448:(1923) in the stairwell of the Colegio Chico. The fresco features a group of pre-Conquest style workers in a funeral procession that are carrying a giant coffin, decorated with a hammer and sickle. The mural was never finished and was vandalized by students at the school who did not agree with the work's overtly political subject matter. Eventually, the entire mural was whitewashed by the new Minister of Education who succeeded Vasconcelos. The Syndicate became ever more critical of the revolutionary government, due to the State's failure to deliver on promised reforms. As a result, its members faced new threats to cut funding for their art and the newspaper. A feud within the Syndicateâregarding a choice between publishing
594:, made from 1947 to 1950, and which constitute Pollock's greatest achievement. In addition to floats, the Siqueiros Experimental Workshop produced a variety of posters and other ephemeral works for the CPUSA and other anti-fascist organizations in New York. These ephemeral works possessed the ability to reach the masses in a way different from mural painting because they were accessible to a wide audience outside of an institution or gallery. The Siqueiros Experimental Workshop only lasted for a little over a year until Siqueiros went to fight in the Spanish Civil War in April 1937, but their floats were featured in both the 1936 and 1937 May Day Parades in Manhattan's garment district.
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429:, made a mission of educating the masses through public art, and hired scores of artists and writers to build a modern Mexican culture. Siqueiros, Rivera and Orozco worked together under Vasconcelos, who supported the muralist movement by commissioning murals for prominent buildings in Mexico City. Still, the artists working at the Preparatoria realized that many of their early works lacked the "public" nature envisioned in their ideology. In 1923 Siqueiros helped found the Syndicate of Revolutionary Mexican Painters, Sculptors and Engravers, which addressed the problem of public access to art through its paper,
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613:, warning against the dual foes of capitalism and fascism. The original mural, painted in the stairwell of the electrical worker's union, incorporated cameras, photomontage, spray guns, airbrushes, stencils and the latest paints. It shows a giant generator using the opposition of fascist and capitalist democracies to generate imperialism and war. An armed, brave-faced revolutionary, of unnamable class or ethnicity, confronts the machine, and a blue sky on the ceiling flanked by electrical towers displays hope for the proletariat in technological and industrial advances.
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with "new values" that acknowledged the "modern machine" and the "contemporary aspects of daily life". The manifesto also claimed that a "constructive spirit" is essential to meaningful art, which rises above mere decoration or false, fantastical themes. Through this style, Siqueiros hoped to create a style that would bridge national and universal art. In his work, as well as his writing, Siqueiros sought a social realism that hailed the proletariat peoples of Mexico and the world, even as it attempted to avoid the widespread clichés of "Primitivism" and "Indianism".
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accessible from multiple angles. Instead of just constructing "an enlarged easel painting", he realized that the mural "must conform to the normal transit of a spectator." Eventually, Siqueiros would develop a mural technique that involved tracing figures onto a wall with an electric projector, photographing early wall sketches to improve perspective, and new paints, spray guns, and other tools to accommodate the surface of modern buildings and the outdoor conditions. He was unceremoniously deported from the United States for political activity the same year.
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308:, was well-off. His mother was Teresa Siqueiros. Siqueiros had two siblings: a sister, Luz, three years elder, and a brother "Chucho" (JesĂșs), a year younger. David's mother died when he was four and their father sent the children to live with their paternal grandparents. David's grandfather, nicknamed "Siete Filos" ('seven knife-edges'), had an especially strong role in his upbringing. In 1902, Siqueiros started school in Irapuato, Guanajuato.
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673:, executed by one shot to the head. He had been one of Trotsky's bodyguards. The theory that Sheldon was a Soviet agent who had infiltrated Trotsky's entourage, aiding in Siqueiros' attack by allowing the hit squad to enter Trotsky's compound, was discounted by Trotsky and later historians. Siqueiros's colleague Josep Renau completed the SME mural, transforming the generator into a machine that converts the blood of workers into coins.
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685:. Together with AngĂ©lia Arenal, he hid disguised as a peasant under the name of Macario HuĂzar. The Jalisco police apprehended Siqueiros and he was taken back Mexico City. He was formally processed and declared prisoner in the Lecumberri Preventive Prison. Siqueiros was charged for attempted homicide, criminal association, improper use of uniform, usurpation of functions, breaking and entering, firing a firearm and robbery.
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665:. The attacking party was composed of men who had served under Siqueiros in the Spanish Civil War and of miners from his union. After thoroughly raking the house with machine gun fire and explosives, the attackers withdrew in the belief that nobody could have survived the assault. They were mistaken. Trotsky was unhurt and lived till August, when he was killed with a pickaxe wielded by an assassin.
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282:, at least from the age of six. The discovery of his birth certificate in 2003 by a Mexican art curator was announced the following year by art critic Raquel Tibol, who was renowned as the leading authority on Mexican Muralism and who had been a close acquaintance of Siqueiros. Siqueiros changed his given name to "David" after his first wife called him by it in allusion to
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authoritarianism, capitalist rule, he painted the everyday people ideally involved in this struggle. Though his pieces sometimes include landscapes or figures of
Mexican history and mythology, these elements often appear as mere accessories to the story of a revolutionary hero or heroes (several works depict the revolutionary "masses", such as the mural at Chapultepec).
605:(1939), both now at the Museum of Modern Art in New York . Although he went to Spain to support the Spanish Republic against the fascist forces of Francisco Franco with his art, he volunteered and served in frontline combat as a Lieutenant Colonel in the Army of the Republic through 1938 before returning to Mexico City. After his return, in a stairwell of the
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on a mural project, he planned a mural in a colonial building recognizing the legacy of Miguel
Allende, one of Mexico's leaders of the struggle for independence. The mural was never completed, due to legal procedures against the owner of the art academy. Based on this experience, he later wrote a book titled
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His interest in the human form developed at the
Academy in Mexico City. His accentuation of the angles of the body, its muscles and joints, can be seen throughout his career in his portrayal of the strong revolutionary body. In addition, many works, especially in the 1930s, prominently feature hands,
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In 1948, Siqueiros was invited to teach a course on mural painting at an art academy in San Miguel
Allende. Although he was barred from the United States, most of the students were American GIs who were being paid to study under him. Practicing his idea of learning art by working with a master artist
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or losing financial support for mural projectsâled to
Siqueiros moving to the forefront of the organization, when Rivera left in protest over the decision to prioritize politics over art. Despite being dismissed from a post at the Department of Education in 1925, Siqueiros remained deeply involved in
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for control. His military travels around the country exposed him to
Mexican culture and the raw, everyday struggles of the working and rural poor classes. After Carranza's forces had gained control, Siqueiros briefly returned to Mexico City to paint before traveling to Europe in 1919. First in Paris,
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After spending many years in Mexico and being heavily involved in radical political activities, Siqueiros went to Los
Angeles, California in 1932 to continue his career as a muralist. Working in a collective unit that experimented with new painting techniques using modern devices such as airbrushes,
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Many details of
Siqueiros's childhood, including birth date, birthplace, first name and where he grew up, were misstated during his life and long after his death, in some cases by himself. Often he is reported to have been born and raised in 1898 in a town in the state of Chihuahua and his personal
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As a muralist and an artist, Siqueiros believed art should be public, educational, and ideological. He painted mostly murals and other portraits of the revolution â its goals, its past, and the current oppression of the working classes. Because he was painting a story of human struggle to overcome
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had given Leon
Trotsky and his wife, Natalia Sedova, political asylum after fleeing Stalinist persecution. They were able to enter the country thanks to the request that Ana Brenner made to Diego Rivera and Frida Kahlo to intervene on their behalf. Trotsky's arrival in Mexico as a political asylee
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in 1932, at the
Italian Hall at Olvera Street in Los Angeles. Painting fresco on an outside wall â visible to passersby as well as intentional viewers â forced Siqueiros to reconsider his methodology as a muralist. He wanted the image â an Indian peon being crucified by American oppression â to be
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and seen the life of the working and rural poor while traveling with the Constitutional Army. In "A New Direction for the New Generation of American Painters and Sculptors", he called for a "spiritual renewal" to simultaneously bring back the virtues of classical painting while infusing this style
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are known to exist, conservators used scientific analysis and best practices to get at the artist's vision of the mural. It became accessible to the public on its 80th anniversary, October 9, 2012. The América Tropical Interpretive Center that opened nearby is dedicated to the life and legacy of
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was moved to Mexico City and expanded, he assembled a team of national and international artists to work on the panels in his workshop in Cuernavaca. This project, his last major mural, is the largest mural ever painted, an integrated structure combining architecture, in which the building was
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in 1950, and he received the second prize for all exhibitors, which recognized the international status of Mexican art. Yet by the 1950s, Siqueiros returned to accepting commissions from what he considered a "progressive" Mexican state, rather than painting for galleries or private patrons. He
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was a great admirer of Siqueiros's "ability to function" as "artist and revolutionary". His 1934 poem "Room with Revolutionists" is based on a conversation between âłNew Massesâł editor, poet, and Left journalist Joseph Freeman (1897â1965) and Siqueiros; in it, Siqueiros is described as "a
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Hoping to revisit the United States and contribute to the struggle against fascism, he was denied entry and went to Cuba where he painted three murals, "Allegory of Racial Equality and Fraternity in Cuba," "New Day of the Democracies" and "Two Mountains of America, Marti and Lincoln."
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is more difficult to decipher, though it seems to fuse two visions of human progress, one international and one based in Mexican heritage. The mural's placement at a ritzy hotel and commission by its millionaire owner also seems to challenge Siqueiros' anti-capitalist ideology.
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revolutionist / a painter of great areas, editor / of fiery and terrifying words, leader / of the poor who plant, the poor who burrow / under the earth in field and mine. / His life's an always upward-delving battle in / an old torn sweater, the pockets always empty."
857:, owned by Manuel Suarez y Suarez. After international pressure was put on the Mexican authorities, Siqueiros was finally pardoned and released in the spring of 1964. He immediately resumed working on his suspended murals in the Actors' Union and Chapultepec Castle.
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in Latin America, a much more radical theme than was intended for the work. Although it received generally favorable criticism, some viewed it as Communist propaganda, which led to a partial covering in 1934 and a total whitewash in 1938. Eighty years later, the
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was shown at the 1930 exhibition "Mexican Artists and Artists of the Mexican School" at The Delphic Studios in New York City. In 1932, he led an exhibition and conference entitled "Rectifications on Mexican Muralism" at the gallery of the Spanish Casino in
873:. Completed in 1971 after years of extension and delay, the mural broke from some previous stylistic mandates, if only by its complex message. Known for making art that was easily read by the public, especially the lower classes, Siqueiros' message in
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Siqueiros was located by the police in a property supposedly rented by Angelica and Luis Arenal (Siqueiros's wife and brother-in-law respectively) in the outskirts of the capital. Siqueiros fled to Guadalajara, hiding in the house of his old friend
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Yet near the end of the decade, his outspoken communist views alienated him from the government. Under pressure from the government, the National Actors' Association, which had commissioned a mural on the theater in Mexico suspended his work on
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847:, and leading protests against the arrests of striking workers and teachers, though the charges were commonly known to be false. Numerous protests ensued, even including an appeal advertisement by well-known artists and writers in
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of the National Academy of Fine Arts that protested the school's teaching methodology and urged the impeachment of the school's director. Their protests eventually led to the establishment of an "open-air academy" in
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Back in New York in 1936, he was the guest of honor at the "Contemporary Arts" exhibition at the St. Regis gallery. There he also ran a political art workshop in preparation for the 1936 General Strike for Peace and
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Although many have said that Siqueiros' artistic ventures were frequently "interrupted" by political ones, Siqueiros himself believed the two were intricately intertwined. By 1921, when he wrote his manifesto in
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He credits his first rebellious influence to his sister, who had resisted their father's religious orthodoxy. Around this time, Siqueiros was also exposed to new political ideas, mainly along the lines of
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names are reported to be "José David". Thanks to art historian Raquel Tibol, who found a birth certificate for him, we know now that he was born in Mexico City, not Camargo or the state of Chihuahua.
