962:, "Il n'y a rien dans ce monde qui n'ait un moment decisif" ("There is nothing in this world that does not have a decisive moment"). Cartier-Bresson applied this to his photographic style. He said: "Photographier: c'est dans un mĂȘme instant et en une fraction de seconde reconnaĂźtre un fait et l'organisation rigoureuse de formes perçues visuellement qui expriment et signifient ce fait" ("To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression.").
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482:...approached the street: with a voracious appetite for the usual and unusual...The Surrealists recognized in plain photographic fact an essential quality that had been excluded from prior theories of photographic realism. They saw that ordinary photographs, especially when uprooted from their practical functions, contain a wealth of unintended, unpredictable meanings.
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master it in order to communicate what you see... The camera for us is a tool, not a pretty mechanical toy. In the precise functioning of the mechanical object perhaps there is an unconscious compensation for the anxieties and uncertainties of daily endeavor. In any case, people think far too much about techniques and not enough about seeing.
1255:. Although he took many famous portraits, his face was little known to the world at large. This, presumably, helped allow him to work on the street undisturbed. He denied that the term "art" applied to his photographs. Instead, he thought that they were merely his gut reactions to fleeting situations that he had happened upon.
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Constant new discoveries in chemistry and optics are widening considerably our field of action. It is up to us to apply them to our technique, to improve ourselves, but there is a whole group of fetishes which have developed on the subject of technique. Technique is important only insofar as you must
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He believed in composing his photographs in the viewfinder, not in the darkroom. He showcased this belief by having nearly all his photographs printed only at full-frame and completely free of any cropping or other darkroom manipulation. He insisted that his prints be left uncropped so as to include
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in 1957. "There is a creative fraction of a second when you are taking a picture. Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera. That is the moment the photographer is creative", he said. "Oop! The Moment! Once
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Although
Cartier-Bresson became frustrated with Lhote's "rule-laden" approach to art, the rigorous theoretical training later helped him identify and resolve problems of artistic form and composition in photography. In the 1920s, schools of photographic realism were popping up throughout Europe but
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with 50 mm lens in
Marseilles that would accompany him for many years. The anonymity that the small camera gave him in a crowd or during an intimate moment was essential in overcoming the formal and unnatural behavior of those who were aware of being photographed. He enhanced his anonymity by
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movement, founded in 1924, was a catalyst for this paradigm shift. Cartier-Bresson began socializing with the
Surrealists at the Café Cyrano, in the Place Blanche. He met a number of the movement's leading protagonists, and was drawn to the Surrealist movement's technique of using the subconscious
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He focused on the new monarch's adoring subjects lining the London streets, and took no pictures of the king. His photo credit read "Cartier", as he was hesitant to use his full family name. Between 1937 and 1939, Cartier-Bresson worked as a photographer for the French
Communists' evening paper,
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Cartier-Bresson worked exclusively in black and white, other than a few experiments in color. He disliked developing or making his own prints and showed a considerable lack of interest in the process of photography in general, likening photography with the small camera to an "instant drawing".
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In 1967, he was divorced from his first wife of 30 years, Ratna (known as "Elie"). In 1968, he began to turn away from photography and return to his passion for drawing and painting. He admitted that perhaps he had said all he could through photography. He married Magnum photographer
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lens, or occasionally a wide-angle lens for landscapes. He often wrapped black tape around the camera's chrome body to make it less conspicuous. With fast black and white film and sharp lenses, he was able to photograph events unnoticed. No longer bound by a 4Ă5 press camera or a
342:, and reprimanded him, "Let's have no disorder in your studies!". Cartier-Bresson said, "He used the informal 'tu', which usually meant you were about to get a good thrashing. But he went on, 'You're going to read in my office.' Well, that wasn't an offer he had to repeat."
603:, this captured the freedom, grace and spontaneity of their movement and their joy at being alive. That photograph inspired him to stop painting and to take up photography seriously. He explained, "I suddenly understood that a photograph could fix eternity in an instant."
519:, who persuaded the commandant to release Cartier-Bresson into his custody for a few days. The two men both had an interest in photography, and Harry presented Henri with his first camera. They spent their time together taking and printing pictures at Crosby's home,
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gave him a fashion assignment, but he fared poorly since he had no idea how to direct or interact with the models. Nevertheless, Snow was the first
American editor to publish Cartier-Bresson's photographs in a magazine. While in New York, he met photographer
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499:, where he became bilingual. In 1930, he was conscripted into the French Army and stationed at Le Bourget near Paris, a time about which he later remarked: "And I had quite a hard time of it, too, because I was toting Joyce under my arm and a
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Cartier-Bresson's photography took him to many places, including China, Mexico, Canada, the United States, India, Japan, Portugal and the Soviet Union. While traveling in China in 1958, Cartier-Bresson documented the construction of the
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in London after covering World War II, would cover Africa and the Middle East. Chim, who spoke a variety of
European languages, would work in Europe. Cartier-Bresson would be assigned to India and China. Vandivert, who had also left
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Cartier-Bresson believed that what went on beneath the surface was nobody's business but his own. He did recall that he once confided his innermost secrets to a Paris taxi driver, certain that he would never meet the man again.
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Cartier-Bresson matured artistically in this stormy cultural and political atmosphere. But, although he knew the concepts, he couldn't express them; dissatisfied with his experiments, he destroyed most of his early paintings.
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painting all shiny parts of the Leica with black paint. The Leica opened up new possibilities in photographyâthe ability to capture the world in its actual state of movement and transformation. Restless, he photographed in
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for which he served as second assistant and played a butler. Renoir made
Cartier-Bresson act so he could understand how it felt to be on the other side of the camera. Cartier-Bresson also helped Renoir make a film for the
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He started a tradition of testing new camera lenses by taking photographs of ducks in urban parks. He never published the images but referred to them as 'my only superstition' as he considered it a 'baptism' of the lens.
760:. They lived in a fourth-floor servants' flat in Paris at 19, rue Neuve-des-Petits-Champs (now rue Danielle Casanova), a large studio with a small bedroom, kitchen, and bathroom where Cartier-Bresson developed film.
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before getting false papers that allowed him to travel in France. In France, he worked for the underground, aiding other escapees and working secretly with other photographers to cover the occupation and then the
354:, Cartier-Bresson was introduced to oil painting by his uncle Louis, a gifted painter and winner of the Prix de Rome in 1910. But his painting lessons were cut short when uncle Louis was killed in World War I.
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285:, Seine-et-Marne, France. His father was a wealthy textile manufacturer, whose Cartier-Bresson thread was a staple of French sewing kits. His mother's family were cotton merchants and landowners from
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in French colonial Africa. He survived by shooting game and selling it to local villagers. From hunting, he learned methods which he later used in photography. On the CĂŽte d'Ivoire, he contracted
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1991: Contre l'oubli : Lettre Ă Mamadou BĂą, Mauritanie. Short film directed by
Martine Franck for Amnesty International. Editing : Roger Ikhlef. Running time: 3 minutes. Black and white.
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2048:, New York, Martin-Gropius-Bau, Berlin, Germany; Museum of Modern Art, Rome, Italy; Dean Gallery, Edinburgh; Museum of Modern Art, New York City; Museo Nacional de Bellas Artes, Santiago, Chile
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doing forced labor under the Nazis. He twice tried and failed to escape from the prison camp, and was punished by solitary confinement. His third escape was successful and he hid on a farm in
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In 1934, Cartier-Bresson met a young Polish intellectual, a photographer named David Szymin who was called "Chim" because his name was difficult to pronounce. Szymin later changed his name to
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interview in 2000, Cartier-Bresson noted that it wasn't necessarily that he hated to be photographed, but it was that he was embarrassed by the notion of being photographed for being famous.
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Cartier-Bresson is regarded as one of the art world's most unassuming personalities. He disliked publicity and exhibited a ferocious shyness since his days of hiding from the Nazis during
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334:. A governess called "Miss Kitty" who came from across the Channel, instilled in him the love of - and competence in - the English language. The proctor caught him reading a book by
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1992: Henri
Cartier-Bresson dessins et photos. Director: Annick Alexandre. Short film produced by FR3 Dijon, commentary by the artist. Running time: 2 minutes and 33 seconds. Color.
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1969: Québec vu par
Cartier-Bresson / Le QuĂ©bec as seen by Cartier-Bresson. Directed by Wolff KĆnig. Produced by the Canadian Film Board. Running time: 10 minutes. Black and white.
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2705:"Decisive Moments: A biographical sketch of the avant-garde artist, African game-hunter, prisoner of war, and renowned photojournalist who revolutionized the look of photography"
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Cartier-Bresson traveled to the United States in 1935 with an invitation to exhibit his work at New York's Julien Levy Gallery. He shared display space with fellow photographers
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to study classical artists and to Paris galleries to study contemporary art. Cartier-Bresson's interest in modern art was combined with an admiration for the works of the
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When World War II broke out in September 1939, Cartier-Bresson joined the French Army as a Corporal in the film and photo unit of the French Third Army. During the
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Two years after Harry Crosby died by suicide, Cartier-Bresson's affair with Caresse Crosby ended in 1931, leaving him broken-hearted. During conscription he read
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Cartier-Bresson did not like to be photographed and treasured his privacy. Photographs of Cartier-Bresson are scant. When he accepted an honorary degree from
1007:, taken in 1954, has since become a classic example of Cartier-Bresson's ability to capture a decisive moment. He held his first exhibition in France at the
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835:. Capa's brainchild, Magnum was a cooperative picture agency owned by its members. The team split photo assignments among the members. Rodger, who had quit
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642:. The two had much in common culturally. Through Chim, Cartier-Bresson met a Hungarian photographer named Endré Friedmann, who later changed his name to
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was played. Although Cartier-Bresson took a portable camera (smaller than a Brownie Box) to CĂŽte d'Ivoire, only seven photographs survived the tropics.
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In 1929, Cartier-Bresson's air squadron commandant placed him under house arrest for hunting without a licence. Cartier-Bresson met American expatriate
365:. Lhote's ambition was to integrate the Cubists' approach to reality with classical artistic forms; he wanted to link the French classical tradition of
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1997: Série "100 photos du siÚcle": L'Araignée d'amour: broadcast by Arte. Produced by Capa Télévision. Running time: 6 minutes and 15 seconds. Color.
