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Death of a Ladies' Man (album)

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452:, such as "Paper Thin Hotel" ("The walls of this hotel are paper thin/Last night I heard you making love to him..."), and are couched in Spector's bombastic sprawl of sonic grandeur. The buoyant "Fingerprints" is a fiddle-infused hootenanny that recalls Cohen's love of country music. Early versions of "Iodine" (then called "Guerrero") and "Don't Go Home with Your Hard-on" were performed in concert as early as 1975 (with music credited to 3011: 2226: 483:" as well as his daughter. At the time of the album's release, however, he was much less generous in his public response to the album, calling Spector's production "a 'catastrophe'". Of the album's eight selections, "Memories" is the only track Cohen regularly performed in concert (on tours in 1979, 1980 and 1985). He apparently liked the song enough that he included it in his 1983 experimental art film 22: 708: 427:
were heavily armed also. He liked guns - I liked guns too but I generally don't carry one, and it's hard to ignore a .45 lying on the console. When I was working with him alone, it was very agreeable, but the more people in the room, the wilder Phil would get. I couldn't help but admire the extravagance of his performance, but at the time couldn't really hold my own."
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benefit of the musicians. He had expected to be able to take time on his singing but with Spector holding the tapes hostage at an unknown location this now seemed impossible, unless he brought his own bunch of heavies to take on Spector's. "I had the option of hiring my own private army and fighting it out with him on Sunset Boulevard or letting it go...I let it go."
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reacted by saying, "As long as we are locked up, we might as well write some songs together." They went to the piano and started that night. For about a month they wrote (and drank) together and Cohen remembers it as a generous period, although he had to wear an overcoat almost constantly to work in Spector's freezing home.
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magazine in 1991. "People were skating around on bullets, guns were finding their way into hamburgers, guns were all over the place. It wasn't safe. It was mayhem, but it was part of the times. It was rather drug-driven. But I like Phil, and the instinct was right. I'd do it again." Interviewed for
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One day Phil just failed to return to the studio, keeping all the tapes (as he had done with Lennon's masters) and going on to mix them alone. Cohen was aghast. He did not consider his recorded vocals to be anywhere near definitive. As far as he was concerned they were merely "guide" vocals for the
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It was one of those periods when my chops were impaired, and I wasn't in the right kind of condition to resist Phil's very strong influence on and eventual takeover of the record. There were lots of guns around in the studio and lots of liquor, a somewhat dangerous atmosphere. He had bodyguards who
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Spector had uncharacteristically left his well-protected home to see Cohen, and at the show was strangely silent. Spector then invited Cohen back to his home, which, because of the air-conditioning, was very chilly, about "thirty-two degrees," Cohen recalled...Spector locked the door and Cohen
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writer Dave Thompson concedes, "It is also true that a cursory listen to the album suggests that the whole thing was simply a ragbag of crazy notions thrown into the air to see where they landed." In 2010, Cohen biographer Anthony Reynolds singled out "True Love Leaves No Traces" for praise,
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you love me, Phil." Nadel also writes that the recording of the nine-minute title track began at 7:30 in the evening and lasted until 2:30 in the morning with the session musicians working on quadruple time, typical of the sessions as a whole. Another night, poet
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Marty Marchet's son Steven secured a deal with Warner Bros. to release the record, one that Cohen would always harbor mixed feelings about. "I'm too ashamed to tell the whole truth of what happened there", Cohen confessed to Adrian Deevoy of
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magazine that as soon as Spector "sat down with an instrument, he was normal." Things would change once Cohen and Spector entered a studio, with the producer's paranoia taking over and Cohen becoming increasingly disengaged from the project.
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By the mid-1970s, both Cohen and Spector were on a downward slide commercially. Although he remained popular in Europe, Cohen had never achieved the success in the United States that Columbia had hoped for. Spector had created hits such as
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tried to warn Cohen about working with Spector, Mitchell having witnessed some of the insanity between Spector and Lennon in Los Angeles, but initially - at least at the songwriting stage - the pair worked well together. Songwriter
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headlined its review with "Leonard Cohen's doo-wop Nightmare" and observed, "Too much of the record sounds like the world's most flamboyant extrovert producing and arranging the world's most fatalist introvert." The
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The liner notes of the Cohen album disclose that the photo was taken by an "Anonymous Roving Photographer at a Forgotten Polynesian Restaurant". It features (from left to right) Eva LaPierre, Cohen and
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The liner notes on the album state that Marty Machat, who was Spector's lawyer as well as Cohen's, introduced them. According to Cohen, this occurred backstage after one of his performances at the
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showed up and were ordered by Spector to sing background vocals on the raucously burlesque "Don't Go Home With Your Hard-on". Most of the songs deal with themes of unbridled sexuality and brutal
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in 1978. It has nothing in common with the album, with only one exception: it contains the poem "Death of a Lady's Man", which is identical to the lyrics of the album's title song.
