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is that the subplots developed and the caricatures represented in the story are reflective of past general
Mexican attitudes towards Chicanos. The film conveys much more about Mexican stereotypes of Chicanos than about the contemporary Chicano reality." Maciel was surprised "that despite press
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said, "It is obvious the plot has little or no relation to reality even in the most elementary sense. The exaggerated stereotypes of the main characters are highly improbable and the plot has little to do with the most basic social issues affecting the present-day
Chicano. The importance of
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described the film as one of the films made by the
Mexican film industry about the border, but that they "seem designed to appeal to the emotions of a mass audience and generally avoid serious consideration of the complexity of border problems and issues."
386:"focused solely on the Chicano struggle of the late 1960s and 1970s. Mexican cinema almost totally ignored a major social movement that took place largely in the Southwest of the United States and touched its own northern border."
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as
Fernando Torres, the character who in-story dons the Huracán Ramírez mask, neither Silva nor his character appeared either on this film or the previous Huracán Ramírez film,
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are fine", saying that the direction "doesn't try anything fancy, but work is satisfactory. The San
Antonio locations are effective. Overall, a fairly decent piece of work."
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was ultimately little addressed, with David E. Wilt in The
Mexican Film Bulletin stating that "there isn't a lot of talk about racism or discrimination." The book
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said of the film, "The 'Chicano' condition of the protagonists is little addressed. The mentioned takes of the border remain in fairground fights."
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Poco se aborda la condición "chicana" de los protagonistas. Las mentadas tomas de la frontera quedan en broncas feriales.
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coverage of the
Chicano social struggle and its leaders received, no other Mexican films" besides this film and 1974's
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Wilt ultimately stated that from a production standpoint, "the acting and production values of
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496:(in Spanish). UNAM, Dirección General de Publicaciones y Fomento Editorial. p. 164.
454:(in Spanish). UNAM, Dirección General de Publicaciones y Fomento Editorial. p. 35.
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The film is part of a series of wrestling films centered around the fictitious
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Several reviews noted that despite its title, the protagonists' condition as
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493:¡Quiero ver sangre!: Historia ilustrada del cine de luchadores
451:¡Quiero ver sangre!: Historia ilustrada del cine de luchadores
367:¡Quiero ver sangre!: Historia ilustrada del cine de luchadores
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Criollo, Raúl; Návar, José Xavier; Aviña, Rafael (2018).
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Criollo, Raúl; Návar, José Xavier; Aviña, Rafael (2018).
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328:(1952). Although originally the films featured actor
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349:reporting that some interiors were filmed at the
322:and his son Juan Rodríguez Más, that began with
528:. SCERP and IRSC publications. pp. 15–16.
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555:. University of Arizona Press. p. 65.
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198:crime drama film written and directed by
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427:(in Spanish). UNAM. pp. 124–125.
424:David Silva: un campeón de mil rostros
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677:Films directed by Joselito Rodríguez
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335:Huracán Ramírez y la monjita negra
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341:The film was shot on location in
592:Wilt, David E. (December 2006).
318:character, created by director
258:Mario Balandra as Juan Martínez
16:1974 film by Joselito Rodríguez
305:as himself on wrestling scenes
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697:Films about Mexican Americans
255:as María Martínez/Mary Martin
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707:1970s English-language films
662:1970s Spanish-language films
594:"The Mexican Film Bulletin"
216:Mexico–United States border
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717:Mexican multilingual films
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192:Blood") is a 1974 Mexican
131:5 September 1974
687:Films shot in San Antonio
522:Maciel, David R. (1990).
347:The Mexican Film Bulletin
682:Films set in San Antonio
345:, with David E. Wilt of
712:1974 multilingual films
552:Chicano popular culture
391:Chicano popular culture
616:Cite journal requires
421:Aviña, Rafael (2007).
47:Adolfo Torres Portillo
722:1970s American films
389:Charles M. Tatum in
118:Cinematográfica Roma
667:Mexican drama films
249:as Refugio Martínez
320:Joselito Rodríguez
253:Elizabeth Dupeyrón
212:Elizabeth Dupeyrón
200:Joselito Rodríguez
73:Elizabeth Dupeyrón
56:Joselito Rodríguez
44:Joselito Rodríguez
31:Joselito Rodríguez
672:Lucha libre films
637:De sangre chicana
562:978-0-8165-1983-5
503:978-607-02-4917-4
461:978-607-02-4917-4
434:978-970-32-3129-4
399:De sangre chicana
379:De Sangre Chicana
247:José Chávez Trowe
208:José Chávez Trowe
188:(in English, "Of
185:De sangre chicana
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22:De sangre chicana
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148:Running time
124:Release date
343:San Antonio
330:David Silva
195:lucha libre
89:Xavier Cruz
53:Produced by
27:Directed by
657:1974 films
651:Categories
405:References
310:Production
292:Juan Garza
241:Pepe Romay
204:Pepe Romay
152:93 minutes
135:1974-09-05
65:Pepe Romay
41:Ramón Obón
37:Written by
576:Wilt 2006
478:Wilt 2006
357:Reception
353:as well.
264:as Susana
165:Languages
95:Edited by
363:Chicanos
231:(1952).
220:luchador
105:Music by
61:Starring
384:Chicano
190:Chicano
174:English
171:Spanish
157:Country
133: (
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288:as Tom
160:Mexico
597:(PDF)
642:IMDb
622:help
603:(8).
557:ISBN
530:ISBN
498:ISBN
456:ISBN
429:ISBN
235:Cast
210:and
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