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361:, Brown began to work with fibre-glass. In 1966 she was introduced to the owner of the Hendricks Gallery where she secured a one-woman exhibition that same year. In 1969 Brown had a solo exhibition at the Arts Council of Northern Ireland gallery. Brown donated a picture to an exhibition to raise funds for victims of civil disturbances in Belfast in the autumn of 1969. The exhibition at Queen's University was organised by Sheelagh Flanagan and showed the work of
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in the early 1960s, and worked in her father's office to supplement her income. She went on to take her professional exams in
Chattels and Fine Arts, providing her with an in depth knowledge of the history of furniture, silver, porcelain and painting, as well as the laws of surveying, bookkeeping and
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and towards the end of the war she studied at
Richmond Lodge School after the family had returned to Belfast. She also received private lessons at Sydney Smith's studio in Belfast in 1944–45 when she was still at school. In preparation for attending art college, Brown was instructed in art-history by
203:, having been classically trained in piano and cello at a young age. After three years studying in Dublin she continued her studies in Paris, where she became interested in the primary colours of European Modernism. Brown stayed in Paris for three months lodging with a French family. She visited the
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invited Brown to show at the
British Council rooms in Glasgow in 1955. In the following year Brown had a solo exhibition of thirty-six paintings at The City Gallery in Belfast. The works were "carried out in a broad forceful expressionist manner and in non-naturalistic colour". Writing of Brown's
450:, and was owned by the local vet in Cushendun until he was culled in the Foot and Mouth crisis of 2001. The bronze now sits on the same site as the animal normally sat, and has become a popular local landmark. Brown's animal sculptures were exhibited at Flanagan's Shambles Gallery in 1989.
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A Brown self-portrait was amongst 15 new exhibits inaugurated to the
National Self Portrait Collection of Ireland in a show at the Kneafsey Gallery, Limerick, in spring 1987. The Solomon Gallery in Dublin hosted an exhibition of Brown's sculptures in November of the same year.
112:(27 September 1927 – 8 April 2023) was a Northern Irish sculptor. She is well known in Ireland for her pioneering exploration of the medium of fibre glass in the 1960s and established herself as one of the country's leading sculptors, achieving extensive international acclaim.
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which resulted in a further exhibition in the following year with the same artists, in the
Armstrong Gallery in New York. Around the same time Brown retired from her father's firm and relocated back to Cushendun where she converted two outhouses into a studio.
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As a student she was a frequent visitor to the Irish
Exhibition of Living Art, the Hugh Lane Municipal Gallery, the National Gallery and Victor Waddington's gallery. Brown's abstract paintings were heavily influenced by the works of
147:. Her grandmother is credited with encouraging her artwork and supplying her with paints and materials from a young age. In 1934, her family moved to Cushendun into a house designed by Tom Henry, the brother of the painter
299:. But I can not go all the way with Miss Brown's disregard for formal values. Regretably -for I respect this artist's sincerity of purpose- I find the result neither aesthetically pleasing nor purposefully communicative"
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became her agent in
Northern Ireland she cast her first sheep in bronze and fulfilled Lord Belmore's request to cast a life-size papier-maché goat in bronze. That goat who served as a model is known as
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contributed an introduction to the catalogue. The exhibition consisted of thirty-five oils which were predominantly landscapes, woodland scenes and rivers. In the same year Brown befriended
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151:. Brown credited her Mother for instilling in her a love of animals, and along with the rural life of picking potatoes, cutting hay and turf, left an indelible mark on her work.
