202:
1232:
31:
287:
as a "narrative of place", which is not constructed around an overarching plot or "grand narrative", but "in the 'little stories' that the user discovers in all the nooks and crannies of the fictional world." This means that closure is built in, enabling "readers to pause in their reading or leave it
222:
as "a pioneering influence in the electronic literature field." She is described as a "new media visionary who has been active in the creative electronic writing community since its inception in the 1980s" by the
Maryland Institute of Technology in the Humanities, which hosts a collection of her
226:
Larsen has led numerous writers workshops—either online, at conferences, or universities— on the subject of hypertext, and has played a vital role in organising the electronic literature community. She hosted
Hypertext Writers' Workshops at ACM Hypertext conferences in the 1990s and hosted the
328:, a default path is built into the narrative, suggesting both chronological sequence and plot development. While 'scholars and analysts' can travel more flexible paths through the stories, first time-readers are advised to follow thematic or character links."
223:
papers and software. Larsen's experimentation with literary possibilities in new digital media has led to her work being frequently analysed and cited by scholars and critics, with works like "Carving in
Possibilities" (2001) being called "canonical".
420:
Dedicated to Larsen's partner, MaJe, this work includes two main storylines. One including a fairy tale story and the other set in an internet cafe dealing with a suppression of information from the state.
440:
This work of hypertext allows readers to click each stanza to reveal a different aspect of the story. President of the
Electronic Literature Organization, Leonardo Flores, describes Larsen's
379:
hypertext to encourage readers to consider choice and agency. This work's purpose is to allow the reader to "re-imagine the woman’s journey from victim to co-author of her own fate."
398:
The Rose
Language is a work of hypertext that re-imagines the basic English language by giving each letter of a word a symbol that explains the context of which the word is used in.
307:
explores allows the reader to explore different narratives and stories through hypertext. Eastgate
Systems Inc. noted Larsen's work as "Finely written and intricately structured,
262:, was one of the first interactive hypertext poetry collections. The work explores the lives of women in a Colorado mountain town in the 19th century. Larsen's admiration for
163:
1340:
1335:
1300:
486:, this work of hypertext explores the lives of women in the 19th century through poems meant for the reader to explore in an abandoned church in a ghost town.
1325:
1315:
1330:
463:
Presented in the form of a quilt, this work of hypertext explores narratives and point of view's from various characters in the nine different storylines.
206:
271:
inspired her to create her own world that followed connections similar to those experienced by readers of Master's book experienced. Written in
654:
1320:
1310:
1295:
521:
138:
author involved in the creative electronic writing community since the 1980s. Her work has been published in online journals such as the
236:
243:
228:
219:
1216:
1201:
1186:
1171:
821:
337:
This is a list of selected works by Larsen, a more comprehensive list can be seen on ELMCIP: Electronic
Literature Knowledge Base.
971:
636:"The Deena Larsen Collection at the Maryland Institute for Technology in the Humanities | About the Deena Larsen Collection"
611:
175:
69:
279:
includes a collection of poems for the reader to explore and discover the identity of the author behind each poem. Writing in
1290:
1305:
235:
which serves as an introduction to the field of electronic literature. She currently works as a technical writer at the
1256:
Larsen's collection of early hypertext works and her own drafts at
Maryland Institute of Technologies in the Humanities
239:, where she was an investigator for research granted by the Science and Technology Program in the 2015 fiscal year.
1011:
30:
1285:
191:
78:
246:. She has also been a board member for trAce and is a past member of the board of directors for the ELO.
267:
159:
93:
315:
231:
online chats on electronic literature from 2000 to 2005. In 2012, Larsen wrote a free textbook called
1280:
324:
372:
515:
777:
1212:
1197:
1182:
1167:
924:
674:
263:
135:
1237:
916:
883:
705:
666:
376:
296:
259:
73:
444:
as "a speaker going out into nature and having an aesthetic and philosophical experience."
201:
525:
987:
319:
82:
1274:
846:
183:
131:
905:"The pleasures of immersion and engagement: schemas, scripts and the fifth business"
822:"Early Electronic Literature and The Deena Larsen Collection – Maryland Humanities"
635:
182:
received the university's 1986 Best Thesis Award. In 1991, after spending time in
616:
Rebooting
Electronic Literature, Volume 2: Documenting Pre-Web Born Digital Media
947:
970:
Laccetti, Jessica. “Where to Begin? Multiple
Narrative Paths in Web Fiction.”