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Siqueiros died in Cuernavaca, Morelos, on January 6, 1974, in the company of Angélica Arenal Bastar, who had been his partner since the Spanish civil war. His remains were interred at the
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Trotsky's 14-year-old grandson was shot, yet survived. Following the attack, police found a shallow grave on the road to the Desierto de los Leones with the body of New York Communist
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in 1961. Unjustly imprisoned, Siqueiros continued to paint, and his works continued to sell. During that stay, he would make numerous sketches for the project of decorating the
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attended the workshop and helped build floats for the parade. In fact, Siquieros has been credited with teaching drip and pour techniques to Pollock that later resulted in his
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in 1952. It was a combination of mural painting, bas-relief sculpture and Italian mosaic. In 1957 he began work on 4,500-square-foot (420 m) government commission for
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Despite Siqueiros's participation in these events, he never stood trial and was given permission to leave the country to paint a mural in Chile, arranged by Chilean poet
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Before the mural's completion in 1940, however, Siqueiros was forced into hiding and later exiled for his direct involvement in an attempt to assassinate
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Siqueiros was born in 1896, the second of three children. He was baptized JosĂ© de JesĂșs Alfaro Siqueiros. His father, Cipriano Alfaro, originally from
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was executed. After spending several months on the run from Mexican authorities disguised as a peasant, Siqueiros was eventually apprehended in
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Jolly, Jennifer. "Art of the Collective: David Alfaro Siqueiros, Josep Renau, and their Collaboration at the Mexican Electricians' Syndicate."
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In the lobby of the Hospital de la Raza in Mexico City, he created a revolutionary multi-angular mural using new materials and techniques,
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labor activities, in the Syndicate as well as the Mexican Communist Party, until he was jailed and eventually exiled in the early 1930s.
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1303:"Index and Concordance to Alexander Vassiliev's Notebooks and Soviet Cables Deciphered by the National Security Agency's Venona Project"
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558:. Shortly after, he traveled to New York, where he participated in the Weyhe Gallery's "Mexican Graphic Art" exhibition. Also in 1932,
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Unfinished 1940s mural painted by David Alfaro Siqueiros, in Escuela de Bellas Artes, a cultural center in San Miguel de Allende, Gto.
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Leonard Folgarait, So Far From Heaven: David Alfaro Siqueiros' The March of Humanity and Mexican Revolutionary Politics (New York:
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invited Siqueiros to Los Angeles to conduct mural workshops. It was at this time that, with a team of students, he also completed
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which could be interpreted as another heroic symbol of proletarian strength through work: his self-portrait in prison (
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painter, best known for his large public murals using the latest in equipment, materials and technique. Along with
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sprayguns and projectors, Siqueiros and his team of collaborators painted two major murals. The first, entitled
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Bruce Campbell, Mexican Murals in Times of Crisis (Tucson, Ariz.: The University of Arizona Press, 2003), 54.
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2077:"Preparing earth constitution | Global Strategies & Solutions | The Encyclopedia of World Problems"
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So Far from Heaven: David Alfaro Siqueiros' "The March of Humanity" and Mexican Revolutionary Politics
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At the age of eighteen, Siqueiros and several of his colleagues from the School of Fine Arts joined
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2027:"Letters from Thane Read asking Helen Keller to sign the World Constitution for world peace. 1961"
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Rolfe, Edwin, Cary Nelson, and Jefferson Hendricks. Trees Became Torches: Selected Poems. Urbana:
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Tamayo, Jaime. "Siqueiros y los orĂgenes del movimiento rojo en Jalisco: El movimiento minero."
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958:(1944, Palace of Fine Arts, Mexico City), and even his series on working class women, such as
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with his art, he volunteered and served in frontline combat as a Lieutenant Colonel in the
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Siqueiros was eventually arrested in 1960 for openly criticizing the President of Mexico,
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2225:(Government of Mexico, Consejo Nacional para la Cultura y las Artes) Press release no. 26
493:, and was to be painted on the exterior wall of the Plaza Art Center that faced the busy
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2218:"David Alfaro Siqueiros, un artista cuya obra ha trascendido el tiempo y las fronteras"
456:
197:
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64:
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He was one of the signatories of the agreement to convene a convention for drafting a
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Laurance P. Hurlburt, The Mexican Muralists in the United States (Albuquerque, N.M.:
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259:
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2375:. Exhibition catalogue, Mexico City: INBA and Sala de Arte PĂșblica Siqueiros, 1994.
2292:
1819:
729:
689:
630:
389:
372:
344:
283:
236:
201:
31:
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1806:
Hurlburt, Laurance (1976). "The Siqueiros Experimental Workshop: New York, 1936".
930:
2177:
2084:
1941:
a month later, on June 25th, Bob's lime-covered body was found in a shallow grave
1564:
865:
designed as a mural, with mural painting and polychromed sculpture. Known as the
5961:
5534:
5285:
5039:
4685:
4447:
4392:
4387:
4357:
4297:
3872:
3827:
3812:
3767:
3477:
1132:
754:
617:
266:, Siqueiros used his mother's surname. It was long believed that he was born in
2392:
Tibol, Raquel, David Alfaro Siqueiros, Shifra M. Goldman, and AgustĂn Arteaga.
17:
5815:
5787:
5247:
5205:
5106:
5058:
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4953:
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4117:
3807:
3312:
3282:
2081:
The Encyclopedia of World Problems | Union of International Associations (UIA)
1142:
861:
533:
111:
1349:
5993:
5681:
5195:
5099:
3867:
2222:
1854:
46:
1716:"'America Tropical': A forgotten Siqueiros mural resurfaces in Los Angeles"
1429:
1427:
1384:
Cabrera Nuñez, Eduardo CĂ©sar; Valentina de Santiago LĂĄzaro, MarĂa (2007).
812:
at the Jorge Negrete Theater and sued him for breach of contract in 1958.
5889:
5657:
5553:
5325:
5094:
5070:
5005:
4966:
2439:
2233:"El verdadero Origen de Siqueiros; lo que hay de cierto tras el mito del
1411:
1409:
1407:
1354:
305:
275:
139:
135:
2340:
La polĂ©mica Siqueiros-Rivera: Planteamientos estĂ©ticos-polĂticos 1934â35
652:
Siqueiros disguised as a farmer under the name of Macario HuĂzar in the
597:
Continuing to produce several works throughout the late 1930s â such as
239:
in which Trotsky's 14-year-old grandson was shot and American communist
5397:
5082:
4979:
2952:
736:
Siqueiros participated in the first ever Mexican contingent at the XXV
725:
583:
406:
388:
and the use of large blocks of intense color. While there, he also met
317:
244:
115:
35:
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1827:
1333:
Harte left alive with the raiders but was found dead a few days later.
5541:
5457:
5385:
5232:
5034:
4197:
1952:
Robert Service. Trotsky: A Biography. Belknap Press. 2009. p. 485-488
616:
American-born poet and eventual fellow Spanish Civil War participant
425:'s revolutionary government. The then Secretary of Public Education,
421:
In 1922, Siqueiros returned to Mexico City to work as a muralist for
381:
247:, although he would never be brought to trial and was freed shortly.
510:
performed restoration work on the mural. As no color photographs of
2462:
1738:
Ruth Green Harris, "Art That Is Now Being Shown In the Galleries,"
537:
Siqueiros (third from right) along with others during a tribute to
5529:
5505:
5493:
5481:
5445:
5433:
5409:
5373:
5361:
5349:
5337:
5180:
5129:
2178:"Vida Americana: Mexican Muralists Remake American Art, 1925â1945"
1970:
Siqueiros, Biography of a Revolutionary Artist, (Book Surge, 2009)
1699:
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814:
775:
719:
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532:
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435:
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220:
2239:[Siqueiros's true origin: the reality behind the myth of the
6094:
2365:
Siqueiros, David Alfaro. "Rivera's Counter-Revolutionary Road."
765:
was his biggest mural yet. (The painting is known in English as
235:
through 1938 before returning to Mexico City. In 1940, he led a
4850:
2780:
2466:
1111:
Vida Americana: Mexican Muralists Remake American Art 1925â1945
1788:. Berkeley, California: University of California Press, 2004.
1037:, at the Museo Nacional de Artes PlĂĄsticas, Mexico City, 1947.
2533:
América Tropical: Oprimida y Destrozada por los Imperialismos
2272:[Funds sought for the restoration of the Polyforum].
482:
América Tropical: Oprimida y Destrozada por los Imperialismos
1898:"The artist as activist: David Alfaro Siqueiros (1896â1974)"
1866:
1864:
1644:. Albuquerque, NM: University of New Mexico Press. pp.
1598:. Albuquerque, NM: University of New Mexico Press. pp.
1276:"The artist as activist: David Alfaro Siqueiros (1896-1974)"
804:
on panels that wrap around the lobby of the cancer center.
2429:(collection of photographs used by Siquieros for his work)
2160:
2158:
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2154:
2152:
2150:
2148:
2146:
2144:
1756:
On the edge of America: California Modernist Art 1900â1950
747:
The People to the University, the University to the People
802:
The Apology for the Future Victory of Science over Cancer
2396:. Mexico City: Instituto Nacional de Bellas Artes, 1998.
767:
From the Dictatorship of Porfirio Diaz to the Revolution
661:
In the early morning of May 24, 1940, led an attack on
487:
Tropical America: Oppressed and Destroyed by Imperialism
2138:(Oklahoma City: Oklahoma City Museum of Art, 2005), 80.
1786:
Radical Art: Printmaking and the Left in 1930s New York
890:. As a result, for the first time in human history, a
633:, then in exile in Mexico City from the Soviet Union:
6129:
World Committee for a World Constitutional Convention
1841:
Jolly, Jennifer (2009). "The Art of the Collective".
1624:
Revolutionary Mural To Return To L.A. After 80 Years.
1518:
1516:
196:; December 29, 1896 â January 6, 1974) was a Mexican
2407:
Siqueiros at the Museum of Modern Art, New York City
1883:
Rolfe, Edwin, Cary Nelson, and Jefferson Hendricks.
1552:. New York: Payson & Clark Ltd. pp. 244â59.
1487:"David Alfaro Siqueiros / Collective Suicide / 1936"
1469:
1467:
1465:
1463:
1461:
1459:
1457:
871:
The March of Humanity on Earth and Toward the Cosmos
860:
When the mural planned for the Hotel de la Selva in
821:
El pueblo a la universidad, la universidad al pueblo
6142:
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1887:. Urbana: University of Illinois Press, 1995. p. 85
489:), was commissioned shortly after the unveiling of
176:
162:
145:
131:
123:
100:
74:
55:
2573:Sueño de una Tarde Dominical en la Alameda Central
2342:. Mexico City: Museo Dolores Olmedo Patriño, 1996.