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1956: A Travers le Monde avec Henri Cartier-Bresson. Directed by Jean-Marie Drot and Henri Cartier-Bresson. Running time: 21 minutes. Black and white.
954:" or "hastily taken images", Images Ă la sauvette included a portfolio of 126 of his photos from the East and the West. The book's cover was drawn by
881:(Indonesia), where he documented the gaining of independence from the Dutch. In 1950, Cartier-Bresson had traveled to the South India. He had visited
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Cartier-Bresson withdrew as a principal of Magnum (which still distributes his photographs) in 1966 to concentrate on portraiture and landscapes.
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1484:. Texts by Cartier-Bresson. History of Photography Series. History of Photography Series. French, German, Italian, Japanese and Italian editions.
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1965–1967 2nd retrospective, Tokyo, MusĂ©e des Arts DĂ©coratifs, Paris, New York, London, Amsterdam, Rome, Zurich, Cologne and other cities.
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1938: LâEspagne Vivra. Documentary on the Spanish Civil War and the post-war period. Running time: 43 minutes and 32 seconds. Black and white.
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2267:, Berlin; Museum of Modern Art, Rome; Dean Gallery, Edinburgh; Museum of Modern Art, New York; Museo Nacional de Bellas Artes, Santiago, Chile
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Introduction by Satyajit Ray, photographs and notes by Cartier-Bresson, texts by Yves VĂ©quaud. London: Thames & Hudson. French edition.
308:. Since his parents were providing financial support, Henri pursued photography more freely than his contemporaries. Henri also sketched.
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in late 1931 and deepened his relationship with the Surrealists. He became inspired by a 1930 photograph by Hungarian photojournalist
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4504:"Henri Cartier-Bresson, Le Grand Jeu ; Exposition du 19 Mai 2021 au 22 août 2021 ; BnF Site François Mitterrand, Galerie 2"
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1944–45: Le Retour. Documentary on prisoners of war and detainees. Running time: 32 minutes and 37 seconds. Black and white.
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1938 Avec la brigade Abraham Lincoln en Espagne, Henri Cartier-Bresson ja Herbert Kline. Running time 21 minutes. Black and white.
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for about twenty days. There he visited Nuoro, Oliena, Orgosolo Mamoiada Desulo, Orosei, Cala Gonone, Orani (hosted by his friend
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635:. In the beginning, he did not photograph much in his native France. It would be years before he photographed there extensively.
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managed the Paris office and Rita Vandivert, Vandivert's wife, managed the New York office and became Magnum's first president.
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958:. For his 4,500-word philosophical preface, Cartier-Bresson took his keynote text from Volume 2 of the Memoirs of 17th century
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in Beijing, as the city was being liberated by the communists. In Shanghai, he often worked in the company of photojournalist
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His father assumed that his son would take up the family business, but Henri was strong-willed and also feared this prospect.
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He studied painting when he was just 5 years old, taking an apprenticeship in his uncle Louis' studio. After trying to learn
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a few millimeters of the unexposed negative around the image area, resulting in a black frame around the developed picture.
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796:(The Return) about returning French prisoners and displaced persons. His film spurred a retrospective of his work at the
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He never photographed with flash, a practice he saw as "impolite...like coming to a concert with a pistol in your hand."
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1963: Midlands at Play and at Work. Produced by ABC Television, London. Running time : 19 minutes. Black and white.
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and other journals. He traveled without bounds, documenting some of the great upheavals of the 20th century — the
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800:(MoMA) , that would later tour the country. The show debuted in 1947 accompanied by the publication of his first book,
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1937: Victoire de la vie. Documentary on the hospitals of Republican Spain: Running time: 49 minutes. Black and white.
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in New York in 1933, and subsequently at the Ateneo Club in Madrid. In 1934 in Mexico, he shared an exhibition with
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1994 "Henri Cartier-Bresson, point d'interrogation" by Sarah Moon screened at Rencontres d'Arles festival, France.
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1995 Dessins et Hommage Ă Henri Cartier-Bresson â CRAC (Centre RĂ©gional dâArt Contemporain) Valence, Drome, France
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1947:"Henri Cartier-Bresson, point d'interrogation" by Sarah Moon, screened at Rencontres d'Arles festival in 1994
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916:. Magnum aimed to use photography in the service of humanity, and provided arresting, widely viewed images.
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1972 Les Rencontres d'Arles festival. "Flagrant Délit " (Production Delpire) screened at Théatre Antique.
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Technical aspects of photography were valid for him only where they allowed him to express what he saw:
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In 1927, Cartier-Bresson entered a private art school and the Lhote Academy, the Parisian studio of the
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1982 Hommage Ă Henri Cartier-Bresson – Centre National de la Photographie, Palais de Tokyo, Paris
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985:. Margot Shore, Magnum's Paris bureau chief, translated Cartier-Bresson's French preface into English.
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748:. With Chim and Capa, Cartier-Bresson was a leftist, but he did not join the French Communist party.
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2711:. Vol. 8, no. 5. New York, NY: Hachette Filipacchi Magazines, Inc. pp. 47â52 and 96.
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and André Pieyre de Mandiargues. London: Thames & Hudson. French, German and Japanese editions.
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At the end of the war he was asked by the American Office of War Information to make a documentary,
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969:, the Greek-born French publisher whom Cartier-Bresson admired. He gave the book its French title,
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With installation views, digitized (PDF) press release, master checklist and exhibition catalogue.
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Texts by Jean Clair. London: Thames & Hudson. French, German, Italian and Portuguese editions.
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and its surroundings. A few days later he also visited and photographed Sri Aurobindo, Mother and
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1313:. Facsimile edition. First edition, 2014. Third edition, 2018. Includes booklet with an essay by
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When he returned to France, Cartier-Bresson applied for a job with renowned French film director
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1996 Henri Cartier-Bresson: Pen, Brush and Cameras – The Minneapolis Institute of Arts, US
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1552:. Texts by André Pieyre de Mandiargues. London: Thames & Hudson. French and German editions.
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In photography, the smallest thing can be a great subject. The little human detail can become a
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Cartier-Bresson's first photojournalist photos to be published came in 1937 when he covered the
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TĂȘte Ă TĂȘte: Portraits by Henri Cartier-Bresson at the National Portrait Gallery, Washington DC
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2008 Henri Cartier-Bresson's Scrapbook Photographs 1932â46, National Media Museum, Bradford, UK
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1985 Henri Cartier-Bresson en Inde â Centre National de la Photographie, Palais de Tokyo, Paris
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in 1947. In the 1970s, he largely discontinued his photographic work, instead opting to paint.
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and his daughter to preserve and share his legacy. In 2018, the foundation relocated from the
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https://babel.hathitrust.org/cgi/pt?id=uc1.$ b765974&seq=109&q1=+chef-d%27%C5%93uvre
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showing three naked young African boys, caught in near-silhouette, running into the surf of
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1992 Hommage Ă Henri Cartier-Bresson – International Center of Photography, New York
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1963–65: Five fifteen-minute films on Germany for the SĂŒddeutscher Rundfunk, Munich.
1773:. London: Thames & Hudson, 2003. German, French, Korean, Italian and Spanish editions.
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Magnum's mission was to "feel the pulse" of the times and some of its first projects were
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1969–70: Impressions of California. Running time: 23 minutes and 20 seconds. Color.
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Cartier-Bresson attended Ăcole FĂ©nelon, a Catholic school that prepared students for the
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1624:. New York: Bulfinch. French, English, German, Italian, Portuguese and Danish editions.
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1455:. Text by François Nourissier. London: Thames & Hudson. French and German editions.
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3673:"Martine Franck comes into focus at Fondation Henri Cartier-Bresson's new Paris space"
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1970 En France – Grand Palais, Paris. Later in the US, USSR, Australia and Japan
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The Divisive Moment: After 70 years, Henri Cartier-Bresson almost goes back to China
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4104:"TOGETHER, PHOTOGRAPHY THE COLLECTIONS OF THE MAISON EUROPĂENNE DE LA PHOTOGRAPHIE"
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847:
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475:
452:. Cartier-Bresson regarded Lhote as his teacher of "photography without a camera."
437:
305:
142:
5196:
4163:
3297:
2256:
1998–1999 Photographien und Zeichnungen â Baukunst Galerie, Cologne, Germany
1899:
1969–70: Southern Exposures. Running time: 22 minutes and 25 seconds. Color.
1346:
4311:"An Instinct For Decisive Moments; A Show and a Foundation Honor Cartier-Bresson"
3160:
2943:
2743:
1780:
Henri Cartier-Bresson: The Mind's Eye: Writings on Photography and Photographers,
5525:
5507:
1973:
1731:
Text by Pierre Assouline, translated by David Wilson. London: Thames and Hudson.
1621:
1375:
1210:
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in 1975, he held a paper in front of his face to avoid being photographed. In a
885:, a town in the Indian State of Tamil Nadu and photographed the last moments of
820:
692:
670:
659:
643:
558:
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433:
413:
316:
1713:. London: Thames & Hudson. French, German, Italian and Portuguese editions.
495:
From 1928 to 1929, Cartier-Bresson studied art, literature, and English at the
17:
5714:
5679:
5531:
3232:"Savitri Era Devotees: Hidden Cartier-Bresson images exhibited for first time"
2529:
1606:
1294:. Texts and photographs by Cartier-Bresson. Cover by Henri Matisse. New York:
1193:
1119:
1115:
1084:
1076:
966:
862:
516:
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98:
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4322:
2716:
5649:
3734:"French Photography Auctions Set New Records, Monroe Gallery of Photography"
3281:
3268:
1918:
1967: Flagrants délits. Directed by Robert Delpire. Original music score by
1260:
1159:
846:
would work in America, and Capa would work anywhere that had an assignment.
586:
425:
374:
297:
5020:
http://www.rps.org/about/awards/history-and-recipients/honorary-fellowships
5029:
Royal Photographic Society Honorary Fellowships. Accessed 22 November 2018
2608:"Henri Cartier-Bresson, Whose "Decisive Moment" Shaped Modern Photography"
2232:
1997 Henri Cartier-Bresson, dessins – MusĂ©e des Beaux-Arts, Montreal
1695:
Text by Cartier-Bresson. Paris: Fata Morgana. German and English editions'
1609:
and John Russell. London: Thames & Hudson. French and German editions.
