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girl's strength and skill in hunting have convinced him that 'she' is in fact
Achilles in disguise. Finding an opportunity to draw 'Pyrrha' aside Ulysses begins a feigned declaration of love; Achilles is flattered and amused, and more so when he notices that Deidamia is in hearing. As soon as Ulysses leaves she furiously attacks Achilles for thoughtlessly risking exposure and their happiness.
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placed amongst the trinkets. A call to arms sounds, and he brandishes the sword ready for action. He has betrayed himself, and
Ulysses confronts him with his true identity, urging him to join the Greek force massing against Troy. Achilles enthusiastically agrees. Grief-stricken at the thought of losing him, Deidamia curses Ulysses for destroying her happiness.
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immediately, but her anger and distress at his imminent departure lead them into a quarrel. Ulysses pacifies them by revealing his own identity: he too has famously left his much-loved wife
Penelope to go to war, to the greater glory of them both; he predicts that Achilles and Deidamia will achieve similar fame. Deidamia will not be comforted.
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Nerea accuses
Phoenix of feigning love purely to discover and abduct Achilles. He assures her that his love is genuine; he proposes, and she accepts him. They are joined by the others, Lycomedes now content to surrender Achilles to the Greek cause. Ulysses joins the hands of Deidamia and Achilles,
290:
The oracle predicted that
Achilles would die if he fought in the Trojan War. In an attempt to forestall this fate, his father Peleus has disguised him as a girl and sent him to live in the palace of his friend Lycomedes, on the island of Skyros, where he is brought up amongst Lycomedes' daughters and
373:
Deidamia visits her father and confesses her love for
Achilles. Though he blesses their love he tells her that it can last only until Achilles departs, and reveals the prediction that Achilles will die at Troy. Achilles, now at last dressed as a man, comes to Deidamia and proposes that they marry
340:
Lycomedes recommends the hunting on his estate to
Ulysses; he, however, is too old for such sports. The hunt begins, and Nerea attaches herself to Phoenix, gaily taunting him with being more interested in the hunt than in her. Ulysses has been watching 'Pyrrha' and now joins Phoenix: the strange
307:
Inside the palace, Deidamia waits longingly for her beloved Pyrrha to return from hunting. Pyrrha – Achilles in disguise – returns flushed with his exertions and rebukes the women for sitting idly indoors. The women leave
Deidamia and Achilles together. Deidamia gently chides Achilles for being
369:
Ulysses and
Phoenix put into practice a scheme to unmask Achilles. They present the women of the court with a chest of ribbons, fabrics and other finery. As Deidamia frantically urges Achilles to show a girlish interest in them, he instinctively reaches for a helmet, shield and sword cunningly
336:
Nerea brings news that
Lycomedes has arranged a hunt to entertain their guests. Deidamia is alarmed that Achilles' enthusiasm and hunting skill will betray his identity. But Nerea has also been courted by Phoenix and suggests that she and Deidamia distract the Greeks by appearing to respond to
303:
The ambassadors from Agamemnon arrive on Skyros: Ulysses, disguised under the name of Antilochus, Phoenix and Nestor (a silent role). Ulysses asks Lycomedes to contribute military help to the expedition, to which he readily agrees; he then demands that Lycomedes surrender the young Achilles,
332:
In the palace garden Achilles sees Deidamia talking to Ulysses and is fascinated by his armour and manliness. He listens to their conversations, as Ulysses now pays court to Deidamia in order to win her confidence, and Deidamia politely but firmly refuses him. Stung with jealousy, Achilles
311:
Deidamia's confidante, the princess Nerea, brings news of the strangers arrived from mainland Greece in search of Achilles. Deidamia is immediately anxious on Achilles' behalf and a short conversation with Ulysses convinces her that they must be on their guard.
344:
Achilles shrugs off her anger and is about to rejoin the hunt when he is now stopped by Phoenix, who similarly engages him in conversation. Achilles' lack of interest in love convinces Phoenix that Ulysses was correct: 'Pyrrha' is in fact a man.
365:
Phoenix tries to persuade Nerea that he is in earnest: as a Greek woman herself she should be proud, not jealous, that he is soon to leave for the Trojan war. Nerea realises that she should not let this opportunity slip through her fingers.
85:, but received only two more performances at a time when the public was becoming tired of Italian opera. The work was Handel's last Italian opera, and he subsequently turned his attention to composing
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rumoured to be concealed on the island and essential to the Greek victory. Loyal to his friend Peleus, Lycomedes denies that he is sheltering Achilles, but permits his guests to search for him.
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their addresses. Deidamia agrees, but begins to wonder whether Achilles' angry outburst covered a real resolution to abandon her.
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more in love with the chase than with her. Achilles admits that he loves her, but is not prepared to sacrifice his freedom.
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reveals that the city cannot be taken without Achilles' help. Ambassadors are sent to Skyros to retrieve him.
