Knowledge (XXG)

Diwana (1952 film)

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that he has no objection to this marriage if the queens of the palace can accept Lali as their daughter-in-law, and the prince at first needs to go back to his palace to learn whether Lali will be accepted or not. After Ashok leaves, Lali's father instructs his tribe to pack up and resume their march, leaving Lali behind. Ashok resolves to leave his palace forever and spend the rest of his life with Lali and her community when he learns that she will not be accepted by the queens. He goes back to Lali who was waiting for him to return, and soon they join the march. During the trip, Phulwa replaces Ashok's water bottle with a bottle of poisoned water. Ashok gets thirsty, and Lali, unaware of the fact, gives him that bottle of poisoned water. Ashok falls sick and Lali cannot understand how it happened. The queens, along with cavalry, spot Kumar and Lali. They accuse Lali of having given him the poison. They take Kumar back with them leaving her behind. Kumar is saved ultimately. When he regains his consciousness, the queens misinterpret to him that Lali has given him the poison because all she wanted to have is his wealth, but not his love.
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Queen Mangala. Mangala confesses her earnest gratitude towards him for saving her husband's life. She employs Ratan on his request. Ratan befriends Mangala's son. Eventually Mangala gets too fond of Ratan, and Ashok finds it irritating. Ratan meets with an accident while carrying the coffer upstairs. He falls down and has a severe injury to his head. Before his death, Ratan discloses that he is Ashok and Lali's son and his mother never gave the poison. Ashok is heartbroken again. He goes to Lali with the corpse of Ratan and they lament together on the death of their son. After the corpse of their son is cremated, Ashok returns to his palace with Lali on his side. At the door he meets an enraged Mangala with a sword in her hand. She argues that Ashok will have to leave Lali behind if he wants to stay in his palace, because Lali does not belong to the standard to stay there. Ashok counter-argues that as long as everything is his property he has the complete right to decide who will stay in his palace. Lali cannot stand this disquietude anymore. She leaves without uttering a single word and Ashok follows her.
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meantime Lali's father, who is the head of his community, sends a man named Phulwa to look for her. Phulwa discovers Lali with Prince Ashok. As he has always desired Lali as his better half, he gets jealous and enraged on seeing Lali close the prince. He attacks Ashok, but gets overpowered by him and runs away. Lali becomes upset and fears that Phulwa will take his revenge on them. Phulwa returns to Lali's father and lies to him that Lali has no guts to face her father anymore as she has lost her virginity to the prince, whom he has knocked down on the spot. Lali's father believes what Phulwa has said and orders his gang, along with Phulwa to rob the regal coffer to avenge this insult.
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Lali gives birth to a boy whose father is Ashok, actually. She names her son Ratan and tells him all about her past. One night Ratan meets his somnambulist father in the forest. He saves his father by killing a snake that was about to bite him. The King's men are there at once and they take Ratan to
