Knowledge (XXG)

David of Sassoun

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noble, wise, dair and self-sacrificing father-king." David inherits many of his father's belongings, such as a magical horse, a bow and arrow, a lightning sword, and hunting grounds that the Armenian people no longer had access to. These inherited items are essential elements of building David's connection to his family, people, and eventually the fight that occurs between him and the leader of the Egyptians, Melik.
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Melik has been sleeping for three days while his troops have been fighting for domination of Sassoun. David orders Melik's troops to wake him up. Melik wakes up and talks to David, trying to convince him to speak before they fight. He lures David into tent, where there is a pit waiting to entrap him;
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David goes to question Ohan about the land. Ohan tells him that the animals they used to hunt there have been taken by the Egyptians. David and Ohan go visit the site and spend the night there. David sees a light, and follows it to a convent and church on Maruta's slope, called Charkhapan. Ohan tells
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embodied the sun, being the deity of fire and light. A main character in David of Sassoun derives his name from this god. Other Armenian names are inspired by Mihr, like Mihran, Mihrdat, and Mehrouzhan. His name was Lion Mher, who was David of Sassoun's father. He is described as "the epitome of the
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Ohan feels that David is in danger, and goes after him on his horse. Ohan uses his great voice to break millstone which falls into the pit, allowing David to rise from it. Upon his emergence, Melik insists on talking. David prefers to fight after having been deceived, and Melik agrees if he gets to
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Melik hears about this restoration and sets out to take Armenians as prisoners. He sends his lord Gozbadin to gather them, and Ohan surrenders. The old woman notifies David of what is occurring in Sassoun, and tells him to go drive away Melik's lords, which he does. The Egyptian warriors flee home
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Lion Mher has ruled Sassoun for 40 years, with no challenges for the land or his people. He begins to grow old, and worries there will be no heir to his kingdom. One day, an angel comes to the princess, announcing the she and her husband Lion Mher need not worry since they will have a child, whose
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David prepares to fight Melik, discovering his father's horse, cross, armor and helmet, and lightning sword from the old woman's advice. He gets these items from Ohan. David goes to provoke Melik's troops and challenge them, fighting off all of Melik's men. David spares the life of an old man in
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Since David of Sassoun is a story that was originally told orally, it would take bards in medieval times several days to recite the story and entertain their listeners, such as unoccupied shepards during the winter. The first written documentations of David of Sassoun were recorded by Portuguese
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Melik charges at David on his horse, striking him. David survives, but Melik charges at him from far away again. David survives once again, and Melik charges at him from all the way from Egypt, and fails. David emerges a final time and defeats Melik with his father's horse and lightning
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Amid and after the 16th century, Armenian literature began to delve into popular topics and themes in society other than religious (Christian), or national musings. David of Sassoun is a prime example of this deviation from the cultural norm at the time. Bards and minstrels, or
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Frustrated with David's defiance, Ohan's wife sends David to be a Shepard. After this fails, Ohan makes David a guard of Sassoun's pasture land. Upon another failed attempt at occupying David, Ohan gives David a bow and arrows and sends him to go hunt in the
142:. Srvandztiants was from the Lake Van region, and also published other ethnographic books. Many versions and offshoots of the story were spread after this original publication. Originating as a local tale, it is now a household national epic for Armenians. 212:, whom would perform though recitation or song during notable events. Every year on the first Saturday of October, David of Sassoun is performed, as well as during special life events like weddings, birthdays, christenings, and important national events. 134:, it dates from the 8th century. The epic was transmitted orally between generations around the geographical area surrounding Lake Van, particularly around Sassoun, a town that was 30 miles away from Lake Van. It was first put in written form in 1873 by 244:
Melik of Musr, the king of Egypt, is introduced. He hears about Mehr's passing, and goes to conquer Sassoun. Ohan of Great Voice's surrenders, and all of his people bow to Melik, with the exception of David (now 7 or 8 years old) who
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him that Mher used to pray there before battle, but Melik has destroyed the property. David sets out to rebuild the convent with 5,000 workers that Ohan has prepared, and monks soon return to the convent.
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The epic details a conflict between the people of Sassoun, ethnic Armenians, and Muslim Egyptians. The story is an extrapolation from real conflicts that occurred on a North-South Axis among Armenia and
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David meets an old woman in this hills who he begins to live with. She scolds him for his ignorance and tells him about his father's hunting grounds, which he will have to ask his uncle more about.
572:"Գարեգին Սրվանձտյանցը և հայկական հերոսավեպը (Գ. Սրվանձտյանցի ծննդյան 150-ամյակի առթիվ) [Garegin Srvandztiants and the Armenian Heroic Epic (on the 150th anniversary of his birth)]" 169:. David of Sassoun is the name of only one of the four acts, but due to the popularity of the character, the entire epic is known widely as David of Sassoun. The epic's full name is 279:
David spares the lives of the rest of the Egyptians on the battlefield, not wanting anymore bloodshed, but threatening danger if they attempt to take Sassoun again.