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becomes the lover of the eldest, Deidamia. As the Greeks prepare for their war against Troy, the priest
89:. The opera was revived in the 1950s and it receives staged performances today, e.g. the 2012 staging by
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A New Chronology of Venetian Opera and Related Genres, 1660–1760 by Eleanor Selfridge-Field, p. 492
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and the final chorus encourages them, and us, to take our fleeting pleasures while we may.
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https://www.naxosmusiclibrary.com/sharedfiles/booklets/ALY/booklet-TROY460.pdf
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The second of the two volume definitive reference on the operas of Handel
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609:"Twists and Turns on the Achilles Myth in Handel's 'Deidamia'"
37:
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petulantly berates her for encouraging Ulysses' attention.
68:
had been performed in London in 1733, under the title
81:, was first performed on 10 January 1741 at London's
2019:
1993:
1962:
1918:
1887:
1733:
1712:
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Agrippina condotta a morire or Dunque sarĂ pur vero
1468:
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109:Élisabeth Duparc, who created the role of Deidamia
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8:
754:
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722:Libretto in Italian/English of "Deidamia"
628:"Handel House – Handel's Operas: Deidamia"
40:42) is an opera in three acts composed by
179:in women's dress, under the name of Pirra
77:Handel's opera, a co-production with the
501:
390:
112:
591:
197:King of Ithaca, using the name Antiloco
1280:L'Allegro, il Penseroso ed il Moderato
1216:Il trionfo del Tempo e del Disinganno
115:Roles, voice types, and premiere cast
48:. It premiered on 10 January 1741 at
7:
2087:
2133:Operas based on classical mythology
1954:Keyboard suite in D minor (HWV 437)
1220:Il trionfo del Tempo e della VeritĂ
1445:Ode for the Birthday of Queen Anne
14:
1610:Funeral Anthem for Queen Caroline
2123:Operas by George Frideric Handel
2096:
2086:
2076:
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1631:Wedding anthem for Princess Anne
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607:Loomis, George (27 March 2012).
16:Opera by Georg Friedrich Händel
2052:Handel & Hendrix in London
127:Premiere Cast, 10 January 1741
1:
1725:Music for the Royal Fireworks
1224:The Triumph of Time and Truth
507:discography, video recordings
396:discography, audio recordings
1656:Utrecht Te Deum and Jubilate
1540:Tra le fiamme (Il consiglio)
795:Handel's lost Hamburg operas
617:. Retrieved 24 October 2014.
283:, as told in the stories of
263:The opera is based upon the
83:Lincoln's Inn Fields Theatre
50:Lincoln's Inn Fields Theatre
2154:
683:Handel's Operas, 1726–1741
210:Giovanni Battista Andreoni
44:to an Italian libretto by
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1970:Handel Reference Database
1948:The Harmonious Blacksmith
1638:Foundling Hospital Anthem
1526:O lucenti, o sereni occhi
1459:Ode For St. Cecilia's Day
769:
520:Ulisse, Fenice, Licomede
518:Deidamia, Nerea, Achille,
447:Brewer Chamber Orchestra
409:Ulisse, Fenice, Licomede
407:Deidamia, Nerea, Achille,
359:Joseph-Michel-Ange Pollet
357:Achilles and Deidamia by
1985:Hallische Händel-Ausgabe
1975:Händel-Werke-Verzeichnis
1963:Catalogs and collections
1484:Allor ch'io dissi addio
1438:Aci, Galatea e Polifemo
1343:Joseph and his Brethren
552:Andrew Foster-Williams,
271:, the daughter of King
251:Henry Theodore Reinhold
1910:Concerti grossi, Op. 6
1905:Concerti grossi, Op. 3
1900:Organ concertos, Op. 7
1895:Organ concertos, Op. 4
1670:Queen Caroline Te Deum
1413:The Choice of Hercules
763:George Frideric Handel
467:Anna Maria Panzarella,
362:
324:
319:Achilles on Skyros by
279:, who bore a child by
110:
42:George Frideric Handel
28:
26:George Frideric Handel
1498:Clori, Tirsi e Fileno
681:Dean, Winton (2006).
356:
318:
108:
64:on the same story by
24:
2032:Letters and writings
1505:Dalla guerra amorosa
1166:Va tacito e nascosto
1159:Svegliatevi nel core
779:List of compositions
716:Friedrich Chrysander
485:Il Complesso Barocco
138:daughter of Licomede
2027:British citizenship
1980:Händel-Gesellschaft
1704:Oboe Concerto No. 2
1699:Oboe Concerto No. 1
1694:Oboe Concerto No. 3
1364:Occasional Oratorio
1145:Lascia ch'io pianga
509:
398:
117:
56:Performance history
46:Paolo Antonio Rolli
1557:Latin church music
1547:Un'alma innamorata
1512:Del bell'idolo mio
1491:Aure soavi e lieti
632:Handel and Hendrix
614:The New York Times
548:Silvia Tro Santafé
502:
465:Dominique Labelle,
450:CD: Albany Records
391:
363:
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285:Achilles on Skyros
265:Greek mythological
216:Fenice (Phoenix),
161:friend of Deidamia
113:
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79:Earl of Holderness
29:
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2109:
2042:Handel at Cannons
1713:Orchestral suites
1663:Dettingen Te Deum
1596:As Pants the Hart
1452:Alexander's Feast
1099:Alessandro Severo
1036:Parnasso in festa
685:. Boydell Press.