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A young prince named Ashok falls in love with a girl named Lali whom he encounters for the first time while hunting in a forest. Later on he learns that Lali belongs to a nomadic community that inhabits his region. Ashok meets Lali again and both confess that they are in love with each other. In the
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In the meantime, Ashok and Lali marry and go to meet Lali's father. Her father does not assent to this marriage, considering the fact that their class distinction will be an obstacle in the course of the relationship; besides, he is the one who has ordered the robbing of the coffer. He tells them
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Ashok reluctantly marries Mangala, the beautiful princess of Thakur Amar Singh. Mangala discovers that Ashok is already married to Lali. She feels as if she has been cheated and informs her father of this. Her father comes to retrieve her, but Ashok shoots an arrow in his back to counteract him.
42: 235:. It was written by S. N. Banerji and edited by M. S. Hajee. It narrates the tragic love story of a prince and a nomadic woman who marry each other, become separated and when they finally reunite together they find themselves bereaved at the loss of their only son. It stars 279: 259:, Neelambai and Amir Bano in supporting roles. The dialogues of this film were written by Jagdish Kanwal. The music was composed by the renowned musician 1077: 726: 1087: 1092: 1072: 1097: 571: 1082: 719: 331: 286: 244: 101: 1012: 1004: 828: 796: 452: 353: 325: 282: 256: 240: 96: 892: 756: 712: 528: 41: 1028: 1067: 996: 964: 940: 852: 812: 343: 232: 173: 162: 78: 52: 1036: 1020: 980: 924: 916: 908: 764: 278: 988: 884: 844: 677: 348: 252: 683: 956: 868: 490: 470: 393: 264: 593: 772: 513: 432: 563: 820: 534: 214: 1061: 972: 836: 804: 519: 876: 780: 748: 736: 17: 704: 1044: 788: 427: 694: 900: 618: 337: 248: 112: 289:) but later discovers to her offense that he is in love with Lali (played by 948: 932: 228: 270:
The film went on to become a huge success and celebrated a Silver Jubilee.
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portrays Mangala, a princess who marries Ashok (played by
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The music for the film was composed by renowned musician
438: 426: 405: 392: 387: 210: 202: 179: 169: 153: 143: 135: 121: 84: 74: 66: 58: 48: 34: 247:in the leading roles, with Shyam Kumar, Ramesh, 306:Hence Mangala is compelled to stay with Ashok. 231:romantic drama movie directed and produced by 720: 8: 727: 713: 705: 384: 40: 31: 546: 524:"Teer Khate Jayenge" – Lata Mangeshkar 7: 574:from the original on 19 October 2017 564:"Diwana (1952) – Full Cast and Crew" 558: 556: 554: 552: 550: 506:"Jeene Diya Na Chain Se" – Suraiya 25: 512:"Mere Chand Mere Lal" – Suraiya, 503:"Dil Mein Aa Gaya Koi" – Suraiya 509:"Lagi Hai Manmandir" – Suraiya 1078:Films directed by A. R. Kardar 1: 518:"Tasveer Banata Hoon Teri" – 1088:Indian black-and-white films 1093:Indian romantic drama films 619:"Deewana (1952) – Flikbase" 1114: 1073:1950s Hindi-language films 1098:1952 romantic drama films 743: 598:www.indianfilmhistory.com 533:"Humein Jo Koi Dekhle" – 527:"Yeh Duniya Kaisi Hai" – 446: 39: 489:, with lyrics penned by 263:, with lyrics penned by 1083:Films scored by