2270:"Buscan fondos para la restauraciĂłn del Polyforum"
1637:
1591:
1316:. 1 November 2014. pp. 175â76. Archived from
417:Mural by David Alfaro Siqueiros in Tecpan, c. 1944
343:(From left to right, top to bottom) Leon Caillou,
771:The Revolution Against the Porfirian Dictatorship
6327:World Constitutional Convention call signatories
1314:Woodrow Wilson International Center for Scholars
796:on a concave aluminum panel in the lobby of the
681:and from there he moved to the mountain town of
663:Trotsky's house in Mexico City's CoyoacĂĄn suburb
545:In the early 1930s, including his time spent in
1626:npr. October 26, 2010. Retrieved June 18, 2015.
1379:
1377:
1375:
1101:Latin American Artists of the Twentieth Century
659:
444:Soon after, Siqueiros painted his famous mural
44: and the second or maternal family name is
2136:Mexican Masters: Rivera, Orozco, and Siqueiros
1919:Ted Crawford; David Walters, eds. (May 1942).
1566:Siqueiros: Biography of a Revolutionary Artist
794:Man the Master and Not the Slave of Technology
4862:
2792:
2478:
1685:"América Tropical Is Reborn on 80th Birthday"
1350:"Trotsky's grandson recalls ice pick killing"
1051:Siqueiros: Retrospective Exhibition 1911â1967
8:
2360:Portrait of a Decade: David Alfaro Siqueiros
1986:
1984:
1982:
1980:
1978:
1976:
1710:
1708:
1219:For Complete Social Security of All Mexicans
950:, 1945, Museum of Modern Art, Mexico City),
237:failed assassination attempt on Leon Trotsky
2509:History of Morelos, Conquest and Revolution
1772:
1221:, 1953â36, Hospital de La Raza, Mexico City
1035:70 Recent Works from David Alfaro Siqueiros
5632:
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2799:
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2206:David Alfaro Siqueiros, art and revolution
1640:The Mexican Muralists in the United States
1594:The Mexican Muralists in the United States
63:
52:
27:Mexican social realist painter (1896â1974)
4908:World Constitution Coordinating Committee
1433:
1398:
347:, David Alfaro Siqueiros, Magda Caillou,
208:, he was one of the most famous of the "
4895:Constitution for the Federation of Earth
2276:(in Spanish). 2010-12-28. Archived from
2247:(in Spanish). 2005-10-15. Archived from
2208:. Translated by Calles, Sylvia. London:
1966:
1964:
1962:
1960:
1958:
1672:The Getty Conservation Institute website
896:Constitution for the Federation of Earth
830:
825:National Autonomous University of Mexico
751:National Autonomous University of Mexico
405:, Siqueiros had already been exposed to
6247:Mexican people of the Spanish Civil War
1415:
1231:
1215:, 1947, Carillo Gil Museum, Mexico city
1209:, 1947, Carillo Gil Museum, Mexico City
1081:Siqueiros-VisiĂłn, Tecnica y Estructural
1031:, at Casino Español, Mexico City, 1932.
969:
839:at Lecumberri prison, Mexico City, 1960
625:Attempted assassination of Leon Trotsky
254:, his surname would normally have been
2299:. New York: International Publishers.
2258:Latin American Art of the 20th Century
1522:
1507:
954:(1947, Museum of Modern Art, Mexico),
790:For the Social Welfare of all Mexicans
745:constructed an outdoor mural entitled
577:("The New Democracy"), 1945, Siqueiros
2347:Siqueiros/Pollock: Pollock/Siequeiros
2164:
1683:Whalen, Timothy P. (October 9, 2012)
1473:
1448:
1182:Hirshhorn Museum and Sculpture Garden
1055:Museo Universitario de Ciencas y Arte
440:Siqueiros painting a mural circa 1925
367:fighting the government of President
7:
6277:Mexican people of Portuguese descent
2382:1, no. 1 (JulyâOctober 1984): 29â41.
1921:"The Murder of Robert Sheldon Harte"
1885:Trees Became Torches: Selected Poems
1724:. September 22, 2010. Archived from
1700:América Tropical Interpretive Center
1343:
1341:
1297:
1295:
1162:, 1929, Museum of Modern Art, Mexico
6322:Recipients of the Lenin Peace Prize
6282:Mexican people of Hungarian descent
2338:GonzĂĄlez Cruz Manjarrez, Maricela.
2058:. American Foundation for the Blind
2033:. American Foundation for the Blind
1148:List of people from Morelos, Mexico
740:exhibition with Orozco, Rivera and
607:Sindicato Mexicano de Electricistas
3183:Isidro Eduardo Castellanos Paredes
2106:"Rotonda de las personas ilustres"
1669:"Conservation of América Tropical"
1085:Instituto Nacional de Bellas Artes
1075:Instituto Nacional de Bellas Artes
1061:Siqueiros-ExposiciĂłn Retrospectiva
998:Tomb of David Alfaro Siqueiros in
316:. One such political theorist was
25:
6317:International Lenin School alumni
6302:20th-century Mexican male artists
6287:Mexican people of Spanish descent
2549:The Epic of American Civilization
2450:Figureworks.com/20th Century work
2324:. Mexico City: INBA/Curare, 1996.
1758:. Berkeley, Los Angeles, Oxford:
1240:"Siqueiros Paintings, Bio, Ideas"
1170:Tehran Museum of Contemporary Art
6186:
6185:
5564:
5552:
5540:
5528:
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5468:
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5167:
5155:
5128:
5105:
5093:
5081:
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5057:
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5033:
4998:
4985:
4972:
4959:
4946:
3733:VĂctor Manuel HernĂĄndez Castillo
3718:Desiderio HernĂĄndez Xochitiotzin
2807:Past and present members of the
2681:Desiderio HernĂĄndez Xochitiotzin
2445:Mexico Info Profile (in Spanish)
2373:Siqueiros: El lugar de la utopĂa
2362:. Mexico City: MUNAL/INBA, 1997.
1386:Siqueiros. CronologĂa biogrĂĄfica
1071:Siqueiros: ExposciĂłn de Homenaje
1006:
991:
972:
810:The History of Theater in Mexico
6232:Works by David Alfaro Siqueiros
4878:World Constitutional Convention
2436:at the Getty Research Institute
2389:. Mexico City: ColecciĂłn, 1973.
2349:. DĂŒsseldorf: Kunsthalle, 1995.
1348:Mike Lanchin (28 August 2012).
1184:, Smithsonian, Washington, D.C.
6307:Far-left politicians in Mexico
6267:People from Camargo, Chihuahua
6237:Artists from Chihuahua (state)
2422:Siqueiros on Artcyclopedia.com
1820:10.1080/00043249.1976.10793284
1760:University of California Press
1536:University of New Mexico Press
1263:The art story, life and legacy
1115:Whitney Museum of American Art
908:Rotunda of Illustrious Persons
894:convened to draft and adopt a
763:Del porfirismo a la RevoluciĂłn
384:, intrigued particularly with
260:Picasso (Pablo Ruiz y Picasso)
215:Siqueiros was a member of the
194:JosĂ© de JesĂșs Alfaro Siqueiros
79:JosĂ© de JesĂșs Alfaro Siqueiros
1:
6342:People from Chihuahua (state)
6297:20th-century Mexican painters
5875:(Righteous Among the Nations)
4478:Antonio RodrĂguez de la Serna
2809:SalĂłn de la PlĂĄstica Mexicana
2434:David Alfaro Siqueiros papers
2297:Siqueiros: His Life and Works
2012:"Siqueiros" (advertisement),
1388:. Ayuntamiento de Guanajuato.
983:
380:he absorbed the influence of
264:Lorca (Federico GarcĂa Lorca)
6134:Provisional World Parliament
2256:Lucie-Smith, Edward (2004).
1872:University of Illinois Press
924:Polyforum Cultural Siqueiros
508:Getty Conservation Institute
34:, the first or paternal
6018:MaurĂcio Campos de Medeiros
5331:Ahmed Ebrahim Haroon Jaffer
5052:Francisco Orlich Bolmarcich
3143:Francisco CĂĄrdenas MartĂnez
2953:Gerardo Murillo ("Dr. Atl")
2322:Otras rutas hacia Siqueiros
1754:Karlstrom, Paul J. (1996).
1636:Hurlburt, Laurance (1989).
1590:Hurlburt, Laurance (1989).
611:Portrait of the Bourgeoisie
469:, was commissioned for the
152:Portrait of the Bourgeoisie
6358:
6337:20th-century Sephardi Jews
5487:Kanaiyalal Maneklal Munshi
4651:José Guillermo Téllez Brun
4508:TrĂĄnsito Rojas Santamarina
4418:Jorge GermĂĄn RamĂrez Nieto
4168:Francisco Moreno Capdevila
3798:Juan Carlos JuĂĄrez Arreola
3728:Cuauhtémoc Hernåndez Landa
2417:The Polyforum, Mexico City
2333:Cambridge University Press
2260:(2nd ed.). New York:
1992:Cambridge University Press
1569:. Booksurge. p. 145.
1367:Volkov was hit in the foot
1202:Philadelphia Museum of Art
892:World Constituent Assembly
29:
6332:20th-century Mexican Jews
6168:
5391:Ezequiel Padilla Peñaloza
4888:
4008:Ricardo MartĂnez de Hoyos
3993:Magdalena MartĂnez Franco
3988:Gustavo MartĂnez BermĂșdez
3713:José Hernåndez Delgadillo
3648:Consuelo GonzĂĄlez Salazar
3473:Javier FernĂĄndez Helguera
3468:Gabriel FernĂĄndez Ledesma
2736:Vlady Kibalchich Russakov
2597:La Marcha de la Humanidad
2227:(in Spanish). 2011-01-06.
1674:Accessed 14 November 2014
1563:D. Anthony White (2009).
1213:Cain in the United States
528:La Marcha de la Humanidad
62:
6105:(teacher & pacifist)
5981:(scholar & pacifist)
5547:Pascoal Ranieri Mazzilli
4636:Eduardo Talledos SĂĄnchez
4053:Patricia MejĂa Contreras
3703:JesĂșs GutiĂ©rrez MartĂnez
3583:JosĂ© de JesĂșs GarcĂa Gil
3003:Osvaldo Barra Cunningham
2893:Colette Ălvarez Urbajtel
2615:Museo Mural Diego Rivera
2394:Los murales de Siqueiros
1045:Galeria de Arte Mexicano
855:Hotel Casino de la Selva
515:David Alfaro Siqueiros.
5774:(Chemistry & Peace)
4563:Herlinda SĂĄnchez Laurel
4533:Antonio Ruiz El Corcito
4488:Manuel RodrĂguez Lozano
3983:HĂ©ctor MartĂnez Arteche
3738:Manuel Herrera Cartalla
3628:Jorge GonzĂĄlez Camarena
3378:Gonzalo de la Paz PĂ©rez
3323:Alejandro ChacĂłn Pineda
3213:Fernando Castro Pacheco
2823:Gilberto Aceves Navarro
2746:Manuel Rodriguez Lozano
2676:Jorge GonzĂĄlez Camarena
2541:Detroit Industry Murals
2356:31 no. 1 (2008) 129â51.
1690:The J. Paul Getty Trust
1548:Brenner, Anita (1929).
819:David Siqueiros mural:
471:Chouinard School of Art
217:Mexican Communist Party
69:Siqueiros, year unknown
6262:People from Cuernavaca
6217:Social realist artists
6013:(writer & scholar)
5922:David Alfaro Siqueiros
5872:André and Magda Trocmé
5854:Martin Luther King Jr.