920:
1227:
888:
871:
709:
584:
300:
1250:
928:
904:
678:
670:
511:
483:
272:
753:
974:. Ed. Brian Richardson. Lincoln: University of Nebraska Press, 2008. 182.
1260:
187:
50:
1059:
693:
612:"Rebooting Electronic Literature, Volume 2: Deena Larsen's "Samplers""
46:
1265:
802:"Literary Advisory Board (LAB) – Electronic Literature Organization"
545:"Literary Advisory Board (LAB) – Electronic Literature Organization"
1255:
1209:
The writing experiment: strategies for innovative creative writing
200:
1164:
Writing space: computers, hypertext, and the remediation of print
1087:
1012:"Playing with Rose: Exploring a New Conceptual Language | ELMCIP"
568:
242:
As of 2022, Larsen serves on the Literary Advisory Board for the
303:
and used the design of a quilt pattern to tell various stories.
1111:
1035:
801:
698:
Dichtung Digital. Journal fĂĽr Kunst und Kultur digitaler Medien
544:
194:
where she wrote one of the first MA thesis on hypertext titled
1179:
Prehistoric digital poetry: an archaeology of forms, 1959-1995
1135:
174:
In 1986, Larsen received her BA in English and Logic from the
114:
1245:
726:
655:"The Body and the Possible Soul in Digital Ekphrastic Poetry"
778:"Research by Deena Larsen | Research and Development Office"
1060:"Board of Directors – Electronic Literature Organization"
903:
Douglas, J. Yellowlees; Hargadon, Andrew (2001-09-01).
389:
Playing with Rose: Exploring a New Conceptual Language
158:. Since May 2007, the Deena Larsen Collection of early
872:"Beyond Myth and Metaphor: Narrative in Digital Media"
16:
American writer of electronic literature (born 1964)
1136:"Samplers: Nine Vicious Little Hypertexts | ELMCIP"
694:"Living for Hypertext: Interview with Deena Larsen"
164:
Maryland Institute for Technology in the Humanities
107:
99:
89:
65:
57:
40:
21:
1192:MĂĽller-Zettelmann, Eva and Margarete Rubik, eds.
1181:. Tuscaloosa: University of Alabama Press, 2007.
180:Nansense Ya Snorsted: A logical look at nonsense,
311:breaks new ground for short hypertext fiction."
1194:Theory into poetry: new approaches to the lyric
205:MarĂa MencĂa and Deena Larsen teaching at the
299:(1997), is a series of short stories done in
8:
972:Narrative Beginnings: Theories and Practices
948:"Samplers: Nine Vicious Little Hypertexts"
29:
18:
1341:21st-century American short story writers
1336:20th-century American short story writers
887:
479:Published originally on disc, CD, or DVD
460:Published originally on disc, CD, or DVD
454:Samplers: Nine Vicious Little Hypertexts
283:narratologist Marie-Laure Ryan describes
1211:. Crows Nest: Allen & Unwin, 2005.
395:Exhibited at the ELO conference in 2016
335:
318:observed that, "In Larsen’s case, as in
754:"Deena Larsen's life, times, and works"
503:
400:(See external links to visit the site.)
1301:American electronic literature writers
437:Published online in an online journal
190:and earned her MA in English from the
1081:
1079:
982:
980:
942:
940:
938:
841:
839:
837:
748:
746:
417:Exhibited at the ELO conference 2012
7:
721:
719:
606:
604:
579:
577:
539:
537:
535:
533:
1326:21st-century American women writers
1316:20th-century American women writers
1036:"Modern Moral Fairy Tales | ELMCIP"
1331:American women short story writers
692:Simanowski, Roberto (2000-11-05).
244:Electronic Literature Organization
229:Electronic Literature Organization
220:Electronic Literature Organization
14:
314:Regarding Larsen's work, scholar
1230:
1196:. Kenilworth, NY: Rodopi, 2005.
653:Mathieson, Jolene (2018-06-01).