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has inspired fewer cover versions than any preceding Cohen album, but both "True Love Leaves No Traces" and "Don't Go Home with Your Hard-on" were covered on the Cohen
415:, among many others. It was precisely in front of an audience, however, that Spector's megalomaniacal switch turned on, and soon Cohen felt overwhelmed. Speaking to 3050: 1706: 2139: 2773: 1791: 2303: 374:, who had also witnessed the producer's bizarre antics when he had been invited to his house to compose a song together, later marveled to Paul Zollo of 1325: 2514: 2069: 1777: 1692: 3045: 2610: 403:. Spector recruited a plethora of top-shelf Los Angeles studio musicians to play on the songs, including guitarists Dan and David Kessel, drummers 314: 2590: 1499: 1428: 345: 2380: 2324: 493:", "Chelsea Hotel #2", "The Guests", and "The Gypsy's Wife". A "de-Spectorized" version of "Memories" ended up being released when Cohen's album 1440: 292:
recording method, which included ornate arrangements and multiple tracks of instrument overdubs. The album was originally released in the US by
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2010) in which the female character listens to it in her head phones during a train ride. In 2013, Guitars and Bongos Records released
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provides some backing vocals. Greg's cover photo mimics Cohen's original photo, but replaces actual women with two mannequins.
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Outro includes a quotation from The Shields' 1958 single "You Cheated, You Lied" and a reference to classic-era pop singer
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declared in large type, "Leonard Cohen is for Musical Sadists". While defending the album, in a retrospective review
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cover version of the entire Death of a Ladies' Man album. Kimberly Morrison, a.k.a. "The Duchess" from
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was released to universal confusion and largely bad reviews, leaving many die-hard Cohen fans stunned.
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was issued in 2001. This version includes a saxophone solo different from that of the album version's.
3035: 2620: 2338: 1872: 1820: 1639: 293: 204: 321:" production technique in the 1960s, and had some success in the early 1970s by producing albums by 2939: 2111: 1886: 1245: 982: 1069:– guitar, composer, keyboards, background vocals, producer, vocal arrangement, rhythm arrangements 288:. The album was in some ways a departure from Cohen's typical minimalist style by using Spector's 2745: 2401: 2198: 2051: 2002: 1995: 1632: 777: 765: 2597: 2535: 2500: 2331: 2188: 2076: 1935: 1914: 1583: 1548: 1409: 1249: 1137: 1113: 781: 599: 388: 176: 1235: 2848: 2634: 2549: 2444: 2009: 1851: 1625: 1309: 1304: 1275: 1231: 1003: 623: 297: 209: 1452: 2961: 2891: 2886: 2641: 2415: 2178: 2037: 1456: 1148: 480: 417: 326: 217: 2493: 1770: 760: 715:
The relevance of particular information in (or previously in) this article or section is
2981: 2841: 2703: 2528: 2168: 2030: 940: 925: 898: 877:– background vocals, featured on "True Love Leaves No Traces", "Iodine" and "Memories". 773: 441: 1380: 130: 3029: 2991: 2956: 2717: 2183: 2023: 1956: 1604: 1508: 1042: 889: 874: 827: 789: 756: 683: 666: 516: 453: 366: 318: 289: 281: 229: 143: 2986: 2976: 2971: 2802: 2724: 2689: 2289: 2272: 2163: 2097: 1928: 1611: 1576: 1177: 1066: 994: 769: 673: 468: 285: 260: 222: 199: 686:, as "incandescently beautiful as anything either man would ever commit to tape". 387:
Spector would use three studios for the album, although his favorite remained the
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In 1978, Cohen would release a book of poetry with the slightly altered title
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Bob Robitaille – synthesizer, assistant engineer, synthesizer programming
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Dan Kessel – organ, synthesizer, guitar, keyboards, background vocals
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All songs written by Leonard Cohen (words) and Phil Spector (music).