5846:Human rights activists
5806:Edris Rice-Wray Carson
5691:Physiology or Medicine
5559:Patrick Wolrige-Gordon
5355:B. Satya Narayan Reddy
5135:Jaramogi Oginga Odinga
4716:Sergio Valadez Estrada
4606:Luz Maria Solloa Junco
4548:Cecilia Sanchez Duarte
4483:Antonio RodrĂguez Luna
4203:Ignacio Nieves BeltrĂĄn
4013:Ăngel Mateos Benavides
3973:Ofelia MĂĄrquez Huitzil
3788:Alberto Jiménez Quinto
3723:Miguel HernĂĄndez UrbĂĄn
3588:Adalberto GarcĂa Ordaz
3498:Manuel Fuentes Estrada
3463:Alfredo FalfĂĄn Vivanco
3393:Francisco DĂaz de LeĂłn
3148:Alfredo Cardona ChacĂłn
2873:Ernesto Ălvarez CortĂ©s
2868:RamĂłn Alva de la Canal
2863:David Alfaro Siqueiros
2843:Rodolfo Aguirre Tinoco
2711:RamĂłn Alva de la Canal
2651:Alfredo Ramos MartĂnez
2641:David Alfaro Siqueiros
2459:at www.figureworks.com
2387:Siqueiros, vida y obra
2210:Lawrence & Wishart
1622:Del Barco, Mandalit.
1138:Museo Cabeza de JuĂĄrez
938:
935:Manuel SuĂĄrez y SuĂĄrez
927:
840:
828:
785:
733:
715:Como se pinta un mural
709:
667:
657:
578:
542:
530:
461:
441:
418:
396:Early art and politics
356:
252:Spanish naming customs
227:against the forces of
219:. Although he went to
190:David Alfaro Siqueiros
167:Mexican Mural Movement
57:David Alfaro Siqueiros
6312:Mexican male painters
6292:Mexican Sephardi Jews
5708:Hermann Joseph Muller
5703:Dickinson W. Richards
5511:Komla Agbeli Gbedemah
5088:LĂ©opold SĂ©dar Senghor
4596:Adriano Silva Pantoja
4518:Mario Romero GonzĂĄlez
4438:Maria Antonieta Reyes
4278:Luis Ortiz Monasterio
3998:Pedro MartĂnez Osorio
3918:Catherine Mac Deville
3898:Armando LĂłpez Becerra
3883:Miguel Ledezma Campos
3678:JesĂșs Guerrero GalvĂĄn
3623:Esther GonzĂĄlez GĂłmez
3573:Carlos GarcĂa Estrada
3348:Maria Eugenia Chellet
3333:Carlos Antonio ChĂĄvez
3158:Julio Carrasco BretĂłn
3123:Alfonso Campos Quiroz
2963:Oscar Ăvila Soberanes
2928:Gustavo Arias Murueta
2751:Jorge Figueroa Acosta
2620:San Ildefonso College
2557:Man at the Crossroads
2517:The History of Mexico
1855:10.1093/oxartj/kcn006
1065:Tokyo National Museum
933:
921:
834:
818:
798:Polytechnic Institute
779:
723:
707:
651:
573:
536:
526:
459:
439:
416:
351:, Graciela Amador in
342:
322:Academy of San Carlos
156:The March of Humanity
5914:Arthur Ernest Bishop
5698:Albert Szent-Györgyi
5064:José Figueres Ferrer
4573:Alfredo Serrano Lara
4558:Sergio SĂĄnchez Ramos
4523:José Luis Rueda Leal
4498:JosĂ© Julio RodrĂguez
4468:Elvia Rivero Chavero
4443:JesĂșs Reyes Ferreira
4398:Abel RamĂrez Ăguilar
4343:Luz MarĂa PizĂĄ NĂșñez
4268:Carlos Orozco Romero
4148:Vicente JesĂșs Montes
4058:Deyanira Ăfrica Melo
3838:Carlos Lamothe Silva
3743:Elena Huerta Muzquiz
3603:Mauricio GarcĂa Vega
3563:Arturo GarcĂa Campos
3558:Arturo GarcĂa Bustos
3413:Francisco Dosamantes
3358:Chungtar Chong LĂłpez
3273:Erasto Cortés Juårez
3208:Antonio Castro LĂłpez
3113:Gloria Calero Sierra
2888:Manuel Ălvarez Bravo
2858:Rosa MarĂa Alfonseca
2646:José Clemente Orozco
2440:Ten Dreams Galleries
2432:Finding Aid for the
2427:Siqueiros Image Bank
2110:rotonda.segob.gob.mx
2056:Helen Keller Archive
2031:Helen Keller Archive
1925:Fourth International
1207:José Clemente Orozco
1168:(lithograph), 1930,
1154:Selected other works
1105:Museum of Modern Art
1095:Dallas Museum of Art
1087:, Mexico City, 1984.
1077:, Mexico City, 1975.
1057:, Mexico City, 1967.
1047:, Mexico City, 1953.
700:Later life and works
671:Robert Sheldon Harte
656:sierra, October 1940
503:American imperialism
241:Robert Sheldon Harte
233:Army of the Republic
206:José Clemente Orozco
6272:People from Morelos
6085:(cultural theorist)
5734:Salvatore Quasimodo
5598:Dana McLean Greeley
5308:Cornelis Berkhouwer
5112:Otilio Ulate Blanco
5016:Head of governments
4726:Nancy van Overveldt
4691:Guillermo Toussaint
4543:Juan Manuel Salazar
4423:Mario RendĂłn Lozano
4378:Francisco Quintanar
4273:Mario Orozco Rivera
3633:Melquiades GonzĂĄlez
3598:Antonio GarcĂa Vega
3593:Luis GarcĂa Robledo
3428:Evangelina Elizondo
3398:MarĂa Elena Delgado
3388:Antonio DĂaz CortĂ©s
3343:Tomas ChĂĄvez Morado
3298:JosĂ© VĂctor Crowley
3233:Guillermo Ceniceros
3203:Guillermo CastrejĂłn
3088:Alejandro Caballero
3083:Bruno Pablo Bresani
2878:JesĂșs Ălvarez Amaya
2327:Debroise, Olivier.
2320:Debroise, Olivier.
2262:Thames & Hudson
2134:Carolyn Hill, ed.,
1744:, December 7, 1930.
1550:Idols Behind Altars
1274:Tony (2020-06-17).
1192:, 1932, Los Angeles
867:Polyforum Siqueiros
845:Adolfo LĂłpez Mateos
679:José Guadalupe Zuno
643:Spanish Republicans
575:La nueva democracia
539:Julio Antonio Mella
365:Constitutional Army
361:Venustiano Carranza
314:anarcho-syndicalism
250:By accordance with
6242:Mexican communists
6150:World constitution
5978:Hugh J. Schonfield
5938:Edward J. Sparling
5463:IrĂšne de Lipkowski
5451:Inder Kumar Gujral
5100:Muhammad Ayub Khan
4791:Moisés Zabludovsky
4761:Alfonso Villanueva
4746:Reynaldo VelĂĄzquez
4671:Maria Teresa Toral
4601:Waldemar Sjölander
4473:Gilberto RodrĂguez
4188:Eduardo Nasta Luna
4133:Roberto Montenegro
3958:Maria Luisa Martin
3938:Francisco MagallĂĄn
3893:Rosa Lie Johansson
3843:Carmen Lang Merino
3663:Alfredo Guati Rojo
3638:Silvia H. GonzĂĄlez
3578:JosĂ© GarcĂa Narezo
3568:HĂ©ctor GarcĂa Cobo
3533:José Gama Gonzålez
3458:Enrique EcheverrĂa
3418:Guillermina Dulché
3373:Alberto de la Vega
3338:José Chåvez Morado
3308:Marco Antonio Cruz
3163:Leonora Carrington
3078:Enrique Bostelmann
2883:Lola Ălvarez Bravo
2701:José Chåvez Morado
2656:Roberto Montenegro
2565:Pan American Unity
2455:2020-07-29 at the
2354:Oxford Art Journal
2167:, pp. 380â81.
2116:on 3 December 2011
2014:The New York Times
1843:Oxford Art Journal
1741:The New York Times
1323:on 15 January 2019
1160:Proletarian Mother
1000:PanteĂłn de Dolores
939:
928:
888:world constitution
850:The New York Times
841:
837:HĂ©ctor GarcĂa Cobo
829:
792:. After painting
786:
759:Chapultepec Castle
734:
724:Siqueiros (left),
710:
658:
592:all-over paintings
586:parade. The young
579:
543:
531:
462:
446:Burial of a Worker
442:
419:
357:
127:San Carlos Academy
6257:Anti-revisionists
6252:Mexican assassins
6212:Mexican muralists
6199:
6198:
6114:
6106:
6098:
6086:
6078:
6070:
6062:
6054:
6046:
6038:
6030:
6022:
6014:
6006:
5998:
5990:
5982:
5974:
5966:
5958:
5950:
5942:
5934:
5926:
5918:
5876:
5826:Priyadaranjan Ray
5782:
5781:
5775:
5713:Macfarlane Burnet
5678:
5585:Religious leaders
5579:
5578:
5571:William Beveridge
5379:Diwan Chaman Lall
5280:
5279:
4844:
4843:
4786:Mariana Yampolsky
4621:Hermenegildo Sosa
4493:Ignacio RodrĂguez
4368:Alejandro Quijano
4318:HĂ©ctor PĂ©rez Cruz
3643:Gregorio GonzĂĄlez
3368:Myriam de la Riva
3223:Elizabeth Catlett
3198:Carmen Castilleja
3193:Fidencio Castillo
3153:Angélica Carrasco
3053:Ignacio M. Beteta
2853:Ernesto AlcĂĄntara
2774:
2773:
2721:Amado de la Cueva
2380:Estudios sociales
2016:, August 9, 1961.
1794:978-0-520-23155-9
1721:Los Angeles Times
1576:978-1-4392-1172-4
1451:, pp. 14â16.
1117:, New York, 2020.
1107:, New York, 1993.
1023:Major exhibitions
952:Our Present Image
560:Nelbert Chouinard
547:Lecumberri Prison
369:Victoriano Huerta
210:Mexican muralists
187:
186:
181:Lenin Peace Prize
89:December 29, 1896
16:(Redirected from
6349:
6189:
6188:
6160:World federalism
6155:World government
6112:
6104:
6092:
6084:
6076:
6068:
6060:
6058:Shigeri Yamataka
6052:
6044:
6042:Rameshwari Nehru
6036:
6028:
6020:
6012:
6004:
5996:
5988:
5980:
5972:
5965:(science editor)
5964:
5956:
5954:Gregorio Bermann
5948:
5940:
5932:
5930:E. M. L. Odjidja
5925:(Social realist)
5924:
5916:
5874:
5796:Charles C. Price
5773:
5729:Bertrand Russell
5676:
5674:Frederick Sanger
5633:
5613:Martin Niemöller
5569:
5568:
5557:
5556:
5545:
5544:
5533:
5532:
5521:
5520:
5509:
5508:
5497:
5496:
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5472:
5461:
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5449:
5448:
5437:
5436:
5425:
5424:
5413:
5412:
5401:
5400:
5389:
5388:
5377:
5376:
5367:Chiyo Sakakibara
5365:
5364:
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4950:
4949:
4898:
4871:
4864:
4857:
4848:
4826:Francisco ZĂșñiga
4756:Fernando Vilchis
4736:Zalathiel Vargas
4676:Ăngeles TorrejĂłn
4428:MarĂa Luisa Reid
4408:Everardo RamĂrez
4383:Adolfo Quinteros
4353:Enrique Pontones
4348:Salvador Pizarro
4288:Fernando Pacheco
4208:Leonardo Nierman
4163:Alejandro Moreno
4158:Virginia Morales
4098:Benito Messeguer
3953:Salvador Manzano
3888:Alfredo LeĂłn Gil
3853:Gerardo Lartigue
3793:Heriberto JuĂĄrez
3683:Lorenzo Guerrero
3653:Ignacio Granados
3543:José Julio Gaona
3493:Pedro Friedeberg
3438:Augusto Escobedo
3383:Javier del Cueto
3278:Francisco Corzas
3128:Federico Canessi
3048:Roberto Berdecio
2983:Octavio Bajonero
2978:Ignacio AsĂșnsolo
2933:Gabriela Arévalo
2801:
2794:
2787:
2778:
2731:Benito Messeguer
2726:FermĂn Revueltas
2494:Mexican muralism
2487:
2480:
2473:
2464:
2345:Harten, JĂŒrgen.
