Knowledge (XXG)

David Alfaro Siqueiros

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448:(1923) in the stairwell of the Colegio Chico. The fresco features a group of pre-Conquest style workers in a funeral procession that are carrying a giant coffin, decorated with a hammer and sickle. The mural was never finished and was vandalized by students at the school who did not agree with the work's overtly political subject matter. Eventually, the entire mural was whitewashed by the new Minister of Education who succeeded Vasconcelos. The Syndicate became ever more critical of the revolutionary government, due to the State's failure to deliver on promised reforms. As a result, its members faced new threats to cut funding for their art and the newspaper. A feud within the Syndicate—regarding a choice between publishing 594:, made from 1947 to 1950, and which constitute Pollock's greatest achievement. In addition to floats, the Siqueiros Experimental Workshop produced a variety of posters and other ephemeral works for the CPUSA and other anti-fascist organizations in New York. These ephemeral works possessed the ability to reach the masses in a way different from mural painting because they were accessible to a wide audience outside of an institution or gallery. The Siqueiros Experimental Workshop only lasted for a little over a year until Siqueiros went to fight in the Spanish Civil War in April 1937, but their floats were featured in both the 1936 and 1937 May Day Parades in Manhattan's garment district. 571: 974: 429:, made a mission of educating the masses through public art, and hired scores of artists and writers to build a modern Mexican culture. Siqueiros, Rivera and Orozco worked together under Vasconcelos, who supported the muralist movement by commissioning murals for prominent buildings in Mexico City. Still, the artists working at the Preparatoria realized that many of their early works lacked the "public" nature envisioned in their ideology. In 1923 Siqueiros helped found the Syndicate of Revolutionary Mexican Painters, Sculptors and Engravers, which addressed the problem of public access to art through its paper, 414: 777: 613:, warning against the dual foes of capitalism and fascism. The original mural, painted in the stairwell of the electrical worker's union, incorporated cameras, photomontage, spray guns, airbrushes, stencils and the latest paints. It shows a giant generator using the opposition of fascist and capitalist democracies to generate imperialism and war. An armed, brave-faced revolutionary, of unnamable class or ethnicity, confronts the machine, and a blue sky on the ceiling flanked by electrical towers displays hope for the proletariat in technological and industrial advances. 410:
with "new values" that acknowledged the "modern machine" and the "contemporary aspects of daily life". The manifesto also claimed that a "constructive spirit" is essential to meaningful art, which rises above mere decoration or false, fantastical themes. Through this style, Siqueiros hoped to create a style that would bridge national and universal art. In his work, as well as his writing, Siqueiros sought a social realism that hailed the proletariat peoples of Mexico and the world, even as it attempted to avoid the widespread clichés of "Primitivism" and "Indianism".
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accessible from multiple angles. Instead of just constructing "an enlarged easel painting", he realized that the mural "must conform to the normal transit of a spectator." Eventually, Siqueiros would develop a mural technique that involved tracing figures onto a wall with an electric projector, photographing early wall sketches to improve perspective, and new paints, spray guns, and other tools to accommodate the surface of modern buildings and the outdoor conditions. He was unceremoniously deported from the United States for political activity the same year.
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authoritarianism, capitalist rule, he painted the everyday people ideally involved in this struggle. Though his pieces sometimes include landscapes or figures of Mexican history and mythology, these elements often appear as mere accessories to the story of a revolutionary hero or heroes (several works depict the revolutionary "masses", such as the mural at Chapultepec).
605:(1939), both now at the Museum of Modern Art in New York . Although he went to Spain to support the Spanish Republic against the fascist forces of Francisco Franco with his art, he volunteered and served in frontline combat as a Lieutenant Colonel in the Army of the Republic through 1938 before returning to Mexico City. After his return, in a stairwell of the 473:. It depicts a group of workers of mixed ethnicities listening to an angry labor agitator's speech during a break in the workday. The mural was washed over within a year of its unveiling – due to weather-related issues, and perhaps the Communist content of the work. Siqueiros' other significant Los Angeles mural, 713:
on a mural project, he planned a mural in a colonial building recognizing the legacy of Miguel Allende, one of Mexico's leaders of the struggle for independence. The mural was never completed, due to legal procedures against the owner of the art academy. Based on this experience, he later wrote a book titled
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His interest in the human form developed at the Academy in Mexico City. His accentuation of the angles of the body, its muscles and joints, can be seen throughout his career in his portrayal of the strong revolutionary body. In addition, many works, especially in the 1930s, prominently feature hands,
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In 1948, Siqueiros was invited to teach a course on mural painting at an art academy in San Miguel Allende. Although he was barred from the United States, most of the students were American GIs who were being paid to study under him. Practicing his idea of learning art by working with a master artist
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or losing financial support for mural projects—led to Siqueiros moving to the forefront of the organization, when Rivera left in protest over the decision to prioritize politics over art. Despite being dismissed from a post at the Department of Education in 1925, Siqueiros remained deeply involved in
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for control. His military travels around the country exposed him to Mexican culture and the raw, everyday struggles of the working and rural poor classes. After Carranza's forces had gained control, Siqueiros briefly returned to Mexico City to paint before traveling to Europe in 1919. First in Paris,
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After spending many years in Mexico and being heavily involved in radical political activities, Siqueiros went to Los Angeles, California in 1932 to continue his career as a muralist. Working in a collective unit that experimented with new painting techniques using modern devices such as airbrushes,
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Many details of Siqueiros's childhood, including birth date, birthplace, first name and where he grew up, were misstated during his life and long after his death, in some cases by himself. Often he is reported to have been born and raised in 1898 in a town in the state of Chihuahua and his personal
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As a muralist and an artist, Siqueiros believed art should be public, educational, and ideological. He painted mostly murals and other portraits of the revolution – its goals, its past, and the current oppression of the working classes. Because he was painting a story of human struggle to overcome
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had given Leon Trotsky and his wife, Natalia Sedova, political asylum after fleeing Stalinist persecution. They were able to enter the country thanks to the request that Ana Brenner made to Diego Rivera and Frida Kahlo to intervene on their behalf. Trotsky's arrival in Mexico as a political asylee
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in 1932, at the Italian Hall at Olvera Street in Los Angeles. Painting fresco on an outside wall – visible to passersby as well as intentional viewers – forced Siqueiros to reconsider his methodology as a muralist. He wanted the image – an Indian peon being crucified by American oppression – to be
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and seen the life of the working and rural poor while traveling with the Constitutional Army. In "A New Direction for the New Generation of American Painters and Sculptors", he called for a "spiritual renewal" to simultaneously bring back the virtues of classical painting while infusing this style
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are known to exist, conservators used scientific analysis and best practices to get at the artist's vision of the mural. It became accessible to the public on its 80th anniversary, October 9, 2012. The América Tropical Interpretive Center that opened nearby is dedicated to the life and legacy of
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was moved to Mexico City and expanded, he assembled a team of national and international artists to work on the panels in his workshop in Cuernavaca. This project, his last major mural, is the largest mural ever painted, an integrated structure combining architecture, in which the building was
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in 1950, and he received the second prize for all exhibitors, which recognized the international status of Mexican art. Yet by the 1950s, Siqueiros returned to accepting commissions from what he considered a "progressive" Mexican state, rather than painting for galleries or private patrons. He
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was a great admirer of Siqueiros's "ability to function" as "artist and revolutionary". His 1934 poem "Room with Revolutionists" is based on a conversation between ″New Masses″ editor, poet, and Left journalist Joseph Freeman (1897–1965) and Siqueiros; in it, Siqueiros is described as "a
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Hoping to revisit the United States and contribute to the struggle against fascism, he was denied entry and went to Cuba where he painted three murals, "Allegory of Racial Equality and Fraternity in Cuba," "New Day of the Democracies" and "Two Mountains of America, Marti and Lincoln."
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is more difficult to decipher, though it seems to fuse two visions of human progress, one international and one based in Mexican heritage. The mural's placement at a ritzy hotel and commission by its millionaire owner also seems to challenge Siqueiros' anti-capitalist ideology.
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revolutionist / a painter of great areas, editor / of fiery and terrifying words, leader / of the poor who plant, the poor who burrow / under the earth in field and mine. / His life's an always upward-delving battle in / an old torn sweater, the pockets always empty."
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in Latin America, a much more radical theme than was intended for the work. Although it received generally favorable criticism, some viewed it as Communist propaganda, which led to a partial covering in 1934 and a total whitewash in 1938. Eighty years later, the
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was shown at the 1930 exhibition "Mexican Artists and Artists of the Mexican School" at The Delphic Studios in New York City. In 1932, he led an exhibition and conference entitled "Rectifications on Mexican Muralism" at the gallery of the Spanish Casino in
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Siqueiros was located by the police in a property supposedly rented by Angelica and Luis Arenal (Siqueiros's wife and brother-in-law respectively) in the outskirts of the capital. Siqueiros fled to Guadalajara, hiding in the house of his old friend
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Yet near the end of the decade, his outspoken communist views alienated him from the government. Under pressure from the government, the National Actors' Association, which had commissioned a mural on the theater in Mexico suspended his work on
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of the National Academy of Fine Arts that protested the school's teaching methodology and urged the impeachment of the school's director. Their protests eventually led to the establishment of an "open-air academy" in
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Back in New York in 1936, he was the guest of honor at the "Contemporary Arts" exhibition at the St. Regis gallery. There he also ran a political art workshop in preparation for the 1936 General Strike for Peace and
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Although many have said that Siqueiros' artistic ventures were frequently "interrupted" by political ones, Siqueiros himself believed the two were intricately intertwined. By 1921, when he wrote his manifesto in
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He credits his first rebellious influence to his sister, who had resisted their father's religious orthodoxy. Around this time, Siqueiros was also exposed to new political ideas, mainly along the lines of
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names are reported to be "José David". Thanks to art historian Raquel Tibol, who found a birth certificate for him, we know now that he was born in Mexico City, not Camargo or the state of Chihuahua.