196:Hypertext and Hyperpossibilities
1086:Flores, Leonardo (2012-09-02).
517:Currents in Electronic Literacy
176:University of Northern Colorado
70:University of Northern Colorado
988:"Andromeda and Eliza | ELMCIP"
207:National Autonomous University
1:
1166:. New York: Routledge, 2001.
847:"Marble Springs 1.0 | ELMCIP"
218:Larsen has been noted by the
178:. Her undergraduate thesis,
1321:21st-century American poets
1311:20th-century American poets
1296:Interactive fiction writers
1088:""Firefly" by Deena Larsen"
254:Deena Larsen's first work,
186:and Japan, she returned to
130:(born 1964) is an American
44:1964 (age 59–60)
1357:
921:10.1076/digc.12.3.153.3231
870:Ryan, Marie-Laure (2002).
889:10.1215/03335372-23-4-581
411:Modern Moral Fairy Tales
112:
28:
671:10.1215/03335372-4324505
1251:Eastgate Systems author
727:"Deena Larsen | ELMCIP"
710:10.25969/mediarep/17402
569:Deena Larsen Collection
512:Deena Larsen Collection
476:Eastgate Systems, inc.
457:Eastgate Systems, inc.
162:has been housed at the
210:
209:in Mexico City in 2022
192:University of Colorado
79:University of Colorado
1291:Writers from Colorado
268:Spoon River Anthology
260:Eastgate Systems Inc.
237:Bureau of Reclamation
204:
160:electronic literature
94:Electronic literature
1306:American women poets
640:archive.mith.umd.edu
362:Andromeda and Eliza
325:These Waves of Girls
214:Career and influence
1177:Funkhouser, Chris.
1162:Bolter, Jay David.
473:Marble Springs 1.0
373:interactive fiction
338:
1266:Marble Springs 3.0
1246:Larsen's home page
1112:"Firefly | ELMCIP"
909:Digital Creativity
524:2009-07-24 at the
424:Presented in 2012
404:Presented in 2016
351:Brief Description
336:
264:Edgar Lee Master's
211:
103:1993–present
495:
494:
348:Publication type
291:Her second work,
136:hypertext fiction
125:
124:
100:Years active
1348:
1261:The Rose Project
1240:
1238:Biography portal
1235:
1234:
1233:
1150:
1149:
1147:
1146:
1132:
1126:
1125:
1123:
1122:
1108:
1102:
1101:
1099:
1098:
1083:
1074:
1073:
1071:
1070:
1056:
1050:
1049:
1047:
1046:
1032:
1026:
1025:
1023:
1022:
1008:
1002:
1001:
999:
998:
984:
975:
968:
962:
961:
959:
958:
952:www.eastgate.com
944:
933:
932:
900:
894:
893:
891:
867:
861:
860:
858:
857:
843:
832:
831:
829:
828:
818:
812:
811:
809:
808:
798:
792:
791:
789:
788:
774:
768:
767:
765:
764:
750:
741:
740:
738:
737:
723:
714:
713:
689:
683:
682:
650:
644:
643:
632:
626:
625:
623:
622:
608:
599:
598:
596:
595:
589:www.eastgate.com
581:
572:
565:
559:
558:
556:
555:
541:
528:
508:
339:
316:Jessica Laccetti
297:Eastgate Systems
156:Blue Moon Review
144:Cauldron and Net
121:
118:
116:
33:
19:
1356:
1355:
1351:
1350:
1349:
1347:
1346:
1345:
1271:
1270:
1236:
1231:
1229:
1226:
1159:
1157:Further reading
1154:
1153:
1144:
1142:
1134:
1133:
1129:
1120:
1118:
1110:
1109:
1105:
1096:
1094:
1085:
1084:
1077:
1068:
1066:
1064:eliterature.org
1058:
1057:
1053:
1044:
1042:
1034:
1033:
1029:
1020:
1018:
1010:
1009:
1005:
996:
994:
986:
985:
978:
969:
965:
956:
954:
946:
945:
936:
902:
901:
897:
869:
868:
864:
855:
853:
845:
844:
835:
826:
824:
820:
819:
815:
806:
804:
800:
799:
795:
786:
784:
776:
775:
771:
762:
760:
758:deenalarsen.net
752:
751:
744:
735:
733:
725:
724:
717:
691:
690:
686:
652:
651:
647:
634:
633:
629:
620:
618:
610:
609:
602:
593:
591:
583:
582:
575:
566:
562:
553:
551:
549:eliterature.org
543:
542:
531:
526:Wayback Machine
509:
505:
500:
334:
252:
216:
172:
140:Iowa Review Web
113:
77:
45:
36:
24:
17:
12:
11:
5:
1354:
1352:
1344:
1343:
1338:
1333:
1328:
1323:
1318:
1313:
1308:
1303:
1298:
1293:
1288:
1283:
1273:
1272:
1269:
1268:
1263:
1258:
1253:
1248:
1242:
1241:
1225:
1224:External links
1222:
1221:
1220:
1207:Smith, Hazel.
