129:
in 1989 with a joint appointment in
History of Art and Visual Culture (HAVC) and Photography. She also served RISD in many other capacities, from department head to stepping in as Acting Dean of Fine Arts, until 2012 when Bright left RISD to become chair of Fine Arts at the
323:. This color photography series represents a bodily immersion view of the battlefield from the perspective of those on the ground fighting rather than from the traditional landscape perspective from on high. The views are dominated by the tall grasses and draws of the
862:
142:
Bright is notable for her writing and photographic bodies of work on LGBT, queer, and women's right subject matter, as well as for her writing about and work of landscape photography.
341:
was displayed from 1992 to 2001 in five cities throughout the United States. She installed each piece based on their location; Bright wanted the work to reflect the area's
1598:
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paintings. For this body of work, Bright photographed the rock in tight framing that reveals the iconic rock's containment within a metal fence and secured as a
201:(1996–1999), which focuses on a common female childhood obsession with horses. The series featured provocatively framed plastic toy horses and female figures.
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movie scenes of the 20th century, inserting herself into film stills from the 1940s and 50s. She appears in place of such iconic romantic male leads as
1411:"Phillips Academy – Addison Gallery of American Art – Deborah Bright, Bloody Lane: Battle of Antietam (Maryland). September 17, 1862. Duration: one da"
86:(born 1950) is a 20th-century American photographer and artist, writer, and educator. She is particularly noted for her imagery and scholarship on
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1996, Marsha
Meskimmon, "The Art of Reflection: Women's Artists' Self-portraiture in the Twentieth Century, "Columbia University Press."
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Between 2015 and 2017 after her retirement from Pratt, Bright began creating a series of works using colored pencil and graphite on
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473:"Before Photography," The New Art Examiner, June 1982. "Double-Edged Constructions: The Work of Barbara Crane,"
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134:. Since her retirement from Pratt, Bright lives in Brooklyn, NY and has resumed painting queer abstractions.
280:
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1297:
707:
927:
Fraser, Jean; Boffin, Tessa (1991). "Tantalizing
Glimpses of Stolen Glances: Lesbians Take Photographs".
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777:
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119:
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40:
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centered on individual male property ownership. Her work was made around the same time as her
342:
44:
212:
of Gay and
Lesbian Art on May 21-June 28, 2008 and was curated by Pilar Gallego and Cora Lambert.
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275:
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550:"The Machine in the Garden Revisited: American Environmentalism and Photographic Aesthetics",
179:
1372:"Deborah Bright honored at Society for Photographic Education Northeast Regional Conference"
1122:
932:
839:
418:. The rock's difference from the surrounding geological landscape reveals its displacement.
162:(1989–90), which challenged mainstream, heteronormative gender-sex identities propagated in
115:
884:"From the Harvard Art Museums' collections Untitled (Adam's Rib, 1949) from "Dream Girls""
722:
388:
234:
220:
131:
99:
1036:
1208:"Volume 12 Issue 2 – GLQ: A Journal of Lesbian and Gay Studies – Duke University Press"
182:, in a fulfillment of lesbian desire that thematizes gender and LGBTQ+ subject matter.
1436:
1153:
Photographers and
Research: The role of research in contemporary photographic practice
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411:
393:
246:
171:
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of
American Art. Bright's photographic projects have been exhibited internationally.
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397:
216:
690:
John R. Frazier Award for
Excellence in Teaching, Rhode Is. School of Design, 1995
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719:
Honored
Educator Award, Society for Photographic Education Northeast Region, 2010
585:
The
Passionate Camera: Photography and Bodies of Desire, 1st ed, Routledge, 1998.
360:
224:
175:
1511:"Light Work Collection / Individual / Deborah Bright [Bright, Deborah]"
1114:
287:
consists of six 13x19 inch selenium toned silver prints, which are part of her
905:"Deborah Bright is Pratt's new Chair of the Fine Arts – RISD Academic Affairs"
364:
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project (2017) along with other female artists. The exhibition took place at
1534:
1252:
863:"Conveyed to Ebenezer Goodrich by Deed of Elisha Hervey, 1799 | RISD Museum"
59:
771:
California Museum of
Photography, University of California at Riverside, CA
575:(Christopher Scoates, ed.), Atlanta: Atlanta College of Art Gallery, 1995.