1183:
Cartier-Bresson's photographs were also influential in the development of
3536:
2187:
1989 Mannheimer Kunstverein, Mannheim, Germany (drawings and photography)
2080:
1971 Les Rencontres d'Arles festival. Movies screened at Théatre Antique.
1868:
Cartier-Bresson was second assistant director to Jean Renoir in 1936 for
1034:
874:
781:
620:
445:
289:, where Henri spent part of his childhood. His mother was descended from
286:
256:
5253:
3562:"Legendary Photojournalist Cartier-Bresson Is Buried in South of France"
2981:
2906:
Apples of Gold in Settings of Silver: Stories of Dinner as a Work of Art
461:
each had a different view on the direction photography should take. The
5040:
The Cultural Award of the Deutsche Gesellschaft fĂŒr Photographie (DGPh)
2357:
1998: in this section. Unsourced material may be challenged and removed.
1922:. Delpire production, Paris. Running time: 22 minutes. Black and white.
1111:
1107:
1103:
853:
Cartier-Bresson achieved international recognition for his coverage of
744:
5191:
5049:". Deutsche Gesellschaft fĂŒr Photographie e.V.. Accessed 7 March 2017.
3642:
3319:
Cartier-Bresson's classic is back â but his Decisive Moment has passed
3194:. Ottawa: Canadian Museum of Contemporary Photography. pp. 22â24.
2247:
1998 Kunstverein fĂŒr die Rheinlande und Westfalen, DĂŒsseldorf, Germany
2229:
1997 Les EuropĂ©ens – Maison EuropĂ©enne de la Photographie, Paris
4474:"Exhibition Review: ICP Explores Photography in Four New Exhibitions"
3405:
Revolutionary Becomings: Documentary Media in Twentieth-Century China
2315:
2220:
1994 Dessins et premiĂšres photos – La Caridad, Barcelona, Spain
1302:
1087:
and was survived by his wife, Martine Franck, and daughter, MĂ©lanie.
776:
Mountains, he was captured by German soldiers and spent 35 months in
773:
624:
616:
612:
429:
358:
5228:
4713:
2395:
Cartier-Bresson's work is held in the following public collections:
1676:. London: Thames & Hudson. French, Italian, and German editions.
1599:. Collection Photo Notes. Paris: Centre National de la Photographie.
1746:. London: Thames & Hudson. French, German and Italian editions.
1686:. Paris: Editions Flammarion. English, German and Italian editions.
1367:. London: Thames & Hudson. French, German and Italian editions.
713:
on the 200 families, including his own, who ran France. During the
925:
576:
549:. This gave him the idea of escaping and finding adventure on the
351:
5229:
Henri Cartier-Bresson (1908 â 2004): When photography becomes art
5172:
Portrait: First Sketch. Henri Cartier-Bresson and the Artless Art
2129:
1984–1985 Paris Ă vue dâĆil – MusĂ©e Carnavalet, Paris
1477:. London: Thames & Hudson. French, German and Swiss editions.
377:. Cartier-Bresson also studied painting with society portraitist
2945:
Black Sun: The Brief Transit and Violent Eclipse of Harry Crosby
1090:
Cartier-Bresson spent more than three decades on assignment for
973:, loosely translated as "images on the run" or "stolen images."
5459:
5257:
2196:
1991 Taipei Fine Arts Museum, Taiwan (drawings and photographs)
2108:
1980 Portraits – Galerie Eric Franck, Geneva, Switzerland
1374:. Prague and Bratislava: Statni nakladatelstvi krasné. Text by
1187:
film. In particular, he is credited as the inspiration for the
1128:, are of seemingly unimportant moments of ordinary daily life.
5202:
3954:"1933. Henri Cartier-Bresson exhibits at the Ateneo de Madrid"
3809:
Talking photography: Viewpoints on the art, craft and business
2444:
The Philadelphia Art Institute, Philadelphia, Pennsylvania, US
1967:
1445:
4074:"Henri Cartier-Bresson Paris Exhibition - Louvre - Life 1955"
3704:"A New Home for the Fondation Henri Cartier-Bresson in Paris"
2154:
1987 Early Photographs – Museum of Modern Art, New York
1394:
China. Photographs and notes on fifteen months spent in China
1165:
The highest price reached by one of his photographs was when
988:"Photography is not like painting," Cartier-Bresson told the
3258:
A Warm Kiss: Cartier-Bresson Speaks in âThe Decisive Momentâ
474:
The Surrealists approached photography in the same way that
5372:
Alberto Giacometti Ă la Galerie Maeght, Paris, France, 1961
5224:
Henri Cartier-Bresson at the Metropolitan Museum of Art, NY
2253:
1998 TĂȘte Ă TĂȘte – National Portrait Gallery, London
2058:
1955 Retrospektive – MusĂ©e des Arts dĂ©coratifs, Paris
950:
although the French language title actually translates as "
3446:"Designer Ingrid Donat Opens Her Art-Filled Home in Paris"
2703:
Squiers, Carol; Kaplan, Michael (SeptemberâOctober 1997).
1628:
Alberto Giacometti photographié par Henri Cartier-Bresson.
1499:. French, English, German, Japanese and Italian editions.
247:; 22 August 1908 â 3 August 2004) was a French artist and
2800:"Henri Cartier-Bresson, Artist Who Used Lens, Dies at 95"
2450:
Kahitsukan Kyoto Museum of Contemporary Art, Kyoto, Japan
2199:
1992 Centro de Exposiciones, Saragossa and Logrono, Spain
1809:
An Inner SIlence: The portraits of Henri Cartier-Bresson,
466:
and the immediate to influence their work. The historian
5348:
Gestapo Informer Recognized by a Woman She Had Denounced
4255:"Perfect timing: Cartier-Bresson's knack of being there"
3476:"Revealed: the undeveloped art of Henri Cartier-Bresson"
3329:
The Guardian 23 December 2014, Accessed February 2, 2018
2366:
2017 Museo Botero/Banco de la Republica, Bogota Colombia
4422:""Henri Cartier-Bresson" cierra con 140 mil visitantes"
3800:
3798:
3432:
La fotografia in Sardegna. Lo sguardo esterno 1960-1980
3924:"Best of the Best: Henri Cartier-Bresson - Lomography"
3434:, Fondazione Banco di Sardegna, Ilisso Edizioni, 2010.
3102:"Henri Cartier-Bresson biography - inspiringpeople.us"
2250:
1998 Line by Line – Royal College of Art, London
1959:(72 mins, 2006. Late interviews with Cartier-Bresson.)
865:
administration and the first six months of the Maoist
857:'s funeral in India in 1948 and the last stage of the
3619:. Charlie Rose interview. 6 July 2000. Archived from
2441:
Institute for Contemporary Photography, New York City
2111:
1981 Musée d'Art Moderne de la Ville de Paris, France
1826:
The Museum of Modern Art, New York; Reprint edition.
1793:
Henri Cartier-Bresson: Masters of Photography Series,
1122:. But many of his most renowned photographs, such as
5060:"Henri Cartier-Bresson Hasselblad Award Winner 1982"
3298:
Timekeepers: How the World Became Obsessed With Time
1666:. Amiens: Le Nyctalope. French and English editions.
1538:, photographs and notes by Cartier-Bresson. Text by
1345:. Text and photographs by Cartier-Bresson. Cover by
869:. He also photographed the last surviving Imperial
756:
In 1937, Cartier-Bresson married a Javanese dancer,
585:
Returning to France, Cartier-Bresson recuperated in
5772:
5701:
5630:
5559:
5494:
5427:
5398:
5382:
5291:
5120:"Henri Cartier-Bresson Scrapbook, 2006 Nadar Award"
3869:"Henri Cartier-Bresson â A Decisive Moment in Time"
3132:. New York: Thames & Hudson. p. 116, 118.
3007:
3005:
3003:
2417:
Maison Européenne de la Photographie, Paris, France
2369:2018 International Center of Photography, New York
1209:35 mm rangefinder camera fitted with a normal
269:Cartier-Bresson was one of the founding members of
219:
199:
191:
131:
116:
105:
94:
75:
53:
34:
4841:"Beaumont Newhall Henri Cartier-Bresson, New York"
3984:"Henri Cartier-Bresson - USA. Julien Levy Gallery"
3806:
2674:"'Henri Cartier-Bresson,' a Retrospective at MoMA"
2282:2008 National Gallery of Modern Art, Mumbai, India
1904:Films compiled from photographs by Cartier-Bresson
1605:Henri Cartier-Bresson's drawings. Introduction by
5208:Special Report: Henri Cartier-Bresson (1908â2004)
3352:
3350:
3348:
1953:(70 mins, 2001. Interviews with Cartier-Bresson.)
1349:. New York: Simon & Schuster. French edition.
1150:in Paris with his wife, the Belgian photographer
4402:"HCB is reappraised, 10 years after his death".
2141:1986 Pavillon d'Arte contemporanea, Milan, Italy
1041:), San Leonardo di Siete Fuentes, and Cagliari.
735:coronation of King George VI and Queen Elizabeth
4134:"APROPOS USSR (1954â1973)Henri Cartier-Bresson"
2909:. New York: Simon & Schuster. p. 281.
2832:"Henri Cartier-Bresson Photography, Bio, Ideas"
2405:Foundation Henri Cartier-Bresson, Paris, France
2399:BibliothĂšque Nationale de France, Paris, France
2214:1993 Photo Dessin â Dessin Photo, Arles, France
2099:1975 Galerie Bischofberger, Zurich, Switzerland
1448:. French, German, Italian and Spanish editions.
1389:. French, English, Japanese and Swiss editions.
1257:
1234:
930:1952 US edition of Cartier-Bresson's 1952 book
861:in 1949. He covered the last six months of the
472:
3361:. New York: Simon and Schuster. pp. 1â14.
2173:1989 Chapelle de l'Ăcole des Beaux-Arts, Paris
725:, to promote the Republican medical services.