1205:
1190:
1175:
1158:
1155:
1152:
1151:
1127:
1103:
1075:
1051:
1027:
1003:
976:
963:
934:
895:
862:
833:
813:
793:
769:
742:
715:
684:
665:(2): 359–382.
645:
627:
600:
585:"Deena Larsen"
573:
560:
529:
502:
501:
499:
496:
493:
492:
490:
487:
480:
477:
474:
470:
469:
467:
464:
461:
458:
455:
451:
450:
448:
445:
438:
435:
434:Poems That Go
432:
428:
427:
425:
422:
418:
415:
412:
408:
407:
405:
402:
396:
393:
390:
386:
385:
383:
380:
369:
366:
363:
359:
358:
355:
352:
349:
346:
343:
333:
332:Selected works
330:
320:Caitlin Fisher
285:Marble Springs
281:Poetics Today,
277:Marble Springs
256:Marble Springs
251:
248:
233:Fun da mentals
215:
212:
171:
168:
123:
122:
110:
109:
105:
104:
101:
97:
96:
91:
87:
86:
67:
63:
62:
59:
55:
54:
42:
38:
37:
35:Larsen in 1999
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
1353:
1342:
1339:
1337:
1334:
1332:
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1286:Living people
1284:
1282:
1279:
1278:
1276:
1267:
1264:
1262:
1259:
1257:
1254:
1252:
1249:
1247:
1244:
1243:
1239:
1228:
1223:
1218:
1217:9781741140156
1214:
1210:
1206:
1203:
1202:9789042019065
1199:
1195:
1191:
1188:
1187:9780817380878
1184:
1180:
1176:
1173:
1172:9780805829181
1169:
1165:
1161:
1160:
1156:
1141:
1137:
1131:
1128:
1117:
1113:
1107:
1104:
1093:
1092:I ❤️ E-Poetry
1089:
1082:
1080:
1076:
1065:
1061:
1055:
1052:
1041:
1037:
1031:
1028:
1017:
1013:
1007:
1004:
993:
989:
983:
981:
977:
973:
967:
964:
953:
949:
943:
941:
939:
935:
930:
926:
922:
918:
914:
910:
906:
899:
896:
890:
885:
881:
877:
876:Poetics Today
873:
866:
863:
852:
848:
842:
840:
838:
834:
823:
817:
814:
803:
797:
794:
783:
779:
773:
770:
759:
755:
749:
747:
743:
732:
728:
722:
720:
716:
711:
707:
703:
699:
695:
688:
685:
680:
676:
672:
668:
664:
660:
659:Poetics Today
656:
649:
646:
641:
637:
631:
628:
617:
613:
607:
605:
601:
590:
586:
580:
578:
574:
570:
564:
561:
550:
546:
540:
538:
536:
534:
530:
527:
523:
520:
519:5 (Fall 2001)
518:
513:
507:
504:
497:
491:
488:
485:
481:
478:
475:
472:
471:
468:
465:
462:
459:
456:
453:
452:
449:
446:
443:
439:
436:
433:
430:
429:
426:
423:
419:
416:
413:
410:
409:
406:
403:
401:
397:
394:
391:
388:
387:
384:
381:
378:
374:
370:
368:Installation
367:
364:
361:
360:
356:
353:
350:
347:
344:
341:
340:
331:
329:
327:
326:
321:
317:
312:
310:
306:
302:
298:
294:
289:
288:completely".