359:
series the artist explores agricultural enclosures and family heritage in
1127:
1115:"Eclipsing Aestheticism: Western Landscape Photography After Ansel Adams"
1090:"Bloody Lane: Battle of Antietam, from the series, Battlefield Panoramas"
844:
828:"Eclipsing Aestheticism: Western Landscape Photography After Ansel Adams"
783:
Radcliffe Institute for Advanced Study, Harvard University, Cambridge, MA
496:
An Inquiry Into the Cultural Meanings of Landscape Photography. Exposure
204:
In 2008, Bright collaborated with other artists in an exhibition called
944:
415:
324:
197:, Bright also worked on a similarly themed photographic series called
166:
movies. Inspired by her adolescent fantasies, Bright recreated iconic
1535:"Beaumont Hamel, Battle of the Somme, 1 July 1916. - Bright, Deborah"
762:
Addison Gallery of American Art Phillips Andover Academy, Andover, MA
936:
960:
Uninvited: Classical Hollywood Cinema and Lesbian Representability
774:
Center for Creative Photography, University of Arizona, Tucson, AZ
624:, eds. Michael Camille and Adrian Rifkin, Oxford: Blackwell, 2001.
557:"Reactionary Modernism: Lee Friedlander’s Nudes for the Nineties,"
345:
in addition to former industrial areas through the local details.
87:
592:, Providence: Museum of Art, Rhode Island School of Design, 1999.
571:"Exposing Family Values: Family Photography and Sexual Dissent,"
70:
962:. Bloomington, Indiana: Indiana University Press. p. 43.
681:
David and Reva Logan Award, Photographic Resource Center, 1989
90:
desire and politics, as well as on the ideologies of American
827:
747:
Museum of Art, Rhode Island School of Design, Providence, RI
613:"Back to Basics: The New Paintings of Julie Shelton Smith,"
251:
Whiskey Tango Foxtrot, Bad Moon Rising, My Egypt, Funkflash,
620:"Shopping the Leftovers: Warhol’s collecting strategies in
716:
Artist in Residence Grant, CEPA Gallery, Buffalo, NY, 2001
536:"Paradise Recycled: Art, Ecology, and the End of Nature,"
311:
series (1981–84), which references the nineteenth-century
1311:(4): 14. Summer 1995 – via College Art Association.
1183:
Land Matters: Landscape Photography, Culture and Identity
759:
Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY
684:
New Forms Grant, New England Foundation for the Arts,1992
735:
Fogg Museum of Art at Harvard University, Cambridge, MA
588:"Souvenirs of Progress: The Second Empire Landscapes,"
580:
The Passionate Camera: photography and bodies of desire
433:
The Passionate Camera: Photography and Bodies of Desire
725:, Photography, Plymouth University, Plymouth, UK, 2012
257:, all work together to defy traditional gender norms.
832:
Miranda: Revue pluridisciplinaire du monde anglophone
65:
51:
36:
28:
21:
1487:"Deborah Bright | Center for Creative Photography"
786:Rose Art Museum], Brandeis University, Waltham, MA
636:America in View: Landscape Photography 1865 to Now
445:"Michael Bishop and The Mystique of Mediocrity,"
215:In the wake of the 2016 Presidential election of
158:Bright first gained renown for her series called
750:Smithsonian American Art Museum, Washington, D.C
744:Museum of Contemporary Photography, Chicago, IL
1278:"Frazier Teaching Award: Call for Nominations"
703:Artist Grant, Massachusetts Arts Council, 1999
634:"Photographing Nature, Seeing Ourselves,"
178:opposite their female counterparts, including
790:State of Illinois Center Permanent Collection
396:at different tides and times of day, akin to
8:
1150:Read, Shirley; Simmons, Mike (2016-12-19).
