Knowledge (XXG)

Rosita Melo

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Melo showed a great talent for music. At the age of four, she could already play the piano by ear. Once in primary school, she never gave up her music studies. She later studied piano in Buenos Aires and ultimately became a professor of piano and concert at the prestigious Thibaud-Piazzini
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Vélez and Melo initially opposed the idea, and requested that if Manzi wrote new lyrics, Vélez's name should be included as co-author. Manzi ultimately agreed, the lyrics became famous and the waltz, already a classic by the time, became universally famous.
266:). Other sources date the composition between 1911 and 1917. Melo is quoted saying it was the work of an adolescent. The waltz's theme is dedicated to the love of a mother. Vélez would write the first set of lyrics for it, years later. 231:
The poems of Melo were published in newspapers and cultural magazines of her time. Her poems were published in the book "Antología de poetas jóvenes" ("Anthology of Young Poets") alongside those of
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After her husband died in 1976, Melo died in Buenos Aires on August 12, 1981, and was buried at the "Rincón de las Personalidades" ("Corner of Personalities") in the
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when Rosita was three years old. On February 23, 1922, she married the young poet and writer Victor Piuma Vélez who would write the lyrics for all her compositions.
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in different cultural centers in Buenos Aires, earning medals and awards. She was appointed as a representative of music in a ceremony held at the
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Manzi's lyrics remain the most famous ones and are often reinterpreted in different versions of the song when performed by other musicians:
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In 1911, at the age of 14, Melo composed her first and now world-famous Boston-style
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there. Her two daughters had a monument erected in her memory there.
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and other famous contemporary poets. She gave many concerts of both
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Throughout her life, she created a body of work that includes
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for which she is known as the first widely recognized female
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pianist, composer and poet. She is the author of the famous
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had recorded four instrumental waltzes of Melo. In 1948,
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immigrants Michele Mela and Rosa Luciano de Mela, from
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Index

Desde el Alma
Montevideo
Buenos Aires
Tango
Waltz
Creole Waltz
Pasodoble
Polka
March
Argentine
Uruguayan
vals criollo
Rioplatense Hispanic
Montevideo
Italian
Rionero in Vulture
Basilicata
Buenos Aires
conservatory
tango
waltz
vals criollo
pasodobles
polkas
marches
Alfonsina Storni
classical
popular music
Teatro Colón
Roberto Firpo

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