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Up to 1978, the album was one of Cohen's biggest sellers in Sweden.
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s Sylvie Simmons in 2001, Cohen described his feelings at the time:
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During a cryptic exchange detailed in Ira Nadel's Cohen biography,
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by an editor as a result. Please see discussion on the
1408:. St Ives, N.S.W.: Australian Chart Book. p. 68. 1241:
Christgau's Record Guide: Rock Albums of the Seventies
329:; however, his behaviour became increasingly erratic. 357:
Biographer Anthony Reynolds writes in the 2010 book
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Web. 06 Apr. 2015. 1015:– flute, saxophone, wind, horn arrangements 2431: 2304:A Christmas Gift for You from Phil Spector 2264: 2250: 2242: 1707:Can't Forget: A Souvenir of the Grand Tour 1500: 1486: 1478: 1453:"Leonard Cohen | Artist | Official Charts" 1381:"You Cheated, You Lied Lyrics The Shields" 1215: 1213: 1205:Various Positions: A Life of Leonard Cohen 1098: 530: 338:Various Positions: A Life of Leonard Cohen 129: 120: 2070:Ladies and Gentlemen... Mr. Leonard Cohen 1778:Tower of Song: The Songs of Leonard Cohen 946:Bruce Gold – engineer, assistant engineer 106:Learn how and when to remove this message 2031:Stranger Music: Selected Poems and Songs 1081:Julia Tillman Waters – background vocals 1060:Devra Robitaille – synthesizer, producer 973:David Kessel – guitar, background vocals 846:"Don't Go Home with Your Hard-On" – 5:36 1293:. Vintage Books. 1995. pp. 88, 89. 1194: 2515:Why Do Lovers Break Each Other's Heart 118:1977 studio album by Leonard Cohen 2133:Marianne & Leonard: Words of Love 536: 7: 3051:Albums recorded at Gold Star Studios 2774:Do You Remember Rock 'n' Roll Radio? 698:Cover versions and live performances 44:adding citations to reliable sources 2487:He Hit Me (And It Felt Like a Kiss) 1672:Field Commander Cohen: Tour of 1979 985:– guitar, pedal steel, slide guitar 813:"True Love Leaves No Traces" – 4:26 496:Field Commander Cohen: Tour of 1979 336:notes in the 1996 Cohen biography, 55:"Death of a Ladies' Man" album 2628:Is This What I Get for Loving You? 2605:Why Don't They Let Us Fall in Love 1799:The Songs of Leonard Cohen Covered 1324:Schulman, Leif (21 January 1978). 931:Gerald Garrett – background vocals 14: 2690:You Came, You Saw, You Conquered! 2557:Christmas (Baby Please Come Home) 1901:Hey, That's No Way to Say Goodbye 1207:. Pantheon Books: New York, 1996. 1087:Lorna Willard – background vocals 1078:Bill Thedford – background vocals 883:Brenda Bryant – background vocals 631: 557: 3010: 3009: 2967:Bob B. Soxx & the Blue Jeans 2311:Presenting the Fabulous Ronettes 2225: 2224: 1265:– via robertchristgau.com. 862:Leonard Cohen – composer, vocals 706: 650: 645: 640: 635: 630: 576: 571: 566: 561: 556: 359:Leonard Cohen: A Remarkable Life 20: 3046:Albums produced by Phil Spector 2704:Instant Karma (We All Shine On) 2635:Hung Up on You/Unchained Melody 2611:"You've Lost That Lovin' Feelin 2473:There's No Other (Like My Baby) 1406:Australian Chart Book 1970–1992 1084:Oren Waters – background vocals 852:"Death of a Ladies' Man" – 9:19 843:"I Left a Woman Waiting" – 3:28 315:You've Lost That Lovin' Feelin' 31:needs additional citations for 2933:Tearing Down the Wall of Sound 2669:I'll Never Need More Than This 2577:(The Best Part of) Breakin' Up 1686:Live at the Isle of Wight 1970 1474:, from The Leonard Cohen Files 1459:. Retrieved 24 November 2016. 