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Siqueiros died in Cuernavaca, Morelos, on January 6, 1974, in the company of Angélica Arenal Bastar, who had been his partner since the Spanish civil war. His remains were interred at the
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Trotsky's 14-year-old grandson was shot, yet survived. Following the attack, police found a shallow grave on the road to the Desierto de los Leones with the body of New York Communist
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in 1961. Unjustly imprisoned, Siqueiros continued to paint, and his works continued to sell. During that stay, he would make numerous sketches for the project of decorating the
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attended the workshop and helped build floats for the parade. In fact, Siquieros has been credited with teaching drip and pour techniques to Pollock that later resulted in his
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in 1952. It was a combination of mural painting, bas-relief sculpture and Italian mosaic. In 1957 he began work on 4,500-square-foot (420 m) government commission for
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Despite Siqueiros's participation in these events, he never stood trial and was given permission to leave the country to paint a mural in Chile, arranged by Chilean poet
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Before the mural's completion in 1940, however, Siqueiros was forced into hiding and later exiled for his direct involvement in an attempt to assassinate
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Siqueiros was born in 1896, the second of three children. He was baptized JosĂ© de JesĂșs Alfaro Siqueiros. His father, Cipriano Alfaro, originally from
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was executed. After spending several months on the run from Mexican authorities disguised as a peasant, Siqueiros was eventually apprehended in
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Jolly, Jennifer. "Art of the Collective: David Alfaro Siqueiros, Josep Renau, and their Collaboration at the Mexican Electricians' Syndicate."
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In the lobby of the Hospital de la Raza in Mexico City, he created a revolutionary multi-angular mural using new materials and techniques,
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labor activities, in the Syndicate as well as the Mexican Communist Party, until he was jailed and eventually exiled in the early 1930s.
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Unfinished 1940s mural painted by David Alfaro Siqueiros, in Escuela de Bellas Artes, a cultural center in San Miguel de Allende, Gto.
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Leonard Folgarait, So Far From Heaven: David Alfaro Siqueiros' The March of Humanity and Mexican Revolutionary Politics (New York:
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invited Siqueiros to Los Angeles to conduct mural workshops. It was at this time that, with a team of students, he also completed
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which could be interpreted as another heroic symbol of proletarian strength through work: his self-portrait in prison (
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painter, best known for his large public murals using the latest in equipment, materials and technique. Along with
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sprayguns and projectors, Siqueiros and his team of collaborators painted two major murals. The first, entitled
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Bruce Campbell, Mexican Murals in Times of Crisis (Tucson, Ariz.: The University of Arizona Press, 2003), 54.
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So Far from Heaven: David Alfaro Siqueiros' "The March of Humanity" and Mexican Revolutionary Politics
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At the age of eighteen, Siqueiros and several of his colleagues from the School of Fine Arts joined
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Rolfe, Edwin, Cary Nelson, and Jefferson Hendricks. Trees Became Torches: Selected Poems. Urbana:
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Tamayo, Jaime. "Siqueiros y los orĂ­genes del movimiento rojo en Jalisco: El movimiento minero."
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with his art, he volunteered and served in frontline combat as a Lieutenant Colonel in the
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Siqueiros was eventually arrested in 1960 for openly criticizing the President of Mexico,
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He was one of the signatories of the agreement to convene a convention for drafting a
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Laurance P. Hurlburt, The Mexican Muralists in the United States (Albuquerque, N.M.:
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Hurlburt, Laurance (1976). "The Siqueiros Experimental Workshop: New York, 1936".
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a month later, on June 25th, Bob's lime-covered body was found in a shallow grave
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designed as a mural, with mural painting and polychromed sculpture. Known as the
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Tibol, Raquel, David Alfaro Siqueiros, Shifra M. Goldman, and AgustĂ­n Arteaga.
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The Encyclopedia of World Problems | Union of International Associations (UIA)
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Cabrera Nuñez, Eduardo César; Valentina de Santiago Låzaro, María (2007).
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at the Jorge Negrete Theater and sued him for breach of contract in 1958.
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La polĂ©mica Siqueiros-Rivera: Planteamientos estĂ©ticos-polĂ­ticos 1934–35
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Siqueiros disguised as a farmer under the name of Macario HuĂ­zar in the
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Continuing to produce several works throughout the late 1930s – such as
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in which Trotsky's 14-year-old grandson was shot and American communist
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Siqueiros participated in the first ever Mexican contingent at the XXV
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and the use of large blocks of intense color. While there, he also met
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Harte left alive with the raiders but was found dead a few days later.
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Robert Service. Trotsky: A Biography. Belknap Press. 2009. p. 485-488
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American-born poet and eventual fellow Spanish Civil War participant
425:'s revolutionary government. The then Secretary of Public Education, 421:
In 1922, Siqueiros returned to Mexico City to work as a muralist for
381: 247:, although he would never be brought to trial and was freed shortly. 510:
performed restoration work on the mural. As no color photographs of
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Ruth Green Harris, "Art That Is Now Being Shown In the Galleries,"
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Siqueiros (third from right) along with others during a tribute to
5529: 5505: 5493: 5481: 5445: 5433: 5409: 5373: 5361: 5349: 5337: 5180: 5129: 2178:"Vida Americana: Mexican Muralists Remake American Art, 1925–1945" 1970:
Siqueiros, Biography of a Revolutionary Artist, (Book Surge, 2009)
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Siqueiros, David Alfaro. "Rivera's Counter-Revolutionary Road."
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was his biggest mural yet. (The painting is known in English as
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through 1938 before returning to Mexico City. In 1940, he led a
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Vida Americana: Mexican Muralists Remake American Art 1925–1945
1788:. Berkeley, California: University of California Press, 2004. 1037:, at the Museo Nacional de Artes PlĂĄsticas, Mexico City, 1947. 2533:
América Tropical: Oprimida y Destrozada por los Imperialismos
2272:[Funds sought for the restoration of the Polyforum]. 482:
América Tropical: Oprimida y Destrozada por los Imperialismos
1898:"The artist as activist: David Alfaro Siqueiros (1896–1974)" 1866: 1864: 1644:. Albuquerque, NM: University of New Mexico Press. pp.  1598:. Albuquerque, NM: University of New Mexico Press. pp.  1276:"The artist as activist: David Alfaro Siqueiros (1896-1974)" 804:
on panels that wrap around the lobby of the cancer center.
2429:(collection of photographs used by Siquieros for his work) 2160: 2158: 2156: 2154: 2152: 2150: 2148: 2146: 2144: 1756:
On the edge of America: California Modernist Art 1900–1950
747:
The People to the University, the University to the People
802:
The Apology for the Future Victory of Science over Cancer
2396:. Mexico City: Instituto Nacional de Bellas Artes, 1998. 767:
From the Dictatorship of Porfirio Diaz to the Revolution
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In the early morning of May 24, 1940, led an attack on
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Tropical America: Oppressed and Destroyed by Imperialism
2138:(Oklahoma City: Oklahoma City Museum of Art, 2005), 80. 1786:
Radical Art: Printmaking and the Left in 1930s New York
890:. As a result, for the first time in human history, a 633:, then in exile in Mexico City from the Soviet Union: 6129:
World Committee for a World Constitutional Convention
1841:
Jolly, Jennifer (2009). "The Art of the Collective".
1624:
Revolutionary Mural To Return To L.A. After 80 Years.
1518: 1516: 196:; December 29, 1896 – January 6, 1974) was a Mexican 2407:
Siqueiros at the Museum of Modern Art, New York City
1883:
Rolfe, Edwin, Cary Nelson, and Jefferson Hendricks.