627:. His photographs were first exhibited at the
5934:World War II prisoners of war held by Germany
5471:
5332:Coronation of King George VI, London, England
5269:
5179:Encyclopedia of Twentieth-Century Photography
4410:(7831). Apptitude Media Limited: 34â36. 2014.
3508:Encyclopedia of twentieth-century photography
3307:, 29 September 2016 Accessed February 2, 2018
2874:"Henri Cartier-Bresson | French photographer"
2093:1974–1997 Galerie Claude Bernard, Paris
315:; he later experimented with a 3Ă4 inch
300:neighborhood in Paris, Rue de Lisbonne, near
206:Grand Prix National de la Photographie (1981)
8:
4534:"Henri Cartier-Bresson. Cina 1948-49 | 1958"
4280:"Past photographic exhibitions and displays"
2513:1981: Grand Prix National de la Photographie
2379:2022 Cina 1948-49/1958, MUDEC, Milan, Italy
2238:1998 Galerie Löhrl, Mönchengladbach, Germany
2166:1988 Group exhibition: "Magnum en Chine" at
2135:1985 Museo de Arte Moderno de MĂ©xico, Mexico
942:In 1952, Cartier-Bresson published his book
5235:John Berger pays tribute to his good friend
4751:"Henri Cartier-Bresson | Magnum Consortium"
4349:"Henri Cartier-Bresson: The Modern Century"
3643:"Accueil - Fondation Henri Cartier-Bresson"
3072:"Henri Cartier-Bresson: Living and Looking"
2793:
2791:
2789:
2787:
2785:
2105:1980 Photographs, Art Institute of Chicago
1838:Henri Cartier-Bresson: The Decisive Moment,
5478:
5464:
5456:
5276:
5262:
5254:
4961:"Award Recipients - Henri Cartier-Bresson"
4624:"Ascot Photograph - Henri Cartier-Bresson"
4044:"The Photographs of Henri Cartier Bresson"
3908:: CS1 maint: location missing publisher (
3836:"Cartier-Bresson: Mourning the Hawk's Eye"
3161:"'The Photographs of Henri Cartier-Bresson
2522:2003: Lifetime Achievement Award from the
2500:1964: Overseas Press Club of America Award
2491:1960: Overseas Press Club of America Award
2482:1954: Overseas Press Club of America Award
2294:2010 The Art Institute of Chicago, Chicago
2244:1998 Kunsthaus ZĂŒrich, Zurich, Switzerland
1957:Henri Cartier-Bresson: The Impassioned Eye
1824:Henri Cartier-Bresson: The Modern Century,
1470:; Hong Kong: Orientations. French edition.
1191:'s early work in this genre with its 1958
946:whose English-language edition was titled
311:Young Henri took holiday snapshots with a
42:
31:
5161:Henri Cartier-Bresson: the Modern Century
4714:"Henri Cartier-Bresson French, 1908â2004"
3571:Photo Central. Accessed 19 September 2016
3055:Robin Pogrebin (14 January 2007). "Art".
2160:1988 Palais Lichtenstein, Vienna, Austria
2014:Learn how and when to remove this message
1951:Henri Cartier-Bresson: L'amour Tout Court
1405:Henri Cartier-Bresson and the Artless Art
802:The Photographs of Henri Cartier-Bresson.
3129:Henri Cartier-Bresson : a biography
2285:2008 Santa Catalina Castle, Cadiz, Spain
2235:1998 Galerie Beyeler, Basel, Switzerland
2144:1986 Tor Vergata University, Rome, Italy
2071:1964 The Phillips Collection, Washington
1811:New York: Thames & Hudson. Texts by
1660:Double regard. Drawings and photographs.
1281:The Photographs of Henri Cartier-Bresson
1047:He was also close friends with brothers
263:, and viewed photography as capturing a
5874:French prisoners of war in World War II
5174:(p. 12). New York: Bulfinch Press.
3374:"The Acknowledged Master of the Moment"
3017:"Expert Witness: Henri Cartier-Bresson"
2545:
2402:De Menil Collection, Houston, Texas, US
2241:1998 Howard Greenberg Gallery, New York
2208:1992 Musée de Noyers-sur-Serein, France
2163:1988 Salzburger Landessammlung, Austria
4875:International Photography Hall of Fame
3901:
3595:from the original on 27 September 2016
3027:from the original on 24 September 2015
2862:Henri Cartier-Bresson, The Early Work.
2589:
2579:
2460:International Photography Hall of Fame
2453:Museum of Modern Art, Tel Aviv, Israel
2193:1990 Galerie Arnold Herstand, New York
1413:L'Art sans art d'Henri Cartier-Bresson
1360:. French, German and Italian editions.
1330:on Balinese theater and commentary by
1283:. Text by Lincoln Kirstein. New York:
296:The Cartier-Bresson family lived in a
5844:French Army personnel of World War II
4911:from the original on 10 November 2018
4881:from the original on 20 February 2020
4761:from the original on 27 February 2018
4745:
4743:
4741:
4739:
4564:"Henri Cartier-Bresson Meudon Forest"
3848:from the original on 8 September 2017
3653:from the original on 10 February 2023
3543:from the original on 7 September 2017
3486:from the original on 10 November 2018
3384:from the original on 8 September 2017
3272:Accessed February 2, 2018 (and using
3238:from the original on 29 November 2014
3212:from the original on 29 November 2014
2684:from the original on 10 November 2018
2408:University of Fine Arts, Osaka, Japan
2211:1992 Palazzo San Vitale, Parma, Italy
2157:1988 Institut Français, Athen, Greece
2138:1986 L'Institut Français de Stockholm
1561:Henri Cartier-Bresson. The Early Work
1430:. French, German and Swiss editions.
1205:Cartier-Bresson almost always used a
1175:, on 17 November 2011, by $ 590,455.
819:In early 1947, Cartier-Bresson, with
242:
7:
4658:Maison Europeenne de la Photographie
4514:from the original on 6 February 2023
4454:from the original on 2 February 2017
4448:"Current Exhibitions, Leica Gallery"
4224:"Henri Cartier-Bresson: Photographs"
4204:from the original on 16 January 2021
4014:"Mexico, 1934 Henri Cartier-Bresson"
3896:Cartier-Bresson Interviews and Notes
3783:from the original on 31 January 2024
3766:Encyclopedia of the Documentary Film
3744:from the original on 5 February 2023
3714:from the original on 6 November 2018
3683:from the original on 5 November 2018
3082:from the original on 1 December 2017
3070:Times, The New York (20 June 2013).
2984:. Literary Kicks. 27 November 2002.
2884:from the original on 1 December 2017
2798:Kimmelman, Michael (4 August 2004).
2653:from the original on 18 October 2022
2637:
2635:
2633:
2618:from the original on 5 November 2018
2568:from the original on 18 October 2022
2551:
2549:
2447:The Museum of Fine Arts, Houston, US
2291:2010 Museum of Modern Art, New York
2126:1984 Osaka University of Arts, Japan
1996:adding citations to reliable sources
1396:. Text by Barbara Miller. New York:
1383:Photographs by Henri Cartier-Bresson
5324:Natcho Aguirre, Santa Clara, Mexico
4329:from the original on 1 October 2020
4138:International Center of Photography
3934:from the original on 6 January 2015
3533:"Photographer Cartier-Bresson dies"
2988:from the original on 5 January 2010
2647:International Center of Photography
2423:Museum of Modern Art, New York City
2088:International Center of Photography
1729:Henri Cartier-Bresson: A Biography.
1720:Text by Cartier-Bresson. New York:
5154:Henri Cartier-Bresson: A Biography
4544:from the original on 15 March 2022
4484:from the original on 16 April 2021
4428:from the original on 24 March 2016
4365:from the original on 16 April 2021
4290:from the original on 16 April 2021
4234:from the original on 16 April 2021
4164:"Carlton Gallery (New York, N.Y.)"
3834:Van Riper, Frank (5 August 2004).
3581:Robinson, Andrew (5 August 2004).
2770:from the original on 16 April 2021
2503:1967: The Cultural Award from the
2363:2017 Leica Gallery, San Francisco.
2288:2009 Musée de l'Art Moderne, Paris
2190:1989 Printemps Ginza, Tokyo, Japan
2123:1983 Printemps Ginza – Tokyo
2030:1933 Julien Levy Gallery, New York
1670:Mexican Notebooks 1934–1964.
1544:Centre national de la photographie
1489:Henri Cartier-Bresson Photographer
995:you miss it, it is gone forever."
281:Henri Cartier-Bresson was born in
25:
5130:from the original on 1 April 2019
5100:from the original on 1 April 2019
5070:from the original on 1 April 2019
5001:from the original on 1 April 2019
4971:from the original on 28 June 2021
4941:from the original on 1 April 2019
4851:from the original on 1 April 2019
4821:from the original on 1 April 2019
4791:from the original on 1 April 2019
4694:from the original on 1 April 2019
4664:from the original on 1 April 2019
4634:from the original on 1 April 2019
4604:from the original on 1 April 2019
4574:from the original on 1 April 2019
4174:from the original on 4 April 2019
4144:from the original on 4 April 2019
4114:from the original on 4 April 2019
4054:from the original on 3 April 2019
4024:from the original on 3 April 2019
3994:from the original on 3 April 2019
3964:from the original on 3 April 2019
3702:Nayeri, Farah (25 October 2018).
3372:Bernstein, Adam (5 August 2004).
3126:Assouline, Pierre (29 May 2024).
2962:from the original on 30 June 2023
2923:from the original on 30 June 2023
2842:from the original on 14 July 2022
2723:from the original on 30 June 2023
2494:1964: Honorary Fellowship of the
2487:Société française de photographie
2456:Moderna Museet, Stockholm, Sweden
1864:Films directed by Cartier-Bresson
1751:The Man, the Image and the World.
1372:Henri Cartier-Bresson: Fotografie
772:, in June 1940 at St. Dié in the
717:, Cartier-Bresson co-directed an
695:. He acted in Renoir's 1936 film
456:Surrealists photography influence
120:
5390:Henri Cartier-Bresson Foundation
4724:from the original on 2 July 2018
4253:Baker, Kenneth (16 March 1982).
4084:from the original on 6 July 2012
3813:. Allworth Communications, Inc.
