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Rhythm" in the "I Love
Manhattan" competition (jurors: Edward Rubin and Renée Phillips); Best of Show, for "Rhapsody In Blue", Jazz: Visual Improvisations (2003), Target Gallery, Alexandria, VA (juror: Sam Gilliam, international artist); Chelsea Global Showcase Winner (2003) for "Manhattan Rhythm", Amsterdam Whitney International Fine Art, Inc.; Award Of Excellence (2003) for "Desire", Manhattan Arts International, 20th Anniversary Competition, New York, NY (jurors: Nancy di Benedetto, Renee Phillips, NY); Award Of Excellence (2003) for "Journey To Self Discovery", Manhattan Arts International, "The Healing Power Of Art", New York, NY; Artist Showcase Award Winner (2004) for "Life, Love And The Art Of Celebration", Manhattan Arts International, "The Healing Power Of Art" (juror: E. Jay Weiss).
290:, Director; "Abstract Impressions" (2005), CCT Gallery, Northwestern University, Chicago, IL; "Evocative Expressions" (2006), Cork Gallery, Lincoln Center For The Performing Arts, NY; "Biennale Internazionale Dell'arte Contemporanea" (2007), Fortezza da Basso, Florence, Italy; "Moscow International Festival of Art—Traditions and Contemporaneity" (2009), Moscow, Russia; "Visual Interpretations" (2009) GalleriaZero, Barcelona, Spain; and "Lush Xhibit" (2009), Preston Contemporary Art Center, Misilla, New Mexico.
437:'. From Minnelli she borrows the high energy tunes and the ability to pace the material smoothly from belter to ballad to back again. She loves Brel's music as witnessed by her powerful and dramatic renditions of 'Marieke' and 'Sons of...'. With these songs one is allowed the pleasure of seeing Dellamarie, the actress. She exhibits a tenderness and warmth that is unexpected and almost guaranteed to produce a tear. Other notable numbers include a very fresh rendition of '
257:, this period of Parrilli's work also dabbled in a style that alluded to Asian screen painting, and included a set of paintings that were "dominated by large, bold areas of bright primaries." Parrilli continued to utilize the violet hues she favored previously, as well as bright colors in "unlikely-yet-complementary color combinations" that prompted McCormack to comment that "it often appears that she has dipped her brush in liquid light rather than physical pigment."
245:," and noted that her use of saturated color "conveys the sensation of light rather than inert pigment". Curator Ruthie Tucker claimed that Parrilli's early work "express the struggle with light and color," and "achieves a rarity in the genre of abstract painting: she creates art that is inherently dynamic and meditative." Parrilli opted to work directly on the canvas without utilizing preliminary sketches, which created a spontaneity that
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Parrilli's work has been exhibited in many U.S. and
European galleries. Solo exhibitions of her work include: "Reflections: Journeys Within And Beyond" (2002), Fine Arts Building gallery, Chicago, IL; "Between Here … And There" (2006) and "Rhapsodic Abstractions: Variations On A Theme" (2007), Ezair
272:
In the 2010s, Parrilli moved to Los
Angeles, where she employed even more disparate and unusual media and techniques. As of 2014, her Los Angeles-based work operates in several separate and distinct styles, those being three-dimensional polycarbon on acrylic cubes; large watercolors on canvas with
298:
Parrilli has received numerous awards and honors, including: Richard W. and Wanda
Gardner Memorial Award (2002) for "Searching For The Divine", Northern Indiana Arts Association, 59th Annual Salon Show (juror: Paul Sierra); Manhattan Arts International Artist Showcase Award (2002) for "Manhattan
249:
lecturer Nancy di
Benedetto claimed "flows and pulsates with a resonance from the world around her." di Benedetto also pointed out the strong influence of Parrilli's performing career upon her early art, stating that Parrilli "literally sings and dances on the canvases."
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added acrylic textures and/or "wet on wet" painting techniques; and similarly large acrylic on canvas paintings that McCormack described as "muscular and "juicy", with enormous paint strokes "broad enough to have been painted with a broom rather than an ordinary brush."
151:
Parrilli began singing at age 11 after her father was killed by a drunk driver; months later, her family was left homeless after surviving a devastating house fire. Parrilli embraced creativity and began to express her pain and suffering through music, writing, and art.
268:
sheeting normally used for industrial purposes. This set of polycarbon based works continued to draw influence from
Eastern painting techniques, "embrac both Eastern and Western picture-making strategies without coming down firmly on one side or the other."
240:
Parrilli's early works (circa 2002-2004) utilized oils that were applied with "staccato pallet knife strokes", and were often characterized by the frequent use of a "distinctive violet hue." McCormack called her "one of the most worthy successors to the
285:
Parrilli’s work has been featured in numerous group exhibitions, including: "Chelsea Global
Competition" (2002), Amsterdam Whitney Fine Art Gallery, New York, NY; "Viridian Affiliate Artists" exhibition (2003), Viridian Artists, New York, NY;
219:
in
Chicago in February 2002 and was followed by long run of exhibitions in New York and Chicago. Parrilli's art has received numerous awards, and her work is featured in numerous private and corporate collections throughout the United States.