1552:. New York: Payson & Clark Ltd. pp. 244–59. 1487:"David Alfaro Siqueiros / Collective Suicide / 1936" 1469: 1467: 1465: 1463: 1461: 1459: 1457: 871:
The March of Humanity on Earth and Toward the Cosmos
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When the mural planned for the Hotel de la Selva in
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El pueblo a la universidad, la universidad al pueblo
6142: 6121: 5906: 5888: 5862: 5844: 5786: 5763: 5742: 5721: 5690: 5666: 5635: 5626: 5583: 5316: 5293: 5284: 5231: 5194: 5145: 5120: 5023: 5014: 4936: 2815: 2628: 2607: 2500: 1887:. Urbana: University of Illinois Press, 1995. p. 85 489:), was commissioned shortly after the unveiling of 176: 162: 145: 131: 123: 100: 74: 55: 2573:Sueño de una Tarde Dominical en la Alameda Central 2342:. Mexico City: Museo Dolores Olmedo Patriño, 1996. 2270:"Buscan fondos para la restauraciĂłn del Polyforum" 1637: 1591: 1316:. 1 November 2014. pp. 175–76. Archived from 417:Mural by David Alfaro Siqueiros in Tecpan, c. 1944 343:(From left to right, top to bottom) Leon Caillou, 771:The Revolution Against the Porfirian Dictatorship 6327:World Constitutional Convention call signatories 1314:Woodrow Wilson International Center for Scholars 796:on a concave aluminum panel in the lobby of the 681:and from there he moved to the mountain town of 663:Trotsky's house in Mexico City's CoyoacĂĄn suburb 545:In the early 1930s, including his time spent in 1626:npr. October 26, 2010. Retrieved June 18, 2015. 1379: 1377: 1375: 1101:Latin American Artists of the Twentieth Century 659: 444:Soon after, Siqueiros painted his famous mural 44: and the second or maternal family name is 2136:Mexican Masters: Rivera, Orozco, and Siqueiros 1919:Ted Crawford; David Walters, eds. (May 1942). 1566:Siqueiros: Biography of a Revolutionary Artist 794:Man the Master and Not the Slave of Technology 4862: 2792: 2478: 1685:"AmĂ©rica Tropical Is Reborn on 80th Birthday" 1350:"Trotsky's grandson recalls ice pick killing" 1051:Siqueiros: Retrospective Exhibition 1911–1967 8: 2360:Portrait of a Decade: David Alfaro Siqueiros 1986: 1984: 1982: 1980: 1978: 1976: 1710: 1708: 1219:For Complete Social Security of All Mexicans 950:, 1945, Museum of Modern Art, Mexico City), 237:failed assassination attempt on Leon Trotsky 2509:History of Morelos, Conquest and Revolution 1772: 1221:, 1953–36, Hospital de La Raza, Mexico City 1035:70 Recent Works from David Alfaro Siqueiros 5632: 5290: 5020: 4869: 4855: 4847: 2799: 2785: 2777: 2485: 2471: 2463: 2206:David Alfaro Siqueiros, art and revolution 1640:The Mexican Muralists in the United States 1594:The Mexican Muralists in the United States 63: 52: 27:Mexican social realist painter (1896–1974) 4908:World Constitution Coordinating Committee 1433: 1398: 347:, David Alfaro Siqueiros, Magda Caillou, 208:, he was one of the most famous of the " 4895:Constitution for the Federation of Earth 2276:(in Spanish). 2010-12-28. Archived from 2247:(in Spanish). 2005-10-15. Archived from 2208:. Translated by Calles, Sylvia. London: 1966: 1964: 1962: 1960: 1958: 1672:The Getty Conservation Institute website 896:Constitution for the Federation of Earth 830: 825:National Autonomous University of Mexico 751:National Autonomous University of Mexico 405:, Siqueiros had already been exposed to 6247:Mexican people of the Spanish Civil War 1415: 1231: 1215:, 1947, Carillo Gil Museum, Mexico city 1209:, 1947, Carillo Gil Museum, Mexico City 1081:Siqueiros-VisiĂłn, Tecnica y Estructural 1031:, at Casino Español, Mexico City, 1932. 969: 839:at Lecumberri prison, Mexico City, 1960 625:Attempted assassination of Leon Trotsky 254:, his surname would normally have been 2299:. New York: International Publishers. 2258:Latin American Art of the 20th Century 1522: 1507: 954:(1947, Museum of Modern Art, Mexico), 790:For the Social Welfare of all Mexicans 745:constructed an outdoor mural entitled 577:("The New Democracy"), 1945, Siqueiros 2347:Siqueiros/Pollock: Pollock/Siequeiros 2164: 1683:Whalen, Timothy P. (October 9, 2012) 1473: 1448: 1182:Hirshhorn Museum and Sculpture Garden 1055:Museo Universitario de Ciencas y Arte 440:Siqueiros painting a mural circa 1925 367:fighting the government of President 7: 6277:Mexican people of Portuguese descent 2382:1, no. 1 (July–October 1984): 29–41. 1921:"The Murder of Robert Sheldon Harte" 1885:Trees Became Torches: Selected Poems 1724:. September 22, 2010. Archived from 1700:AmĂ©rica Tropical Interpretive Center 1343: 1341: 1297: 1295: 1162:, 1929, Museum of Modern Art, Mexico 6322:Recipients of the Lenin Peace Prize 6282:Mexican people of Hungarian descent 2338:GonzĂĄlez Cruz Manjarrez, Maricela. 2058:. American Foundation for the Blind 2033:. American Foundation for the Blind 1148:List of people from Morelos, Mexico 740:exhibition with Orozco, Rivera and 607:Sindicato Mexicano de Electricistas 3183:Isidro Eduardo Castellanos Paredes 2106:"Rotonda de las personas ilustres" 1669:"Conservation of AmĂ©rica Tropical" 1085:Instituto Nacional de Bellas Artes 1075:Instituto Nacional de Bellas Artes 1061:Siqueiros-ExposiciĂłn Retrospectiva 998:Tomb of David Alfaro Siqueiros in 316:. One such political theorist was 25: 6317:International Lenin School alumni 6302:20th-century Mexican male artists 6287:Mexican people of Spanish descent 2549:The Epic of American Civilization 2450:Figureworks.com/20th Century work 2324:. Mexico City: INBA/Curare, 1996. 1758:. Berkeley, Los Angeles, Oxford: 1240:"Siqueiros Paintings, Bio, Ideas" 1170:Tehran Museum of Contemporary Art 6186: 6185: 5564: 5552: 5540: 5528: 5516: 5504: 5492: 5480: 5468: 5456: 5444: 5432: 5420: 5408: 5396: 5384: 5372: 5360: 5348: 5336: 5324: 5301: 5265: 5253: 5241: 5216: 5204: 5179: 5167: 5155: 5128: 5105: 5093: 5081: 5069: 5057: 5045: 5033: 4998: 4985: 4972: 4959: 4946: 3733:VĂ­ctor Manuel HernĂĄndez Castillo 3718:Desiderio HernĂĄndez Xochitiotzin 2807:Past and present members of the 2681:Desiderio HernĂĄndez Xochitiotzin 2445:Mexico Info Profile (in Spanish) 2373:Siqueiros: El lugar de la utopĂ­a 2362:. Mexico City: MUNAL/INBA, 1997. 1386:Siqueiros. CronologĂ­a biogrĂĄfica 1071:Siqueiros: ExposciĂłn de Homenaje 1006: 991: 972: 810:The History of Theater in Mexico 6232:Works by David Alfaro Siqueiros 4878:World Constitutional Convention 2436:at the Getty Research Institute 2389:. Mexico City: ColecciĂłn, 1973. 2349:. DĂŒsseldorf: Kunsthalle, 1995. 1348:Mike Lanchin (28 August 2012). 