578:
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543:Veronica Cangemi,
495:
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489:CD: Erato Records
256:
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95:Netherlands Opera
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2020:Related articles
1677:Chandos Jubilate
1603:Zadok the Priest
1430:Odes and masques
1371:Judas Maccabaeus
1176:Incidental music
1029:Arianna in Creta
980:Lotario (Handel)
875:Acis and Galatea
868:Amadigi di Gaula
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387:Audio recordings
148:Elisabeth Duparc
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1273:Israel in Egypt
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1231:La resurrezione
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718:, Leipzig 1885)
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774:List of operas
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1564:Dixit Dominus
1562:
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1533:Ero e Leandro
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917:Giulio Cesare
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563:Concerto Köln
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491:Cat: 4409262
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186:Miss Edwards
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2047:Handel House
1946:
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1579:Salve Regina
1574:Nisi Dominus
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1152:Ombra mai fu
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660:. Retrieved
656:
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635:. Retrieved
631:
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168:Maria Monza
160:
137:
76:
69:
62:ballad opera
59:
32:
31:
30:
18:
2128:1741 operas
1758:Fitzwilliam
1720:Water Music
1314:Der Messias
568:David Alden
558:Ivor Bolton
480:Alan Curtis
442:John Cheek
124:Voice type
91:David Alden
2117:Categories
1357:Belshazzar
945:Alessandro
896:Floridante
662:26 January
653:"Deidamia"
581:References
525:Orchestra,
523:Conductor,
414:Orchestra,
412:Conductor,
382:Recordings
267:character
237:Licomede (
52:, London.
2001:Göttingen
1994:Festivals
1927:Germanico
1648:Canticles
1293:Structure
1208:Oratorios
1092:Faramondo
1050:Ariodante
987:Partenope
931:Rodelinda
924:Tamerlano
882:Radamisto
828:Agrippina
273:Lycomedes
239:Lycomedes
173:Achille (
87:oratorios
2081:Category
1469:Cantatas
1406:Theodora
1350:Hercules
1308:Part III
1127:Deidamia
1085:Berenice
1078:Giustino
1064:Atalanta
938:Scipione
800:Florindo
712:Deidamia
505:Deidamia
394:Deidamia
281:Achilles
269:Deidamia
259:Synopsis
218:King of
205:castrato
193:Odysseus
191:Ulisse (
183:soprano
175:Achilles
165:soprano
134:Deidamia
71:Achilles
66:John Gay
33:Deidamia
2092:Commons
1745:sonatas
1743:XV solo
1588:Anthems
1420:Jephtha
1399:Solomon
1392:Susanna
1303:Part II
1287:Messiah
1259:Athalia
1252:Deborah
1198:Alceste
1071:Arminio
1022:Orlando
1008:Sosarme
973:Tolomeo
835:Rinaldo
821:Rodrigo
637:15 June
293:Calchas
159:Nerea,
143:soprano
2138:Operas
2011:London
1941:Gideon
1569:Gloria
1378:Joshua
1336:Semele
1329:Samson
1298:Part I
1245:Esther
1120:Imeneo
1057:Alcina
1043:Oreste
1015:Catone
952:Admeto
910:Flavio
903:Ottone
814:Almira
806:Daphne
788:Operas
689:
530:Label
418:Label
361:, 1854
277:Skyros
2102:Audio
2006:Halle
1934:Nabal
1919:Other
1735:Flute
1191:Comus
1106:Serse
966:Siroe
861:Silla
854:Teseo
714:(ed.
708:Score
586:Notes
535:2012
516:Cast:
513:Year
457:2002
423:2000
405:Cast:
402:Year
349:Act 3
328:Act 2
323:,1656
299:Act 1
247:bass
220:Argos
121:Role
101:Roles
2037:Will
1888:Opus
1824:367b
1819:367a
1804:364b
1799:364a
1794:363b
1789:363a
1769:359b
1764:359a
1741:and
1739:solo
1266:Saul
1001:Ezio
994:Poro
687:ISBN
664:2019
639:2020
226:bass
93:for
1879:379
1874:378
1869:376
1864:375
1859:374
1854:373
1849:372
1844:371
1839:370
1834:369
1829:368
1814:366
1809:365
1784:362
1779:361
1774:360
1752:358
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275:of
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38:HWV
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