2310:
2288:
2286:
2285:
2265:
2252:
2228:
2213:
2192:
2191:
2189:
2188:
2174:
2168:
2162:
2139:
2132:
2126:
2125:
2123:
2121:
2112:. Archived from
2102:
2096:
2095:
2093:
2092:
2083:. Archived from
2073:
2067:
2066:
2064:
2063:
2048:
2042:
2041:
2039:
2038:
2023:
2017:
2010:
2004:
2001:
1995:
1988:
1971:
1968:
1953:
1950:
1944:
1943:
1938:
1936:
1916:
1910:
1909:
1907:
1905:
1900:. Mexconnect.com
1894:
1888:
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1875:
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1859:
1858:
1838:
1832:
1831:
1803:
1797:
1782:
1776:
1773:Lucie-Smith 2004
1770:
1764:
1763:
1751:
1745:
1736:
1730:
1729:
1712:
1703:
1702:Official website
1697:
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1271:
1265:
1260:
1254:
1253:
1251:
1250:
1236:
1189:América Tropical
1128:Mexican muralism
1091:Images of Mexico
1010:
995:
985:
976:
761:in Mexico City;
599:Echo of a Scream
564:Tropical America
512:Tropical America
499:Tropical America
476:Tropical America
460:Tropical America
427:José Vasconcelos
335:
258:; however, like
229:Francisco Franco
225:Spanish Republic
148:
107:
88:
86:
67:
53:
21:
6357:
6356:
6352:
6351:
6350:
6348:
6347:
6346:
6202:
6201:
6200:
6195:
6164:
6138:
6117:
6110:Toyohiko Kagawa
6074:Stanley Slotkin
6045:(social worker)
5902:
5884:
5858:
5840:
5836:Wilder Penfield
5821:Pitirim Sorokin
5778:
5759:
5738:
5717:
5686:
5662:
5628:Nobel laureates
5622:
5575:
5563:
5551:
5539:
5527:
5515:
5503:
5499:KenzĆ Matsumura
5491:
5479:
5467:
5455:
5443:
5431:
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5415:Hisato Ichimada
5407:
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5276:
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5154:
5147:Prime Ministers
5141:
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5121:Vice-presidents
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4945:
4932:
4892:
4884:
4875:
4845:
4840:
4801:Ăngel Zamarripa
4751:Gabriel Vergara
4741:Octavio VĂĄzquez
4706:Cordelia Urueta
4701:Lucinda Urrusti
4646:Leticia TarragĂł
4503:Oscar RodrĂguez
4458:Antonio Reynoso
4453:José Reyes Meza
4403:Antonio RamĂrez
4373:Yolanda Quijano
4328:Aida Petit Jean
4308:Mariano Paredes
4263:Trinidad Osorio
4238:Pablo O'Higgins
4213:Claudia Nierman
4183:Rogelio Naranjo
4178:Carlos Nakatani
4138:Gustavo Montoya
4078:Antonio Mendoza
4073:Leopoldo MĂ©ndez
4018:Daniel Manrique
3963:Francisco MarĂn
3858:Paulina Lavista
3763:MarĂa Izquierdo
3753:Francisco Icaza
3748:Rodolfo Hurtado
3688:Xavier Guerrero
3673:Carlos Guerrero
3668:Arturo Guerrero
3513:Guillermo Gadda
3488:Leopoldo Flores
3363:Azteca de Gyves
3328:Blanca Charolet
3243:Enrique Climent
3238:Pedro Cervantes
3228:Alberto Cavazos
3178:Pilar Castañeda
3103:Yolanda Cabrera
3093:RocĂo Caballero
3033:Alberto BeltrĂĄn
3028:Angelina Beloff
3013:Feliciano BĂ©jar
2998:Silvia Barbescu
2838:Ignacio Aguirre
2811:
2805:
2775:
2770:
2766:Leopoldo Flores
2696:Pablo O'Higgins
2686:Pedro Nel GĂłmez
2624:
2603:
2496:
2491:
2457:Wayback Machine
2403:
2385:Tibol, Raquel.
2369:, May 29, 1934.
2317:
2315:Further reading
2307:
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2011:
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1969:
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1951:
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1934:
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1891:
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1805:
1804:
1800:
1784:Langa, Helena.
1783:
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1124:
1097:, Dallas, 1988.
1025:
1018:
1011:
1002:
996:
987:
977:
968:
916:
904:
884:
782:Tamiji Kitagawa
780:Siqueiros with
738:Venice Biennale
732:(right) in 1955
702:
683:Hostotipaquillo
654:Hostotipaquillo
641:infuriated the
638:LĂĄzaro CĂĄrdenas
627:
588:Jackson Pollock
556:Taxco, Guerrero
521:
519:Artistic career
398:
377:Emiliano Zapata
349:Angelina Beloff
329:
298:
272:Chihuahua state
223:to support the
146:
119:
109:
105:
104:January 6, 1974
96:
90:
84:
82:
81:
80:
70:
58:
51:
28:
23:
22:
18:David Siqueiros
15:
12:
11:
5:
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6116:
6115:
6107:
6099:
6087:
6079:
6071:
6063:
6055:
6047:
6039:
6031:
6026:Oscar Niemeyer
6023:
6015:
6010:Mark Van Doren
6007:
5999:
5991:
5989:(union leader)
5983:
5975:
5967:
5959:
5951:
5943:
5935:
5927:
5919:
5910:
5908:
5904:
5903:
5901:
5900:
5898:Hugh B. Hester
5894:
5892:
5886:
5885:
5883:
5882:
5880:Brock Chisholm
5877:
5868:
5866:
5860:
5859:
5857:
5856:
5850:
5848:
5842:
5841:
5839:
5838:
5833:
5828:
5823:
5818:
5813:
5811:Harlow Shapley
5808:
5803:
5798:
5792:
5790:
5784:
5783:
5780:
5779:
5777:
5776:
5767:
5765:
5761:
5760:
5758:
5757:
5755:Joseph Rotblat
5752:
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5645:
5643:Alfred Kastler
5639:
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5603:George MacLeod
5600:
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5320:
5318:
5314:
5313:
5311:
5310:
5297:
5295:
5288:
5282:
5281:
5278:
5277:
5275:
5274:
5262:
5250:
5237:
5235:
5229:
5228:
5226:
5225:
5213:
5200:
5198:
5192:
5191:
5189:
5188:
5186:Tetsu Katayama
5176:
5164:
5162:Clement Attlee
5151:
5149:
5143:
5142:
5140:
5139:
5137:
5124:
5122:
5118:
5117:
5115:
5114:
5102:
5090:
5078:
5076:Julius Nyerere
5066:
5054:
5042:
5029:
5027:
5018:
5012:
5011:
5009:
5008:
4995:
4982:
4969:
4956:
4942:
4940:
4934:
4933:
4931:
4930:
4925:
4923:Margaret Isely
4920:
4915:
4910:
4904:
4903:
4900:
4899:
4889:
4886:
4885:
4876:
4874:
4873:
4866:
4859:
4851:
4842:
4841:
4839:
4838:
4833:
4828:
4823:
4821:Nahum B. Zenil
4818:
4813:
4811:Ălvaro Zardoni
4808:
4806:Beatriz Zamora
4803:
4798:
4793:
4788:
4783:
4778:
4773:
4768:
4763:
4758:
4753:
4748:
4743:
4738:
4733:
4731:Aniceto Vargas
4728:
4723:
4721:Ăngel Vallarta
4718:
4713:
4708:
4703:
4698:
4693:
4688:
4683:
4681:Gerardo Torres
4678:
4673:
4668:
4663:
4658:
4653:
4648:
4643:
4638:
4633:
4628:
4623:
4618:
4613:
4608:
4603:
4598:
4593:
4590:
4585:
4583:Naomi Siegmann
4580:
4578:Victor Scareño
4575:
4570:
4565:
4560:
4555:
4553:Carlos SĂĄnchez
4550:
4545:
4540:
4535:
4530:
4525:
4520:
4515:
4510:
4505:
4500:
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4465:
4460:
4455:
4450:
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4440:
4435:
4430:
4425:
4420:
4415:
4410:
4405:
4400:
4395:
4390:
4385:
4380:
4375:
4370:
4365:
4360:
4355:
4350:
4345:
4340:
4338:Ăngel Pichardo
4335:
4333:Feliciano Peña
4330:
4325:
4323:Antonio PelĂĄez
4320:
4315:
4310:
4305:
4300:
4295:
4293:Javier Padilla
4290:
4285:
4280:
4275:
4270:
4265:
4260:
4255:
4253:Armando Ortega
4250:
4248:Carlos Olachea
4245:
4240:
4235:
4230:
4228:Isidoro Ocampo
4225:
4223:Luis Nishizawa
4220:
4215:
4210:
4205:
4200:
4195:
4190:
4185:
4180:
4175:
4173:NicolĂĄs Moreno
4170:
4165:
4160:
4155:
4153:Aliria Morales
4150:
4145:
4143:Francisco Mora
4140:
4135:
4130:
4125:
4123:RaĂșl Monje Poo
4120:
4115:
4113:Alfonso Michel
4110:
4108:Guillermo Meza
4105:
4100:
4095:
4090:
4085:
4080:
4075:
4070:
4065:
4063:Eliana Menassé
4060:
4055:
4050:
4045:
4040:
4038:Arturo Mecalco
4035:
4030:
4025:
4020:
4015:
4010:
4005:
4003:JesĂșs MartĂnez
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3968:Arturo MĂĄrquez
3965:
3960:
3955:
3950:
3945:
3940:
3935:
3930:
3928:Maridel Macluf
3925:
3920:
3915:
3910:
3905:
3900:
3895:
3890:
3885:
3880:
3875:
3870:
3865:
3860:
3855:
3850:
3845:
3840:
3835:
3830:
3825:
3823:Macrina Krauss
3820:
3815:
3810:
3805:
3800:
3795:
3790:
3785:
3780:
3775:
3773:Carlos Jaurena
3770:
3765:
3760:
3758:Xavier Iñiguez
3755:
3750:
3745:
3740:
3735:
3730:
3725:
3720:
3715:
3710:
3705:
3700:
3698:Luis Gutiérrez
3695:
3690:
3685:
3680:
3675:
3670:
3665:
3660:
3655:
3650:
3645:
3640:
3635:
3630:
3625:
3620:
3615:
3610:
3605:
3600:
3595:
3590:
3585:
3580:
3575:
3570:
3565:
3560:
3555:
3550:
3545:
3540:
3538:Vicente GandĂa
3535:
3530:
3528:Mario Gallardo
3525:
3523:JesĂșs Gallardo
3520:
3515:
3510:
3505:
3500:
3495:
3490:
3485:
3480:
3475:
3470:
3465:
3460:
3455:
3453:Manuel Echauri
3450:
3448:Arturo Estrada
3445:
3443:JesĂșs Escobedo
3440:
3435:
3430:
3425:
3423:Armando Eguiza
3420:
3415:
3410:
3405:
3400:
3395:
3390:
3385:
3380:
3375:
3370:
3365:
3360:
3355:
3350:
3345:
3340:
3335:
3330:
3325:
3320:
3315:
3310:
3305:
3300:
3295:
3293:Christa Cowrie
3290:
3285:
3280:
3275:
3270:
3265:
3260:
3258:Flaviano Coral
3255:
3250:
3245:
3240:
3235:
3230:
3225:
3220:
3215:
3210:
3205:
3200:
3195:
3190:
3185:
3180:
3175:
3170:
3165:
3160:
3155:
3150:
3145:
3140:
3135:
3133:Federico CantĂș
3130:
3125:
3120:
3115:
3110:
3108:Celia CalderĂłn
3105:
3100:
3095:
3090:
3085:
3080:
3075:
3070:
3065:
3060:
3055:
3050:
3045:
3040:
3035:
3030:
3025:
3020:
3015:
3010:
3005:
3000:
2995:
2990:
2988:Santos Balmori
2985:
2980:
2975:
2970:
2965:
2960:
2958:Abelardo Ăvila
2955:
2950:
2945:
2943:Rolando Arjona
2940:
2938:Javier Arévalo
2935:
2930:
2925:
2923:Luis Y. AragĂłn
2920:
2918:Chappie Angulo
2915:
2910:
2905:
2900:
2895:
2890:
2885:
2880:
2875:
2870:
2865:
2860:
2855:
2850:
2848:Lourdes Alaniz
2845:
2840:
2835:
2830:
2825:
2819:
2817:
2813:
2812:
2806:
2804:
2803:
2796:
2789:
2781:
2772:
2771:
2769:
2768:
2763:
2758:
2753:
2748:
2743:
2738:
2733:
2728:
2723:
2718:
2713:
2708:
2703:
2698:
2693:
2688:
2683:
2678:
2673:
2668:
2663:
2661:Federico CantĂș
2658:
2653:
2648:
2643:
2638:
2632:
2630:
2626:
2625:
2623:
2622:
2617:
2611:
2609:
2605:
2604:
2602:
2601:
2593:
2585:
2577:
2569:
2561:
2553:
2545:
2537:
2529:
2521:
2513:
2504:
2502:
2498:
2497:
2492:
2490:
2489:
2482:
2475:
2467:
2461:
2460:
2447:
2442:
2437:
2430:
2424:
2419:
2414:
2409:
2402:
2401:External links
2399:
2398:
2397:
2390:
2383:
2376:
2370:
2363:
2357:
2350:
2343:
2336:
2325:
2316:
2313:
2312:
2311:
2305:
2289:
2266:
2253:
2251:on 2014-04-07.