1184:, Smithsonian, Washington, D.C. 6307:Far-left politicians in Mexico 6267:People from Camargo, Chihuahua 6237:Artists from Chihuahua (state) 2422:Siqueiros on Artcyclopedia.com 1820:10.1080/00043249.1976.10793284 1760:University of California Press 1536:University of New Mexico Press 1263:The art story, life and legacy 1115:Whitney Museum of American Art 908:Rotunda of Illustrious Persons 894:convened to draft and adopt a 763:Del porfirismo a la RevoluciĂłn 384:, intrigued particularly with 260:Picasso (Pablo Ruiz y Picasso) 215:Siqueiros was a member of the 194:JosĂ© de JesĂșs Alfaro Siqueiros 79:JosĂ© de JesĂșs Alfaro Siqueiros 1: 6342:People from Chihuahua (state) 6297:20th-century Mexican painters 5875:(Righteous Among the Nations) 4478:Antonio RodrĂ­guez de la Serna 2809:SalĂłn de la PlĂĄstica Mexicana 2434:David Alfaro Siqueiros papers 2297:Siqueiros: His Life and Works 2012:"Siqueiros" (advertisement), 1388:. Ayuntamiento de Guanajuato. 983: 380:he absorbed the influence of 264:Lorca (Federico GarcĂ­a Lorca) 6134:Provisional World Parliament 2256:Lucie-Smith, Edward (2004). 1872:University of Illinois Press 924:Polyforum Cultural Siqueiros 508:Getty Conservation Institute 34:, the first or paternal 6018:MaurĂ­cio Campos de Medeiros 5331:Ahmed Ebrahim Haroon Jaffer 5052:Francisco Orlich Bolmarcich 3143:Francisco CĂĄrdenas MartĂ­nez 2953:Gerardo Murillo ("Dr. Atl") 2322:Otras rutas hacia Siqueiros 1754:Karlstrom, Paul J. (1996). 1636:Hurlburt, Laurance (1989). 1590:Hurlburt, Laurance (1989). 611:Portrait of the Bourgeoisie 469:, was commissioned for the 152:Portrait of the Bourgeoisie 6358: 6337:20th-century Sephardi Jews 5487:Kanaiyalal Maneklal Munshi 4651:JosĂ© Guillermo TĂ©llez Brun 4508:TrĂĄnsito Rojas Santamarina 4418:Jorge GermĂĄn RamĂ­rez Nieto 4168:Francisco Moreno Capdevila 3798:Juan Carlos JuĂĄrez Arreola 3728:CuauhtĂ©moc HernĂĄndez Landa 2417:The Polyforum, Mexico City 2333:Cambridge University Press 2260:(2nd ed.). New York: 1992:Cambridge University Press 1569:. Booksurge. p. 145. 1367:Volkov was hit in the foot 1202:Philadelphia Museum of Art 892:World Constituent Assembly 29: 6332:20th-century Mexican Jews 6168: 5391:Ezequiel Padilla Peñaloza 4888: 4008:Ricardo MartĂ­nez de Hoyos 3993:Magdalena MartĂ­nez Franco 3988:Gustavo MartĂ­nez BermĂșdez 3713:JosĂ© HernĂĄndez Delgadillo 3648:Consuelo GonzĂĄlez Salazar 3473:Javier FernĂĄndez Helguera 3468:Gabriel FernĂĄndez Ledesma 2736:Vlady Kibalchich Russakov 2597:La Marcha de la Humanidad 2227:(in Spanish). 2011-01-06. 1674:Accessed 14 November 2014 1563:D. Anthony White (2009). 1213:Cain in the United States 528:La Marcha de la Humanidad 62: 6105:(teacher & pacifist) 5981:(scholar & pacifist) 5547:Pascoal Ranieri Mazzilli 4636:Eduardo Talledos SĂĄnchez 4053:Patricia MejĂ­a Contreras 3703:JesĂșs GutiĂ©rrez MartĂ­nez 3583:JosĂ© de JesĂșs GarcĂ­a Gil 3003:Osvaldo Barra Cunningham 2893:Colette Álvarez Urbajtel 2615:Museo Mural Diego Rivera 2394:Los murales de Siqueiros 1045:Galeria de Arte Mexicano 855:Hotel Casino de la Selva 515:David Alfaro Siqueiros. 5774:(Chemistry & Peace) 4563:Herlinda SĂĄnchez Laurel 4533:Antonio Ruiz El Corcito 4488:Manuel RodrĂ­guez Lozano 3983:HĂ©ctor MartĂ­nez Arteche 3738:Manuel Herrera Cartalla 3628:Jorge GonzĂĄlez Camarena 3378:Gonzalo de la Paz PĂ©rez 3323:Alejandro ChacĂłn Pineda 3213:Fernando Castro Pacheco 2823:Gilberto Aceves Navarro 2746:Manuel Rodriguez Lozano 2676:Jorge GonzĂĄlez Camarena 2541:Detroit Industry Murals 2356:31 no. 1 (2008) 129–51. 1690:The J. Paul Getty Trust 1548:Brenner, Anita (1929). 819:David Siqueiros mural: 471:Chouinard School of Art 217:Mexican Communist Party 69:Siqueiros, year unknown 6262:People from Cuernavaca 6217:Social realist artists 6013:(writer & scholar) 5922:David Alfaro Siqueiros 5872:AndrĂ© and Magda TrocmĂ© 5854:Martin Luther King Jr. 5846:Human rights activists 5806:Edris Rice-Wray Carson 5691:Physiology or Medicine 5559:Patrick Wolrige-Gordon 5355:B. Satya Narayan Reddy 5135:Jaramogi Oginga Odinga 4716:Sergio Valadez Estrada 4606:Luz Maria Solloa Junco 4548:Cecilia Sanchez Duarte 4483:Antonio RodrĂ­guez Luna 4203:Ignacio Nieves BeltrĂĄn 4013:Ángel Mateos Benavides 3973:Ofelia MĂĄrquez Huitzil 3788:Alberto JimĂ©nez Quinto 3723:Miguel HernĂĄndez UrbĂĄn 3588:Adalberto GarcĂ­a Ordaz 3498:Manuel Fuentes Estrada 3463:Alfredo FalfĂĄn Vivanco 3393:Francisco DĂ­az de LeĂłn 3148:Alfredo Cardona ChacĂłn 2873:Ernesto Álvarez CortĂ©s 2868:RamĂłn Alva de la Canal 2863:David Alfaro Siqueiros 2843:Rodolfo Aguirre Tinoco 2711:RamĂłn Alva de la Canal 2651:Alfredo Ramos MartĂ­nez 2641:David Alfaro Siqueiros 2459:at www.figureworks.com 2387:Siqueiros, vida y obra 2210:Lawrence & Wishart 1622:Del Barco, Mandalit. 1138:Museo Cabeza de JuĂĄrez 938: 935:Manuel SuĂĄrez y SuĂĄrez 927: 840: 828: 785: 733: 715:Como se pinta un mural 709: 667: 657: 578: 542: 530: 461: 441: 418: 396:Early art and politics 356: 252:Spanish naming customs 227:against the forces of 219:. Although he went to 190:David Alfaro Siqueiros 167:Mexican Mural Movement 57:David Alfaro Siqueiros 6312:Mexican male painters 6292:Mexican Sephardi Jews 5708:Hermann Joseph Muller 5703:Dickinson W. Richards 5511:Komla Agbeli Gbedemah 5088:LĂ©opold SĂ©dar Senghor 4596:Adriano Silva Pantoja 4518:Mario Romero GonzĂĄlez 4438:Maria Antonieta Reyes 4278:Luis Ortiz Monasterio 3998:Pedro MartĂ­nez Osorio 3918:Catherine Mac Deville 3898:Armando LĂłpez Becerra 3883:Miguel Ledezma Campos 3678:JesĂșs Guerrero GalvĂĄn 3623:Esther GonzĂĄlez GĂłmez 3573:Carlos GarcĂ­a Estrada 3348:Maria Eugenia Chellet 3333:Carlos Antonio ChĂĄvez 3158:Julio Carrasco BretĂłn 3123:Alfonso Campos Quiroz 2963:Oscar Ávila Soberanes 2928:Gustavo Arias Murueta 2751:Jorge Figueroa Acosta 2620:San Ildefonso College 2557:Man at the Crossroads 2517:The History of Mexico 1855:10.1093/oxartj/kcn006 1065:Tokyo National Museum 933: 921: 834: 818: 798:Polytechnic Institute 779: 723: 707: 651: 573: 536: 526: 459: 439: 416: 351:, Graciela Amador in 342: 322:Academy of San Carlos 156:The March of Humanity 5914:Arthur Ernest Bishop 5698:Albert Szent-Györgyi 5064:JosĂ© Figueres Ferrer 4573:Alfredo Serrano Lara 4558:Sergio SĂĄnchez Ramos 4523:JosĂ© Luis Rueda Leal 4498:JosĂ© Julio RodrĂ­guez 4468:Elvia Rivero Chavero 4443:JesĂșs Reyes Ferreira 4398:Abel RamĂ­rez Águilar 4343:Luz MarĂ­a PizĂĄ NĂșñez 4268:Carlos Orozco Romero 4148:Vicente JesĂșs Montes 4058:Deyanira África Melo 3838:Carlos Lamothe Silva 3743:Elena Huerta Muzquiz 3603:Mauricio GarcĂ­a Vega 3563:Arturo GarcĂ­a Campos 3558:Arturo GarcĂ­a Bustos 3413:Francisco Dosamantes 3358:Chungtar Chong LĂłpez 3273:Erasto CortĂ©s JuĂĄrez 3208:Antonio Castro LĂłpez 3113:Gloria Calero Sierra 2888:Manuel Álvarez Bravo 2858:Rosa MarĂ­a Alfonseca 2646:JosĂ© Clemente Orozco 2440:Ten Dreams Galleries 2432:Finding Aid for the 2427:Siqueiros Image Bank 2110:rotonda.segob.gob.mx 2056:Helen Keller Archive 2031:Helen Keller Archive 1925:Fourth International 1207:JosĂ© Clemente Orozco 1168:(lithograph), 1930, 1154:Selected other works 1105:Museum of Modern Art 1095:Dallas Museum of Art 1087:, Mexico City, 1984. 1077:, Mexico City, 1975. 1057:, Mexico City, 1967. 1047:, Mexico City, 1953. 