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David of Sassoun can be found in many works of Armenian literature, referenced for his character or to reflect on Armenian struggles throughout history.
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The Armenian population in historical Armenian regions in 1896. Represented in the colored areas, with exact percentages indicated by the red numbers.
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Performances of David of Sassoun still occur in the present day. With the epic told in parts, the experience lasts up to two hours.
149:, preservation of the epic was difficult, as oral narration had faded away due to the breaking up the Armenian population in the 710:. A. J. Hacikyan, Gabriel Basmajian, Edward S. Franchuk, Nourhan Ouzounian. Detroit: Wayne State University Press. 2000–2005. 415:
was erected in 1959 in Sasuntsi Davit Square (Railway Station Square). It depicts David with his magical horse and sword.
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name was David. Lion Mher summons his brother, Ohan of Great Voice, to celebrate. Mehr and his wife later pass away.
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penned a poem of the same name retelling the story of the David of Sassoun in a more modern Armenian language.
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There are various Gods and Goddesses present in Armenian culture, stemming from Urartian deities.
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Derived from Hovhannes Toumanian's iteration of David of Sassoun, translated by Thomas Samuelian.
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Sasuntsʻi Davit̕ʻ / David of Sassoun / Hovhannes Toumanyan = David Sasunskiĭ / Ovanes Tumani︠a︡n
608:; Basmajian, Gabriel; Franchuk, Edward S.; Ouzounian, Nourhan (2005). "Garegin Srvandztiants". 530: 847: 837: 810: 800: 721: 711: 664: 654: 613: 370: 146: 70: 759:"UNESCO - Performance of the Armenian epic of 'Daredevils of Sassoun' or 'David of Sassoun'" 496:"UNESCO - Performance of the Armenian epic of 'Daredevils of Sassoun' or 'David of Sassoun'" 208:, would recite the epic to their audiences and capivate them. These ashughs notably include 139: 322: 836:. Diana Der Hovanessian, Marzbed Margossian. New York: Columbia University Press. 1978. 405: 392: 158: 150: 153:, including Sassoun, which had no prevailing Armenian population. Academics living in 957: 138:. Srvandztiants published the epic in Constantinople which was a cultural center for 127: 87: 131: 610:
The Heritage of Armenian Literature: From the eighteenth century to modern times
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directed by Arman Manaryan, covering the first three cycles of
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David of Sassoun : critical studies on the Armenian epic
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and Melik hears of their failure, causing him to declare war.
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Masterpieces of the Oral and Intangible Heritage of Humanity
612:. Detroit: Wayne State University Press. pp. 372–374. 165:, a four-cycle compilation, was published under the title 553:"David of Sassoun: Critical Studies on the Armenian Epic" 551:
Kouymjian, Dickran; Der Mugrdechian, Barlow (2013).
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The 80-minute animated film took 8 years to create.
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documented the first full form of the epic in 1873.
793:Tʻumanyan, Hovhannes; Թումանյան, Հովհաննես (2013). 16:Protagonist of Armenian epic Daredevils of Sassoun 176:In 1902, the prominent Armenian poet and writer 329: 293: 378:In 2010, an animated film was produced called 557:The Press California State University, Fresno 8: 173:(meaning "The Different Ones of Sassoun"). 600: 598: 95:, who drove Arab Egyptian invaders out of 163:David of Sassoun, The Armenian Folk Epic 130:poem recounting David's exploits. As an 49:of all important aspects of the article. 457: 444:David of Sassoun's father, or Lion Mher 437: 857: 731: 674: 580:(in Armenian) (1): 3–9. 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(1990). 354:And there, beneath the moon. 272:make the first move himself. 979:Medieval history of Armenia 904:"80-minute film in 8 years" 358:And what you are descrying. 308:red fogs rising from cities 296:Blind Orion flung your name 187:included the epic in their 1000: 413:statue of David of Sassoun 298:into stars without shelter 974:Fictional Armenian people 364:Golden, harmless, hairy. 352:Blindly in the moonlight; 350:That always seem to surge 336:And the shops a-gleaming. 325:, untitled poem from 1973 302:the same height as dreams 74: 577:Patma-Banasirakan Handes 348:Of those roofs so white. 346:And the bottomless perch 334:Multi-mirrored ballrooms 342:And behold those gritty 338:See the brand-new city. 864:: CS1 maint: others ( 738:: CS1 maint: others ( 681:: CS1 maint: others ( 408: 384:Daredevils of Sassoun. 376: 360:As Daniel's adversary, 332:All the mutely beaming 328: 115: 395: 218:Garegin Srvandztiants 136:Garegin Srvandztiants 120:Daredevils of Sassoun 110: 92:Daredevils of Sassoun 400:to David of Sassoun 356:Whatever you can see 344:Cascading factories; 304:stone crosses carved 268:David falls into it. 799:. Erevan: Nahapet. 606:Hacikyan, Agop Jack 314:a desert into exile 964:Culture of Armenia 523:"David of Sassoon" 419:Armenian Mythology 409: 373:, poem "The Train" 284:Art and Literature 178:Hovhannes Tumanyan 116: 806:978-9939-803-91-3 371:Nigoghos Sarafian 362:Is the lion lying 167:Sasounts'i Davit' 147:Armenian Genocide 140:Western Armenians 126:) is an Armenian 64: 63: 991: 948: 947: 945: 943: 924: 918: 917: 915: 914: 900: 894: 893: 891: 890: 876: 870: 869: 863: 855: 828: 819: 818: 790: 773: 772: 770: 769: 755: 744: 743: 737: 729: 702: 687: 686: 680: 672: 645: 624: 623: 602: 593: 592: 590: 589: 567: 561: 560: 548: 542: 541: 539: 538: 529:. 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Index


lead section
summarize
provide an accessible overview
Armenian
national epic
Daredevils of Sassoun
Armenia

national epic
oral history
Garegin Srvandztiants
Western Armenians
Armenian Genocide
Ottoman Empire
Soviet Armenia
Manouk Abeghyan
Hovhannes Tumanyan
UNESCO
Intangible Cultural Heritage List
ashughs
gusans
Sayat-Nova
Garegin Srvandztiants
Mesopotamia
Krikor Beledian
Nigoghos Sarafian

statue
Yerevan

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