1063:Stan Ross – assistant engineer 904:Billy Diez – background vocals 764:. The songs were performed by 723:The information may have been 1: 2835:Don't You Worry My Little Pet 1563:New Skin for the Old Ceremony 1347:"Guitars and Bongos Records." 1291:Spin Alternative Record Guide 913:Oma Drake – background vocals 612:Spin Alternative Record Guide 284:, produced and co-written by 280:is the fifth studio album by 243:New Skin for the Old Ceremony 2367:Living in the Material World 2346:John Lennon/Plastic Ono Band 1816:Leonard Cohen Tour 2008–2010 1313:. No. 7. p. 26-27. 1157: 1142: 1130: 1090:Robert Zimmitti – percussion 886:John Cabalka – art direction 880:Bobby Bruce – fiddle, violin 2119:Leonard Cohen: I'm Your Man 1859:Dance Me to the End of Love 1785:Leonard Cohen: I'm Your Man 1746:The Essential Leonard Cohen 1383:. Mp3lyrics.org. 1926-03-27 1033:– pedal steel, slide guitar 3077: 2897:Phil Spector International 2828:To Know Him Is to Love Him 2649:River Deep – Mountain High 2374:Some Time in New York City 2353:The Concert for Bangladesh 2325:River Deep – Mountain High 1982:Let Us Compare Mythologies 1739:More Best of Leonard Cohen 1360:"The Shields- You Cheated" 1180:released his third novel, 949:Barry Goldberg – keyboards 786:Tro Inte Att Du KΓ€nner Mig 3005: 2767:Rock 'n' Roll High School 2711:The Long and Winding Road 2219: 1725:The Best of Leonard Cohen 1515: 1176:In 2009, Scottish author 1169:Cohen published the book 1147: 1135: 1123: 1111: 1104: 1101: 819:"Paper Thin Hotel" – 5:42 794:The Duchess and The Duke! 544: 541: 411:, and pedal steel player 236: 128: 2810:Back to Mono (1958–1969) 2760:Happy Xmas (War Is Over) 2508:He's Sure the Boy I Love 2452:Pretty Little Angel Eyes 2017:Selected Poems 1956–1968 1328:. Billboard. p. 122 1236:"Consumer Guide '70s: C" 1018:Jay Migliori – saxophone 1000:Charles Loper – trombone 937:– percussion, vibraphone 910:– flute, saxophone, wind 588:Christgau's Record Guide 391:complex located at 6252 3056:Columbia Records albums 2997:Murder of Lana Clarkson 2870:This Could Be the Night 2522:(Let's Dance) The Screw 1880:First We Take Manhattan 1054:Jack Redmond – trombone 952:Tom Hensley – keyboards 922:Gene Estes – percussion 361:that friend and fellow 2902:Warner-Spector Records 2466:Under the Moon of Love 2395:Death of a Ladies' Man 2210:The Holy or the Broken 2084:Beware of a Holy Whore 1989:The Spice-Box of Earth 1838:Ain't No Cure for Love 1570:Death of a Ladies' Man 1556:Songs of Love and Hate 1542:Songs of Leonard Cohen 1183:Death of a Ladies' Man 753:Death of a Ladies' Man 690:Commercial performance 662:Death of a Ladies' Man 393:Santa Monica Boulevard 277:Death of a Ladies' Man 252:Death of a Ladies' Man 124:Death of a Ladies' Man 3061:Warner Records albums 1362:. 