700:Later life and works 671:Robert Sheldon Harte 656:sierra, October 1940 503:American imperialism 241:Robert Sheldon Harte 233:Army of the Republic 206:JosĂ© Clemente Orozco 6272:People from Morelos 6085:(cultural theorist) 5734:Salvatore Quasimodo 5598:Dana McLean Greeley 5308:Cornelis Berkhouwer 5112:Otilio Ulate Blanco 5016:Head of governments 4726:Nancy van Overveldt 4691:Guillermo Toussaint 4543:Juan Manuel Salazar 4423:Mario RendĂłn Lozano 4378:Francisco Quintanar 4273:Mario Orozco Rivera 3633:Melquiades GonzĂĄlez 3598:Antonio GarcĂ­a Vega 3593:Luis GarcĂ­a Robledo 3428:Evangelina Elizondo 3398:MarĂ­a Elena Delgado 3388:Antonio DĂ­az CortĂ©s 3343:Tomas ChĂĄvez Morado 3298:JosĂ© VĂ­ctor Crowley 3233:Guillermo Ceniceros 3203:Guillermo CastrejĂłn 3088:Alejandro Caballero 3083:Bruno Pablo Bresani 2878:JesĂșs Álvarez Amaya 2327:Debroise, Olivier. 2320:Debroise, Olivier. 2262:Thames & Hudson 2134:Carolyn Hill, ed., 1744:, December 7, 1930. 1550:Idols Behind Altars 1274:Tony (2020-06-17). 1192:, 1932, Los Angeles 867:Polyforum Siqueiros 845:Adolfo LĂłpez Mateos 679:JosĂ© Guadalupe Zuno 643:Spanish Republicans 575:La nueva democracia 539:Julio Antonio Mella 365:Constitutional Army 361:Venustiano Carranza 314:anarcho-syndicalism 250:By accordance with 6242:Mexican communists 6150:World constitution 5978:Hugh J. Schonfield 5938:Edward J. Sparling 5463:IrĂšne de Lipkowski 5451:Inder Kumar Gujral 5100:Muhammad Ayub Khan 4791:MoisĂ©s Zabludovsky 4761:Alfonso Villanueva 4746:Reynaldo VelĂĄzquez 4671:Maria Teresa Toral 4601:Waldemar Sjölander 4473:Gilberto RodrĂ­guez 4188:Eduardo Nasta Luna 4133:Roberto Montenegro 3958:Maria Luisa Martin 3938:Francisco MagallĂĄn 3893:Rosa Lie Johansson 3843:Carmen Lang Merino 3663:Alfredo Guati Rojo 3638:Silvia H. GonzĂĄlez 3578:JosĂ© GarcĂ­a Narezo 3568:HĂ©ctor GarcĂ­a Cobo 3533:JosĂ© Gama GonzĂĄlez 3458:Enrique EcheverrĂ­a 3418:Guillermina DulchĂ© 3373:Alberto de la Vega 3338:JosĂ© ChĂĄvez Morado 3308:Marco Antonio Cruz 3163:Leonora Carrington 3078:Enrique Bostelmann 2883:Lola Álvarez Bravo 2701:JosĂ© ChĂĄvez Morado 2656:Roberto Montenegro 2565:Pan American Unity 2455:2020-07-29 at the 2354:Oxford Art Journal 2167:, pp. 380–81. 2116:on 3 December 2011 2014:The New York Times 1843:Oxford Art Journal 1741:The New York Times 1323:on 15 January 2019 1160:Proletarian Mother 1000:PanteĂłn de Dolores 939: 928: 888:world constitution 850:The New York Times 841: 837:HĂ©ctor GarcĂ­a Cobo 829: 792:. After painting 786: 759:Chapultepec Castle 734: 724:Siqueiros (left), 710: 658: 592:all-over paintings 586:parade. The young 579: 543: 531: 462: 446:Burial of a Worker 442: 419: 357: 127:San Carlos Academy 6257:Anti-revisionists 6252:Mexican assassins 6212:Mexican muralists 6199: 6198: 6114: 6106: 6098: 6086: 6078: 6070: 6062: 6054: 6046: 6038: 6030: 6022: 6014: 6006: 5998: 5990: 5982: 5974: 5966: 5958: 5950: 5942: 5934: 5926: 5918: 5876: 5826:Priyadaranjan Ray 5782: 5781: 5775: 5713:Macfarlane Burnet 5678: 5585:Religious leaders 5579: 5578: 5571:William Beveridge 5379:Diwan Chaman Lall 5280: 5279: 4844: 4843: 4786:Mariana Yampolsky 4621:Hermenegildo Sosa 4493:Ignacio RodrĂ­guez 4368:Alejandro Quijano 4318:HĂ©ctor PĂ©rez Cruz 3643:Gregorio GonzĂĄlez 3368:Myriam de la Riva 3223:Elizabeth Catlett 3198:Carmen Castilleja 3193:Fidencio Castillo 3153:AngĂ©lica Carrasco 3053:Ignacio M. Beteta 2853:Ernesto AlcĂĄntara 2774: 2773: 2721:Amado de la Cueva 2380:Estudios sociales 2016:, August 9, 1961. 1794:978-0-520-23155-9 1721:Los Angeles Times 1576:978-1-4392-1172-4 1451:, pp. 14–16. 1117:, New York, 2020. 1107:, New York, 1993. 1023:Major exhibitions 952:Our Present Image 560:Nelbert Chouinard 547:Lecumberri Prison 369:Victoriano Huerta 210:Mexican muralists 187: 186: 181:Lenin Peace Prize 89:December 29, 1896 16:(Redirected from 6349: 6189: 6188: 6160:World federalism 6155:World government 6112: 6104: 6092: 6084: 6076: 6068: 6060: 6058:Shigeri Yamataka 6052: 6044: 6042:Rameshwari Nehru 6036: 6028: 6020: 6012: 6004: 5996: 5988: 5980: 5972: 5965:(science editor) 5964: 5956: 5954:Gregorio Bermann 5948: 5940: 5932: 5930:E. M. L. Odjidja 5925:(Social realist) 5924: 5916: 5874: 5796:Charles C. 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Hester 5894: 5892: 5886: 5885: 5883: 5882: 5880:Brock Chisholm 5877: 5868: 5866: 5860: 5859: 5857: 5856: 5850: 5848: 5842: 5841: 5839: 5838: 5833: 5828: 5823: 5818: 5813: 5811:Harlow Shapley 5808: 5803: 5798: 5792: 5790: 5784: 5783: 5780: 5779: 5777: 5776: 5767: 5765: 5761: 5760: 5758: 5757: 5755:Joseph Rotblat 5752: 5746: 5744: 5740: 5739: 5737: 5736: 5731: 5725: 5723: 5719: 5718: 5716: 5715: 5710: 5705: 5700: 5694: 5692: 5688: 5687: 5685: 5684: 5679: 5670: 5668: 5664: 5663: 5661: 5660: 5655: 5650: 5645: 5643:Alfred Kastler 5639: 5637: 5630: 5624: 5623: 5621: 5620: 5615: 5610: 5605: 5603:George MacLeod 5600: 5595: 5589: 5587: 5581: 5580: 5577: 5576: 5574: 5573: 5561: 5549: 5537: 5525: 5513: 5501: 5489: 5477: 5465: 5453: 5441: 5429: 5417: 5405: 5393: 5381: 5369: 5357: 5345: 5333: 5320: 5318: 5314: 5313: 5311: 5310: 5297: 5295: 5288: 5282: 5281: 5278: 5277: 5275: 5274: 5262: 5250: 5237: 5235: 5229: 5228: 5226: 5225: 5213: 5200: 5198: 5192: 5191: 5189: 5188: 5186:Tetsu Katayama 5176: 5164: 5162:Clement Attlee 5151: 5149: 5143: 5142: 5140: 5139: 5137: 5124: 5122: 5118: 5117: 5115: 5114: 5102: 5090: 5078: 5076:Julius Nyerere 5066: 5054: 5042: 5029: 5027: 5018: 5012: 5011: 5009: 5008: 4995: 4982: 4969: 4956: 4942: 4940: 4934: 4933: 4931: 4930: 4925: 4923:Margaret Isely 4920: 4915: 4910: 4904: 4903: 4900: 4899: 4889: 4886: 4885: 4876: 4874: 4873: 4866: 4859: 4851: 4842: 4841: 4839: 4838: 4833: 4828: 4823: 4821:Nahum B. Zenil 4818: 4813: 4811:Álvaro Zardoni 4808: 4806:Beatriz Zamora 4803: 4798: 4793: 4788: 4783: 4778: 4773: 4768: 4763: 4758: 4753: 4748: 4743: 4738: 4733: 4731:Aniceto Vargas 4728: 4723: 4721:Ángel Vallarta 4718: 4713: 4708: 4703: 4698: 4693: 4688: 4683: 4681:Gerardo Torres 4678: 4673: 4668: 4663: 4658: 4653: 4648: 4643: 4638: 4633: 4628: 4623: 4618: 4613: 4608: 4603: 4598: 4593: 4590: 4585: 4583:Naomi Siegmann 4580: 4578:Victor Scareño 4575: 4570: 4565: 4560: 4555: 4553:Carlos SĂĄnchez 4550: 4545: 4540: 4535: 4530: 4525: 4520: 4515: 4510: 4505: 4500: 4495: 4490: 4485: 4480: 4475: 4470: 4465: 4460: 4455: 4450: 4445: 4440: 4435: 4430: 4425: 4420: 4415: 4410: 4405: 4400: 4395: 4390: 4385: 4380: 4375: 4370: 4365: 4360: 4355: 4350: 4345: 4340: 4338:Ángel Pichardo 4335: 4333:Feliciano Peña 4330: 4325: 4323:Antonio PelĂĄez 4320: 4315: 4310: 4305: 4300: 4295: 4293:Javier Padilla 4290: 4285: 4280: 4275: 4270: 4265: 4260: 4255: 4253:Armando Ortega 4250: 4248:Carlos Olachea 4245: 4240: 4235: 4230: 4228:Isidoro Ocampo 4225: 4223:Luis Nishizawa 4220: 4215: 4210: 4205: 4200: 4195: 4190: 4185: 4180: 4175: 4173:NicolĂĄs Moreno 4170: 4165: 4160: 4155: 4153:Aliria Morales 4150: 4145: 4143:Francisco Mora 4140: 4135: 4130: 4125: 4123:RaĂșl