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Death and Transfiguration

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as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the
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Just before his own death, he remarked that his music was absolutely correct, his feelings mirroring those of the artist depicted within; Strauss said to his daughter-in-law as he lay on his deathbed in 1949: "It's a funny thing, Alice, dying is just the way I composed it in
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described this as music to which one would not want to die or awaken. "It is too spectacular, too brilliantly lit, too full of pageantry of a crowd; whereas this is a journey one must make very quietly, and alone."
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for piano and orchestra). He also conducted this work for his first appearance in the United Kingdom, at the Wagner Concert with the Philharmonic Society on 15 June 1897 at the
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The music depicts the death of an artist. At Strauss's request, this was described in a poem by his friend
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Allegro molto agitato (The battle between life and death offers no respite to the man)
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Divertimento for chamber orchestra after keyboard pieces by Couperin
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There are four parts (with Ritter's poetic thoughts condensed):
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A Gallic Trio – Charles Munch, Paul Paray, Pierre Monteux.
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In one of his last compositions, "Im Abendrot" from the
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Festival (on the same programme as the premiere of his
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Strauss conducted the premiere on 21 June 1890 at the
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Dance suite from keyboard pieces by François Couperin
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Orchestre de la Société des Concerts du Conservatoire
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Meno mosso (The dying man's life passes before him)
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Index


Op.
tone poem
Richard Strauss
Alexander Ritter
Eisenach
Burleske in D minor
Queen's Hall
Ernest Newman
Romain Rolland

download the audio file
Woodwinds
flutes
oboes
English horn
clarinets
bass clarinet
bassoons
contrabassoon
Brass
horns
trumpets
trombones
tuba
Percussion
timpani
tam-tam
Strings
violins

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