Naushad 433:Feature film soundtrack 294: 529:Hridaynath Mangeshkar 497:"Mora Nazuk Badan" – 281: 188:21 May 1952 233:Abdul Rashid Kardar 18:Deewana (1952 film) 1037:Dil Diya Dard Liya 735:Films directed by 295: 174:Kardar Productions 163:Kardar Productions 1055: 1054: 568:www.cinestaan.com 483: 482: 479: 478: 349:Amirbai Karnataki 253:Amirbai Karnataki 220: 219: 16:(Redirected from 1105: 729: 722: 715: 706: 659: 658: 656: 654: 640: 634: 633: 631: 629: 623:www.flikbase.com 615: 609: 608: 606: 604: 590: 584: 583: 581: 579: 560: 491:Shakeel Badayuni 448: 447: 419: 417: 394:Soundtrack album 385: 265:Shakeel Badayuni 195: 193: 44: 32: 29:1952 Indian film 21: 1113: 1112: 1108: 1107: 1106: 1104: 1103: 1102: 1058: 1057: 1056: 1051: 773:Farebi Shahzada 739: 733: 668: 663: 662: 652: 650: 644:"Diwana (1952)" 642: 641: 637: 627: 625: 617: 616: 612: 602: 600: 592: 591: 587: 577: 575: 562: 561: 548: 543: 514:Lata Mangeshkar 474: 465: 456: 422: 415: 413: 401: 383: 316: 276: 251:, S N Banerji, 198: 191: 189: 182: 165: 158: 156: 130: 126: 117: 30: 23: 22: 15: 12: 11: 5: 1111: 1109: 1101: 1100: 1095: 1090: 1085: 1080: 1075: 1070: 1060: 1059: 1053: 1052: 1050: 1049: 1041: 1033: 1025: 1017: 1009: 1001: 993: 985: 977: 969: 961: 953: 945: 937: 929: 921: 913: 905: 897: 889: 881: 873: 865: 857: 849: 841: 833: 825: 817: 809: 801: 793: 785: 777: 769: 761: 753: 744: 741: 740: 734: 732: 731: 724: 717: 709: 703: 702: 691: 680: 667: 666:External links 664: 661: 660: 635: 610: 585: 545: 544: 542: 539: 538: 537: 535:Shamshad Begum 531: 525: 522: 516: 510: 507: 504: 501: 481: 480: 477: 476: 467: 458: 444: 443: 436: 435: 430: 424: 423: 421: 420: 409: 407: 403: 402: 397: 390: 389: 382: 379: 378: 377: 374: 371: 368: 365: 362: 359: 356: 351: 346: 341: 335: 329: 323: 315: 312: 275: 272: 218: 217: 212: 208: 207: 204: 200: 199: 197: 196: 185: 183: 180: 177: 176: 171: 170:Distributed by 167: 166: 161: 159: 154: 151: 150: 145: 141: 140: 137: 133: 132: 131:M. R. Achrekar 125:Dwarka Divecha 123: 122:Cinematography 119: 118: 116: 115: 110: 107: 104: 99: 94: 88: 86: 82: 81: 76: 72: 71: 68: 64: 63: 62:Jagdish Kanwal 60: 56: 55: 50: 46: 45: 37: 36: 28: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1110: 1099: 1096: 1094: 1091: 1089: 1086: 1084: 1081: 1079: 1076: 1074: 1071: 1069: 1066: 1065: 1063: 1047: 1046: 1042: 1039: 1038: 1034: 1031: 1030: 1026: 1023: 1022: 1018: 1015: 1014: 1010: 1007: 1006: 1002: 999: 998: 994: 991: 990: 986: 983: 982: 978: 975: 974: 970: 967: 966: 962: 959: 958: 954: 951: 950: 946: 943: 942: 938: 935: 934: 930: 927: 926: 922: 919: 918: 914: 911: 910: 906: 903: 902: 898: 895: 894: 890: 887: 886: 882: 879: 878: 874: 871: 870: 866: 863: 862: 858: 855: 854: 850: 847: 846: 842: 839: 838: 834: 831: 830: 826: 823: 822: 818: 815: 814: 810: 807: 806: 805:Aurat Ka Pyar 802: 799: 798: 794: 791: 790: 786: 783: 782: 778: 775: 774: 770: 767: 766: 762: 759: 758: 754: 751: 750: 746: 745: 742: 738: 730: 725: 723: 718: 716: 711: 710: 707: 701: 700: 696: 692: 690: 686: 685: 681: 679: 675: 674: 670: 669: 665: 649: 645: 639: 636: 624: 620: 614: 611: 599: 595: 589: 586: 573: 569: 565: 559: 557: 555: 553: 551: 547: 540: 536: 532: 530: 526: 523: 521: 520:Mohammed Rafi 517: 515: 511: 508: 505: 502: 500: 496: 495: 494: 492: 488: 473: 472: 468: 464: 463: 459: 455: 454: 450: 449: 445: 441: 437: 434: 431: 429: 425: 411: 410: 408: 404: 400: 395: 391: 386: 380: 375: 372: 369: 366: 363: 360: 357: 355: 352: 350: 347: 345: 342: 339: 