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2003:Flowers for Hitler 1996:The Favourite Game 1964:You Want It Darker 1633:You Want It Darker 1124:Norwegian Albums ( 822:"Memories" – 5:59 778:The Mountain Goats 766:Dead Famous People 531: 207:(original release) 162:June and July 1977 3023: 3022: 2790: 2789: 2598:Ringo, I Love You 2536:Then He Kissed Me 2501:Zip-a-Dee-Doo-Dah 2239: 2238: 2189:Julie Christensen 2147:So Long, Marianne 1936:So Long, Marianne 1915:In My Secret Life 1732:So Long, Marianne 1584:Various Positions 1549:Songs from a Room 1305:Williamson, Nigel 1232:Christgau, Robert 1162: 1161: 1138:Sverigetopplistan 1114:Kent Music Report 895:Ron Coro – design 831: 782:Car Seat Headrest 750: 749: 659: 658: 523:and Lorca Cohen. 433:Various Positions 389:Gold Star Studios 273: 272: 269: 268: 177:contemporary folk 116: 115: 108: 90: 3068: 3013: 3012: 2856:Little by Little 2849:I Can Hear Music 2614: 2550:Baby, I Love You 2445:Corrine, Corrina 2432: 2266: 2259: 2252: 2243: 2228: 2227: 2010:Beautiful Losers 1887:The Gypsy's 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1166: 1163: 1160: 1159: 1156: 1145: 1144: 1141: 1133: 1132: 1129: 1121: 1120: 1117: 1109: 1108: 1103: 1096: 1093: 1092: 1091: 1088: 1085: 1082: 1079: 1076: 1070: 1064: 1061: 1058: 1055: 1052: 1046: 1040: 1039:– bass, guitar 1034: 1028: 1025: 1022: 1019: 1016: 1010: 1007: 1001: 998: 992: 986: 980: 974: 971: 968: 962: 956: 953: 950: 947: 944: 941:Allen Ginsberg 938: 932: 929: 926:Venetta Fields 923: 920: 914: 911: 905: 902: 899:Jesse Ed Davis 896: 893: 887: 884: 881: 878: 872: 866: 863: 858: 855: 854: 853: 850: 847: 844: 840: 839: 835: 834: 833: 832: 820: 817: 814: 810: 809: 801: 798: 774:John Darnielle 748: 747: 714: 712: 705: 699: 696: 691: 688: 657: 656: 627: 619: 618: 615: 607: 606: 603: 595: 594: 591: 583: 582: 553: 547: 546: 543: 539: 538: 528: 525: 511: 508: 463: 462: 442:Allen Ginsberg 429: 428: 384: 381: 355: 354: 305: 302: 271: 270: 267: 266: 257: 248: 234: 233: 226: 225: 220: 214: 213: 202: 196: 195: 184: 180: 179: 170: 164: 163: 160: 156: 155: 152: 148: 147: 142: 135: 134: 126: 125: 117: 114: 113: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 3073: 3062: 3059: 3057: 3054: 3052: 3049: 3047: 3044: 3042: 3039: 3037: 3034: 3033: 3031: 3016: 3008: 3007: 3004: 2998: 2995: 2993: 2992:Jack Nitzsche 2990: 2988: 2985: 2983: 2980: 2978: 2975: 2973: 2970: 2968: 2965: 2963: 2960: 2958: 2957:Wall of Sound 2955: 2954: 2952: 2948: 2942: 2941: 2937: 2935: 2934: 2930: 2927: 2923: 2920: 2916: 2915: 2913: 2911:Related media 2909: 2903: 2900: 2898: 2895: 2893: 2890: 2888: 2885: 2884: 2882: 2878: 2871: 2867: 2864: 2860: 2857: 2853: 2850: 2846: 2843: 2839: 2836: 2832: 2829: 2825: 2824: 2822: 2818: 2812: 2811: 2807: 2805: 2804: 2800: 2799: 2797: 2793: 2782: 2778: 2775: 2771: 2768: 2764: 2761: 2757: 2754: 2750: 2747: 2743: 2740: 2736: 2733: 2729: 2726: 2722: 2719: 2718:My Sweet Lord 2715: 2712: 2708: 2705: 2701: 2698: 2694: 2691: 2687: 2684: 2680: 2677: 2673: 2670: 2666: 2665: 2663: 2657: 2650: 2646: 2643: 2639: 2636: 2632: 2629: 2625: 2622: 2618: 2616: 2609: 2606: 2602: 2599: 2595: 2592: 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2120: 