2229:
2214:
2200:
2197:
2194:
2193:
2169:
2140:
2127:
2097:
2068:
2043:
2018:
2005:
1996:
1972:
1954:
1945:
1911:
1889:
1876:
1874:, 1995. p. 146
1860:
1833:
1798:
1777:
1765:
1762:. p. 130.
1746:
1731:
1728:on 2011-02-06.
1704:
1692:
1688:The Getty Iris
1676:
1661:
1654:
1628:
1615:
1608:
1582:
1575:
1555:
1540:
1527:
1512:
1500:
1478:
1453:
1441:
1423:
1403:
1399:Conaculta 2011
1391:
1371:
1337:
1291:
1266:
1255:
1230:
1229:
1227:
1224:
1223:
1222:
1216:
1210:
1204:
1193:
1185:
1178:(oil painting)
1172:
1163:
1155:
1152:
1151:
1150:
1145:
1140:
1135:
1130:
1123:
1120:
1119:
1118:
1108:
1098:
1088:
1078:
1068:
1067:, Tokyo, 1972.
1058:
1048:
1038:
1032:
1024:
1021:
1020:
1019:
1013:Escultura Don
1012:
1005:
1003:
997:
990:
988:
978:
971:
967:
964:
926:in Mexico City
915:
912:
903:
900:
883:
880:
728:(center), and
701:
698:
626:
623:
520:
517:
491:Street Meeting
467:Street Meeting
423:Ălvaro ObregĂłn
403:Vida Americana
397:
394:
297:
294:
198:social realist
185:
184:
178:
174:
173:
171:Social Realism
164:
160:
159:
149:
143:
142:
133:
132:Known for
129:
128:
125:
121:
120:
110:
108:(aged 77)
102:
98:
97:
91:
78:
76:
72:
71:
68:
60:
59:
56:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
6354:
6343:
6340:
6338:
6335:
6333:
6330:
6328:
6325:
6323:
6320:
6318:
6315:
6313:
6310:
6308:
6305:
6303:
6300:
6298:
6295:
6293:
6290:
6288:
6285:
6283:
6280:
6278:
6275:
6273:
6270:
6268:
6265:
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6260:
6258:
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6238:
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6233:
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6223:
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6215:
6213:
6210:
6209:
6207:
6192:
6184:
6182:
6180:
6177:
6174:
6171:
6170:
6167:
6161:
6158:
6156:
6153:
6151:
6148:
6147:
6145:
6141:
6135:
6132:
6130:
6127:
6126:
6124:
6120:
6111:
6108:
6103:
6100:
6096:
6091:
6090:Tamaki Uemura
6088:
6083:
6080:
6077:(businessman)
6075:
6072:
6069:(theosophist)
6067:
6064:
6059:
6056:
6051:
6050:Satish Gujral
6048:
6043:
6040:
6035:
6032:
6027:
6024:
6019:
6016:
6011:
6008:
6003:
6000:
5995:
5992:
5987:
5984:
5979:
5976:
5971:
5970:Henri Laugier
5968:
5963:
5960:
5955:
5952:
5947:
5944:
5939:
5936:
5931:
5928:
5923:
5920:
5915:
5912:
5911:
5909:
5907:Varied Fields
5905:
5899:
5896:
5895:
5893:
5891:
5887:
5881:
5878:
5873:
5870:
5869:
5867:
5865:
5864:Humanitarians
5861:
5855:
5852:
5851:
5849:
5847:
5843:
5837:
5834:
5832:
5829:
5827:
5824:
5822:
5819:
5817:
5814:
5812:
5809:
5807:
5804:
5802:
5801:Edward Condon
5799:
5797:
5794:
5793:
5791:
5789:
5785:
5772:
5771:Linus Pauling
5769:
5768:
5766:
5762:
5756:
5753:
5751:
5750:John Boyd Orr
5748:
5747:
5745:
5741:
5735:
5732:
5730:
5727:
5726:
5724:
5720:
5714:
5711:
5709:
5706:
5704:
5701:
5699:
5696:
5695:
5693:
5689:
5683:
5680:
5675:
5672:
5671:
5669:
5665:
5659:
5656:
5654:
5653:Hideki Yukawa
5651:
5649:
5646:
5644:
5641:
5640:
5638:
5634:
5631:
5629:
5625:
5619:
5618:Michael Scott
5616:
5614:
5611:
5609:
5606:
5604:
5601:
5599:
5596:
5594:
5591:
5590:
5588:
5586:
5582:
5572:
5567:
5562:
5560:
5555:
5550:
5548:
5543:
5538:
5536:
5531:
5526:
5524:
5519:
5514:
5512:
5507:
5502:
5500:
5495:
5490:
5488:
5483:
5478:
5476:
5471:
5466:
5464:
5459:
5454:
5452:
5447:
5442:
5440:
5439:IchirĆ Kiyose
5435:
5430:
5428:
5427:Henry Usborne
5423:
5418:
5416:
5411:
5406:
5404:
5399:
5394:
5392:
5387:
5382:
5380:
5375:
5370:
5368:
5363:
5358:
5356:
5351:
5346:
5344:
5339:
5334:
5332:
5327:
5322:
5321:
5319:
5315:
5309:
5299:
5298:
5296:
5294:International
5292:
5289:
5287:
5283:
5273:
5268:
5263:
5261:
5260:Setsuo Yamada
5256:
5251:
5249:
5244:
5239:
5238:
5236:
5234:
5230:
5224:
5219:
5214:
5212:
5211:Culbert Olson
5207:
5202:
5201:
5199:
5197:
5193:
5187:
5182:
5177:
5175:
5174:Milton Margai
5170:
5165:
5163:
5158:
5153:
5152:
5150:
5148:
5144:
5138:
5136:
5131:
5126:
5125:
5123:
5119:
5113:
5108:
5103:
5101:
5096:
5091:
5089:
5084:
5079:
5077:
5072:
5067:
5065:
5060:
5055:
5053:
5048:
5043:
5041:
5036:
5031:
5030:
5028:
5026:
5022:
5019:
5017:
5013:
5007:
4996:
4994:
4983:
4981:
4970:
4968:
4957:
4955:
4944:
4943:
4941:
4939:
4935:
4929:
4928:Georgia Lloyd
4926:
4924:
4921:
4919:
4916:
4914:
4911:
4909:
4906:
4905:
4902:
4901:
4897:
4896:
4891:
4890:
4887:
4882:
4879:
4872:
4867:
4865:
4860:
4858:
4853:
4852:
4849:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4804:
4802:
4799:
4797:
4796:Alfredo Zalce
4794:
4792:
4789:
4787:
4784:
4782:
4781:HĂ©ctor Xavier
4779:
4777:
4776:Barry Wolfrid
4774:
4772:
4769:
4767:
4764:
4762:
4759:
4757:
4754:
4752:
4749:
4747:
4744:
4742:
4739:
4737:
4734:
4732:
4729:
4727:
4724:
4722:
4719:
4717:
4714:
4712:
4709:
4707:
4704:
4702:
4699:
4697:
4696:Paulina Trejo
4694:
4692:
4689:
4687:
4684:
4682:
4679:
4677:
4674:
4672:
4669:
4667:
4666:Elena Tolmacs
4664:
4662:
4659:
4657:
4656:Silvia Tinoco
4654:
4652:
4649:
4647:
4644:
4642:
4641:Rufino Tamayo
4639:
4637:
4634:
4632:
4631:Valetta Swann
4629:
4627:
4624:
4622:
4619:
4617:
4614:
4612:
4611:Elena Somonte
4609:
4607:
4604:
4602:
4599:
4597:
4594:
4592:Adriano Silva
4591:
4589:
4586:
4584:
4581:
4579:
4576:
4574:
4571:
4569:
4566:
4564:
4561:
4559:
4556:
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4549:
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4536:
4534:
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4526:
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4521:
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4516:
4514:
4511:
4509:
4506:
4504:
4501:
4499:
4496:
4494:
4491:
4489:
4486:
4484:
4481:
4479:
4476:
4474:
4471:
4469:
4466:
4464:
4461:
4459:
4456:
4454:
4451:
4449:
4446:
4444:
4441:
4439:
4436:
4434:
4433:Walter Reuter
4431:
4429:
4426:
4424:
4421:
4419:
4416:
4414:
4413:NoemĂ RamĂrez
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4394:
4391:
4389:
4386:
4384:
4381:
4379:
4376:
4374:
4371:
4369:
4366:
4364:
4363:Antonio Pujol
4361:
4359:
4356:
4354:
4351:
4349:
4346:
4344:
4341:
4339:
4336:
4334:
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4289:
4286:
4284:
4283:Javier Oteiza
4281:
4279:
4276:
4274:
4271:
4269:
4266:
4264:
4261:
4259:
4258:Ignacio Ortiz
4256:
4254:
4251:
4249:
4246:
4244:
4243:Froylan Ojeda
4241:
4239:
4236:
4234:
4233:Juan O'Gorman
4231:
4229:
4226:
4224:
4221:
4219:
4218:Rodolfo Nieto
4216:
4214:
4211:
4209:
4206:
4204:
4201:
4199:
4196:
4194:
4191:
4189:
4186:
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4171:
4169:
4166:
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4156:
4154:
4151:
4149:
4146:
4144:
4141:
4139:
4136:
4134:
4131:
4129:
4128:José Monjaraz
4126:
4124:
4121:
4119:
4116:
4114:
4111:
4109:
4106:
4104:
4103:Adolfo Mexiac
4101:
4099:
4096:
4094:
4093:Rafael Merino
4091:
4089:
4086:
4084:
4083:Carlos MĂ©rida
4081:
4079:
4076:
4074:
4071:
4069:
4066:
4064:
4061:
4059:
4056:
4054:
4051:
4049:
4046:
4044:
4043:Ramiro Medina
4041:
4039:
4036:
4034:
4033:Jody Mc.Grath
4031:
4029:
4026:
4024:
4021:
4019:
4016:
4014:
4011:
4009:
4006:
4004:
4001:
3999:
3996:
3994:
3991:
3989:
3986:
3984:
3981:
3979:
3976:
3974:
3971:
3969:
3966:
3964:
3961:
3959:
3956:
3954:
3951:
3949:
3948:Tosia Malamud
3946:
3944:
3941:
3939:
3936:
3934:
3933:Elsa Madrigal
3931:
3929:
3926:
3924:
3923:Leonel Maciel
3921:
3919:
3916:
3914:
3911:
3909:
3906:
3904:
3901:
3899:
3896:
3894:
3891:
3889:
3886:
3884:
3881:
3879:
3878:Fernando Leal
3876:
3874:
3871:
3869:
3866:
3864:
3861:
3859:
3856:
3854:
3851:
3849:
3846:
3844:
3841:
3839:
3836:
3834:
3833:MarĂa Lagunes
3831:
3829:
3826:
3824:
3821:
3819:
3816:
3814:
3811:
3809:
3806:
3804:
3803:Carlos Jurado
3801:
3799:
3796:
3794:
3791:
3789:
3786:
3784:
3783:Sarah Jiménez
3781:
3779:
3776:
3774:
3771:
3769:
3766:
3764:
3761:
3759:
3756:
3754:
3751:
3749:
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3736:
3734:
3731:
3729:
3726:
3724:
3721:
3719:
3716:
3714:
3711:
3709:
3708:Olivia GuzmĂĄn
3706:
3704:
3701:
3699:
3696:
3694:
3693:Ăngela GurrĂa
3691:
3689:
3686:
3684:
3681:
3679:
3676:
3674:
3671:
3669:
3666:
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3641:
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3556:
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3534:
3531:
3529:
3526:
3524:
3521:
3519:
3516:
3514:
3511:
3509:
3506:
3504:
3503:Mario Fuentes
3501:
3499:
3496:
3494:
3491:
3489:
3486:
3484:
3481:
3479:
3476:
3474:
3471:
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3459:
3456:
3454:
3451:
3449:
3446:
3444:
3441:
3439:
3436:
3434:
3431:
3429:
3426:
3424:
3421:
3419:
3416:
3414:
3411:
3409:
3408:Roberto Donis
3406:
3404:
3401:
3399:
3396:
3394:
3391:
3389:
3386:
3384:
3381:
3379:
3376:
3374:
3371:
3369:
3366:
3364:
3361:
3359:
3356:
3354:
3351:
3349:
3346:
3344:
3341:
3339:
3336:
3334:
3331:
3329:
3326:
3324:
3321:
3319:
3316:
3314:
3313:Dolores Cueto
3311:
3309:
3306:
3304:
3301:
3299:
3296:
3294:
3291:
3289:
3288:Hugo Covantes
3286:
3284:
3281:
3279:
3276:
3274:
3271:
3269:
3268:Ălvaro CortĂ©s
3266:
3264:
3263:Pedro Coronel
3261:
3259:
3256:
3254:
3253:Vladimir Cora
3251:
3249:
3246:
3244:
3241:
3239:
3236:
3234:
3231:
3229:
3226:
3224:
3221:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3188:Rosa Castillo
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3169:
3168:Jorja Carreño
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3138:Gerardo CantĂș
3136:
3134:
3131:
3129:
3126:
3124:
3121:
3119:
3118:Susana Campos
3116:
3114:
3111:
3109:
3106:
3104:
3101:
3099:
3098:Geles Cabrera
3096:
3094:
3091:
3089:
3086:
3084:
3081:
3079:
3076:
3074:
3073:Ăngel Boliver
3071:
3069:
3066:
3064:
3061:
3059:
3058:Helen Bickham
3056:
3054:
3051:
3049:
3046:
3044:
3041:
3039:
3038:FĂ©lix BeltrĂĄn
3036:
3034:
3031:
3029:
3026:
3024:
3023:Valerio Bello
3021:
3019:
3018:Arnold Belkin
3016:
3014:
3011:
3009:
3006:
3004:
3001:
2999:
2996:
2994:
2991:
2989:
2986:
2984:
2981:
2979:
2976:
2974:
2971:
2969:
2968:Alfonso Ayala
2966:
2964:
2961:
2959:
2956:
2954:
2951:
2949:
2946:
2944:
2941:
2939:
2936:
2934:
2931:
2929:
2926:
2924:
2921:
2919:
2916:
2914:
2913:Anibal Angulo
2911:
2909:
2908:RaĂșl Anguiano
2906:
2904:
2901:
2899:
2896:
2894:
2891:
2889:
2886:
2884:
2881:
2879:
2876:
2874:
2871:
2869:
2866:
2864:
2861:
2859:
2856:
2854:
2851:
2849:
2846:
2844:
2841:
2839:
2836:
2834:
2833:Aurea Aguilar
2831:
2829:
2826:
2824:
2821:
2820:
2818:
2814:
2810:
2802:
2797:
2795:
2790:
2788:
2783:
2782:
2779:
2767:
2764:
2762:
2761:Carlos MĂ©rida
2759:
2757:
2756:Arnold Belkin
2754:
2752:
2749:
2747:
2744:
2742:
2741:Alfredo Zalce
2739:
2737:
2734:
2732:
2729:
2727:
2724:
2722:
2719:
2717:
2716:RaĂșl Anguiano
2714:
2712:
2709:
2707:
2704:
2702:
2699:
2697:
2694:
2692:
2691:Juan O'Gorman
2689:
2687:
2684:
2682:
2679:
2677:
2674:
2672:
2671:Rufino Tamayo
2669:
2667:
2666:Fernando Leal
2664:
2662:
2659:
2657:
2654:
2652:
2649:
2647:
2644:
2642:
2639:
2637:
2634:
2633:
2631:
2627:
2621:
2618:
2616:
2613:
2612:
2610:
2606:
2599:
2598:
2594:
2591:
2590:
2586:
2583:
2582:
2581:Day and Night
2578:
2575:
2574:
2570:
2567:
2566:
2562:
2559:
2558:
2554:
2551:
2550:
2546:
2543:
2542:
2538:
2535:
2534:
2530:
2527:
2526:
2522:
2519:
2518:
2514:
2511:
2510:
2506:
2505:
2503:
2499:
2495:
2488:
2483:
2481:
2476:
2474:
2469:
2468:
2465:
2458:
2454:
2451:
2448:
2446:
2443:
2441:
2438:
2435:
2431:
2428:
2425:
2423:
2420:
2418:
2415:
2413:
2410:
2408:
2405:
2404:
2400:
2395:
2391:
2388:
2384:
2381:
2377:
2374:
2371:
2368:
2364:
2361:
2358:
2355:
2351:
2348:
2344:
2341:
2337:
2334:
2331:. Cambridge:
2330:
2326:
2323:
2319:
2318:
2314:
2308:
2306:0-7178-0709-6
2302:
2298:
2294:
2293:Stein, Philip
2290:
2280:on 2021-03-02
2279:
2275:
2271:
2267:
2263:
2259:
2254:
2250:
2246:
2242:
2238:
2236:
2230:
2226:
2224:
2219:
2215:
2211:
2207:
2203:
2202:
2198:
2183:
2179:
2173:
2170:
2166:
2161:
2159:
2157:
2155:
2153:
2151:
2149:
2147:
2145:
2141:
2137:
2131:
2128:
2115:
2111:
2107:
2101:
2098:
2087:on 2023-07-19
2086:
2082:
2078:
2072:
2069:
2057:
2053:
2047:
2044:
2032:
2028:
2022:
2019:
2015:
2009:
2006:
2000:
1997:
1993:
1987:
1985:
1983:
1981:
1979:
1977:
1973:
1967:
1965:
1963:
1961:
1959:
1955:
1949:
1946:
1942:
1930:
1926:
1922:
1915:
1912:
1899:
1893:
1890:
1886:
1880:
1877:
1873:
1867:
1865:
1861:
1856:
1852:
1849:(1): 129â51.
1848:
1844:
1837:
1834:
1829:
1825:
1821:
1817:
1814:(3): 237â46.
1813:
1809:
1802:
1799:
1795:
1791:
1787:
1781:
1778:
1775:, p. 63.
1774:
1769:
1766:
1761:
1757:
1750:
1747:
1743:
1742:
1735:
1732:
1727:
1723:
1722:
1717:
1711:
1709:
1705:
1701:
1696:
1693:
1689:
1686:
1680:
1677:
1673:
1670:
1665:
1662:
1657:
1651:
1647:
1642:
1641:
1632:
1629:
1625:
1619:
1616:
1611:
1605:
1601:
1596:
1595:
1586:
1583:
1578:
1572:
1568:
1567:
1559:
1556:
1551:
1544:
1541:
1538:, 1989), 203.
1537:
1531:
1528:
1524:
1519:
1517:
1513:
1510:, p. 21.