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From the mid-sixties onwards Brown's work moved from creating papier maché reliefs on canvas to becoming increasingly three dimensional, and upon a suggestion from
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property. Brown was later to become a partner in the firm. In 1965, Brown gained a major commission from the architects
Cruikshank & Seward for the
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1950, 1951, 1952, 1953, 1958, 1960 & 1961 Royal Ulster
Academy Annual Exhibition: Belfast Museum & Art Gallery, Belfast, Northern Ireland
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1961, 1966, 1968, 1970, 1971, 1972, 1973, 1975, 1976 & 1978 Irish
Exhibition of Living Art: The National College of Art, Dublin, Ireland
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Brown travelled throughout the northern Italy in the 1960s, to Rome, Sienna, Florence and Ravenna, where she studied the works of
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Upon returning to Belfast in 1951, Brown made preparations for her first solo exhibition at the CEMA Gallery, for which the poet
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Brown served as chairperson of the Visual Arts Committee of the Arts Council throughout the 1970s. In 1973, Brown joined
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and John Hewitt. Her involvement with stage design and the creation of various props provoked her interest in sculpture.
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1974 Collection of the Arts Council of Northern Ireland Touring Exhibition: Eire Arts Council Gallery, Dublin, Ireland
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with whom she remained friends until her death in 1969. Brown was later asked by Kenneth Jamison, the Director of the
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1960 Ulster Society of Women Artists: Brown & Thomas' Little Theatre, Dublin, Ireland, curated by Fr. Jack Hanlon
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for painting at the Irish Exhibition of Living Art in 1970 for Fibreglass form on canvas, painted red and black.
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in Belfast. In 1960, Brown was appointed one of seven trustees of the newly formed Lyric Players Trust including
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1968 Duchas: Exhibition of Ulster Artists, The Old Library Gallery, Queens University, Belfast, Northern Ireland
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on 27 September 1927. Brown was an only child who became fascinated with nature during childhood years spent in
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1966 Open Painting Exhibition, the Ulster Museum, Belfast, Northern Ireland, curated by the Arts Council of NI
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2005 Deborah Brown: From Painting to Sculpture, Ava Gallery, Bangor, County Down, curated by Dr Hilary Pyle
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having seen Brown's abstract paintings, asked Brown to paint some stage sets which had been designed by
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1959 Ulster Society of Women Artists: Belfast Museum & Art Gallery, Belfast, curated by James White
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for the best sculpture at the Annual Royal Ulster Academy exhibition at the Ulster Museum for her work
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abstraction in the 1959 annual exhibition of the Royal Ulster Academy Kenneth Jamison compares her to
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1959 Royal Ulster Academy Annual Exhibition: The City Gallery, Stranmillis, Belfast, Northern Ireland
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1946 & 1949 Ulster Academy of Arts Exhibition: Belfast Museum & Art Gallery, Northern Ireland
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The theatre in Ulster: a survey of the dramatic movement in Ulster from 1902 until the present day
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1982 Deborah Brown: Ulster Museum, Belfast, & the Hugh Lane Municipal Gallery, Dublin, Ireland
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Brown's work is included in many collections in Ireland and abroad, including the Ulster Museum,
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410:. Two years later Brown was invited to show with ROSC alongside 7 other Irish artists including
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1956 Deborah Brown: Belfast Museum and Art Gallery, Northern Ireland, curated by John Hewitt
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1968 & 1970 Open Painting Exhibition: Arts Council of Northern Ireland Gallery, Belfast
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1960 Deborah Brown & Alice Berger Hammerschlag: New Vision Art Centre, London, England
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After seeing Brown's work in the Belfast Museum and Art Gallery, the Scottish Colourist
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Irish art societies and sketching clubs: index of exhibitors, 1870-1980, Volume 1: A-L
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1976 Royal Ulster Academy Annual Exhibition: Ulster Museum, Belfast, Northern Ireland
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1962 & 1969 Deborah Brown: the Arts Council of Northern Ireland Gallery, Belfast
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295:, well defined and carefully abstracted, contrast in form with Deborah Brown's freer
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1955 CEMA Spring Exhibition: The Art Gallery, Stranmillis, Belfast, Northern Ireland
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1949 Society of Women Artists 88th Annual Exhibition: RBA Galleries, London, England
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In 1982, the Arts Council delivered a major retrospective of her work hosted by the
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1960 Paintings & Drawings by Ulster Artists: The Lyric Players Theatre, Belfast
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At this time Brown was working on mainly animals in wire and papier-maché and when
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354:. These eight large panels marked Brown's final flirtation with pure abstraction.