3456:from the original on 3 June 2023
3167:. The Museum of Modern Art. 2017
2672:Cotter, Holland (8 April 2010).
2534:Henri Cartier-Bresson: Scrapbook
2374:BibliothĂšque Nationale de France
2261:BibliothĂšque nationale de France
2086:1974 Exhibition about the USSR,
2068:1963 Photokina, Cologne, Germany
1972:
1852:Henri Cartier-Bresson FotĂłgrafo.
1515:Henri Cartier-Bresson. Portraits
1148:Henri Cartier-Bresson Foundation
259:film. He pioneered the genre of
225:
158:
5924:Photography in the Soviet Union
5192:Fondation Henri Cartier-Bresson
4688:Les Musees De La Ville De Paris
3763:Aitken, Ian (27 October 2005).
3647:Fondation Henri Cartier-Bresson
3616:Cartier-Bresson on Charlie Rose
2420:Musée Carnavalet, Paris, France
2384:Fondation Henri Cartier-Bresson
2273:2004 Martin-Gropius-Bau, Berlin
2259:2003–2005 RĂ©trospective,
2151:, UK (drawings and photography)
2102:1980 Brooklyn Museum, New York
1983:needs additional citations for
1582:Henri Cartier-Bresson in India.
1511:Henri Cartier-Bresson. Ritratti
981:came up with the English title
428:. Lhote took his pupils to the
180:
154:
27:French photographer (1908â2004)
5834:Escapees from German detention
5156:. London: Thames & Hudson.
4965:Overseas Press Club of America
4404:British Journal of Photography
3357:Henri Cartier-Bresson (1952).
3280:(via Wiktionary) for the word
2505:German Society for Photography
2382:2022 L'expérience du paysage,
2270:2004 Baukunst Galerie, Cologne
2263:, Paris; La Caixa, Barcelona;
2096:1975 Carlton Gallery, New York
2053:Institute of Contemporary Arts
1317:, "A Bible for Photographers".
680:The Plow That Broke the Plains
523:(The Sun Mill), near Paris in
1:
2756:London: Thames & Hudson.
2205:1992 L'AmĂ©rique â FNAC, Paris
1724:. French and German editions.
1630:Texts by Cartier-Bresson and
1532:Henri Cartier-Bresson en Inde
1411:. Translated from the French
1189:National Film Board of Canada
673:, who did camerawork for the
600:Three Boys at Lake Tanganyika
581:Cartier-Bresson's first Leica
5300:Behind the Gare Saint-Lazare
5244:Henri Cartier-Bresson's Cats
4309:Riding, Alan (27 May 2003).
4018:Minneapolis Institute of Art
3190:Dessureault, Pierre (1988).
2948:. New York Review of Books.
2427:The Art Institute of Chicago
2149:Museum of Modern Art, Oxford
1840:Steidl; Pck Slp Ha edition.
1693:L'Imaginaire d'aprĂšs nature.
1168:Behind the Gare Saint-Lazare
1125:Behind the Gare Saint-Lazare
384:During that period, he read
5859:French expatriates in India
5824:20th-century French artists
5197:Cartier-Bresson's portfolio
4815:The Philadelphia Art Museum
3867:Khen Lim (6 October 2007).
2432:Jeu de Paume, Paris, France
2276:2004 Museum Ludwig, Cologne
2116:Museum of Fine Arts, Boston
1942:Films about Cartier-Bresson
1634:. Milan: Franco Sciardelli.
1519:André Pieyre de Mandiargues
1415:by Ruth Taylor. New York:
5955:
5899:People from Seine-et-Marne
5829:20th-century photographers
4628:Victoria and Albert Museum
4510:(in French). 19 May 2021.
4424:. Excélsior. 19 May 2015.
3769:. Routledge. p. 168.
3511:. Routledge. p. 248.
3192:The Tata Era/L'Ăpoque Tata
2903:Young, Carolin C. (2002).
2496:Royal Photographic Society
2412:Victoria and Albert Museum
2184:(drawings and photographs)
2027:1933 Cercle Ateneo, Madrid
658:and Manuel Ălvarez Bravo.
5849:French Resistance members
5045:28 September 2017 at the
4508:BnF - Site institutionnel
4284:National Portrait Gallery
4194:"Photographic Surrealism"
3567:20 September 2016 at the
3409:Columbia University Press
3302:(a page within Chapter 9)
2742:Chéroux, Clément (2008).
2178:Fondation Pierre Gianadda
1795:Aperture; Third edition.
224:
41:
5914:Photography in Indonesia
5399:Family and relationships
4755:www.magnumconsortium.net
4228:Art Institute of Chicago
3805:Frank Van Riper (2002).
2752:â series. Translated by
2556:Editors, Biography com.
2479:1953: The A.S.M.P. Award
2414:, London, United Kingdom
1146:In 2003, he created the
1075:Cartier-Bresson died in
827:, William Vandivert and
811:wrote the book's texts.
737:, for the French weekly
5869:French photojournalists
5159:Galassi, Peter (2010).
5090:"Henri Cartier-Bresson"
4991:"Henri Cartier-Bresson"
4931:"Henri Cartier-Bresson"
4871:"Henri Cartier-Bresson"
4845:The Museum of Fine Arts
4811:"Henri Cartier-Bresson"
4781:"Henri Cartier-Bresson"
4654:"Henri Cartier-Bresson"
4594:"Henri Cartier-Bresson"
4384:Museum of Design ZĂŒrich
3894:J.M Dirac, ed. (1962).
3677:www.theartnewspaper.com
3583:"Henri Cartier-Bresson"
3444:Amadour (23 May 2023).
3325:3 February 2018 at the
3263:3 February 2018 at the
2942:Geoffrey Wolff (2003).
2878:Encyclopedia Britannica
2643:"Henri Cartier-Bresson"
2558:"Henri Cartier-Bresson"
2351:Palacio de Bellas Artes
2344:Centre Georges Pompidou
2299:Museum of Design ZĂŒrich
2035:Palacio de Bellas Artes
1928:1970: Images de France.
1782:Aperture; 1st edition.
1219:twin-lens reflex camera
1081:Alpes-de-Haute-Provence
497:University of Cambridge
255:, and an early user of
251:considered a master of
5884:Lycée Condorcet alumni
5879:Humanist photographers
5839:Fine art photographers
5662:Bernd and Hilla Becher
5210:â by Eamonn McCabe in
5152:Assouline, P. (2005).
3316:Sean O'Hagan (2014) -
3278:Cambridge Dictionaries
2330:Queensland Art Gallery
1874:Une partie de campagne
1466:. New York and Tokyo:
1271:
1245:
1027:In 1962, on behalf of
965:Both titles came from
939:
902:People Live Everywhere
650:United States exhibits
582:
484:
244:[kaÊtjebÊÉsÉÌ]
5919:Photography in Russia
5894:The New Yorker people
5514:Henri Cartier-Bresson
5364:Rue Mouffetard, Paris
5285:Henri Cartier-Bresson
5064:Hasselblad Foundation
4078:Slightly Out of Focus
3898:. Paris. p. 122.
3738:www.monroegallery.com
3505:Lynne Warren (2006).
3234:. 14 September 2012.
2745:Henri Cartier-Bresson
2485:1959: The Prix de la
2332:, Brisbane, Australia
2323:Kunstmuseum Wolfsburg
2182:Martigny, Switzerland
1482:Henri Cartier-Bresson
1268:Henri Cartier-Bresson
1242:Henri Cartier-Bresson
1067:in New York in 1975.
1004:Rue Mouffetard, Paris
944:Images Ă la sauvette,
929:
778:prisoner-of-war camps
729:Photojournalism start
580:
507:Receives first camera
450:Piero della Francesca
379:Jacques Ămile Blanche
361:painter and sculptor
249:humanist photographer
236:Henri Cartier-Bresson
36:Henri Cartier-Bresson
5929:Street photographers
5909:Photography in India
5904:Photography in China
5889:Magnum photographers
5864:French photographers
5520:Manuel Ălvarez Bravo
5170:Montier, J. (1996).
4995:Robert Klein Gallery
4785:J. Paul Getty Museum
4718:Museum of Modern Art
4356:Museum of Modern Art
4230:. 12 February 1980.
4140:. 23 February 2016.
4048:Museum of Modern Art
3740:. 17 November 2011.
3623:on 15 September 2012
3045:Montier, 1996, p. 12
2649:. 26 February 2022.
2462:, St.Louis, Missouri
2436:J. Paul Getty Museum
2046:Museum of Modern Art
2039:Manuel Alvarez Bravo
2037:, Mexico City (with
1992:improve this article
1736:Landscape Townscape.
1569:Museum of Modern Art
1296:Simon & Schuster
1285:Museum of Modern Art
1022:Ming Tombs Reservoir
979:Simon & Schuster
971:Images Ă la Sauvette
948:The Decisive Moment,
936:Images Ă la sauvette
914:The Child Generation
895:Sri Aurobindo Ashram
798:Museum of Modern Art
787:liberation of France
764:World War II service
633:Manuel Ălvarez Bravo
157: 1937;
5356:Gold Rush, Shanghai
5165:Thames & Hudson
3875:on 25 February 2012
3841:The Washington Post
3679:. 5 November 2018.
3403:Qian, Ying (2024).
3378:The Washington Post
3359:The Decisive Moment
3021:The Daily Telegraph
3013:Turner, Christopher
2709:American Photo - ND
2474:Overseas Press Club
2372:2021 Le Grand jeu,
1767:Jean-Noel Jeanneney
1684:Jean-Pierre Montier
1618:America in Passing.
1409:Jean-Pierre Montier
1365:China in Transition
1358:Thames & Hudson
1292:The Decisive Moment
983:The Decisive Moment
932:The Decisive Moment
921:The Decisive Moment
629:Julien Levy Gallery
521:Le Moulin du Soleil
371:Jacques-Louis David
5609:Christer Strömholm
5440:Street photography
5435:Candid photography
5177:Warren, J (2005),
5025:2017-01-27 at the
4901:"The Lucie Awards"
4389:2011-06-10 at the
4315:The New York Times
4259:The Boston Phoenix
3708:The New York Times
3106:inspiringpeople.us
2805:The New York Times
2678:The New York Times
2612:The New York Times
2592:has generic name (
2532:for the photobook
2391:Public collections
2312:Maison de la Photo
2305:High Museum of Art
2265:Martin Gropius Bau
2168:Rencontres d'Arles
2065:, Cologne, Germany
1876:, and in 1939 for
1643:A propos de Paris.