622:Raid The Icebox I," Other Objects of Desire
564:"Sex Wars: Photography on the Frontlines,"
543:"Wait Till Donald Trump Buys the Whitney,"
291:series. The work was also displayed at the
803:State University of New York at Binghamton
522:"Confusing My Students, Eating My Words,"
515:"The ‘Other Body’ of British Photography,
18:
1599:21st-century American women photographers
1594:20th-century American women photographers
1126:
843:
629:GLQ: A journal of Lesbian and Gay Studies
597:GLQ: A Journal of Lesbian and Gay Studies
1322:Cerna, Antonio Gonzalez (15 July 1999).
1175:
1173:
700:Somerville (MA) Arts Lottery Grant, 1995
615:Rebuilding the Body: Julie Shelton Smith
599:, vol. 6, no. 3, 2000, pp. 479–488.
508:"Public Projections and Private Images,
392:, which consists of nine photographs of
94:. Her work is in the collections of the
818:
638:, Providence: RISD Museum of Art, 2012.
554:, vol. 51, no. 2, 1992, pp. 60–71.
695:Radcliffe Institute for Advanced Study
582:, Londonand New York: Routledge, 1998.
1429:"PINK & BENT: Art of Queer Women"
1008:"PINK & BENT: Art of Queer Women"
663:National Endowment for the Humanities
604:Horsetales: American Images and Icons
494:"Of Mother Nature and Marlboro Men",
367:, and focuses on self definition and
7:
1393:"Museum of Contemporary Photography"
1324:"11th Annual Lambda Literary Awards"
1228:Photography: A Critical Introduction
984:"Museum of Contemporary Photography"
899:
897:
878:
876:
857:
855:
617:, Newport: Newport Art Museum, 2001.
295:from September 1993 – January 1994.
1564:21st-century American photographers
1559:20th-century American photographers
578:"Pictures, Perverts and Politics,"
487:"Many Are Called, Few Are Chosen,"
452:"Reconsidering the Stieglitz Era,"
208:. The exhibition took place at the
16:American photographer and professor
808:Victoria and Albert Museum, London
693:Mary Ingraham Bunting Fellowship,
466:"Transformations in Photography,"
386:From 2000 to 2003, Bright created
14:
1604:21st-century American LGBT people
440:Articles and scholarship authored
267:Battlefield Panoramas (1981–1984)
206:Pink and Bent: Art of Queer Women
125:Bright joined the faculty at the
118:She received her M.F.A. from the
754:Binghamton University Art Museum
480:"Once Upon A Time In The West,"
1094:Smithsonian American Art Museum
687:Artist Grant, Art Matters, 1994
676:National Endowment for the Arts
590:The Photography of Adolph Braun
96:Smithsonian American Art Museum
739:Whitney Museum of American Art
363:symbolized by the omnipresent
1:
1574:American contemporary artists
798:, Simmons College, Boston, MA
304:Battle of the Little Big Horn
223:, Bright participated in the
127:Rhode Island School of Design
1584:University of Chicago alumni
1435:. 2008-05-21. Archived from
1113:Dennis, Kelly (2015-06-07).
1014:. 2008-05-21. Archived from
501:"Landscape As Photograph,"
32:1950 (age 73–74)
1620:
697:, Harvard University, 1995
435:, 1st ed, Routledge, 1998.
1415:accessaddison.andover.edu
1186:. Bloomsbury Publishing.
1180:Wells, Liz (2011-07-30).
888:www.harvardartmuseums.org
545:Michigan Quarterly Review
369:political enfranchisement
1579:American lesbian artists
1515:collection.lightwork.org
1156:. Taylor & Francis.
1037:"NASTY WOMEN Exhibition"
958:White, Patricia (1999).
801:University Art Museum,
706:Finalist, Visual Arts,
631:, vol. 12, no. 2, 2006.
529:"Engendered Dilemmas,"
337:Her installation piece
279:, was displayed at the
1257:Art Matters Foundation
826:Dennis, Kelly (2015).