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in Dublin in 1947, to study painting for three years. In Dublin she studied under
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1967 Irish Exhibition of Living Art: the Ulster Museum, Belfast, Northern Ireland
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for their sculpture garden at Riddell Hall, Belfast. In 1999 it was purchased by
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1989 Deborah Brown in the 80s: The Shambles Gallery, Hillsborough, County Down
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1966 Art & Industry Exhibition: Royal Marine Hotel, Dun Laoghaire, Ireland
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1354:"Sadness At Death Of Renowned Painter And Sculptor Who Made Donegal Her Home"
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1973 Artist's Choice Exhibition: the Ulster Museum, Belfast, Northern Ireland
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1961 Ulster Society of Women Artists: CEMA Gallery, Belfast, Northern Ireland
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1975 Oireachtas Art Exhibition, Hugh Lane Municipal Gallery, Dublin, Ireland
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287:"Olive Henry is more decadent by instinct, a fine formaliser. Her pictures
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1960 Contemporary Ulster Artists: CEMA Gallery, Belfast, Northern Ireland
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1951 Deborah Brown Oil Paintings: CEMA Gallery, Belfast, Northern Ireland
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1186:. Cork: Gandon Editions for the Crawford Art Gallery. 2007. p. 64.
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2012 Ireland: Her People and Landscape, Ava Gallery, Bangor, County Down
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1967 Four Ulster Artists: the New Gallery, Belfast, Northern Ireland
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to learn art-history. Brown joined a group with artist and musician
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1985 Nine Irish Artists from ROSC, Armstrong Gallery, New York, USA
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1961 The Visual Arts Group: Whitla Hall, Belfast. Northern Ireland
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1966 Deborah Brown: the Richie Hendriks Gallery, Dublin, Ireland
477:, having spent many years at the end of her life in the town of
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1948 Royal Hibernian Academy Annual Exhibition, Dublin, Ireland
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1964 Deborah Brown: the New Gallery, Belfast, Northern Ireland
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1964 Deborah Brown: New Vision Art Centre, London, England
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1959 Deborah Brown: New Vision Art Centre, London, England
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1955 Deborah Brown: The British Council, Glasgow, Scotland
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Irish art of the seventies: Modernist Irish art 1960-1990
517:(1991), Life-size bronze, originally commissioned by the
928:(2nd ed.). Belfast: Blackstaff Press. p. 139.
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1954 Deborah Brown: The Mayfair Gallery, London, England
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2006 Cross Section: Sligo Art Gallery. Sligo, Ireland
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National College of Art & Design, Dublin, Ireland
163:who lived locally. Brown was initially educated at
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437:Bronze on granite plinth, Cushendun, County Antrim
1489:Alumni of the National College of Art and Design
503:the National Self Portrait Collection of Ireland
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713:. Dublin: Four Courts Press. 2005. p. 9.
637:1984 ROSC, Guinness Hop Store, Dublin, Ireland
159:Brown had her first informal art lessons from
1001:. Dublin: Gill & Macmillan. p. 118.
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8:
501:, the Arts Council of Northern Ireland, and
179:and Newton Penprase before enrolling at the
1539:21st-century painters from Northern Ireland
1519:20th-century painters from Northern Ireland
1212:Artists in Britain Since 1945 Vol 1, A to L
823:Artists in Britain Since 1945 Vol 1, A to L
27:
1403:Deborah Brown: from painting to sculpture
1257:Deborah Brown: from painting to sculpture
1240:Deborah Brown: from painting to sculpture
1171:Deborah Brown: from painting to sculpture
1150:. Dublin: Four Courts Press. p. 88.