1571:. French edition.
1546:. English edition.
1534:. Introduction by
1523:Ferdinando Scianna
1462:. Introduction by
1444:. Commissioned by
1387:Grossman Publisher
1049:Alberto Giacometti
1009:Pavillon de Marsan
940:
910:Women of the World
906:Youth of the World
698:Partie de campagne
583:
491:Cambridge and army
283:Chanteloup-en-Brie
261:street photography
253:candid photography
68:Chanteloup-en-Brie
5801:
5800:
5739:Wolfgang Tillmans
5686:Graciela Iturbide
5615:William Eggleston
5550:SebastiĂŁo Salgado
5486:Laureates of the
5453:
5452:
4598:Magnum Consortium
3539:. 4 August 2004.
3015:(12 April 2010).
2763:978-0-500-30124-1
2614:. 3 August 2016.
2339:, Vienna, Austria
2024:
2023:
2016:
1870:La vie est Ă nous
1765:, Jean Leymarie,
1755:Philippe Arbaizar
1711:Ernst H. Gombrich
1400:. French edition.
1338:. German edition.
1324:Les Danses Ă Bali
1301:2014: Göttingen:
1298:. French edition
1133:Oxford University
1096:Spanish Civil War
1039:Costantino Nivola
952:images on the sly
891:Sri Ramana Ashram
879:Dutch East Indies
867:People's Republic
859:Chinese Civil War
715:Spanish Civil War
546:Heart of Darkness
503:on my shoulder."
302:Place de l'Europe
233:
232:
16:(Redirected from
5946:
5792:Carrie Mae Weems
5727:Joan Fontcuberta
5644:Hiroshi Sugimoto
5488:Hasselblad Award
5480:
5473:
5466:
5457:
5278:
5271:
5264:
5255:
5199:at Magnum Photos
5140:
5139:
5137:
5135:
5116:
5110:
5109:
5107:
5105:
5094:The Lucie Awards
5086:
5080:
5079:
5077:
5075:
5056:
5050:
5036:
5030:
5017:
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5010:
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4119:
4108:Rencontres Arles
4100:
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3899:
3891:
3885:
3884:
3882:
3880:
3871:. Archived from
3864:
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3407:. New York, NY:
3400:
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3369:
3363:
3362:
3354:
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3336:
3330:
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3285:
3274:Google Translate
3256:Robert Duggan -
3254:
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2817:
2808:. Archived from
2795:
2780:
2779:
2777:
2775:
2754:Wilson, David H.
2739:
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2730:
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2573:
2553:
2518:Hasselblad Award
2476:of America Award
2019:
2012:
2008:
2005:
1999:
1976:
1968:
1620:Introduction by
1595:Introduction by
1468:John Weatherhill
1460:The Face of Asia
1424:The World of HCB
1354:People of Moscow
1269:
1243:
1071:Death and legacy
1053:Diego Giacometti
960:Cardinal de Retz
887:Ramana Maharishi
809:Beaumont Newhall
805:Lincoln Kirstein
770:Battle of France
701:and in the 1939
606:He acquired the
555:blackwater fever
535:Escape to Africa
291:Charlotte Corday
265:decisive moment.
246:
241:
229:
210:Hasselblad Award
184:
182:
162:
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156:
82:
63:
61:
46:
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5954:
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5949:
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5854:French escapees
5804:
5803:
5802:
5797:
5768:
5751:Rineke Dijkstra
5733:Miyako Ishiuchi
5697:
5674:David Goldblatt
5668:Lee Friedlander
5638:Boris Mikhailov
5626:
5555:
5502:Lennart Nilsson
5490:
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5047:Wayback Machine
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4480:. 23 May 2018.
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3411:. p. 159.
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3327:Wayback Machine
3315:
3311:
3305:Canongate Books
3292:
3288:
3265:Wayback Machine
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2386:, Paris, France
2376:, Paris, France
2020:
2009:
2003:
2000:
1989:
1977:
1966:
1944:
1906:
1878:La RĂšgle du Jeu
1866:
1861:
1718:The Mind's Eye.
1680:L'Art sans art.
1597:Robert Guillain
1442:Man and Machine
1315:Clément Chéroux
1276:
1270:
1267:
1244:
1241:
1203:
1181:
1073:
1065:Carlton Gallery
1017:
998:
991:Washington Post
924:
897:, Pondicherry.
817:
766:
754:
731:
711:Communist party
704:La RĂšgle du jeu
689:
665:Harper's Bazaar
652:
595:Lake Tanganyika
591:Martin Munkacsi
575:
537:
509:
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367:Nicolas Poussin
348:
332:Lycée Condorcet
279:
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187:
186:
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152:
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106:Alma mater
90:
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18:Decisive moment
15:
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5846:
5841:
5836:
5831:
5826:
5821:
5816:
5806:
5805:
5799:
5798:
5796:
5795:
5789:
5786:Dayanita Singh
5783:
5776:
5774:
5770:
5769:
5767:
5766:
5763:DaidĆ Moriyama
5760:
5754:
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5703:
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5641:
5634:
5632:
5628:
5627:
5625:
5624:
5618:
5612:
5606:
5600:
5597:Robert HĂ€usser
5594:
5591:Susan Meiselas
5588:
5582:
5579:Josef Koudelka
5576:
5573:Richard Avedon
5570:
5563:
5561:
5557:
5556:
5554:
5553:
5547:
5544:Ădouard Boubat
5541:
5538:Hiroshi Hamaya
5535:
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5511:
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5448:
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5421:
5415:
5412:Martine Franck
5409:
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5386:
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5380:
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5360:
5352:
5344:
5340:Juvisy, France
5336:
5328:
5320:
5316:Seville, Spain
5312:
5308:HyĂšres, France
5304:
5295:
5293:
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5194:
5187:
5186:External links
5184:
5183:
5182:
5175:
5168:
5157:
5148:
5145:
5142:
5141:
5111:
5081:
5066:. March 2017.
5051:
5031:
5012:
4982:
4952:
4935:Weston Gallery
4922:
4905:www.lucies.org
4892:
4862:
4832:
4802:
4772:
4735:
4705:
4684:"Grand Palais"
4675:
4645:
4615:
4585:
4555:
4540:(in Italian).
4525:
4495:
4478:Musee Magazine
4465:
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4376:
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4271:
4245:
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3945:
3928:lomography.com
3915:
3886:
3859:
3826:
3819:
3794:
3776:978-1579584450
3775:
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3725:
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3524:
3517:
3497:
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3364:
3344:
3331:
3309:
3294:Simon Garfield
3286:
3249:
3223:
3197:
3182:
3152:
3139:978-0500512234
3138:
3118:
3093:
3062:
3057:New York Times
3047:
3038:
2999:
2982:"Harry Crosby"
2973:
2954:
2934:
2916:978-0743222020
2915:
2895:
2865:
2853:
2823:
2812:on 10 May 2013
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2430:
2429:, Illinois, US
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1897:
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1888:
1885:
1865:
1862:
1860:
1857:
1856:
1855:
1848:
1846:978-3869307886
1834:
1832:978-0870707780
1820:
1817:Jean-Luc Nancy
1805:
1804:
1803:
1801:978-0893817442
1790:
1788:978-0893818753
1774:
1771:Serge Toubiana
1763:Robert Delpire
1759:Claude Cookman
1757:, Jean Clair,
1747:
1732:
1725:
1714:
1703:
1696:
1689:
1688:
1687:
1677:
1674:Carlos Fuentes
1667:
1657:
1655:978-0821220641
1637:
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1635:
1625:
1612:
1611:
1610:
1600:
1593:L'Autre Chine.
1587:
1586:
1585:
1579:
1577:978-0870702624
1555:
1554:
1553:
1550:Photoportraits
1547:
1526:
1507:
1505:978-0821207567
1485:
1478:
1471:
1464:Robert Shaplen
1456:
1449:
1438:
1436:978-0670786640
1420:
1417:Bulfinch Press
1401:
1390:
1379:
1368:
1361:
1350:
1339:
1332:BĂ©ryl de Zoete
1328:Antonin Artaud
1320:
1319:
1318:
1311:978-3869307886
1288:
1275:
1272:
1265:
1239:
1202:
1199:
1180:
1177:
1152:Martine Franck
1072:
1069:
1061:Martine Franck
1016:
1013:
923:
918:
883:Tiruvannamalai
816:
813:
765:
762:
753:
750:
730:
727:
688:
685:
675:Depression-era
651:
648:
574:
571:
567:String Quartet
536:
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83:(aged 95)
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66:
64:22 August 1908
55:
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5690:
5687:
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5678:
5675:
5672:
5669:
5666:
5663:
5660:
5657:
5656:Malick Sidibé
5654:
5651:
5648:
5645:
5642:
5639:
5636:
5635:
5633:
5629:
5622:
5621:Cindy Sherman
5619:
5616:
5613:
5610:
5607:
5604:
5601:
5598:
5595:
5592:
5589:
5586:
5583:
5580:
5577:
5574:
5571:
5568:
5567:William Klein
5565:
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5545:
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5539:
5536:
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5500:
5499:
5497:
5493:
5489:
5481:
5476:
5474:
5469:
5467:
5462:
5461:
5458:
5446:
5445:Magnum Photos
5443:
5441:
5438:
5436:
5433:
5432:
5430:
5426:
5419:
5416:
5414:(second wife)
5413:
5410:
5407:
5404:
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5401:
5397:
5391:
5388:
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5272:
5267:
5265:
5260:
5259:
5256:
5250:
5247:
5245:
5242:
5240:
5239:The Observer.