2116: 2114: 2113: 2109: 2107: 2106: 2102: 2100: 2099: 2095: 2093: 2092: 2088: 2086: 2085: 2081: 2079: 2078: 2074: 2072: 2071: 2067: 2066: 2064: 2060: 2054: 2053: 2049: 2047: 2046: 2042: 2040: 2039: 2035: 2033: 2032: 2028: 2026: 2025: 2024:Book of Mercy 2021: 2019: 2018: 2014: 2012: 2011: 2007: 2005: 2004: 2000: 1998: 1997: 1993: 1991: 1990: 1986: 1984: 1983: 1979: 1978: 1976: 1972: 1965: 1961: 1958: 1957:Tower of Song 1954: 1951: 1947: 1944: 1940: 1937: 1933: 1930: 1926: 1923: 1919: 1916: 1912: 1909: 1905: 1902: 1898: 1895: 1891: 1888: 1884: 1881: 1877: 1874: 1870: 1867: 1863: 1860: 1856: 1853: 1849: 1846: 1842: 1839: 1835: 1834: 1832: 1828: 1822: 1819: 1817: 1814: 1813: 1811: 1809:Concert tours 1807: 1801: 1800: 1796: 1794: 1793: 1789: 1787: 1786: 1782: 1780: 1779: 1775: 1773: 1772: 1768: 1766: 1765: 1761: 1760: 1758: 1754: 1748: 1747: 1743: 1741: 1740: 1736: 1734: 1733: 1729: 1727: 1726: 1722: 1721: 1719: 1715: 1709: 1708: 1704: 1702: 1701: 1697: 1695: 1694: 1690: 1688: 1687: 1683: 1681: 1680: 1676: 1674: 1673: 1669: 1667: 1666: 1662: 1660: 1659: 1655: 1654: 1652: 1648: 1642: 1641: 1637: 1635: 1634: 1630: 1628: 1627: 1623: 1621: 1620: 1616: 1614: 1613: 1609: 1607: 1606: 1605:Ten New Songs 1602: 1600: 1599: 1595: 1593: 1592: 1588: 1586: 1585: 1581: 1579: 1578: 1574: 1572: 1571: 1567: 1565: 1564: 1560: 1558: 1557: 1553: 1551: 1550: 1546: 1544: 1543: 1539: 1538: 1536: 1534:Studio albums 1532: 1526: 1523: 1521: 1518: 1517: 1514: 1510: 1509:Leonard Cohen 1503: 1498: 1496: 1491: 1489: 1484: 1483: 1480: 1473: 1470: 1469: 1465: 1458: 1454: 1449: 1446: 1442: 1437: 1434: 1430: 1425: 1422: 1417: 1415:0-646-11917-6 1411: 1407: 1403: 1397: 1394: 1382: 1376: 1373: 1361: 1355: 1352: 1348: 1343: 1340: 1327: 1320: 1317: 1312: 1311: 1306: 1300: 1297: 1292: 1286: 1283: 1280: 1278: 1272: 1269: 1257: 1251: 1247: 1243: 1242: 1237: 1233: 1227: 1224: 1221: 1216: 1214: 1210: 1206: 1203: 1202:Nadel, Ira B. 1198: 1195: 1189: 1187: 1185: 1184: 1179: 1174: 1172: 1164: 1154: 1150: 1146: 1139: 1134: 1127: 1122: 1118: 1115: 1110: 1102:Chart (1977) 1100: 1094: 1089: 1086: 1083: 1080: 1077: 1074: 1071: 1068: 1065: 1062: 1059: 1056: 1053: 1050: 1047: 1044: 1043:Emil Richards 1041: 1038: 1035: 1032: 1029: 1026: 1023: 1020: 1017: 1014: 1011: 1008: 1005: 1002: 999: 996: 993: 990: 987: 984: 981: 978: 975: 972: 969: 966: 963: 960: 957: 954: 951: 948: 945: 942: 939: 936: 933: 930: 927: 924: 921: 918: 915: 912: 909: 908:Steve Douglas 906: 903: 900: 897: 894: 891: 890:Conte Candoli 888: 885: 882: 879: 876: 875:Ronee Blakley 873: 870: 867: 864: 861: 860: 856: 851: 848: 845: 842: 841: 837: 836: 829: 828:Frankie Laine 824: 823: 821: 818: 815: 812: 811: 807: 806: 805: 800:Track listing 799: 797: 795: 791: 790:Greg Ashley's 787: 783: 779: 775: 771: 767: 763: 762: 758: 757:tribute album 754: 744: 734: 730: 726: 720: 719: 713: 704: 703: 697: 695: 689: 687: 685: 684:Ronee Blakley 680: 676: 675: 669: 668: 667:Rolling Stone 663: 628: 626: 625: 621: 620: 616: 614: 613: 609: 608: 604: 602: 601: 597: 596: 592: 590: 589: 585: 584: 554: 552: 549: 548: 540: 537:Review scores 535: 526: 524: 522: 518: 517:Suzanne Elrod 509: 507: 505: 500: 498: 497: 492: 