1094:Deborah Brown: from painting to sculpture
1077:Deborah Brown: from painting to sculpture
1060:Deborah Brown: from painting to sculpture
1048:Deborah Brown: from painting to sculpture
1027:Deborah Brown: from painting to sculpture
949:Deborah Brown: from painting to sculpture
909:Deborah Brown: from painting to sculpture
888:Deborah Brown: from painting to sculpture
767:Deborah Brown: from painting to sculpture
752:Deborah Brown: from painting to sculpture
737:Deborah Brown: from painting to sculpture
711:Deborah Brown: from painting to sculpture
211:, and became acquainted with the work of
1108:"30 artists in show to aid riot victims"
457:In 2016, Brown was the recipient of the
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127:(1999), bronze, Waterfront Hall, Belfast
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849:Brown, Deborah; McAvera, Brian (2011).
779:Brown, Deborah; McAvera, Brian (2011).
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497:, the Hugh Lane Municipal Gallery, the
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1449:13 artworks by or after Deborah Brown
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1524:Women painters from Northern Ireland
1426:from the original on 30 October 2017
970:Jamison, Kenneth (21 October 1959).
851:"Deborah Brown: a life in the round"
781:"Deborah Brown: a life in the round"
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171:Brown studied landscape painting at
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1529:Members of the Royal Ulster Academy
1380:20th Century Painters and Sculptors
1106:Rosenfield, Ray (30 October 1969).
199:and friends, where she played bass
16:Northern Irish sculptor (1927–2023)
181:National College of Art and Design
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1479:20th-century Irish women artists
687:Arts Council of Northern Ireland
519:Arts Council of Northern Ireland
269:Arts Council of Northern Ireland
1514:Alumni of Belfast School of Art
1504:Sculptors from Northern Ireland
395:in representing Ireland at the
1356:. Donegal Daily. 10 April 2023
1309:. 10 November 1987. p. 23
473:Brown died on 8 April 2023 in
343:Women's International Art Club
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384:Brown was awarded the IRÂŁ400
381:and more than twenty others.
337:Brown became a member of the
1554:20th-century women sculptors
1484:20th-century Irish sculptors
1382:. Antique Collectors' Club.
1333:Royal Ulster Academy of Arts
1272:Fallon, Brian (6 May 1987).
643:1987 Soloman Gallery, Dublin
19:For the American judge, see
1544:20th-century women painters
1494:Alumni of Ulster University
408:Hugh Lane Municipal Gallery
339:Free Painters and Sculptors
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926:Art in Ulster 1: 1557-1957
499:Irish Museum of Modern Art
131:Deborah Brown was born in
18:
1416:"Deborah Brown Sculpture"
972:"Diversity of art at RUA"
855:Irish Arts Review (2002-)
785:Irish Arts Review (2002-)
265:Alice Berger Hammerschlag
1214:. Art Dictionaries Ltd.
997:Bell, Sam Hanna (1972).
899:McAvera, (2011), p.71-72
825:. Art Dictionaries Ltd.
399:International Festival.
1146:Stewart, Ann M (1997).
491:RaidiĂł TeilifĂs Éireann
1210:David Buckman (2006).
821:David Buckman (2006).
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173:Belfast College of Art
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1534:People from Cushendun
1038:McAvera, (2011), p.72
960:McAvera, (2011), p.73
924:Hewitt, John (1991).
523:Laganside Corporation
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297:Oil Over Tempra, 1959
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227:amongst many others.
165:Belfast Royal Academy
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86:Belfast School of Art
1499:Artists from Belfast
1303:"The Arts this week"
1274:"Faces in the crowd"
459:Mullan Gallery Prize
161:James Humbert Craig
103:Sculpture, painting
877:– via JSTOR.
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386:Carroll Open Prize
379:Carolyn Mulholland
189:Maurice MacGonigal
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57:, Northern Ireland
1307:Irish Independent
976:Belfast Telegraph
683:by Deborah Brown"
681:Sheep on the Road
515:Sheep on the Road
443:Sheelagh Flanagan
373:, in addition to
125:Sheep on the Road
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51:27 September 1927
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