5236:
5232:
5230:
5227:
5225:
5222:
5220:
5217:
5215:
5214:
5209:
5206:
5204:
5203:Magnum Photos
5201:
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5189:
5185:
5180:
5176:
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4405:
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4388:
4385:
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4377:
4361:
4357:
4350:
4344:
4341:
4328:
4324:
4320:
4316:
4312:
4305:
4302:
4289:
4285:
4281:
4275:
4272:
4260:
4256:
4249:
4246:
4233:
4229:
4225:
4219:
4216:
4203:
4199:
4195:
4189:
4186:
4173:
4169:
4165:
4159:
4156:
4143:
4139:
4135:
4129:
4126:
4113:
4109:
4105:
4099:
4096:
4083:
4079:
4075:
4069:
4066:
4053:
4049:
4045:
4039:
4036:
4023:
4019:
4015:
4009:
4006:
3993:
3989:
3988:Magnum Photos
3985:
3979:
3976:
3963:
3959:
3958:Ateneo Madrid
3955:
3949:
3946:
3933:
3929:
3925:
3919:
3916:
3911:
3905:
3897:
3890:
3887:
3874:
3870:
3863:
3860:
3847:
3843:
3842:
3837:
3830:
3827:
3822:
3820:1-58115-208-6
3816:
3811:
3810:
3801:
3799:
3795:
3782:
3778:
3772:
3768:
3767:
3759:
3756:
3743:
3739:
3735:
3729:
3726:
3713:
3709:
3705:
3698:
3695:
3682:
3678:
3674:
3668:
3665:
3652:
3649:(in French).
3648:
3644:
3638:
3635:
3622:
3618:
3617:
3610:
3607:
3594:
3590:
3589:
3584:
3577:
3574:
3570:
3566:
3563:
3558:
3555:
3542:
3538:
3534:
3528:
3525:
3520:
3518:9781579583934
3514:
3510:
3509:
3501:
3498:
3485:
3481:
3477:
3471:
3468:
3455:
3451:
3447:
3440:
3437:
3433:
3428:
3425:
3420:
3418:9780231204477
3414:
3410:
3406:
3399:
3396:
3383:
3379:
3375:
3368:
3365:
3360:
3353:
3351:
3349:
3345:
3342:Vol 2 Memoirs
3341:
3335:
3332:
3328:
3324:
3321:
3320:
3313:
3310:
3306:
3303:
3299:
3295:
3290:
3287:
3283:
3279:
3275:
3271:
3270:
3269:The Big Think
3266:
3262:
3259:
3253:
3250:
3237:
3233:
3227:
3224:
3211:
3207:
3206:"India. 1950"
3201:
3198:
3193:
3186:
3183:
3180:
3176:
3165:
3164:
3156:
3153:
3141:
3135:
3131:
3130:
3122:
3119:
3107:
3103:
3097:
3094:
3081:
3077:
3073:
3066:
3063:
3058:
3051:
3048:
3042:
3039:
3026:
3022:
3018:
3014:
3008:
3006:
3004:
3000:
2987:
2983:
2977:
2974:
2961:
2957:
2955:1-59017-066-0
2951:
2947:
2946:
2938:
2935:
2922:
2918:
2912:
2908:
2907:
2899:
2896:
2883:
2879:
2875:
2869:
2866:
2863:
2857:
2854:
2841:
2837:
2836:The Art Story
2833:
2827:
2824:
2811:
2807:
2806:
2801:
2794:
2792:
2790:
2788:
2786:
2782:
2769:
2765:
2759:
2755:
2751:
2747:
2746:
2738:
2735:
2722:
2718:
2714:
2710:
2706:
2699:
2696:
2683:
2679:
2675:
2668:
2665:
2652:
2648:
2644:
2638:
2636:
2634:
2630:
2617:
2613:
2609:
2603:
2600:
2595:
2583:
2567:
2563:
2559:
2552:
2550:
2546:
2539:
2535:
2531:
2527:
2525:
2521:
2519:
2515:
2512:
2510:
2509:Edwin H. Land
2507:(DGPh), with
2506:
2502:
2499:
2497:
2493:
2490:
2488:
2484:
2481:
2478:
2475:
2471:
2470:
2466:
2461:
2458:
2455:
2452:
2449:
2446:
2443:
2440:
2438:, Los Angeles
2437:
2434:
2431:
2428:
2425:
2422:
2419:
2416:
2413:
2410:
2407:
2404:
2401:
2398:
2397:
2396:
2390:
2385:
2381:
2378:
2375:
2371:
2368:
2365:
2362:
2359:
2355:
2353:, Mexico City
2352:
2348:
2345:
2341:
2338:
2337:KunstHausWien
2334:
2331:
2327:
2324:
2320:
2317:
2313:
2309:
2307:, Atlanta, GA
2306:
2302:
2300:
2296:
2293:
2290:
2287:
2284:
2281:
2278:
2275:
2272:
2269:
2266:
2262:
2258:
2255:
2252:
2249:
2246:
2243:
2240:
2237:
2234:
2231:
2228:
2225:
2222:
2219:
2216:
2213:
2210:
2207:
2204:
2201:
2198:
2195:
2192:
2189:
2186:
2183:
2179:
2175:
2172:
2169:
2165:
2162:
2159:
2156:
2153:
2150:
2146:
2143:
2140:
2137:
2134:
2131:
2128:
2125:
2122:
2119:
2117:
2113:
2110:
2107:
2104:
2101:
2098:
2095:
2092:
2089:
2085:
2082:
2079:
2076:
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2070:
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2064:
2060:
2057:
2054:
2050:
2047:
2043:
2040:
2036:
2032:
2029:
2026:
2025:
2018:
2015:
2007:
1997:
1993:
1987:
1986:
1981:This section
1979:
1975:
1970:
1969:
1963:
1958:
1955:
1952:
1949:
1946:
1945:
1941:
1936:
1933:
1930:
1927:
1924:
1921:
1917:
1914:
1911:
1908:
1907:
1903:
1898:
1895:
1892:
1889:
1886:
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1664:Jean Leymarie
1661:
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1633:
1632:Louis Clayeux
1629:
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1608:
1604:
1603:Line by Line.
1601:
1598:
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1566:
1565:Peter Galassi
1562:
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1493:Yves Bonnefoy
1490:
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1343:The Europeans
1340:
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1217:
1216:medium format
1212:
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1186:
1185:cinéma vérité
1179:Cinéma vérité
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1033:, he went to
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956:Henri Matisse
953:
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833:Magnum Photos
830:
829:George Rodger
826:
825:David Seymour
822:
815:Magnum Photos
814:
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723:Herbert Kline
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640:David Seymour
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551:CĂŽte d'Ivoire
548:
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468:Peter Galassi
464:
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442:Paolo Uccello
439:
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79:3 August 2004
78:
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69:
56:
52:
48:Henri in 1972
45:
40:
33:
30:
19:
5939:Yaddo alumni
5780:Alfredo Jaar
5745:Stan Douglas
5709:Sophie Calle
5692:Robert Adams
5603:Robert Frank
5585:Sune Jonsson
5513:
5408:(first wife)
5406:Ratna Mohini
5370:
5362:
5354:
5346:
5338:
5330:
5322:
5314:
5306:
5298:
5284:
5238:
5213:The Guardian
5211:
5178:
5171:
5160:
5153:
5132:. Retrieved
5123:
5114:
5102:. Retrieved
5093:
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5072:. Retrieved
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5015:
5003:. Retrieved
4994:
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4874:
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4844:
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4784:
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4754:
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4717:
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4687:
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4657:
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4627:
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4597:
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4567:
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4546:. Retrieved
4537:
4528:
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4507:
4498:
4488:11 September
4486:. Retrieved
4477:
4468:
4456:. Retrieved
4442:
4430:. Retrieved
4416:
4407:
4403:
4397:
4379:
4369:11 September
4367:. Retrieved
4355:
4343:
4333:23 September
4331:. Retrieved
4314:
4304:
4294:11 September
4292:. Retrieved
4283:
4274:
4262:. Retrieved
4258:
4248:
4238:11 September
4236:. Retrieved
4227:
4218:
4208:11 September
4206:. Retrieved
4197:
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4137:
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4107:
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4077:
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4047:
4038:
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4017:
4008:
3996:. Retrieved
3987:
3978:
3966:. Retrieved
3957:
3948:
3936:. Retrieved
3927:
3918:
3895:
3889:
3877:. Retrieved
3873:the original
3862:
3850:. Retrieved
3839:
3829:
3808:
3785:. Retrieved
3765:
3758:
3746:. Retrieved
3737:
3728:
3716:. Retrieved
3707:
3697:
3685:. Retrieved
3676:
3667:
3655:. Retrieved
3646:
3637:
3625:. Retrieved
3621:the original
3615:
3609:
3599:19 September
3597:. Retrieved
3588:The Guardian
3586:
3576:
3557:
3547:19 September
3545:. Retrieved
3527:
3507:
3500:
3488:. Retrieved
3479:
3470:
3458:. Retrieved
3449:
3439:
3431:
3427:
3404:
3398:
3386:. Retrieved
3377:
3367:
3358:
3334:
3318:
3312:
3289:
3267:
3252:
3240:. Retrieved
3226:
3214:. Retrieved
3200:
3191:
3185:
3178:
3169:. Retrieved
3166:
3162:
3155:
3143:. Retrieved
3128:
3121:
3109:. Retrieved
3105:
3096:
3084:. Retrieved
3075:
3065:
3056:
3050:
3041:
3029:. Retrieved
2990:. Retrieved
2976:
2964:. Retrieved
2944:
2937:
2925:. Retrieved
2905:
2898:
2886:. Retrieved
2877:
2868:
2861:
2856:
2844:. Retrieved
2835:
2826:
2814:. Retrieved
2810:the original
2803:
2772:. Retrieved
2750:New Horizons
2744:
2737:
2725:. Retrieved
2708:
2698:
2686:. Retrieved
2677:
2667:
2655:. Retrieved
2646:
2620:. Retrieved
2611:
2602:
2570:. Retrieved
2561:
2533:
2524:Lucie Awards
2394:
2010:
2001:
1990:Please help
1985:verification
1982:
1956:
1950:
1920:Diego Masson
1877:
1873:
1869:
1867:
1851:
1837:
1823:
1808:
1792:
1779:
1750:
1740:Erik Orsenna
1735:
1728:
1717:
1707:TĂȘte Ă tĂȘte.