Monje Poo 4120: 4115: 4113:Alfonso Michel 4110: 4108:Guillermo Meza 4105: 4100: 4095: 4090: 4085: 4080: 4075: 4070: 4065: 4063:Eliana MenassĂ© 4060: 4055: 4050: 4045: 4040: 4038:Arturo Mecalco 4035: 4030: 4025: 4020: 4015: 4010: 4005: 4003:JesĂșs MartĂ­nez 4000: 3995: 3990: 3985: 3980: 3975: 3970: 3968:Arturo MĂĄrquez 3965: 3960: 3955: 3950: 3945: 3940: 3935: 3930: 3928:Maridel Macluf 3925: 3920: 3915: 3910: 3905: 3900: 3895: 3890: 3885: 3880: 3875: 3870: 3865: 3860: 3855: 3850: 3845: 3840: 3835: 3830: 3825: 3823:Macrina Krauss 3820: 3815: 3810: 3805: 3800: 3795: 3790: 3785: 3780: 3775: 3773:Carlos Jaurena 3770: 3765: 3760: 3758:Xavier Iñiguez 3755: 3750: 3745: 3740: 3735: 3730: 3725: 3720: 3715: 3710: 3705: 3700: 3698:Luis GutiĂ©rrez 3695: 3690: 3685: 3680: 3675: 3670: 3665: 3660: 3655: 3650: 3645: 3640: 3635: 3630: 3625: 3620: 3615: 3610: 3605: 3600: 3595: 3590: 3585: 3580: 3575: 3570: 3565: 3560: 3555: 3550: 3545: 3540: 3538:Vicente GandĂ­a 3535: 3530: 3528:Mario Gallardo 3525: 3523:JesĂșs Gallardo 3520: 3515: 3510: 3505: 3500: 3495: 3490: 3485: 3480: 3475: 3470: 3465: 3460: 3455: 3453:Manuel Echauri 3450: 3448:Arturo Estrada 3445: 3443:JesĂșs Escobedo 3440: 3435: 3430: 3425: 3423:Armando Eguiza 3420: 3415: 3410: 3405: 3400: 3395: 3390: 3385: 3380: 3375: 3370: 3365: 3360: 3355: 3350: 3345: 3340: 3335: 3330: 3325: 3320: 3315: 3310: 3305: 3300: 3295: 3293:Christa Cowrie 3290: 3285: 3280: 3275: 3270: 3265: 3260: 3258:Flaviano Coral 3255: 3250: 3245: 3240: 3235: 3230: 3225: 3220: 3215: 3210: 3205: 3200: 3195: 3190: 3185: 3180: 3175: 3170: 3165: 3160: 3155: 3150: 3145: 3140: 3135: 3133:Federico CantĂș 3130: 3125: 3120: 3115: 3110: 3108:Celia CalderĂłn 3105: 3100: 3095: 3090: 3085: 3080: 3075: 3070: 3065: 3060: 3055: 3050: 3045: 3040: 3035: 3030: 3025: 3020: 3015: 3010: 3005: 3000: 2995: 2990: 2988:Santos Balmori 2985: 2980: 2975: 2970: 2965: 2960: 2958:Abelardo Ávila 2955: 2950: 2945: 2943:Rolando Arjona 2940: 2938:Javier ArĂ©valo 2935: 2930: 2925: 2923:Luis Y. 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5895: 5893: 5891: 5887: 5881: 5878: 5873: 5870: 5869: 5867: 5865: 5864:Humanitarians 5861: 5855: 5852: 5851: 5849: 5847: 5843: 5837: 5834: 5832: 5829: 5827: 5824: 5822: 5819: 5817: 5814: 5812: 5809: 5807: 5804: 5802: 5801:Edward Condon 5799: 5797: 5794: 5793: 5791: 5789: 5785: 5772: 5771:Linus Pauling 5769: 5768: 5766: 5762: 5756: 5753: 5751: 5750:John Boyd Orr 5748: 5747: 5745: 5741: 5735: 5732: 5730: 5727: 5726: 5724: 5720: 5714: 5711: 5709: 5706: 5704: 5701: 5699: 5696: 5695: 5693: 5689: 5683: 5680: 5675: 5672: 5671: 5669: 5665: 5659: 5656: 5654: 5653:Hideki Yukawa 5651: 5649: 5646: 5644: 5641: 5640: 5638: 5634: 5631: 5629: 5625: 5619: 5618:Michael Scott 5616: 5614: 5611: 5609: 5606: 5604: 5601: 5599: 5596: 5594: 5591: 5590: 5588: 5586: 5582: 5572: 5567: 5562: 5560: 5555: 5550: 5548: 5543: 5538: 5536: 5531: 5526: 5524: 5519: 5514: 5512: 5507: 5502: 5500: 5495: 5490: 5488: 5483: 5478: 5476: 5471: 5466: 5464: 5459: 5454: 5452: 5447: 5442: 5440: 5439:Ichirƍ Kiyose 5435: 5430: 5428: 5427:Henry Usborne 5423: 5418: 5416: 5411: 5406: 5404: 5399: 5394: 5392: 5387: 5382: 5380: 5375: 5370: 5368: 5363: 5358: 5356: 5351: 5346: 5344: 5339: 5334: 5332: 5327: 5322: 5321: 5319: 5315: 5309: 5299: 5298: 5296: 5294:International 5292: 5289: 5287: 5283: 5273: 5268: 5263: 5261: 5260:Setsuo Yamada 5256: 5251: 5249: 5244: 5239: 5238: 5236: 5234: 5230: 5224: 5219: 5214: 5212: 5211:Culbert Olson 5207: 5202: 5201: 5199: 5197: 5193: 5187: 5182: 5177: 5175: 5174:Milton Margai 5170: 5165: 5163: 5158: 5153: 5152: 5150: 5148: 5144: 5138: 5136: 5131: 5126: 5125: 5123: 5119: 5113: 5108: 5103: 5101: 5096: 5091: 5089: 5084: 5079: 5077: 5072: 5067: 5065: 5060: 5055: 5053: 5048: 5043: 5041: 5036: 5031: 5030: 5028: 5026: 5022: 5019: 5017: 5013: 5007: 4996: 4994: 4983: 4981: 4970: 4968: 4957: 4955: 4944: 4943: 4941: 4939: 4935: 4929: 4928:Georgia Lloyd 4926: 4924: 4921: 4919: 4916: 4914: 4911: 4909: 4906: 4905: 4902: 4901: 4897: 4896: 4891: 4890: 4887: 4882: 4879: 4872: 4867: 4865: 4860: 4858: 4853: 4852: 4849: 4837: 4834: 4832: 4829: 4827: 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4807: 4804: 4802: 4799: 4797: 4796:Alfredo Zalce 4794: 4792: 4789: 4787: 4784: 4782: 4781:HĂ©ctor Xavier 4779: 4777: 4776:Barry Wolfrid 4774: 4772: 4769: 4767: 4764: 4762: 4759: 4757: 4754: 4752: 4749: 4747: 4744: 4742: 4739: 4737: 4734: 4732: 4729: 4727: 4724: 4722: 4719: 4717: 4714: 4712: 4709: 4707: 4704: 4702: 4699: 4697: 4696:Paulina Trejo 4694: 4692: 4689: 4687: 4684: 4682: 4679: 4677: 4674: 4672: 4669: 4667: 4666:Elena Tolmacs 4664: 4662: 4659: 4657: 4656:Silvia Tinoco 4654: 4652: 4649: 4647: 4644: 4642: 4641:Rufino Tamayo 4639: 4637: 4634: 4632: 4631:Valetta Swann 4629: 4627: 4624: 4622: 4619: 4617: 4614: 4612: 4611:Elena Somonte 4609: 4607: 4604: 4602: 4599: 4597: 4594: 4592:Adriano Silva 4591: 4589: 4586: 4584: 4581: 4579: 4576: 4574: 4571: 4569: 4566: 4564: 4561: 4559: 4556: 4554: 4551: 4549: 4546: 4544: 4541: 4539: 4536: 4534: 4531: 4529: 4526: 4524: 4521: 4519: 4516: 4514: 4511: 4509: 4506: 4504: 4501: 4499: 4496: 4494: 4491: 4489: 4486: 4484: 4481: 4479: 4476: 4474: 4471: 4469: 4466: 4464: 4461: 4459: 4456: 4454: 4451: 4449: 4446: 4444: 4441: 4439: 4436: 4434: 4433:Walter Reuter 4431: 4429: 4426: 4424: 4421: 4419: 4416: 4414: 4413:NoemĂ­ RamĂ­rez 4411: 4409: 4406: 4404: 4401: 4399: 4396: 4394: 4391: 4389: 4386: 4384: 4381: 4379: 4376: 4374: 4371: 4369: 4366: 4364: 4363:Antonio Pujol 4361: 4359: 4356: 4354: 4351: 4349: 4346: 4344: 4341: 4339: 4336: 4334: 4331: 4329: 4326: 4324: 4321: 4319: 4316: 4314: 4311: 4309: 4306: 4304: 4301: 4299: 4296: 4294: 4291: 4289: 4286: 4284: 4283:Javier Oteiza 4281: 4279: 4276: 4274: 4271: 4269: 4266: 4264: 4261: 4259: 4258:Ignacio Ortiz 4256: 4254: 4251: 4249: 4246: 4244: 4243:Froylan Ojeda 4241: 4239: 4236: 4234: 4233:Juan O'Gorman 4231: 4229: 4226: 4224: 4221: 4219: 4218:Rodolfo Nieto 4216: 4214: 4211: 4209: 4206: 4204: 4201: 4199: 4196: 4194: 4191: 4189: 4186: 4184: 4181: 4179: 4176: 4174: 4171: 4169: 4166: 4164: 4161: 4159: 4156: 4154: 4151: 4149: 4146: 4144: 4141: 4139: 4136: 4134: 4131: 4129: 4128:JosĂ© Monjaraz 4126: 4124: 4121: 4119: 4116: 4114: 4111: 4109: 4106: 4104: 4103:Adolfo Mexiac 4101: 4099: 4096: 4094: 4093:Rafael Merino 4091: 4089: 4086: 4084: 4083:Carlos MĂ©rida 4081: 4079: 4076: 4074: 4071: 4069: 4066: 4064: 4061: 4059: 4056: 4054: 4051: 4049: 4046: 4044: 4043:Ramiro Medina 4041: 4039: 4036: 4034: 4033:Jody Mc.Grath 4031: 4029: 4026: 4024: 4021: 4019: 4016: 4014: 4011: 4009: 4006: 4004: 4001: 3999: 3996: 3994: 3991: 3989: 3986: 3984: 3981: 3979: 3976: 3974: 3971: 3969: 3966: 3964: 3961: 3959: 3956: 3954: 3951: 3949: 3948:Tosia Malamud 3946: 3944: 3941: 3939: 3936: 3934: 3933:Elsa Madrigal 3931: 3929: 3926: 3924: 3923:Leonel Maciel 3921: 3919: 3916: 3914: 3911: 3909: 3906: 3904: 3901: 3899: 