on 2010-09-29 402: 398: 392: 389: 377: 373: 367: 364: 360: 354: 351: 340:on 2007-07-15 339: 335: 330: 326: 320: 317: 313: 307: 305: 301: 294: 292: 290: 286: 282: 278: 274: 266: 264: 261: 258: 255: 252: 249: 246: 243: 240: 237: 234: 231: 228: 225: 222: 219: 216: 213: 207: 205: 204: 198: 196: 192: 188: 184: 180: 176: 170: 168: 162: 160: 159: 154: 146: 144: 142: 138: 134: 130: 121: 117: 115: 111: 107: 103: 99: 87: 84: 83: 81: 77: 73: 69: 66: 63: 59: 54: 48: 44: 39: 32: 27: 20: 497: 484:David Rokeby 483: 471: 447:David Rokeby 446: 441: 430:. Retrieved 426:the original 416: 405:. Retrieved 401:the original 391: 380:. Retrieved 366: 358: 353: 342:. Retrieved 338:the original 328: 325:Nell Tenhaaf 319: 311: 288: 284: 272: 270: 262: 259: 256: 253: 250: 247: 244: 241: 238: 235: 232: 229: 226: 223: 220: 217: 214: 211: 199: 194: 190: 182: 178: 174: 172: 164: 156: 152: 150: 136: 128: 126: 98:David Rokeby 97: 96: 37: 23:David Rokeby 545:1960 births 480:Gale, Peggy 193:(1991) and 181:(2002) and 539:Categories 432:2009-06-16 407:2009-06-16 382:2009-06-16 344:2004-12-03 295:References 114:Eve Egoyan 102:electronic 65:Eve Egoyan 499:computing 273:n-cha(n)t 195:n-cha(n)t 143:in 1986. 376:Archived 177:(1995), 71:Children 55:, Canada 79:Parents 505:  490:  267:Awards 61:Spouse 40:(2007) 472:Wired 312:Wired 175:Watch 106:video 38:Cloud 503:ISBN 488:ISBN 147:Work 108:and 46:Born 167:Max 541:: 374:. 303:^ 283:. 104:, 435:. 410:. 385:. 347:. 74:1

Index


Tillsonburg, Ontario
Eve Egoyan
electronic
video
installation art
Eve Egoyan

interactive art
Venice Biennale
Wired Magazine
Max
surveillance art
http://www.bmolab.ca
Prix Ars Electronica
Governor General's Award in Visual and Media Arts


Nell Tenhaaf
"Parachute - para-para"
the original
"Governor General's Visual and Media Arts Awards 2002"
Archived
"The Canada Council for the Arts - Petro-Canada Award in New Media Cumulative list of Winners"
the original
"ARS Electronica | Prix"
the original


Gale, Peggy

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.