1706:
1699:
1692:
1679:
1669:
1659:
1642:
1627:
1617:
1602:
1592:
1581:
1567:. New York:
1560:
1549:
1540:Yves VĂ©quaud
1536:Satyajit Ray
1531:
1514:
1510:
1495:. New York:
1488:
1481:
1475:About Russia
1474:
1459:
1452:
1441:
1428:Viking Press
1426:. New York:
1423:
1412:
1404:
1393:
1385:. New York:
1382:
1371:
1364:
1353:
1342:
1323:
1291:
1280:
1274:Publications
1258:
1253:World War II
1250:
1246:
1235:
1230:
1226:
1223:
1204:
1192:
1182:
1166:
1164:
1158:district to
1156:Montparnasse
1145:
1141:
1137:Charlie Rose
1130:
1123:
1091:
1089:
1074:
1057:
1046:
1043:
1028:
1026:
1018:
1015:Later career
1002:
1000:
997:
989:
987:
982:
970:
964:
951:
947:
943:
941:
935:
931:
920:
913:
909:
905:
901:
899:
852:
848:Maria Eisner
843:
836:
818:
801:
793:
791:
767:
758:Ratna Mohini
755:
743:
738:
732:
719:anti-fascist
702:
696:
690:
678:
677:documentary
663:
656:Walker Evans
653:
637:
615:, Brussels,
608:Leica camera
605:
598:
584:
566:
544:
538:
525:Ermenonville
520:
513:Harry Crosby
510:
494:
485:
473:
459:
438:Jan van Eyck
390:Schopenhauer
383:
356:
349:
329:
324:
323:rather than
320:
310:
306:Parc Monceau
295:
280:
268:
264:
235:
234:
143:Ratna Mohini
122:Photographer
95:Burial place
81:(2004-08-03)
29:
5819:2004 deaths
5814:1908 births
5757:Oscar Muñoz
5721:Paul Graham
5526:Irving Penn
5508:Ansel Adams
5418:André Lhote
5292:Photographs
5181:. Routledge
5124:Virus Photo
4885:20 February
4765:26 February
3627:28 December
3490:10 November
3460:31 December
3242:18 November
3216:18 November
3145:28 February
3111:21 November
3086:21 November
2888:21 November
2688:10 November
2590:|last=
1964:Exhibitions
1859:Filmography
1744:Gérard Macé
1647:VĂ©ra Feyder
1622:Gilles Mora
1563:. Texts by
1517:. Texts by
1376:Anna Farova
1326:. Texts by
821:Robert Capa
693:Jean Renoir
671:Paul Strand
660:Carmel Snow
644:Robert Capa
573:Photography
559:Eawy Forest
501:Lebel rifle
434:Renaissance
363:André Lhote
317:view camera
313:Box Brownie
117:Occupations
5808:Categories
5715:Walid Raad
5680:Nan Goldin
5532:Ernst Haas
5163:. London:
4915:9 November
4518:19 January
4458:28 January
3852:6 February
3718:5 November
3687:5 November
3657:5 November
3591:. London.
3535:. London:
3031:3 November
3019:. London:
2966:6 November
2774:17 October
2657:18 October
2622:5 November
2572:18 October
2540:References
2530:Prix Nadar
2360:, Helsinki
2335:2011-2012
2090:, New York
1813:AgnĂšs Sire
1700:Europeans.
1607:Jean Clair
1491:. Text by
1407:. Text by
1356:. London:
1211:50 mm
1194:Candid Eye
1173:Christie's
1120:Giacometti
1085:Montjustin
1055:in Paris.
1001:The photo
975:Dick Simon
863:Kuomintang
721:film with
687:Filmmaking
619:, Prague,
517:Le Bourget
470:explains:
463:Surrealist
386:Dostoevsky
277:Early life
99:Montjustin
60:1908-08-22
5650:Jeff Wall
5420:(teacher)
4323:0362-4331
3938:5 January
3904:cite book
3787:29 August
3076:Lens Blog
2860:Galassi,
2717:1046-8986
2562:Biography
2325:, Germany
2170:, France.
2063:Photokina
1753:Texts by
1738:Texts by
1709:Texts by
1662:Texts by
1645:Texts by
1542:. Paris:
1347:Joan MirĂł
1261:leitmotiv
1201:Technique
1160:Le Marais
1011:in 1955.
794:Le Retour
597:. Titled
587:Marseille
436:masters:
398:Nietzsche
375:Modernism
298:bourgeois
220:Signature
5128:Archived
5098:Archived
5068:Archived
5043:Archived
5023:Archived
4999:Archived
4969:Archived
4939:Archived
4909:Archived
4879:Archived
4849:Archived
4819:Archived
4789:Archived
4759:Archived
4722:Archived
4692:Archived
4662:Archived
4632:Archived
4602:Archived
4572:Archived
4548:30 March
4542:Archived
4512:Archived
4482:Archived
4452:Archived
4432:17 March
4426:Archived
4387:Archived
4360:Archived
4327:Archived
4288:Archived
4264:9 August
4232:Archived
4202:Archived
4172:Archived
4168:WorldCat
4142:Archived
4112:Archived
4082:Archived
4052:Archived
4022:Archived
3992:Archived
3962:Archived
3932:Archived
3930:. 2015.
3846:Archived
3781:Archived
3748:14 March
3742:Archived
3712:Archived
3681:Archived
3651:Archived
3593:Archived
3565:Archived
3541:Archived
3537:BBC News
3484:Archived
3454:Archived
3382:Archived
3323:Archived
3282:sauvette
3261:Archived
3236:Archived
3210:Archived
3171:17 March
3080:Archived
3025:Archived
2992:18 March
2986:Archived
2960:Archived
2921:Archived
2882:Archived
2846:23 April
2840:Archived
2816:8 August
2768:Archived
2721:Archived
2682:Archived
2651:Archived
2616:Archived
2582:cite web
2566:Archived
2346:, Paris.
2318:, France
2055:, London
2004:May 2016
1854:Delpire.
1722:Aperture
1682:Text de
1672:Text by
1497:Bulfinch
1266:â
1240:â
1197:series.
1171:sold at
1035:Sardinia
875:Sam Tata
831:founded
782:Touraine
752:Marriage
739:Regards.
621:Budapest
446:Masaccio
402:Mallarmé
346:Painting
340:Mallarmé
287:Normandy
192:Children
101:, France
89:, France
70:, France
5428:Related
5383:Museums
5147:Sources
5134:1 April
5104:1 April
5074:1 April
5005:1 April
4975:1 April
4945:1 April
4855:1 April
4825:1 April
4795:1 April
4698:1 April
4668:1 April
4638:1 April
4608:1 April
4578:1 April
4178:4 April
4148:4 April
4118:4 April
4088:3 April
4058:3 April
4028:3 April
3998:3 April
3968:3 April
3879:26 June
3450:Galerie
3296:(2016)
2927:15 June
2727:30 June
2358:Ateneum
2356:2015
2349:2015
2342:2014
2328:2011
2321:2011
2310:2011
2303:2011
2297:2011
2176:1989
2147:1987
2061:1956
1336:Delpire
1334:Paris:
1112:Matisse
1108:Colette
1104:Picasso
1077:CĂ©reste
967:TĂ©riade
871:eunuchs
745:Ce soir
563:Debussy
529:Caresse
394:Rimbaud
336:Rimbaud
240:French:
185:
177:
163:
151:
147:
132:Spouses
125:painter
112:, Paris
87:CĂ©reste
5794:(2023)
5788:(2022)
5782:(2020)
5765:(2019)
5759:(2018)
5753:(2017)
5747:(2016)
5741:(2015)
5735:(2014)
5729:(2013)
5723:(2012)
5717:(2011)
5711:(2010)
5694:(2009)
5688:(2008)
5682:(2007)
5676:(2006)
5670:(2005)
5664:(2004)
5658:(2003)
5652:(2002)
5646:(2001)
5640:(2000)
5623:(1999)
5617:(1998)
5611:(1997)
5605:(1996)
5599:(1995)
5593:(1994)
5587:(1993)
5581:(1992)
5575:(1991)
5569:(1990)
5552:(1989)
5546:(1988)
5540:(1987)
5534:(1986)
5528:(1985)
5522:(1984)
5516:(1982)
5510:(1981)
5504:(1980)
5375:(1961)
5367:(1954)
5359:(1948)
5351:(1945)
5343:(1938)
5335:(1937)
5327:(1934)
5319:(1933)
5311:(1932)
5303:(1932)
5237:", in
4728:2 July
4321:
3817:
3773:
3515:
3415:
3276:&
3136:
2952:
2913:
2760:
2715:
2528:2006:
2516:1982:
2472:1948:
2467:Awards
2316:Toulon
1850:2017:
1844:
1836:2015:
1830:
1822:2010:
1807:2006:
1799:
1786:
1776:2005:
1749:2003:
1734:2001:
1727:1999:
1716:1999:
1705:1998:
1698:1997:
1691:1996:
1653:
1639:1994:
1614:1991:
1589:1989:
1575:
1557:1987:
1528:1985:
1509:1983:
1503:
1487:1979:
1480:1976:
1473:1973:
1458:1972:
1453:France
1451:1970:
1440:1969:
1434:
1422:1968:
1403:1966:
1398:Bantam
1392:1964:
1381:1963:
1370:1958:
1363:1956:
1352:1955:
1341:1955:
1322:1954:
1309:
1303:Steidl
1290:1952:
1279:1947:
855:Gandhi
774:Vosges
625:Madrid
617:Warsaw
613:Berlin
561:while
541:Conrad
480:Breton
476:Aragon
430:Louvre
422:Engels
410:Proust
359:Cubist
212:(1982)
200:Awards
5773:2020s
5702:2010s
5631:2000s
5560:1990s
5495:1980s
4568:Menil
4538:Mudec
4363:(PDF)
4352:(PDF)
3388:4 May
2114:1982
2051:1952
2044:1947
2033:1934
1207:Leica
1116:Pound
1100:Camus
1030:Vogue
844:Life,
418:Hegel
414:Joyce
406:Freud
352:music
179:(
175:
153:(
149:
5136:2019
5106:2019
5076:2019
5007:2019
4977:2019
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