286:
282:
278:
274:
270:
269:
265:
261:
257:
249:
247:
245:
240:
238:
234:
230:
224:
221:
213:
208:
203:
199:
197:
193:
189:
185:
184:San Francisco
181:
177:
169:
167:
165:
161:
157:
153:
149:
145:
141:
137:
133:
129:
120:
111:
106:
102:
98:
95:
92:
88:
84:
80:
75:
71:
68:
64:
60:
56:
52:
48:
43:
39:
32:
27:
20:
1208:
1193:
1178:
1163:
1143:. Retrieved
1139:
1130:
1119:. Retrieved
1115:
1106:
1095:. Retrieved
1091:
1067:. Retrieved
1063:
1054:
1043:. Retrieved
1039:
1030:
1019:. Retrieved
1015:
1006:
995:. Retrieved
991:
966:
955:. Retrieved
951:
912:
908:
898:
879:
875:
865:
854:. Retrieved
850:
825:. Retrieved
816:
805:. Retrieved
796:
785:. Retrieved
782:www.usbr.gov
781:
772:
761:. Retrieved
757:
734:. Retrieved
730:
701:
697:
687:
662:
658:
648:
639:
630:
619:. Retrieved
615:
592:. Retrieved
588:
563:
552:. Retrieved
548:
516:
506:
441:
399:
323:
313:
308:
304:
292:
290:
284:
280:
276:
266:
255:
253:
241:
232:
225:
217:
195:
179:
173:
155:
151:
147:
143:
139:
128:Deena Larsen
127:
126:
117:.deenalarsen
23:Deena Larsen
1281:1964 births
482:Written in
342:Work title
1275:Categories
1145:2021-05-04
1140:elmcip.net
1121:2021-05-04
1116:elmcip.net
1097:2021-05-04
1069:2021-05-04
1045:2021-05-04
1040:elmcip.net
1021:2021-05-04
1016:elmcip.net
997:2021-05-04
992:elmcip.net
957:2021-05-04
915:(3): 163.
882:(4): 598.
856:2021-05-04
851:elmcip.net
827:2021-04-28
807:2022-09-03
787:2021-04-26
763:2021-04-28
736:2021-05-04
731:elmcip.net
704:(7): 1–7.
621:2021-05-04
594:2021-05-04
554:2021-04-26
498:References
375:that uses
345:Publisher
301:Storyspace
58:Occupation
929:1462-6268
679:0333-5372
484:Hypercard
273:Hypercard
170:Education
132:new media
66:Education
571:at MITH.
567:See the
522:Archived
510:See the
431:Firefly
371:Work of
309:Samplers
305:Samplers
293:Samplers
258:(1993),
188:Colorado
51:Colorado
442:Firefly
152:inFLECT
108:Website
1215:
1200:
1185:
1170:
927:
677:
154:, and
61:Author
53:, U.S.
47:Denver
489:1993
466:1997
447:2002
382:2017
377:Twine
357:Ref.
354:Year
250:Works
148:frAme
90:Genre
1213:ISBN
1198:ISBN
1183:ISBN
1168:ISBN
925:ISSN
675:ISSN
514:and
414:N/A
392:N/A
365:N/A
134:and
119:.net
41:Born
917:doi
884:doi
706:doi
667:doi
322:’s
198:.
115:www
1277::
1138:.
1114:.
1090:.
1078:^
1062:.
1038:.
1014:.
990:.
979:^
950:.
937:^
923:.
913:12
911:.
907:.
880:23
878:.
874:.
849:.
836:^
780:.
756:.
745:^
729:.
718:^
700:.
696:.
673:.
663:39
661:.
657:.
638:.
614:.
603:^
587:.
576:^
547:.
532:^
295:,
275:,
166:.
150:,
146:,
142:,
83:MA
74:BA
49:,
1219:.
1204:.
1189:.
1174:.
1148:.
1124:.
1100:.
1072:.
1048:.
1024:.
1000:.
960:.
931:.
919::
892:.
886::
859:.
830:.
810:.
790:.
766:.
739:.
712:.
708::
702:2
681:.
669::
642:.
624:.
597:.
557:.
85:)
81:(
76:)
72:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.