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133:. The king is almost certainly not the author of the account, who may have chosen to put it in the king's mouth to enhance its authority or interest. He was either a participant and eyewitness himself or relied on those who were. He wrote in the immediate aftermath of the conquest, since he does not mention Afonso's second great victory that year, the
156:
rhetoric placed in the mouth of Afonso is too harsh for
Portugal in the 1140s. Jonathan Wilson suggests that the surviving version is a Cistercian product from the time of the
438:
The
Conquest of Santarém and Goswin's Song of the Conquest of Alcácer do Sal: Editions and Translations of De expugnatione Scalabis and Gosuini de expugnatione Salaciae carmen
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around 1217–1225 to rework a preexisting liturgical office celebrating the conquest of Santarém. Soeiro is known to have commissioned from Goswin the
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89:('How the City of Santarém Was Captured by Alfonso, Son of Count Henry'). The text is preserved in one manuscript, now Lisbon,
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on 15 March 1147. It is the earliest and most detailed source for that event and is informed by eyewitness accounts.
21:
198:
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in 1602. The first edition of the Latin text was published in 1632. An
English translation appeared in 2021.
129:. This highly unusual form led Aires Nascimento to suggest that it was written to be performed as a type of
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122:. In the manuscript, the hymn takes up 31 lines out of 284, while the rest are devoted to the expedition.
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391:
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126:
134:
367:
Castro
Henriques, AntĂłnio (2010). "De expugnatione Scalabis ". In Graeme Dunphy (ed.).
449:
415:
Wilson, Jonathan (2019). "A Cistercian Point of View in the
Portuguese Reconquista".
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85:. It has been the common title ever since, although in the manuscript it is entitled
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in the late twelfth or mid-thirteenth century. It takes up only two pages.
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Quomodo sit capta
Sanctaren civitas a rege Alfonso comitis Henrici filio
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Quomodo sit capta
Sanctaren civitas a rege Alfonso comitis Henrici filio
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The account of the expedition is narrated in the first person by King
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115:('Let us sing to the Lord most dear brothers')—that parallels the
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75:('On the Conquest of Santarém') was given to the text by
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1147 Latin-language account of the conquest of Santarém
93:, Fundo Alcobacense 415, which was copied at the
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137:on 21 October. He may have been writing in the
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44:(in red) is the original title of the work,
148:, however, shows signs of a later stage of
440:. Crusade Texts in Translation. Routledge.
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380:"Writing History in Portugal Before 1200"
201:in 1217. It comes immediately after the
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471:Chronicles about the Crusades in Latin
370:Encyclopedia of the Medieval Chronicle
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111:is an invitation to Christian worship—
187:, having been commissioned by Bishop
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417:Journal of Medieval Monastic Studies
461:Medieval historical texts in Latin
373:. Vol. 1. Brill. p. 512.
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113:Cantemus domino fratres karissimi
194:De expugnatione Salaciae carmen
91:Biblioteca Nacional de Portugal
82:Portugaliae Monumenta Historica
436:Wilson, Jonathan, ed. (2021).
107:begins with a short hymn. Its
1:
397:10.1080/03044181.2021.1902375
79:in his 1856 edition for the
384:Journal of Medieval History
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205:in Fundo Alcobacense 415.
144:The surviving text of the
378:Furtado, Rodrigo (2021).
197:, a song celebrating the
183:may be the author of the
73:De expugnatione Scalabis
54:De expugnatione Scalabis
429:10.1484/J.JMMS.5.117961
199:siege of Alcácer do Sal
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466:Portuguese chronicles
261:Castro Henriques 2010
98:monastery of Alcobaça
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139:cathedral of Coimbra
66:conquest of Santarém
36:at the start of the
353:, pp. 135–137.
179:Wilson argues that
168:translation of the
77:Alexandre Herculano
135:conquest of Lisbon
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299:, pp. 29–30.
287:, pp. 25–29.
174:CrĂłnica de Cister
162:Bernardo de Brito
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57:is an anonymous
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164:included a
456:1147 works
450:Categories
423:: 95–142.
166:Portuguese
117:invitatory
95:Cistercian
71:The title
63:Portuguese
25:Decorated
154:crusading
150:redaction
203:Scalabis
185:Scalabis
170:Scalabis
146:Scalabis
120:Psalm 95
105:Scalabis
38:Scalabis
172:in his
109:incipit
34:antemus
27:initial
152:. The
42:rubric
40:. The
209:Notes
131:drama
59:Latin
103:The
425:doi
402:hdl
392:doi
29:of
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419:.
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388:47
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319:^
304:^
245:^
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421:8
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263:.
48:.
32:C
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