336: 333: 330: 327: 324: 321: 318: 317: 313: 311: 307: 303: 299: 292: 288: 284: 280: 273: 271: 268: 266: 262: 258: 254: 250: 246: 242: 238: 234: 230: 226: 225: 216: 213: 209: 205: 201: 187: 186: 184: 178: 175: 172: 168: 164: 160: 152: 149: 146: 142: 138: 134: 129: 124: 120: 114: 111: 108: 105: 103: 100: 98: 95: 93: 90: 89: 87: 83: 80: 77: 73: 70:S. N. Banerji 69: 65: 61: 57: 54: 51: 47: 43: 38: 33: 27: 19: 1043: 1035: 1027: 1019: 1013:Baap Re Baap 1011: 1005:Dil-E-Nadaan 1003: 995: 987: 979: 971: 963: 955: 947: 939: 931: 923: 915: 907: 899: 891: 883: 875: 867: 859: 851: 843: 835: 829:Baghi Sipahi 827: 819: 813:Chandragupta 811: 803: 795: 787: 781:Khooni Katar 779: 771: 763: 755: 749:Husn Ka Daku 747: 737:A. R. Kardar 693: 689:BollywoodMDB 682: 672: 651:. Retrieved 647: 638: 626:. Retrieved 622: 613: 601:. Retrieved 597: 588: 576:. Retrieved 567: 484: 469: 461: 460: 451: 344:Rattan Kumar 308: 304: 300: 296: 283:Sumitra Devi 269: 223: 222: 221: 181:Release date 127: 79:A. R. Kardar 53:A. R. Kardar 26: 1045:Mere Sartaj 797:Heer Ranjha 789:Farebi Daku 765:Safdar Jung 453:Baiju Bawra 139:M. S. Hajee 106:Shyam Kumar 75:Produced by 49:Directed by 1068:1952 films 1062:Categories 901:Nai Duniya 653:21 October 648:gomolo.com 628:21 October 603:19 October 578:19 October 541:References 442:chronology 367:Sham Kumar 358:Roop Kumar 338:Madan Puri 328:as Mangala 249:Madan Puri 227:is a 1952 192:1952-05-21 155:Production 113:Madan Puri 59:Written by 949:Shahjehan 933:Pehle Aap 757:Sarfarosh 364:Amir Bano 361:Neelambai 354:Mumtazbai 340:as Phulwa 257:Mumtazbai 229:Bollywood 136:Edited by 1029:Do Phool 572:Archived 406:Released 396: by 373:Amir Ali 334:as Ashok 322:as Laali 211:Language 144:Music by 85:Starring 67:Story by 997:Deewana 965:Dillagi 941:Sanyasi 853:Baghban 821:Sultana 699:YouTube 499:Suraiya 487:Naushad 475:(1954) 466:(1952) 462:Deewana 457:(1952) 440:Naushad 414: ( 399:Naushad 388:Deewana 326:Sumitra 320:Suraiya 291:Suraiya 261:Naushad 241:Sumitra 237:Suraiya 203:Country 190: ( 157:company 148:Naushad 128:Art by: 97:Sumitra 92:Suraiya 1048:(1975) 1040:(1966) 1032:(1958) 1024:(1955) 1021:Yasmin 1016:(1955) 1008:(1953) 1000:(1952) 992:(1951) 984:(1950) 981:Dastan 976:(1949) 973:Dulari 968:(1949) 960:(1947) 952:(1946) 944:(1945) 936:(1944) 928:(1943) 925:Sanjog 920:(1943) 917:Kanoon 912:(1942) 909:Sharda 904:(1942) 896:(1941) 888:(1940) 880:(1940) 872:(1940) 864:(1939) 861:Thokar 856:(1938) 848:(1937) 840:(1937) 837:Mandir 832:(1936) 824:(1934) 816:(1934) 808:(1933) 800:(1932) 792:(1931) 784:(1931) 776:(1930) 768:(1930) 760:(1930) 752:(1929) 695:Diwana 684:Diwana 673:Diwana 370:Ramesh 332:Suresh 287:Suresh 245:Suresh 224:Diwana 109:Ramesh 102:Suresh 35:Diwana 989:Jadoo 893:Swami 885:Pooja 877:Pagal 845:Milap 428:Genre 381:Music 376:Nawab 215:Hindi 206:India 957:Dard 869:Holi 678:IMDb 655:2017 630:2017 605:2017 580:2017 471:Amar 416:1952 412:1952 314:Cast 274:Plot 243:and 697:on 687:on 676:at 1064:: 646:. 621:. 596:. 570:. 566:. 549:^ 493:. 293:). 267:. 255:, 239:, 728:e 721:t 714:v 657:. 632:. 607:. 582:. 418:) 194:) 20:)

Index

Deewana (1952 film)

A. R. Kardar
A. R. Kardar
Suraiya
Sumitra
Suresh
Madan Puri
Naushad
Kardar Productions
Kardar Productions
Hindi
Bollywood
Abdul Rashid Kardar
Suraiya
Sumitra
Suresh
Madan Puri
Amirbai Karnataki
Mumtazbai
Naushad
Shakeel Badayuni

Sumitra Devi
Suresh
Suraiya
Suraiya
Sumitra
Suresh
Madan Puri

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