488: 487: 482: 478: 477: 471: 470: 459: 458: 457: 455: 454:John Lissauer 451: 447: 443: 438: 434: 425: 424: 423: 421: 419: 414: 410: 406: 402: 398: 394: 390: 382: 380: 377: 373: 368: 367:Joni Mitchell 364: 360: 351: 347: 343: 342: 341: 339: 335: 330: 328: 324: 320: 319:wall of sound 316: 312: 303: 301: 299: 295: 291: 290:Wall of Sound 287: 283: 282:Leonard Cohen 279: 278: 263: 262: 258: 254: 253: 249: 245: 244: 240: 239: 235: 231: 230:Leonard Cohen 227: 224: 221: 219: 215: 211: 206: 203: 201: 197: 185: 181: 178: 174: 171: 169: 165: 161: 157: 154:November 1977 153: 149: 145: 144:Leonard Cohen 140: 136: 132: 127: 122: 110: 107: 99: 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: β€“  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 2987:Larry Levine 2977:The Crystals 2972:The Ronettes 2950:Other topics 2940:Phil Spector 2938: 2931: 2808: 2803:Menlove Ave. 2801: 2795:Compilations 2725:What Is Life 2494:He's a Rebel 2414: 2407: 2400: 2394: 2393: 2386: 2379: 2372: 2365: 2358: 2351: 2344: 2337: 2330: 2323: 2316: 2309: 2302: 2297:He's a Rebel 2295: 2290:Twist Uptown 2288: 2273:Phil Spector 2223: 2208: 2197: 2164:Bob Johnston 2145: 2138: 2131: 2124: 2117: 2110: 2103: 2098:I Am a Hotel 2096: 2089: 2082: 2075: 2068: 2050: 2043: 2036: 2029: 2022: 2015: 2008: 2001: 1994: 1987: 1980: 1929:The Partisan 1908:I'm Your Man 1797: 1790: 1783: 1776: 1771:I'm Your Fan 1769: 1762: 1744: 1737: 1730: 1723: 1717:Compilations 1705: 1698: 1691: 1684: 1677: 1670: 1663: 1656: 1638: 1631: 1624: 1617: 1612:Dear Heather 1610: 1603: 1596: 1591:I'm Your Man 1589: 1582: 1577:Recent Songs 1575: 1569: 1568: 1561: 1554: 1547: 1540: 1472:Album lyrics 1448: 1436: 1424: 1405: 1396: 1385:. Retrieved 1375: 1364:. Retrieved 1354: 1342: 1332:18 September 1330:. Retrieved 1319: 1308: 1299: 1290: 1285: 1276: 1271: 1261:February 23, 1259:. Retrieved 1240: 1226: 1204: 1197: 1181: 1178:Alan Bissett 1175: 1170: 1168: 1067:Phil Spector 1045:– percussion 995:Larry Levine 989:Michael Lang 803: 785: 770:David McComb 768:and the duo 761:I'm Your Fan 759: 752: 751: 738: 728: 724: 716: 693: 674:Toronto Star 672: 665: 661: 660: 622: 610: 598: 586: 513: 503: 501: 494: 486:I Am a Hotel 484: 476:I'm Your Man 474: 467: 464: 436: 432: 430: 416: 386: 375: 358: 356: 337: 331: 317:" with his " 307: 294:Warner Bros. 286:Phil Spector 276: 275: 274: 261:Recent Songs 259: 251: 250: 241: 223:Phil Spector 205:Warner Bros. 139:Studio album 102: 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 3036:1977 albums 2820:Other songs 2697:Black Pearl 2105:Night Magic 1922:Joan of Arc 1650:Live albums 1520:Discography 1402:Kent, David 1051:– keyboards 1037:Ray Pohlman 991:– keyboards 977:Clydie King 965:Jim Keltner 961:– keyboards 935:Terry Gibbs 510:Album cover 409:Jim Keltner 397:Vine Street 365:songwriter 323:John Lennon 3030:Categories 2919:B Boy Baby 2683:Proud Mary 2543:Be My Baby 2459:Talk to Me 2205:Alan Light 2199:Blue Alert 1894:Hallelujah 1665:Cohen Live 1658:Live Songs 1598:The Future 1387:2012-01-10 1366:2012-01-10 1255:089919026X 1190:References 1075:– arranger 1073:Nino Tempo 1031:Al Perkins 997:– engineer 959:Pete Jolly 869:Hal Blaine 741:March 2024 413:Al Perkins 