708:Lambda Literary Awards
241:Non-photographic works
1065:Brooklyn Arts Council
778:Illinois State Museum
670:Illinois Arts Council
657:Illinois Arts Council
650:Illinois State Museum
321:William Henry Jackson
309:Battlefield Panoramas
289:Battlefield Panoramas
261:Landscape photography
120:University of Chicago
92:landscape photography
56:Fine-art photographer
41:University of Chicago
1433:Leslie-Lohman Museum
1276:Sandiford, Timothy.
1231:. Psychology Press.
1128:10.4000/miranda.6920
1041:The Knockdown Center
1012:Leslie-Lohman Museum
845:10.4000/miranda.6920
796:Trustman Art Gallery
595:"Being and Riding",
547:, 29:1, Winter 1990.
468:The New Art Examiner
461:The New Art Examiner
454:The New Art Examiner
447:The New Art Examiner
343:de-industrialization
313:panorama photography
272:Bright's 1983 work,
231:The Knockdown Center
210:Leslie-Lohman Museum
146:Gender and sexuality
1539:V and A Collections
1346:www.cepagallery.org
1342:"CEPA Gallery 2001"
1225:Wells, Liz (2004).
1212:read.dukeupress.edu
237:, Queens, New York
712:Passionate Camera)
627:"Queer Plymouth",
459:"By Arrangement,"
375:piece in 2000–01.
276:Battle of Antietam
249:. The five works,
114:Bright grew up in
1238:978-0-415-30703-1
1193:978-0-85772-035-1
1163:978-1-317-54906-2
969:978-0-253-33641-5
780:, Springfield, IL
540:, September 1990.
373:All that is Solid
339:All that is Solid
332:All That Is Solid
317:Edweard Muybridge
274:Bloody Lane, The
193:While working on
180:Katharine Hepburn
81:
80:
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1541:. 28 April 2019.
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1061:"Deborah Bright"
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766:Boston Athenaeum
756:, Binghamton, NY
648:Purchase Award,
519:, November 1987.
463:, February 1981.
199:Being and Riding
187:Being and Riding
116:Washington, D.C.
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1352:on 1 April 2019
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929:Feminist Review
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723:Research Fellow
645:
602:"Horse Crazy",
573:A Family Affair
561:, January 1993.
526:, 26:2/3, 1988.
484:, October 1984.
477:, October 1981.
442:
429:
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389:Glacial Erratic
384:
380:Glacial Erratic
353:
350:Manifest Series
335:
307:is part of her
270:
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221:Hillary Clinton
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132:Pratt Institute
112:
110:Life and career
100:Fogg Art Museum
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138:Artistic works
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104:Whitney Museum
84:Deborah Bright
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73:.deborahbright
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23:Deborah Bright
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838:(11): 18–22.
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382:(2000–2003)
365:stone walls
361:New England
327:landscape.
300:Crow Agency
285:Bloody Lane
281:Smithsonian
255:Night Radio
226:Nasty Women
195:Dream Girls
189:(1996–1999)
176:Rock Hudson
160:Dream Girls
154:(1989–1990)
152:Dream Girls
1553:Categories
1520:2019-04-01
1496:2019-04-01
1472:2019-04-01
1458:"UCR ARTS"
1443:2019-04-01
1298:"CAA News"
1283:2019-04-01
1262:2019-04-01
1099:2019-03-26
1075:2019-03-26
1046:2019-03-26
1022:2019-03-26
993:2019-03-26
813:References
559:Afterimage
538:Afterimage
517:Afterimage
510:Afterimage
489:Afterimage
482:Afterimage
475:Afterimage
102:, and the
1137:2108-6559
407:Haystacks
402:Cathedral
283:in 1992.
168:Hollywood
164:Hollywood
122:in 1975.
60:Professor
37:Education
1305:CAA News
610:, 22–31.
566:Exposure
524:exposure
503:exposure
357:Manifest
1377:1 April
1356:1 April
1119:Miranda
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325:Montana
235:Maspeth
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665:, 1985
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652:, 1980
643:Awards
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1301:(PDF)
941:JSTOR
531:Views
219:over
88:queer
1379:2019
1358:2019
1233:ISBN
1188:ISBN
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608:2000
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