1509:
1504:
1501:
1488:
1482:
1479:
1475:
1470:
1468:
1466:
1464:
1462:
1460:
1458:
1454:
1450:
1445:
1442:
1438:
1436:
1430:
1428:
1424:
1420:
1418:
1412:
1410:
1408:
1404:
1400:
1395:
1392:
1387:
1380:
1378:
1376:
1372:
1368:
1357:
1356:
1351:
1344:
1342:
1338:
1334:
1319:
1315:
1311:
1310:Wilson Center
1304:
1298:
1296:
1292:
1281:
1277:
1270:
1267:
1264:
1259:
1256:
1245:
1244:The Art Story
1241:
1235:
1232:
1225:
1220:
1217:
1214:
1211:
1208:
1205:
1203:
1199:
1198:
1194:
1191:
1190:
1186:
1183:
1179:
1177:
1173:
1171:
1167:
1164:
1161:
1158:
1157:
1153:
1149:
1146:
1144:
1141:
1139:
1136:
1134:
1131:
1129:
1126:
1125:
1121:
1116:
1112:
1109:
1106:
1102:
1099:
1096:
1092:
1089:
1086:
1082:
1079:
1076:
1072:
1069:
1066:
1062:
1059:
1056:
1052:
1049:
1046:
1042:
1039:
1036:
1033:
1030:
1027:
1026:
1022:
1017:and Siqueiros
1016:
1015:Manuel Suarez
1009:
1004:
1001:
994:
989:
981:
975:
970:
965:
963:
961:
957:
956:New Democracy
953:
949:
948:El Coronelazo
943:
937:and Siqueiros
936:
932:
925:
920:
913:
911:
909:
901:
899:
897:
893:
889:
882:Global policy
881:
879:
876:
872:
868:
863:
858:
856:
852:
851:
846:
838:
835:Siqueiros by
833:
826:
822:
817:
813:
811:
805:
803:
800:, he painted
799:
795:
791:
783:
778:
774:
772:
768:
764:
760:
756:
752:
748:
743:
739:
731:
727:
722:
718:
716:
706:
699:
697:
693:
691:
686:
684:
680:
674:
672:
666:
664:
655:
650:
646:
644:
639:
634:
632:
624:
622:
619:
614:
612:
608:
604:
600:
595:
593:
589:
585:
576:
572:
568:
565:
561:
557:
552:
548:
540:
535:
529:
525:
518:
516:
513:
509:
504:
500:
496:
495:Olvera Street
492:
488:
484:
483:
478:
477:
472:
468:
458:
454:
451:
447:
438:
434:
432:
428:
424:
415:
411:
408:
404:
395:
393:
391:
387:
383:
378:
374:
370:
366:
362:
354:
350:
346:
341:
337:
333:
328:
323:
319:
315:
309:
307:
302:
295:
293:
291:
290:
285:
281:
277:
273:
269:
265:
261:
257:
253:
248:
246:
242:
238:
234:
230:
226:
222:
218:
213:
211:
207:
203:
199:
195:
191:
182:
179:
175:
172:
168:
165:
161:
157:
154:(1939â1940),
153:
150:
144:
141:
137:
134:
130:
126:
122:
117:
113:
103:
99:
94:
77:
73:
66:
61:
54:
49:
48:
43:
42:
37:
33:
19:
6066:Sophia Wadia
6002:Lloyd Morain
5946:Erich Kahler
5921:
5648:C. F. Powell
5608:John Collins
5523:Lewis Silkin
5403:Gerhard Jahn
5343:Akira Kazami
5272:Shinzo Hamai
4993:Sierra Leone
4918:Philip Isely
4893:
4836:Celso Zubire
4816:Gerardo Zarr
4711:Luis Valsoto
4626:Rosendo Soto
4616:Juan Soriano
4538:Froylan Ruiz
4528:JosĂ© L. RuĂz
4513:Rosa Rolanda
4463:Diego Rivera
4303:Uriel Parker
4193:Antonio Nava
4088:Oscar Merino
4028:John Mc.Ghee
4023:Rafael MazĂłn
3863:AgustĂn Lazo
3778:Abel Jiménez
3613:Andrea GĂłmez
3553:MarĂa GarcĂa
3548:Andrés Garay
3518:Byron Galvez
3483:David Flores
3433:Laura Elenes
3318:GermĂĄn Cueto
3248:Arnaldo Coen
3173:Beatriz Caso
3063:Ăngel Bracho
3043:Luis BeltrĂĄn
2973:HĂ©ctor Ayala
2898:Jorge Alzaga
2862:
2706:Jean Charlot
2640:
2636:Diego Rivera
2595:
2587:
2579:
2571:
2563:
2555:
2547:
2539:
2531:
2523:
2515:
2507:
2393:
2386:
2379:
2372:
2366:
2359:
2353:
2346:
2339:
2328:
2321:
2296:
2282:. Retrieved
2278:the original
2273:
2257:
2249:the original
2244:
2240:
2234:
2221:
2205:
2185:. Retrieved
2181:
2172:
2135:
2130:
2118:. Retrieved
2114:the original
2109:
2100:
2089:. Retrieved
2085:the original
2080:
2071:
2060:. Retrieved
2055:
2046:
2035:. Retrieved
2030:
2021:
2013:
2008:
1999:
1994:, 1987), 36.
1948:
1940:
1933:. Retrieved
1928:
1924:
1914:
1902:. Retrieved
1892:
1884:
1879:
1846:
1842:
1836:
1811:
1807:
1801:
1785:
1780:
1768:
1755:
1749:
1739:
1734:
1726:the original
1719:
1695:
1687:
1679:
1671:
1664:
1639:
1631:
1618:
1593:
1585:
1565:
1558:
1549:
1543:
1530:
1503:
1491:. Retrieved
1481:
1444:
1434:
1416:
1394:
1385:
1366:
1359:. Retrieved
1353:
1332:
1325:. Retrieved
1318:the original
1309:
1283:. Retrieved
1279:
1269:
1258:
1247:. Retrieved
1243:
1234:
1218:
1212:
1206:
1196:
1187:
1175:
1165:
1159:
1110:
1100:
1090:
1080:
1070:
1060:
1050:
1040:
1034:
1028:
979:
959:
955:
951:
947:
944:
940:
922:View of the
905:
885:
874:
870:
859:
848:
842:
820:
809:
806:
801:
793:
789:
787:
770:
766:
762:
746:
735:
730:Diego Rivera
714:
711:
694:
690:Pablo Neruda
687:
675:
668:
660:
635:
631:Leon Trotsky
628:
615:
610:
606:
602:
598:
596:
580:
574:
563:
550:
544:
527:
511:
498:
490:
486:
480:
479:(full name:
474:
466:
463:
449:
445:
443:
430:
420:
402:
399:
390:Diego Rivera
386:Paul CĂ©zanne
373:Pancho Villa
358:
345:Diego Rivera
310:
303:
299:
287:
284:Michelangelo
255:
249:
214:
202:Diego Rivera
193:
189:
188:
155:
151:
147:Notable work
106:(1974-01-06)
45:
39:
32:Spanish name
6227:1974 deaths
6222:1896 births
6082:Stuart Hall
6037:(economist)
6034:Ćuchi HyĆei
6029:(architect)
5962:Gerard Piel
5831:René Dumont
5593:Abbé Pierre
5535:N. G. Ranga
5475:John Foster
5286:Politicians
5223:Hiroo Ćhara
5040:Edgar Faure
4883:signatories
4831:JosĂ© ZĂșñiga
4766:Luis Vizuet
4686:Jorge Tovar
4661:Luis Toledo
4448:Mario Reyes
4393:Alice Rahon
4388:Fanny Rabel
4358:Pedro Preux
4313:TomĂĄs Parra
4298:Sandra Pani
4068:Olga MĂ©ndez
4048:Jaime MejĂa
3978:Mary MartĂn
3913:Amador Lugo
3908:Nacho LĂłpez
3903:Julia LĂłpez
3873:Paula Lazos
3848:Marisa Lara
3828:Pablo Kubli
3813:Frida Kahlo
3768:Tania Janco
3618:Mauro GĂłmez
3508:Dina Frumin
3478:Luis Filcer
3353:Julio Chico
3303:HĂ©ctor Cruz
3218:Vita Castro
3068:Adrian Brun
3008:SofĂa Bassi
2993:Pedro Banda
2948:Luis Arenal
2828:Luis Acosta
2576:(1946-1947)
2552:(1932-1934)
2544:(1932-1933)
2520:(1929-1935)
2512:(1929-1930)
2241:Big Colonel
2182:whitney.org
1931:(5): 139â42
1904:11 November
1808:Art Journal
1523:Calles 1975
1508:Calles 1975
1493:11 November
1133:Mexican art
827:, 1952â1956
755:Mexico City
618:Edwin Rolfe
601:(1937) and
330: [
327:Santa Anita
158:(1957â1971)
6206:Categories
6113:(pacifist)
6102:Tano JĆdai
6097:executive)
6061:(feminist)
6005:(humanist)
5957:(humanist)
5941:(educator)
5917:(inventor)
5816:Jean Orcel
5788:Scientists
5722:Literature
5248:E.C. Quaye
5025:Presidents
4954:Costa Rica
4913:Thane Read
4118:Flor Minor
3808:Jazzamoart
3658:Irma GrizĂĄ
3608:Elva Garma
3403:Olga Dondé
3283:Olga Costa
2903:Pablo Amor
2589:Still Life
2525:Prometheus
2367:New Masses
2284:2012-02-19
2235:Coronelazo
2199:References
2187:2020-03-14
2165:Stein 1994
2120:11 January
2091:2023-07-15
2062:2023-07-03
2037:2023-07-01
1935:15 January
1655:0826311342
1609:0826311342
1474:Stein 1994
1449:Stein 1994
1361:15 January
1327:15 January
1285:2023-06-01
1280:MexConnect
1249:2019-10-18
1143:La Tallera
862:Cuernavaca
636:President
541:circa 1930
450:El Machete
431:El Machete
296:Early life
280:Guanajuato
112:Cuernavaca
85:1896-12-29
6021:(teacher)
5994:Kay Boyle
5986:Kaoru Ćta
5973:(scholar)
5949:(scholar)
5933:(teacher)
5682:Otto Hahn
5667:Chemistry
5196:Governors
4938:Countries
4568:SebastiĂĄn
3868:Rina Lazo
3818:James Key
2245:Gente Sur
2223:Conaculta
1796:. p. 234.
1435:Gente Sur
1113:, at the
1103:, at the
1093:, at the
1083:, at the
1073:, at the
1063:, at the
1053:, at the
1041:Siqueiros
1029:Siqueiros
875:The March
124:Education
47:Siqueiros
6191:Category
6172:Source:
6053:(artist)
5997:(writer)
5890:Veterans
5764:Multiple
5658:Max Born
5317:National
5006:Tanzania
4967:Pakistan
2453:Archived
2295:(1994).
1355:BBC News
1200:, 1939,
1180:, 1931,
1122:See also
980:Peasants
501:depicts
306:Irapuato
276:Irapuato
163:Movement
140:Muralist
136:Painting
118:, Mexico
95:, Mexico
30:In this
6122:Related
5677:(twice)
5636:Physics
4980:Senegal
4588:Sikuame
2816:Artists
2629:Artists
2608:Museums
2600:(1960s)
2335:, 1987.
2274:Proceso
2243:].
2212:. 1975.
1417:Proceso
966:Gallery
960:The Sob
784:in 1955
749:at the
726:Dr. Atl
603:The Sob
584:May Day
407:Marxism
318:Dr. Atl
268:Camargo
245:Jalisco
116:Morelos
93:Camargo
36:surname
5233:Mayors
5003:
4990:
4977:
4964:
4951:
4198:Nefero
2592:(1954)
2584:(1954)
2568:(1940)
2560:(1934)
2536:(1932)
2528:(1930)
2501:Murals
2412:Lne.es
2303:
1828:775942
1826:
1792:
1652:
1606:
1600:210â13
1573:
1489:. MoMA
1176:Zapata
1166:Zapata
742:Tamayo
382:cubism
355:, 1920
256:Alfaro
192:(born
177:Awards
41:Alfaro
6143:Other
5743:Peace
4771:Vlady
1824:JSTOR
1321:(PDF)
1306:(PDF)
1226:Notes
1043:, at
986:1913)
914:Style
902:Death
485:, or
353:Paris
334:]
289:David
221:Spain
6095:YWCA
4881:call
3943:Maka
2301:ISBN
2122:2022
1937:2019
1906:2014
1790:ISBN
1650:ISBN
1604:ISBN
1571:ISBN
1495:2014
1437:2005
1419:2004
1363:2019
1329:2019
551:Head
375:and
262:and
212:".
204:and
183:1966
101:Died
75:Born
1851:doi
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1197:War
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