3896: 3894: 3891: 3889: 3886: 3884: 3881: 3879: 3878:Fernando Leal 3876: 3874: 3871: 3869: 3866: 3864: 3861: 3859: 3856: 3854: 3851: 3849: 3846: 3844: 3841: 3839: 3836: 3834: 3833:MarĂ­a Lagunes 3831: 3829: 3826: 3824: 3821: 3819: 3816: 3814: 3811: 3809: 3806: 3804: 3803:Carlos Jurado 3801: 3799: 3796: 3794: 3791: 3789: 3786: 3784: 3783:Sarah JimĂ©nez 3781: 3779: 3776: 3774: 3771: 3769: 3766: 3764: 3761: 3759: 3756: 3754: 3751: 3749: 3746: 3744: 3741: 3739: 3736: 3734: 3731: 3729: 3726: 3724: 3721: 3719: 3716: 3714: 3711: 3709: 3708:Olivia GuzmĂĄn 3706: 3704: 3701: 3699: 3696: 3694: 3693:Ángela GurrĂ­a 3691: 3689: 3686: 3684: 3681: 3679: 3676: 3674: 3671: 3669: 3666: 3664: 3661: 3659: 3656: 3654: 3651: 3649: 3646: 3644: 3641: 3639: 3636: 3634: 3631: 3629: 3626: 3624: 3621: 3619: 3616: 3614: 3611: 3609: 3606: 3604: 3601: 3599: 3596: 3594: 3591: 3589: 3586: 3584: 3581: 3579: 3576: 3574: 3571: 3569: 3566: 3564: 3561: 3559: 3556: 3554: 3551: 3549: 3546: 3544: 3541: 3539: 3536: 3534: 3531: 3529: 3526: 3524: 3521: 3519: 3516: 3514: 3511: 3509: 3506: 3504: 3503:Mario Fuentes 3501: 3499: 3496: 3494: 3491: 3489: 3486: 3484: 3481: 3479: 3476: 3474: 3471: 3469: 3466: 3464: 3461: 3459: 3456: 3454: 3451: 3449: 3446: 3444: 3441: 3439: 3436: 3434: 3431: 3429: 3426: 3424: 3421: 3419: 3416: 3414: 3411: 3409: 3408:Roberto Donis 3406: 3404: 3401: 3399: 3396: 3394: 3391: 3389: 3386: 3384: 3381: 3379: 3376: 3374: 3371: 3369: 3366: 3364: 3361: 3359: 3356: 3354: 3351: 3349: 3346: 3344: 3341: 3339: 3336: 3334: 3331: 3329: 3326: 3324: 3321: 3319: 3316: 3314: 3313:Dolores Cueto 3311: 3309: 3306: 3304: 3301: 3299: 3296: 3294: 3291: 3289: 3288:Hugo Covantes 3286: 3284: 3281: 3279: 3276: 3274: 3271: 3269: 3268:Álvaro CortĂ©s 3266: 3264: 3263:Pedro Coronel 3261: 3259: 3256: 3254: 3253:Vladimir Cora 3251: 3249: 3246: 3244: 3241: 3239: 3236: 3234: 3231: 3229: 3226: 3224: 3221: 3219: 3216: 3214: 3211: 3209: 3206: 3204: 3201: 3199: 3196: 3194: 3191: 3189: 3188:Rosa Castillo 3186: 3184: 3181: 3179: 3176: 3174: 3171: 3169: 3168:Jorja Carreño 3166: 3164: 3161: 3159: 3156: 3154: 3151: 3149: 3146: 3144: 3141: 3139: 3138:Gerardo CantĂș 3136: 3134: 3131: 3129: 3126: 3124: 3121: 3119: 3118:Susana Campos 3116: 3114: 3111: 3109: 3106: 3104: 3101: 3099: 3098:Geles Cabrera 3096: 3094: 3091: 3089: 3086: 3084: 3081: 3079: 3076: 3074: 3073:Ángel Boliver 3071: 3069: 3066: 3064: 3061: 3059: 3058:Helen Bickham 3056: 3054: 3051: 3049: 3046: 3044: 3041: 3039: 3038:FĂ©lix BeltrĂĄn 3036: 3034: 3031: 3029: 3026: 3024: 3023:Valerio Bello 3021: 3019: 3018:Arnold Belkin 3016: 3014: 3011: 3009: 3006: 3004: 3001: 2999: 2996: 2994: 2991: 2989: 2986: 2984: 2981: 2979: 2976: 2974: 2971: 2969: 2968:Alfonso Ayala 2966: 2964: 2961: 2959: 2956: 2954: 2951: 2949: 2946: 2944: 2941: 2939: 2936: 2934: 2931: 2929: 2926: 2924: 2921: 2919: 2916: 2914: 2913:Anibal Angulo 2911: 2909: 2908:RaĂșl Anguiano 2906: 2904: 2901: 2899: 2896: 2894: 2891: 2889: 2886: 2884: 2881: 2879: 2876: 2874: 2871: 2869: 2866: 2864: 2861: 2859: 2856: 2854: 2851: 2849: 2846: 2844: 2841: 2839: 2836: 2834: 2833:Aurea Aguilar 2831: 2829: 2826: 2824: 2821: 2820: 2818: 2814: 2810: 2802: 2797: 2795: 2790: 2788: 2783: 2782: 2779: 2767: 2764: 2762: 2761:Carlos MĂ©rida 2759: 2757: 2756:Arnold Belkin 2754: 2752: 2749: 2747: 2744: 2742: 2741:Alfredo Zalce 2739: 2737: 2734: 2732: 2729: 2727: 2724: 2722: 2719: 2717: 2716:RaĂșl Anguiano 2714: 2712: 2709: 2707: 2704: 2702: 2699: 2697: 2694: 2692: 2691:Juan O'Gorman 2689: 2687: 2684: 2682: 2679: 2677: 2674: 2672: 2671:Rufino Tamayo 2669: 2667: 2666:Fernando Leal 2664: 2662: 2659: 2657: 2654: 2652: 2649: 2647: 2644: 2642: 2639: 2637: 2634: 2633: 2631: 2627: 2621: 2618: 2616: 2613: 2612: 2610: 2606: 2599: 2598: 2594: 2591: 2590: 2586: 2583: 2582: 2581:Day and Night 2578: 2575: 2574: 2570: 2567: 2566: 2562: 2559: 2558: 2554: 2551: 2550: 2546: 2543: 2542: 2538: 2535: 2534: 2530: 2527: 2526: 2522: 2519: 2518: 2514: 2511: 2510: 2506: 2505: 2503: 2499: 2495: 2488: 2483: 2481: 2476: 2474: 2469: 2468: 2465: 2458: 2454: 2451: 2448: 2446: 2443: 2441: 2438: 2435: 2431: 2428: 2425: 2423: 2420: 2418: 2415: 2413: 2410: 2408: 2405: 2404: 2400: 2395: 2391: 2388: 2384: 2381: 2377: 2374: 2371: 2368: 2364: 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Cambridge: 2330: 2326: 2323: 2319: 2318: 2314: 2308: 2306:0-7178-0709-6 2302: 2298: 2294: 2293:Stein, Philip 2290: 2280:on 2021-03-02 2279: 2275: 2271: 2267: 2263: 2259: 2254: 2250: 2246: 2242: 2238: 2236: 2230: 2226: 2224: 2219: 2215: 2211: 2207: 2203: 2202: 2198: 2183: 2179: 2173: 2170: 2166: 2161: 2159: 2157: 2155: 2153: 2151: 2149: 2147: 2145: 2141: 2137: 2131: 2128: 2115: 2111: 2107: 2101: 2098: 2087:on 2023-07-19 2086: 2082: 2078: 2072: 2069: 2057: 2053: 2047: 2044: 2032: 2028: 2022: 2019: 2015: 2009: 2006: 2000: 1997: 1993: 1987: 1985: 1983: 1981: 1979: 1977: 1973: 1967: 1965: 1963: 1961: 1959: 1955: 1949: 1946: 1942: 1930: 1926: 1922: 1915: 1912: 1899: 1893: 1890: 1886: 1880: 1877: 1873: 1867: 1865: 1861: 1856: 1852: 1849:(1): 129–51. 1848: 1844: 1837: 1834: 1829: 1825: 1821: 1817: 1814:(3): 237–46. 1813: 1809: 1802: 1799: 1795: 1791: 1787: 1781: 1778: 1775:, p. 63. 1774: 1769: 1766: 1761: 1757: 1750: 1747: 1743: 1742: 1735: 1732: 1727: 1723: 1722: 1717: 1711: 1709: 1705: 1701: 1696: 1693: 1689: 1686: 1680: 1677: 1673: 1670: 1665: 1662: 1657: 1651: 1647: 1642: 1641: 1632: 1629: 1625: 1619: 1616: 1611: 1605: 1601: 1596: 1595: 1586: 1583: 1578: 1572: 1568: 1567: 1559: 1556: 1551: 1544: 1541: 1538:, 1989), 203. 1537: 1531: 1528: 1524: 1519: 1517: 1513: 1510:, p. 21. 1509: 1504: 1501: 1488: 1482: 1479: 1475: 1470: 1468: 1466: 1464: 1462: 1460: 1458: 1454: 1450: 1445: 1442: 1438: 1436: 1430: 1428: 1424: 1420: 1418: 1412: 1410: 1408: 1404: 1400: 1395: 1392: 1387: 1380: 1378: 1376: 1372: 1368: 1357: 1356: 1351: 1344: 1342: 1338: 1334: 1319: 1315: 1311: 1310:Wilson Center 1304: 1298: 1296: 1292: 1281: 1277: 1270: 1267: 1264: 1259: 1256: 1245: 1244:The Art Story 1241: 1235: 1232: 1225: 1220: 1217: 1214: 1211: 1208: 1205: 1203: 1199: 1198: 1194: 1191: 1190: 1186: 1183: 1179: 1177: 1173: 1171: 1167: 1164: 1161: 1158: 1157: 1153: 1149: 1146: 1144: 1141: 1139: 1136: 1134: 1131: 1129: 1126: 1125: 1121: 1116: 1112: 1109: 1106: 1102: 1099: 1096: 1092: 1089: 1086: 1082: 1079: 1076: 1072: 1069: 1066: 1062: 1059: 1056: 1052: 1049: 1046: 1042: 1039: 1036: 1033: 1030: 1027: 1026: 1022: 1017:and Siqueiros 1016: 1015:Manuel Suarez 1009: 1004: 1001: 994: 989: 981: 975: 970: 965: 963: 961: 957: 956:New Democracy 953: 949: 948:El Coronelazo 943: 937:and Siqueiros 936: 932: 925: 920: 913: 911: 909: 901: 899: 897: 893: 889: 882:Global policy 881: 879: 876: 872: 868: 863: 858: 856: 852: 851: 846: 838: 835:Siqueiros by 833: 826: 822: 817: 813: 811: 805: 803: 800:, he painted 799: 795: 791: 783: 778: 774: 772: 768: 764: 760: 756: 752: 748: 743: 739: 731: 727: 722: 718: 