432:
has three strong influences in her stage presence: Judy
Garland, Liza Minnelli and Jacques Brel. She pays tribute to Garland (but does not mimic her), with a medley of hits which graciously omits the much overworked
227:
author Ann Landi noted that
Parrilli had "developed her own expressionist vocabulary," while also noting the "obvious sophistication and parallels with mainstream modernism" that distinguished her work.
317:. Parrilli also worked as art director and photographer for the album release. Siberry credited Parrilli for adding a renewed energy and focus to the album's arrangements. The album was featured in
282:
Gallery, Southampton, New York; "Into The Light" (2008), Walter Wickiser Gallery, New York, NY; "Jackson Pollock Meets Bette Midler" and "Beyond Barriers" (2009), The Palmer Gallery, Chicago, IL.
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Parrilli's fascination with light would gain even more prominence as her art developed. In 2008, Parrilli began a nine-month search to find materials conducive to conveying an even stronger
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style that encompasses numerous genres and media. Parrilli's art has been in gallery exhibitions in Europe and the United States, particularly in Chicago and New York.
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Parrilli's works flow and pulsates with a resonance from the world around her...Her virtuostic compositions open up windows to the world and define a sense of reality.
133:
Prior to 2000 (when she turned to visual arts and painting as her full-time focus), Parrilli was a singer. More recently, she was executive producer of the album
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magazine praised Parrilli on her "audacity to tackle seemingly worn-out formulas, to give them a mighty shake, and to conjure something that is all her own."
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Parrilli turned to art as a full-time pursuit after her bouts with illness. Parrilli's first public art exhibition was held in the gallery of the
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By 2007, Parrilli's style continued to use oils, but had changed to a layered pour and drip technique. Although created in a style similar to
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in 1979, and produced and performed a one-woman variety show act that a contemporary review noted to be influenced by "
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has transformed creativity from the stage to the studio where she literally sings and dances on her canvases.
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McCormack, Ed (November 2007). "Dellamarie Parilli's 'Reflections' Light Up Madison Avenue's Ezair Gallery".
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Art critic Ed McCormack described Parrilli's self-taught style as "adventurous and constantly evolving", and
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in 1971 with a Bachelor of Arts in Music. Under the stage name "Dellamarie", Parrilli headlined at the
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198:. The two conditions left her unable to sing, and abruptly ended her singing and performance career.
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Dining Poll for "Best New Restaurant" one month after it opened. The restaurant closed in 2000
697:. Vol. 2, no. 2. New York: Amsterdam Whitney International Fine Art Inc. p. 28.
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In 1998, Parrilli and a partner opened a restaurant in Chicago named Hoxie's, which won the
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McCormack, Ed (February 2004). "At Marymount College: The Passion of Dellamarie Parrilli".
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McCormack, Ed (February 2004). "At Marymount College: The Passion of Dellamarie Parrilli".
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which featured a six-song Judy Garland medley and a collection of standards and showtunes.
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522:"Dining Poll Results. Tray Chic: Raves for what Chicago craves – with a side of stuffing"
891:"Jane Siberry Lets Nature Guide Her Toward Renewed Connection With Mainstream Listeners"
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In 1992, Parrilli's show "Judy: The Songs and Stories of a Legend" was about to open on
772:. Vol. 24, no. 31. Chicago: Windy City Media Group. 29 April 2009. p. 9
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2016 "The Year In Music" year-end review, and has received positive reviews from
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1002:"Miranda Lambert's New Album Is a Soaring 'Double Dose of Heartbreak' (5 of 6)"
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In 2016, Parrilli served as executive producer of Canadian singer/songwriter
635:(Exhibition Catalogue). New York: Walter Wickiser Gallery Inc. pp. 2–3.
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McCormack, Ed (February 2014). "Dellamarie's Tribute to an Adopted City".
798:. Vol. 129, no. 277 (main ed.). 9 October 2009. p. F3
426:"An evening of 'Razzle Dazzle' Dellamarie enlivens Jane Addams Theater".
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462:(Media notes). Dellamarie Parrilli. Chicago: Carousel Productions. 1984.
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751:. Vol. 16, no. 3. New York: Eye Level Ltd. p. 24.
615:. Vol. 10, no. 2. New York: Eye Level Ltd. p. 23.
679:. Vol. 6, no. 3. New York: Eye Level Ltd. p. 29.
1028:"Review: Jane Siberry haunts, stirs on 'Angels Bend Closer'"
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1055:"Jane Siberry Returns To Kateness With Angels Bend Closer"
363:. Chicago, IL: DePaul University. Winter 2004. p. 21.
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524:. Vol. 152, no. 317. Chicago Tribune. Section 7
948:"Northern Star: Jane Siberry on a New Musical Journey"
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359:"From Disaster to Rave Reviews: Dellamarie Parrilli".
375:"Alumni US: DePaul University, Greater Chicago Area"
866:"Deadline Nearing For Chelsea Global Showcase 2004"
844:"Deadline Nearing For Chelsea Global Showcase 2004"
708:Tucker, Ruthie (May 2003). "Emotional Interludes".
693:Tucker, Ruthie (May 2003). "Emotional Interludes".
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975:"All Songs Considered: The Year In Music 2016"
264:. This search led Parrilli to find and use a
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430:. Chicago. 17 August 1979. p. 19.
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1059:Popdose
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