405:Hal Blaine 372:John Prine 346:Troubadour 311:Be My Baby 304:Background 232:chronology 96:March 2024 66:newspapers 2880:Companies 2332:Let It Be 2045:The Flame 1845:Avalanche 1619:Old Ideas 1149:UK Albums 1107:position 1049:Don Randi 1013:Don Menza 917:Bob Dylan 892:– trumpet 857:Personnel 733:talk page 605:favorable 527:Reception 481:punksters 450:voyeurism 446:Bob Dylan 401:Hollywood 383:Recording 334:Ira Nadel 212:(reissue) 3015:Category 2642:Ebb Tide 2428:produced 2282:produced 2230:Category 1404:(1993). 1234:(1981). 1126:VG-lista 901:– guitar 838:Side two 808:Side one 729:included 718:disputed 679:AllMusic 551:AllMusic 363:Canadian 218:Producer 210:Columbia 173:Pop rock 159:Recorded 151:Released 141: by 2753:Imagine 2426:Singles 2360:Imagine 1943:Suzanne 967:– drums 871:– drums 725:removed 491:Suzanne 313:" and " 265:(1979) 256:(1977) 247:(1974) 80:scholar 2739:Mother 2480:Uptown 2280:Albums 2194:Anjani 1525:Awards 1412:  1279:review 1252:  1095:Charts 600:Sounds 545:Rating 542:Source 183:Length 82:  75:  68:  61:  53:  2659:1967– 2567:1964– 2435:1960– 2077:Angel 1974:Books 1830:Songs 1310:Uncut 624:Uncut 200:Label 168:Genre 87:JSTOR 73:books 2661:2003 2569:1966 2437:1963 1410:ISBN 1334:2019 1263:2019 1250:ISBN 1165:Book 1105:Peak 617:5/10 521:Adam 444:and 437:hope 418:Mojo 407:and 350:L.A. 325:and 59:news 1158:35 1153:OCC 1143:15 1131:20 1119:85 776:of 727:or 399:in 348:in 332:As 42:by 3032:: 2207:: 2196:: 1455:. 1248:. 1244:. 1238:. 1212:^ 1155:) 1140:) 1128:) 1116:) 593:Bβˆ’ 300:. 192:34 188:42 175:, 2928:" 2924:" 2921:" 2917:" 2872:" 2868:" 2865:" 2861:" 2858:" 2854:" 2851:" 2847:" 2844:" 2840:" 2837:" 2833:" 2830:" 2826:" 2783:" 2779:" 2776:" 2772:" 2769:" 2765:" 2762:" 2758:" 2755:" 2751:" 2748:" 2744:" 2741:" 2737:" 2734:" 2730:" 2727:" 2723:" 2720:" 2716:" 2713:" 2709:" 2706:" 2702:" 2699:" 2695:" 2692:" 2688:" 2685:" 2681:" 2678:" 2674:" 2671:" 2667:" 2651:" 2647:" 2644:" 2640:" 2637:" 2633:" 2630:" 2626:" 2623:" 2619:" 2615:" 2613:' 2607:" 2603:" 2600:" 2596:" 2593:" 2589:" 2586:" 2582:" 2579:" 2575:" 2559:" 2555:" 2552:" 2548:" 2545:" 2541:" 2538:" 2534:" 2531:" 2527:" 2524:" 2520:" 2517:" 2513:" 2510:" 2506:" 2503:" 2499:" 2496:" 2492:" 2489:" 2485:" 2482:" 2478:" 2475:" 2471:" 2468:" 2464:" 2461:" 2457:" 2454:" 2450:" 2447:" 2443:" 2265:e 2258:t 2251:v 1966:" 1962:" 1959:" 1955:" 1952:" 1948:" 1945:" 1941:" 1938:" 1934:" 1931:" 1927:" 1924:" 1920:" 1917:" 1913:" 1910:" 1906:" 1903:" 1899:" 1896:" 1892:" 1889:" 1885:" 1882:" 1878:" 1875:" 1871:" 1868:" 1864:" 1861:" 1857:" 1854:" 1850:" 1847:" 1843:" 1840:" 1836:" 1501:e 1494:t 1487:v 1418:. 1390:. 1369:. 1336:. 1151:( 830:. 743:) 739:( 721:. 469:Q 420:' 309:" 190:: 109:) 103:( 98:) 94:( 84:Β· 77:Β· 70:Β· 63:Β· 36:.

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"Death of a Ladies' Man" album
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Studio album
Leonard Cohen
Genre
Pop rock
contemporary folk
Label
Warner Bros.
Columbia
Producer
Phil Spector
Leonard Cohen
New Skin for the Old Ceremony
Recent Songs
Leonard Cohen
Phil Spector
Wall of Sound
Warner Bros.
Columbia Records

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