716: 706: 699: 697: 693: 691: 686: 684: 680: 674: 672: 666: 664: 655: 650: 646: 644: 639: 634: 632: 624: 622: 619: 614: 612: 608: 604: 600: 595: 593: 589: 585: 576: 572: 568: 565: 561: 557: 552: 548: 540: 535: 529: 525: 518: 516: 513: 509: 504: 500: 496: 495:Olvera Street 492: 488: 484: 483: 478: 477: 472: 468: 458: 454: 451: 447: 438: 434: 432: 428: 424: 415: 411: 408: 404: 395: 393: 391: 387: 383: 378: 374: 370: 366: 362: 354: 350: 346: 341: 337: 333: 328: 323: 319: 315: 309: 307: 302: 295: 293: 291: 290: 285: 281: 277: 273: 269: 265: 261: 257: 253: 248: 246: 242: 238: 234: 230: 226: 222: 218: 213: 211: 207: 203: 199: 195: 191: 182: 179: 175: 172: 168: 165: 161: 157: 154:(1939–1940), 153: 150: 144: 141: 137: 134: 130: 126: 122: 117: 113: 103: 99: 94: 77: 73: 66: 61: 54: 49: 48: 43: 42: 37: 33: 19: 6066:Sophia Wadia 6002:Lloyd Morain 5946:Erich Kahler 5921: 5648:C. F. Powell 5608:John Collins 5523:Lewis Silkin 5403:Gerhard Jahn 5343:Akira Kazami 5272:Shinzo Hamai 4993:Sierra Leone 4918:Philip Isely 4893: 4836:Celso Zubire 4816:Gerardo Zarr 4711:Luis Valsoto 4626:Rosendo Soto 4616:Juan Soriano 4538:Froylan Ruiz 4528:JosĂ© L. RuĂ­z 4513:Rosa Rolanda 4463:Diego Rivera 4303:Uriel Parker 4193:Antonio Nava 4088:Oscar Merino 4028:John Mc.Ghee 4023:Rafael MazĂłn 3863:AgustĂ­n Lazo 3778:Abel JimĂ©nez 3613:Andrea GĂłmez 3553:MarĂ­a GarcĂ­a 3548:AndrĂ©s Garay 3518:Byron Galvez 3483:David Flores 3433:Laura Elenes 3318:GermĂĄn Cueto 3248:Arnaldo Coen 3173:Beatriz Caso 3063:Ángel Bracho 3043:Luis BeltrĂĄn 2973:HĂ©ctor Ayala 2898:Jorge Alzaga 2862: 2706:Jean Charlot 2640: 2636:Diego Rivera 2595: 2587: 2579: 2571: 2563: 2555: 2547: 2539: 2531: 2523: 2515: 2507: 2393: 2386: 2379: 2372: 2366: 2359: 2353: 2346: 2339: 2328: 2321: 2296: 2282:. Retrieved 2278:the original 2273: 2257: 2249:the original 2244: 2240: 2234: 2221: 2205: 2185:. 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Ranga 5475:John Foster 5286:Politicians 5223:Hiroo ƌhara 5040:Edgar Faure 4883:signatories 4831:JosĂ© ZĂșñiga 4766:Luis Vizuet 4686:Jorge Tovar 4661:Luis Toledo 4448:Mario Reyes 4393:Alice Rahon 4388:Fanny Rabel 4358:Pedro Preux 4313:TomĂĄs Parra 4298:Sandra Pani 4068:Olga MĂ©ndez 4048:Jaime MejĂ­a 3978:Mary MartĂ­n 3913:Amador Lugo 3908:Nacho LĂłpez 3903:Julia LĂłpez 3873:Paula Lazos 3848:Marisa Lara 3828:Pablo Kubli 3813:Frida Kahlo 3768:Tania Janco 3618:Mauro GĂłmez 3508:Dina Frumin 3478:Luis Filcer 3353:Julio Chico 3303:HĂ©ctor Cruz 3218:Vita Castro 3068:Adrian Brun 3008:SofĂ­a Bassi 2993:Pedro Banda 2948:Luis Arenal 2828:Luis Acosta 2576:(1946-1947) 2552:(1932-1934) 2544:(1932-1933) 2520:(1929-1935) 2512:(1929-1930) 2241:Big Colonel 2182:whitney.org 1931:(5): 139–42 1904:11 November 1808:Art Journal 1523:Calles 1975 1508:Calles 1975 1493:11 November 1133:Mexican art 827:, 1952–1956 755:Mexico City 618:Edwin Rolfe 601:(1937) and 330: [ 327:Santa Anita 158:(1957–1971) 6206:Categories 6113:(pacifist) 6102:Tano Jƍdai 6097:executive) 6061:(feminist) 6005:(humanist) 5957:(humanist) 5941:(educator) 5917:(inventor) 5816:Jean Orcel 5788:Scientists 5722:Literature 5248:E.C. Quaye 5025:Presidents 4954:Costa Rica 4913:Thane Read 4118:Flor Minor 3808:Jazzamoart 3658:Irma GrizĂĄ 3608:Elva Garma 3403:Olga DondĂ© 3283:Olga Costa 2903:Pablo Amor 2589:Still Life 2525:Prometheus 2367:New Masses 2284:2012-02-19 2235:Coronelazo 2199:References 2187:2020-03-14 2165:Stein 1994 2120:11 January 2091:2023-07-15 2062:2023-07-03 2037:2023-07-01 1935:15 January 1655:0826311342 1609:0826311342 1474:Stein 1994 1449:Stein 1994 1361:15 January 1327:15 January 1285:2023-06-01 1280:MexConnect 1249:2019-10-18 1143:La Tallera 862:Cuernavaca 636:President 541:circa 1930 450:El Machete 431:El Machete 296:Early life 280:Guanajuato 112:Cuernavaca 85:1896-12-29 6021:(teacher) 5994:Kay Boyle 5986:Kaoru ƌta 5973:(scholar) 5949:(scholar) 5933:(teacher) 5682:Otto Hahn 5667:Chemistry 5196:Governors 4938:Countries 4568:SebastiĂĄn 3868:Rina Lazo 3818:James Key 2245:Gente Sur 2223:Conaculta 1796:. p. 234. 1435:Gente Sur 1113:, at the 1103:, at the 1093:, at the 1083:, at the 1073:, at the 1063:, at the 1053:, at the 1041:Siqueiros 1029:Siqueiros 875:The March 124:Education 47:Siqueiros 6191:Category 6172:Source: 6053:(artist) 5997:(writer) 5890:Veterans 5764:Multiple 5658:Max Born 5317:National 5006:Tanzania 4967:Pakistan 2453:Archived 2295:(1994). 1355:BBC News 1200:, 1939, 1180:, 1931, 1122:See also 980:Peasants 501:depicts 306:Irapuato 276:Irapuato 163:Movement 140:Muralist 136:Painting 118:, Mexico 95:, Mexico 30:In this 6122:Related 5677:(twice) 5636:Physics 4980:Senegal 4588:Sikuame 2816:Artists 2629:Artists 2608:Museums 2600:(1960s) 2335:, 1987. 2274:Proceso 2243:]. 2212:. 1975. 1417:Proceso 966:Gallery 960:The Sob 784:in 1955 749:at the 726:Dr. Atl 603:The Sob 584:May Day 407:Marxism 318:Dr. Atl 268:Camargo 245:Jalisco 116:Morelos 93:Camargo 36:surname 5233:Mayors 5003:  4990:  4977:  4964:  4951:  4198:Nefero 2592:(1954) 2584:(1954) 2568:(1940) 2560:(1934) 2536:(1932) 2528:(1930) 2501:Murals 2412:Lne.es 2303:  1828:775942 1826:  1792:  1652:  1606:  1600:210–13 1573:  1489:. MoMA 1176:Zapata 1166:Zapata 742:Tamayo 382:cubism 355:, 1920 256:Alfaro 192:(born 177:Awards 41:Alfaro 6143:Other 5743:Peace 4771:Vlady 1824:JSTOR 1321:(PDF) 1306:(PDF) 1226:Notes 1043:, at 986:1913) 914:Style 902:Death 485:, or 353:Paris 334:] 289:David 221:Spain 6095:YWCA 4881:call 3943:Maka 2301:ISBN 2122:2022 1937:2019 1906:2014 1790:ISBN 1650:ISBN 1604:ISBN 1571:ISBN 1495:2014 1437:2005 1419:2004 1363:2019 1329:2019 551:Head 375:and 262:and 212:". 204:and 183:1966 101:Died 75:Born 1851:doi 1816:doi 1646:213 1197:War 773:.) 769:or 753:in 363:'s 286:'s 270:in 38:is 6208:: 6178:, 6175:, 2220:. 2180:. 2143:^ 2108:. 2079:. 2054:. 2029:. 1975:^ 1957:^ 1939:. 1927:. 1923:. 1863:^ 1847:31 1845:. 1822:. 1812:35 1810:. 1718:. 1707:^ 1648:. 1602:. 1515:^ 1456:^ 1426:^ 1406:^ 1374:^ 1365:. 1352:. 1340:^ 1331:. 1312:. 1308:. 1294:^ 1278:. 1242:. 984:c. 962:. 898:. 823:, 717:. 497:. 336:. 332:es 292:. 278:, 169:, 138:, 114:, 6093:( 4870:e 4863:t 4856:v 2800:e 2793:t 2786:v 2486:e 2479:t 2472:v 2309:. 2287:. 2264:. 2237:" 2190:. 2124:. 2094:. 2065:. 2040:. 1929:3 1908:. 1857:. 1853:: 1830:. 1818:: 1658:. 1612:. 1579:. 1525:. 1497:. 1476:. 1439:. 1421:. 1401:. 1288:. 1252:. 982:( 87:) 83:( 50:. 20:)

Index

David Siqueiros
Spanish name
surname
Alfaro
Siqueiros

Camargo
Cuernavaca
Morelos
Painting
Muralist
Mexican Mural Movement
Social Realism
Lenin Peace Prize
social realist
Diego Rivera
José Clemente Orozco
Mexican muralists
Mexican Communist Party
Spain
Spanish Republic
Francisco Franco
Army of the Republic
failed assassination attempt on Leon Trotsky
Robert Sheldon Harte
Jalisco
Spanish naming customs
Picasso (Pablo Ruiz y Picasso)
Lorca (Federico GarcĂ­a Lorca)
Camargo

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